The first time I watched the first season Bubuki Buranki, I didn't think it was very good. It wasn't until after Epizo's introduction that the show really clicked for me, although I enjoyed the fight between Kinoa and her ex-boyfriend during which his attacks consisted entirely of literal flashbacks to their Meet Cute and early relationship. Upon re-watching the first season, though, I loved the show and its absurd excuses to feature giant robots punching things at the whim of angry teenagers making faces. Perhaps I was just late in appreciating the motivations and relationships among the various factions.(more…)
There are a surprising number of shows I'm interested in scheduled for autumn 2016. Most of these are sequels of some sort, but there are a few new properties that have caught my eye. Notably, I've yet to do any concerted investigating into the upcoming season, so the following only include titles that I noticed at some point and deemed worthy of preemptively annotating in my anime spreadsheet.(more…)
I ordinarily would have dropped Million Doll already, but instead I re-watched its first six episodes in preparation for the show's final stretch. This was only possible because each episode is four minutes long. Million Doll has entirely too much frightful 3D CGI for me to watch six full-length episodes, let alone re-watch that many. Even aside from the 3D CG, the show looks cheap as Hell. (Are we still allowed to claim a show looks "cheap" in a post-Shirobako world?)(more…)
Dated 26 December 2011: This is a Mahou Shoujo Madoka Magica gimmick post (but not about "Puella Maji" doubleplus ungood Latin subtitle)
I randomly found this thing one day. It seems oddly familiar. Wait a minute....
This can't be good.
I've finally gotten around to checking out these Animelo concert videos I've heard so much about. Most of it is about what I expected, including performances by a number of singers I suspect were lip syncing. However, I also discovered Chihara Minori; I previously only knew her from Yuki Nagato fame and that one water bottle incident.
Chihara Minori followed Ali Project on the first day of Animelo 2009. Ali Project was vintage Ali Project. I.e. SO WEIRD. I've heard Ali Project's music described as atonal warbling. I guess that's accurate. I, for one, enjoy songs by Ali Project, but they're so strange. I can see how many people might only tolerate Ali Project. The Animelo 2009 audience was interested, but I can't say they were enthusiastic.
But then Chihara Minori strutted out in her space disco outfit with titanium fuck-me boots channeling the ghost of Olivia Newton-John (don't ask) and positively blew the roof off the dump. THIS is Yuki Nagato? You've got to be kidding me! Chihara Minori was awesome at Animelo 2009, electrifying the crowd out of its lull. I think she was even better than Banana Mizuki who was awesome herself. Chihara Minori's contrast with her Yuki persona could not have been greater. I also didn't know she sang the Ga-Rei Zero OP. "Paradise Lost" rules.
< rq> 3 weeks, $5,000. what are some good vacation destinations.
< cheese> stay at home and spend your 5k on anime figurines
< Evirus> You could conduct some anime tourism and visit Real Life settings in Japan.
< rq> i would need a guide
< Evirus> Maybe you could get on the Miracle Train and have Akari guide you.
Speaking of anime tourism, there are actually people who do this [Update: See also http://blog.livedoor.jp/kouhei14915/]. Naturally, most of these pilgrimages occur in Japan since the vast majority of anime series take place in Japan, but there are titles with settings in other countries.
Notably, Gunslinger Girl takes place in Europe—primarily Italy. Many of the scenes are surprisingly accurate, too. For example, a car chase in Florence—while impractical given the narrow roads and masses of tourists along the river Arno in real life—includes the appropriate turns to take the characters into the hills south of the city.
Gunslinger Girl also devotes a substantial portion of episode seven to the artistic treasures of Florence, including a short tour of the Uffizi. Aside from some fudging regarding the availability of WCs and the apparent lack of metal detectors at the entrance, the scenes inside the Uffizi itself are at least as accurate as the other Gunslinger Girl settings.
Aside from shows set in Europe like Gunslinger Girl, Noir, Monster, and a smattering of titles taking place in North or South America, I am hard pressed to recall many series set in realistically depicted locales outside of Japan. E.g., Eden of the East, sort of realistic. Phantom ~Requiem for the Phantom~? Less so.
There are obvious difficulties preventing more anime series from taking place outside of Japan, but it would be nice if more shows would make the attempt. At least there are occasional cross-border operations, as with Nodame Cantabile: Paris. Considering how many show have token "studied abroad" characters such as Mayu from Ai Yori Aoshi or "parents perpetually traveling on business" characters such as Eri from School Rumble and Honoka from Futari wa Pretty Cure, you'd think at least periodic throwaway scenes would be more prevalent. Heck, Full Moon wo Sagashite managed a trip to America, although that excursion was instrumental to the plot.
Another example is the fifth Maria-sama ga Miteru "third season" OVA which includes a whirlwind tour of Italy, hitting Rome, Venice, Pisa, and Florence if I remember correctly. Here, the Marimite cast visited most of the tourist hot spots, albeit briefly. (Anyone know if the seiyuu got a chance to go "on location" like the cast of Stratos 4 did?)
However, unlike Gunslinger Girl, the Marimite visit to Florence did not devote attention to The Rape of the Sabine Women. In fact, the OVA devoted more time to the Field of Miracles in Pisa than it did to all of Florence combined.
Those of you familiar with the episode may recall how different Rosa Canina's singing voice sounded compared to her speaking voice. While I don't know if a different voice actress pinch hit for the song, the tonal differences can at least be attributed to the exceptional acoustic qualities of the Baptistery.
On the other hand, Yoshino declining to ascend the final flight of stairs in the Leaning Tower of Pisa is incomprehensible. Although I can accept Yumi taking a pass on the better view, such a decision is completely uncharacteristic of post-operation Yoshino. It seems if Yumi and company were to abandon the climb, they would have given up at the (admittedly less photogenic) halfway point than, as depicted, the landing just short of the very top.
As far as I know, Sachiko (who wasn't there) is the only character afraid of heights, and none of the second-years are infirm anymore (at least not much), so the characters' mutual decision to abandon the ascent while in sight of the top is even more peculiar. Perhaps the animation department lacked the research to accurately animate the top of the tower and the surrounding view. I'm not familiar enough with the original novels to know how the corresponding scene played out originally.
This reminds me that I still haven't finished my Maria-sama ga Miteru posts as promised. Of course, I also haven't finished my Iriya no Sora, UFO no Natsu comparisons with Saikano. Hopefully the statute of limitations hasn't run out yet on either of those endeavors.
To that end, I shall digress from the current Anime Tourism topic to remark on a primary failure of the later Maria-sama ga Miteru seasons: Not enough Sei. The Italy OVA of the third season featured here is especially culpable of Sei omission. Because while she was there, she wasn't really there. (This is less obtuse if you've actually seen the episode.)
Picking Sei as one's favorite Marimite character is an uncontroversial no-brainer, but this is also a testament to the impact and influence she has on Yumi and the show as whole. Like I said before, the underlying theme to Marimite is Growing Up. Specifically, it's about Yumi growing up, to no small credit thanks to Sei's guidance (read: constantly fucking with her) when Yumi was a first-year student. (That we only see Sei herself grow up through flashbacks is our loss.) Sei's importance to Marimite, even in absentia, permits the fifth OVA of the third season to make her a MacGuffin that ostensibly steers the episode, setting the appropriate flags for Yumi's good ending, as it were, but she's still sorely missed.
I vote Todai. [Update: It wasn't Todai. That was a completely wild guess on my part; I'm not actually sure how to go about finding places. On the other hand, anime teaches us that if you're looking for people: students will be on the school rooftop, students who secretly want to sleep with you will be in abandoned classrooms or deserted club rooms, and anyone else will be at the river.]
If I can't talk about the plot of Monster, what else does that leave? Well, for one thing, there's the setting.
Monster is one of the few anime series set outside Japan. Nearly all the scenes take place in mid-nineties Germany, as Dr. Tenma, his nemesis, and Inspector Lunge chase each other around. The settings are well-researched, with accurate cityscapes, landmarks, and other details (such as bus stop signs).
Monster is also the closest thing to a road movie that you're likely to find in anime. Thanks to Dr. Tenma's travels, the viewer is treated to new locales (mostly in Germany), many of which are introduced almost as characters themselves.
For example, when Monster introduces us to "The Girl from Heidelberg," we don't only get to meet the lovely Nina Fortner, we also visit the Heidelberg Schloss.
Various landmarks and landscapes are depicted accurately and prominently without detracting from the story. Other shows depict well-known settings similarly, but such settings are usually in Japan. (How many times have we seen Tokyo Tower or Big Site, for example.) The mere fact alone that Monster takes us into Europe makes the show worth a look, although I suspect most viewers will be too quickly hooked by the captivating story to go sightseeing.