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Dated 10 October 2016: There sure are a lot of adults in anime lately

Nozomi
This butt is over-18.

Anime sure loves high school boys. Arguably, the only characters anime loves more than high school boys are middle school girls. Whether you agree with this assessment or not (and don't take it too seriously, okay, this is why I don't have comments enabled), I don't think I'll get much opposition if I claim a lot of (mostly shitty) anime skews towards school-aged protagonists in school settings. In the extreme, you even get shows such as Guilty Crown or Kakumeiki Valvrave where preserving a school's social structure is the single most important goal of the characters, despite living in a state of war.

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Dated 3 December 2018: Look, I don't care if Japanese-speaking Taiwanese puppets aren't really anime, Thunderbolt Fantasy is great

Xie and Shang
Well, she did poison him.

Oh. Have I not previously blogged about watching Thunderbolt Fantasy? So yeah, Urobuchi Gen of Puella Magi Madoka Magica, Fate/Zero, and Psycho-Pass fame apparently got interested in Taiwanese puppet shows one day and got the ball rolling on the first season of Thunderbolt Fantasy in 2016. It turns out Taiwanese puppet shows are awesome and wuxia puppetry was a genre I didn't realized I was interested in. I also found the production values unexpectedly good. Are Taiwanese puppets shows always like this? As an additional bonus, Sawano Hiroyuki's music supports a solid cast.

Lin
These are some fancy puppets.

The second season of Thunderbolt Fantasy is currently airing. (Yes, you should watch the first season before starting this one.) Not all the surviving characters from the first season have yet reappeared in the second season. I'm actually a little surprised at the relatively small number of characters thus far in the sequel. I'm much more accustomed to ballooning cast lists as shows run longer. This has also prevented the sequel from following a "sword-of-the-week" formula like I had originally feared. And while the highs are yet not quite as good as those of the first season, I am enjoying the sequel and am basically prepared to watch more Taiwanese puppet shows as they become available.

Dated 25 May 2021: Thunderbolt Fantasy season three is the most complicated puppet show I have ever watched

Rin and Sho
I heard you like puppets.

Admittedly, I have not watched very many puppet shows, but the list of puppet shows that I have watched does include seasons one and two of Thunderbolt Fantasy, so I think I am at least somewhat entitled to characterize its third season as being more complex than its predecessors. At a minimum, I feel it takes focused concentration to ensure I am not missing critical plot developments or under-appreciating character decisions. This is not to say Thunderbolt Fantasy: Tōriken Yūki 3 is a daunting show to follow in principle—just that there are some factors making it a surprisingly demanding watch considering I initially got on board strictly for puppet-fu.

Nanasatsu Tenryo
If you're going to spend the rest of your life as a sword, you may as well look fabulous.

For one thing, the names of the characters are spoken in Japanese, but the subtitles display their Chinese (or sometimes English) variants. This practice is not unique to the third season, but has made names more difficult to remember as the cast list grows. And then every character seems to have their own thing going on, so there are more plot threads to track. Additionally, most of the scenes this season have been somewhat dimly lit. This doesn't help when characters are routinely changing locations by literally teleporting through magic portals. Sometimes it's difficult to determine if I'm supposed to recognize locations. Still, these are not strong complaints, and Thunderbolt Fantasy continues to serve up awesome Taiwanese puppet fights, so I'm pretty stoked this third season exists at all.