- Archive for Fullmetal Alchemist.
Kaminagi is a Girl Next Door because her apartment
building is only an apple's throw away, okay?
Among the many moe stereotypes, you'll frequently find the Childhood Friend. She is a staple of harem comedies and pretty much anything related to dating sims or eroge. One study suggests that the Childhood Friend does quite well for herself, even if she does not necessarily have the inside track.
Sometimes you're taking your chances with the Girl Next Door.
In addition to the Childhood Friend, you'll also find the Clumsy Girl, the Class Rep, the Athletic Girl, and the Shrine Maiden, among others. Curiously, you won't find the Girl Next Door quite as often.
Calling Naru a Girl Next Door might be a stretch,
but the floor/ceiling hole convinces me.
Perhaps the Girl Next Door is a convention foreign to Japan, at least compared to her stature in American culture. You'll remember that Hugh Hefner built his empire on her charms. He explicitly states that his Playboy centerfolds represent the Girl Next Door. (I would argue that the typical centerfold has looked less and less like "the girl next door" over the years, but you get the idea.)
A Childhood Friend, Winry is also a Girl Next Door,
even if her house is kinda far. They live in sugei inaka.
But where ranks the Girl Next Door among anime cliches? When she does appear, she's sometimes also the Childhood Friend or some other more common cliche. It's like she's just the Girl Next Door by happenstance.
Kasumi might be the best Girl Next Door in all anime.
So, while I can't claim the Girl Next Door is rare, she is uncommon where anime is concerned—uncommon and under-appreciated. All glory to the Girl Next Door. When you're with her, it feels like home.
I want to say Winry saves Fullmetal Alchemist: Brotherhood,
but even that's not true.
Fullmetal Alchemist: Brotherhood, Fullmetal Alchemist II, Full Metal Alchemist ~Here We Go Again~...no matter what you call it, it suffers from the nagging problem that it feels like a clip show of something I've already seen before. I'm told Brotherhood is supposed to be more faithful to the manga (which I have not read), and I'll even presume the manga is better than the first anime. Nevertheless, this retelling of Fullmetal Alchemist feels very redundant, and I can't help but enjoy it a lot less than I think I otherwise might. Then again, it's possible the show actually sucks, and I'm blinded from seeing it because I want to like it. In any case, I rank it below both Queen's Blade and Asura Cryin' this season—a rather sorry position for such an esteemed title.
IT'S CLOBBERIN' TIME
The recast voices are only a small part of the problem. Not that many were actually changed, and since I don't really know the original voices of the supporting cast all that well, only Winry and Lust really sound wrong to me. I can't say the pace is off either, because although it is faster, it doesn't especially seem rushed. Most likely the biggest problem is that I have seen the original and this is just different. There's a good chance I'd be saying the same thing about the original anime adaptation now had the shows been switched. Chalk this up as a cautionary tale about how first impressions can cement dispositions and preferences, I guess.
Kusada finally breaks. Better hang on, kid.
With a few exceptions, most of the shows I watched last season bear one thing in common: very few anime fans from my corner of the Internet (the best and worst of whom can be found at #raspberryheaven) would give them a chance. Even Hatsukoi Limited, which I previously mentioned is the best show from the spring 2009 season, attracted relatively few followers. (Most were too busy watching K-On! and searching for Mio fan art.) Those that actually watched Hatsukoi Limited instead of merely asking, "What's so great about another school romance show?" found a combination of light comedy and whimsical tales of first love so deftly executed I have no reservations naming it the top show of the season ahead of the initial (and already controversial) episodes of the second season of Suzumiya Haruhi no Yuuutsu.
Yuki looks bored, even for Yuki.
Haruhi II still secures second, and will presumably do well during the summer 2009 season, even if (or in my view, especially if) there really are eight episodes of "Endless Eight." That would be awesome, particularly if it drives conventional-thinking fans into sending Kyoto Animation furious letters with death threats which they can include in a The End of Haruhi movie that makes little sense but includes a bitchin' fight scene. (I secretly hope there are 15,514 episodes of "Endless Eight," and that the entire ordeal is somehow Yuki's fault and not Haruhi's at all.) I bet all the people who can't stand "Endless Eight" are the same people who skip OPs and EDs.
Natalie Portman from Leon joins the Phantom cast.
Nobody ever believes me, but Phantom ~Requiem for the Phantom is actually really good—good enough to finish third for spring 2009 (and currently lead summer 2009). Bee Train influences are obvious, but this is not El Cazador de la Bruja or Madlax. For one thing, there's a male lead. Moreover, none of the female leads have displayed any signs of lesbianism. In fact, Ein apparently really likes getting oil massages from creepy old guys. Bio Concerto is worth its weight in gold, people. I'm telling you.
Aoba, you're not even trying.
A lot of people won't watch sports anime in general or baseball anime in particular. Cross Game is at its best when it's not about baseball, to tell you the truth. I enjoy it a great deal more than Touch and what I've read of H2, but the actual baseball games in Cross Game are not as compelling as the slice-of-life stories about Kou and Aoba.
You're not exactly facing the Taisho Yakyuu Musume team now, Goro.
Major season five takes the fifth spot. I'm still watching it as there are still unsubbed episodes, but I won't be including it with the summer 2009 lineup. [Update: Advanced to fifth place after episode 120.] Assuming the fifth season is the final season of Major, I have to say this was an excellent series and I really appreciate the epic nature of the show, following Goro from childhood to adulthood. Were I to include all five seasons of Major as one work, it would easily take the top spot. Incidentally, Shimizu Kaoru still leads in the Girl of the Year rankings for 2009. This one is going to be a boat race.
Takako contemplates the future of Kannagi.
The Kannagi episode 14 OVA is every bit as good as the series. That it only places sixth should tell you just how good the competition is this time around. I hope Kannagi gets a second season.
There's a storm brewing, Peach-han.
Fresh Pretty Cure ranks seventh, but has moved up quite a bit in the summer 2009 rankings due to the fully awesome Cure Passion arc, currently underway. This is another show nobody but Precure fans seem willing to watch, but the Setsuna/Love friendship really is compelling. Every episode recently has had the kind of OH SHIT moments typically attributed to shounen jive or cheesy Gundam switcheroos. Speaking of shounen jive, Fresh Pretty Cure is very light on the "standing around talking instead of fighting" bits, and when Love cuts loose, she starts out in a normal voice but gets exponentially louder and faster (it's awesome, trust me) until you think she's about to ace someone square in the face. There is too much beam spamming, though, but episode 23 is expected to include brutal fisticuffs, so we're back to the basics. Kickass.
Needs more Ana Coppola, Black Custom.
Eighth goes to the second OVA episode of Ichigo Mashimaro Encore. This series also really could use another season. It remains entertaining and funny, and definitely does not deserve the extra baggage that keeps many people from watching it.
If Alice isn't happy, no one's happy.
Pandora Hearts is good, but weird, so anyone that might watch it probably is watching it already, and no amount of cajoling will convince anyone else to give it a try, alas. I can understand why it doesn't have broader appeal.
Ed doesn't seem to obsess about his height as much this time.
Fullmetal Alchemist: Brotherhood would have fared better if it hadn't felt like watching a really long clip show. It should also do better in the rankings this summer as it diverges more from the first anime. Curiously, I'll watch countless episodes of "Endless Eight" but the deja vu sensation of the early Fullmetal Alchemist: Brotherhood episodes really turned me off. Or maybe it's because Brotherhood halved Winry's cup size. Could be.
Asahina's daily life.
The Melancholy of Haruhi-chan got a lot better as the season went on, but it's still not as good as Petit Eva or the various Marimite specials, for example.
No! Keep your damn dirty hands off Kotori's hat!
The second episode of Da Capo: If came out during spring 2009. Pity it wasn't as good as the first installment. Then again, no Kotori arc is ever going to seem satisfying as long as Junichi remains such a putz.
I'm still amazed Mamiko Noto voiced Tomoe as a straight-up serious character.
Queen's Blade is what it is. I think it would have been infinitely better if Tomoe (the miko character) had—for no discernible reason—gone the entire series without getting naked .
Asura Cryin' faded a bit, or at least my interest did. I like all the colors, though. [Update: The end of Asura Cryin' got really shounen and kinda stopped being fun at all. Why can't it just be about humping your ghost girlfriend and every once in a while robot fights? I guess I won't be watching the second season, alas.]
Nyoron Churuya-san started out funny, but got a little tiresome towards the end, whereas its Haruhi-chan counterpart managed to improve and keep me looking forward to Haruhi II.
Good Lord, there were a lot of shows spring season. And I'm not just saying that because I watched a hundred-some episodes of Chi's Sweet Home so I could start Chi's New Address. Even with three-minute episodes, that is a lot of Chi. I could be burned out on all the kittenness, but Chi's New Address doesn't seem as good as Chi's Sweet Home. Needs more bear cat, for one thing. I also keep waiting for Chi to finally age, but for the time being she remains Yotsuba in kitten form.
Needs more Tamaki.
The first episode of To Heart 2 ad plus wasn't very good. It's pretty forgettable, alas.
I would have kept watching K-On! had it replaced Mio with Yomi.
I didn't drop any shows aside from the following series I previously mentioned: Eden of the East (8) > Shin Mazinger Z (3) > Saki (2) > Valkyria Chronicles (3) > K-On! (4) > Higepiyo (3) > Shangri-La (1).
Needs more Perrine-H. Clostermann.
I should probably exclude OVAs from future such lists. I already leave off movies. Besides, it's not possible to "drop" a movie or a one-episode OVA. Well, I guess unless one abandons it midway. I probably should have done that with The Sky Crawlers. That movie should have had a Strike Witches crossover wherein the 501st Joint Fighter Wing wipes them all out in five minutes and the movie ends. Sheesh. The damn thing felt like it was 15,513 fortnights long. (Yes, I know. Yes, I know that too.)
Winry at work.
There are a few common complaints about Fullmetal Alchemist: Brotherhood. Among them include changed voices and a less buxom Winry. Now, the matter about the voices is not going to go away, but, as Epi pointed out earlier, Fullmetal Alchemist: Brotherhood now sports a new ED. This
second third ED powers up Winry to her previous dimensions. This is unlikely to affect Winry's in-show character design, but it seems likely the changes for the ED are intended to quiet some of the grumbling while hearkening back to the "Motherland" ED from the first anime season—the one about Winry killing time at home.
Winry playing make-believe.
Another common Fullmetal Alchemist complaint is that Winry does not really serve much of a purpose in the show. She has been called mere eye candy and a Mary Sue, for example. Both allegations have some merit, but I don't think these characteristics necessarily diminish Winry's importance in the show. Do not underestimate the Girl Next Door. She reminds Al and Ed of home.
I think we all know what this phone call is about.
Moreover, I submit that it is necessary to include aspects in a show not necessarily dedicated to advancing the primary plot. I am not advocating filler for filler's sake, but I don't think many will disagree if I claim the semi-parody Mustang-centric episode of the first Fullmetal Alchemist anime contributed in meaningful ways to the overall success of the series by expanding the role of costars in ways we might not otherwise have seen. Likewise, the old "Winry killing time at home" and now the new "Winry at work" EDs flesh out some additional details about the character—in this case, nothing we didn't already know or couldn't have assumed, but it's still nice to have it there.
This was considered pretty good quality at the time.
All right, here goes: I never skip the opening and closing credits of any episode of anime I watch. That's right, I watch every single OP and ED of every single episode, even for episodes I've already seen before. The only time I skip an OP or ED is when the encode does not include them (as with many of these old ass Love Hina first-generation digisubs that I am sort of re-watching right now).
I admit dancing in the rain helped Shimizu win Best Girl of the Year.
Nearly every single time I've made the admission, the response has been incredulous. Yes, I know it's a very simple matter to set up a hotkey that jumps the video ahead 90 seconds (plus, better containers and, you know, actual store-bought discs permit you to chapter skip), but I don't watch every OP and ED because I'm too lazy or ignorant to skip them. I watch them every time because I consider them part of the show.
All right, I haven't bought the Ah! My Goddess series DVDs yet, okay?
At least I've purchased The Adventures of Mini-Goddess,
the OVA, the movie, and the manga already.
And since I consider OPs and EDs part of the show, how much I like or dislike an OP or ED affects how much I like the show as a whole. Disliking the Lucky Star OP is one of the reasons I've never finished watching the series. I do find Lucky Star a little boring (and I straight-up dislike Lucky Channel), but I probably would have finished watching it by now if I really liked the OP instead. Likewise, I am grateful the Macademi Wasshoi OP is horrible, because it guaranteed I would find the series not just terrible, but completely unwatchable after the first episode.
I like First Winry better even though she doesn't
have massive hips or manhands.
However, since I consider OPs and EDs "part of the show," does this mean I consider OPs and EDs canon? Well, no, although I suspect there are times we would all like to think of scenes depicted within OPs and EDs as canonical. For example, Shimizu dancing in the rain during Major season four, or the Winry's-daily-life EDs from either of the Fullmetal Alchemist series. These sequences are reasonably plausibly canon—as much so as the Aa! Megami-sama TV "date" ED which we know from the manga is canon.
A bodyguard and his poor little rich girl.
What about ones like the Kaze no Yojimbo OP? Depending on your point of view, it might be nice to think those events actually happened, and from a certain perspective I can see how it's at least plausible, but I think it's more likely the scenes are pure misdirection—perhaps to divert some attention from what the show is really about. Not that OPs and EDs can't include misdirection and still be canon. Princess Tutu, I'm looking in your direction....
Ahiru as a duck. Unless you're ADV,
in which case it's Duck as a duck.
So what is worse? That I never skip OPs and EDs or that I care about them? Surely it's not that strange, is it? On days like these, I'm probably lucky I leave comments disabled.
I dropped Kiddy Girl-and at episode nine for trying to add a plot.
By convention, anime bloggers seem obligated to offer end-of-season summaries breaking down the finer points of the shows they watched and presumably covered (hah!) over each three-month block (or cour). So be it.
The short version is as follows: Kimi ni Todoke (12) > Cross Game (38) > Fullmetal Alchemist: Brotherhood (38) > Miracle Train  > Seitokai no Ichizon  > The Book of Bantorra (14) > Queen's Blade II  > Sunred II (37) > Fresh Pretty Cure (45), where the number in parentheses represents the last episode watched, and numbers in brackets indicate completion of a series and its total number of episodes. No OVAs or movies are included in these rankings.
I'm calling it: Yano is pure evil.
Kimi ni Todoke veers into melodramatic territory frequently and its reception has grown increasingly polarized. Depending on your stomach for such shows, it's either excellent or unwatchable—at least that's the way it seems when comparing various reactions to the series. I find it excellent. Also, those of you who know Mamiko Noto from interviews, behind-the-scenes specials, and commentary tracks will reasonably conclude both her Shimako-variety and DARK MAMIKO personas (more on that later) are purely products of acting. Evil Miyuki Sawashiro, on the other hand, I'm convinced is the real deal. I'll never look at Puchiko the same way again. Anyway, I'm glad Kimi ni Todoke is getting another cour. It has sympathetic leads and villains I don't hate.
This is as close as you'll get to seeing Aoba tearing her clothes off.
Cross Game and its Mitsuru Adachi storytelling remains as compelling as ever, although it's probably a comment on the state of today's anime trends that I find a simple heterosexual romance to be a refreshing departure from the usual feuds among turbo lesbians and loathsome harem comedy leads. However, if you're familiar with Adachi's staples, you may find Cross Game a little too familiar. E.g., there will be no great happiness for the characters (and Aoba and Ko aren't going to start tearing each other's clothes off anytime soon), but at least one moment of tragedy or despair is assured (as is appropriate for baseball). Despite the sports theme, Cross Game is best as a relationship drama and light comedy, and succeeds because it plays to these strengths.
"Whoa, look at the size of that cat!"
Fullmetal Alchemist: Brotherhood is good shounen/mainstream fare without the odious shounen jive conventions one typically finds attached to shows aimed at such audiences. This anime variant, more faithful to the original manga than the first Fullmetal Alchemist, retains the interesting characters and periodic plot twists that made the first series so popular. Really, at this point, Brotherhood is at least as good as the first anime—if not better—and deserves more attention from the crowd that dismissed it early on as a simple rehash of something they had already seen.
There is no escape from the Miracle Train, sweetie.
Miracle Train turned out to be a lot less gay than I was expecting. In fact, homosexual overtones were almost entirely absent, despite the show's outward appearance. Instead, what Miracle Train really seems like is some manner of train gang rape porn. Basically every episode some girl gets on a train and is immediately surrounded by men who won't let her off until they've "solved her problems." Usually the girl offers token resistance, but eventually relents and actually enjoys "having her problems solved" in the end. It's a ridiculous concept, punctuated by copious amounts of train and train station trivia, a token loli, and a talking dog that sounds suspiciously like Athrun Zala wondering what in Hell he's supposed to do this time about the man in the mask. Still, I'm glad I watched the entire series, and the later episodes contained the right mix of seriousness and sentimentalism.
This is really a girl, isn't it? He has a ribbon.
Seitokai no Ichizon was all right even if it relied too much on reference humor. It had good comic timing, amusing characters, and never aspired to be much more than what it was.
"I want you to hit me as hard as you can."
The Book of Bantorra is worth watching just because it's different. I liked the way the first arc played out, although Ayako Kawasumi's departure from the show is sorely missed. Well, they did bring her back to narrate the clip show in episode 14. Besides that, Noloty deserves to be on the short list of dark-skinned anime characters, Mirepoc has ridiculous-yet-awesome hair, and the strongest character on the show is the woman who is really good at hucking rocks. How can you not like that shit?
Kayoko fan art is goggled.
Sunred II is basically just more of the same. I like parody, but the jokes are becoming a little one-note. At this point I'd rather they just make the entire thing a bachelor-chow cooking show with Kayoko and Vamp punctuated by occasional household tips.
The horns mean Tomoe is serious. Dead serious.
I realize this is fairly qualified praise, but Queen's Blade II is far and away superior to the first season. For one thing, there's a lot less peeing. But the real gem is discovering why Mamiko Noto has been playing Tomoe so seriously all this time. The return of DARK MAMIKO is a welcome surprise albeit one only familiar to those who realized it was her in Dai Mahou Touge and perhaps those who enjoyed the final scenes of her character in the Kara no Kyoukai movies. (Note: DARK MAMIKO is not to be confused with her Ana Coppola Black Custom variant.) But really, Queen's Blade II develops a plot AND character development which is enough to elevate this ridiculous show to at least non-ironic watchable levels, even if the vast majority of its cast—unusually professional Mamiko Noto aside—completely phoned in their roles. Tanaka Rie, for example, was terrible.
Lay off the meth, girls.
Fresh Pretty Cure is treading water and has been mostly lackluster since the end of the Cure Passion arc. Retconning Setsuna into a 14-year-old girl was not unexpected, but still inexcusable from a storytelling viewpoint. The addition of a fourth Cure diminished the importance of Cure Pine and Cure Berry and Cure Redundant. Wait, I mentioned her already. I maintain that Precure as a franchise works best with two Cures—no more, no less.
What about Nogizaka Haruka no Himitsu: Purezza?
Dropped at episode eight for being piss awful.
Was Autumn 2009 weaker than most seasons? I'd have to say so. Granted, I didn't watch Darker Than Black II or Railgun, both very highly regarded shows (although I suspect Railgun will be another ephemeral flash in the pan everyone disregards when the next shiny thing comes along), but aside from the refreshing Kimi ni Todoke and the briefly euphoric return of DARK MAMIKO in Queen's Blade II, I can't claim there will be much unique to Autumn 2009 alone that I will remember or recommend without reservation, alas.
Winry walking down a hallway.
Just so you know, the fourth Fullmetal Alchemist: Brotherhood ED should have just been a minute and a half of Winry walking down this corridor and nothing else.
I liked the manga version of this scene better, though.
Cross Game and Kimi ni Todoke went down to the wire as to which show would claim the top spot, but Cross Game pulled ahead for the win at the very last episode because it had a great ending and Kimi ni Todoke didn't have an ending at all.
Ume > Sawako.
To be fair, the Kimi ni Todoke manga is still running, so there wasn't much else the anime could do without making Kazehaya a vengeful bounty hunter years in the future after a sudden timeskip. On the other hand, Cross Game took a good manga ending and adapted it so well it's better than its source.
Damn, Chiaki, give the kid a break.
I already said why I like Nodame Cantabile: Finale so much.
Here is a screenshot of Ed instead of Winry
again since it is technically his show.
Fullmetal Alchemist: Brotherhood remains as solid as or better than the first Fullmetal Alchemist anime. I'm still perplexed why so many viewers who were excited by the first anime are apparently completely uninterested in the current show. I guess maybe they outgrew it. Brotherhood continues during the Spring 2010 season.
The Book of Bantorra needed more Noloty.
I liked The Book of Bantorra mostly because it was so different. Imaginative and perplexing at nearly every turn, The Book of Bantorra kept me interested because I never knew what to expect from any episode. That, and I liked how the most powerful and dangerous librarian's primary weapon consisted of hucking very small rocks. I was also amused she spent a good portion of her spare time embroidering little bunny rabbits. Hamyuts was pretty well-rounded for a sadist.
I promise not to make any head jokes.
Durarara!! is a good show that I would enjoy more if I cared about any of the characters. They aren't badly written characters by any means; I just don't find them interesting for some reason. I don't even care about Celty—probably because she gets flustered so easily. It's like finding out your hot date is infected with moe. Yeah, you can get a shot to clear it right up, but sometimes the burning sensation just isn't worth it. I guess I kinda like the girl who smiles in every single one of her scenes and the perpetually angry dude who throws vending machines at people. DRRR!! also continues Spring 2010.
Cure Berry needed more funnels.
Fresh Pretty Cure really took a dive after the Cure Passion arc. The ending was completely lackluster. When you compare it to the ending of the original Futari wa Pretty Cure series or the ending of its Max Heart sequel, it's blatantly obvious the Precure franchise is playing it safe and taking no chances anymore. The ending of the original Futari wa Pretty Cure was a complete downer that probably didn't traumatize many children but doubtlessly left many of them sad. Too bad, kids; life is real. The ending of Max Heart was a multi-episode fist fight between Zakenna dudes that didn't fight fair and the outnumbered Cure Black and Cure White. (Shiny Luminous was on the bench with too many fouls at this point.) Then they basically had to fight Lilith from The End of Evangelion. It was awesome. The Fresh Pretty Cure finale, on the other hand, faced off four Cures against a bad guy Kirk and Spock would have outwitted without leaving the bridge. And they received battle costume upgrades in the form of angel wings for some reason. Except for Cure Gundam Berry. Just had to be different, didn't you, Miki?
Okay, there was some misinformation in Chu-Bra! as well.
I didn't expect much from Chu-Bra!! at all. This was my PSP experiment show. Results from the experiment were inconclusive in this case, but I believe it would have made a difference with a show where the video and audio mattered more regarding one's enjoyment of the series. Instead of the fan service bonanza and a lot of pandering, Chu-Bra!! instead turned out to be the low-brow anime equivalent of a +5 Informative Slashdot post. It wasn't especially ambitious, but Chu-Bra!! surprised me by not being crass. Honest. Many of the underwear scenes were drawn extremely simplistically to presumably minimize the amount of fan service in the show. In fact, I think there were fewer gratuitious T&A scenes than there were underwear lessons in the style of the Gunbuster science lessons. I kid you not.
Hirano Aya is perfect as Katja.
Seikon no Qwaser is basically porn that's not intended to titillate. It's anime one-upmanship. Episode one: Junior high kid sucks high school tits to boost his shounen fighting powers. By episode 11 the show moves on to twincest lesbian S&M rapists. I'm dead serious. And it's planned for 24 episodes. I, for one, am looking forward to another cour with a great Hirano Aya character and the only Kawasumi Ayako game in town.
I guess Hinagiku was all right since she had a yakuza posse.
Hanamaru Kindergarten was the least Gainaxy Gainax show I've ever seen. I would have liked it better if it had Gainax kicks, or if the lead characters weren't so despicable. I swear, Tsuchida could have learned a lot about ambition and guts from Love Hina's Urashima Keitaro. Yamamoto was supposed to be a Belldandy-type perfect woman, but she's dumb as all Hell.
Vamp and Kayoko should get married.
Astro Fighter Sunred is about as good as it ever was, I suppose, but 40+ episodes of essentially the same jokes over and over gets a little tedious. I'll keep watching it if ANBU keeps subbing it, but Sunred really should have been a 13-episode series. I'd still rather watch a Kayoko + Vamp cooking show about bachelor chow.
Heartcatch Precure appears to be the most popular Pretty Cure series thus far, at least as far as mainstream acceptance goes. I'm really unimpressed by it, however, probably because Cure Blossom is a dojikko and her worst-Cure-ever shtick is not endearing at all. Needs more Dark Precure and Cure I-Know-It's-You-Hisakawa-Aya Moonlight. A mid-season replacement for Fresh Pretty Cure, look for Heartcatch to run at least another 40 episodes.
I bet Dark Precure's original designation was Cure Sunshine.
[Update: Oops, there's already a character called Cure Sunshine.]
Final Tally: Cross Game > Kimi ni Todoke > Nodame Cantabile: Finale > Fullmetal Alchemist: Brotherhood (50) > The Book of Bantorra > Durarara!! (12) > Fresh Pretty Cure > Chu-Bra!! [PSP] > Seikon no Qwaser (11) > Hanamaru Kindergarten > Sunred II (40) > Heartcatch Precure (8). Dropped Winter 2010: None.