No, not the teacher who is a succubus. She's just another Christmas cake virgin, same as practically all female teachers in anime. (P.S. Spoilers.) I'm referring to the male teacher, who is perhaps the rarest of anime creatures: The adult male lead in a harem comedy. Or, more specifically, he is an adult male anime character who behaves like a goddamn grown-up despite being the lead in a harem comedy.(more…)
Dated 5 November 2015: I'm not sure if Saekano succeeds because of its source material or in spite of it
Saenai Heroine no Sodatekata (Saekano: How to Raise a Boring Girlfriend) is an anime adaptation of an ongoing series of light novels about a group of high school kids developing a visual novel game for Comiket. It's a harem comedy and relies heavily on tropes and common character archetypes. Tomoya is an unapologetic otaku clad in birth-control glasses. His tsundere childhood friend is hopelessly in love with him, but naturally he's completely oblivious. Since she is in a harem comedy, Eriri has plenty of competition from more aerodynamic rivals who offer Potato-kun the green light early and often. Really, the only reason the "YES" embroidery on his bedroom pillow isn't completely worn down is due to the preservative powers of the Otaku Virtues. The damn shit's better than Woolite.(more…)
Just because I stop watching a show doesn't mean I've dropped it. This is the case with nearly every show in my Also Watching category, some of which have had zero progress in over two years. With regard to this season's new shows, I am way behind on Mangaka-san to Assistant-san to and Mushishi Zoku Shou, albeit for different reasons.(more…)
I feel as if I watched too many shows last season. However, there also isn't anything that I regret not dropping. Does that mean the winter 2014 season was particularly good or does it mean I'm not making very good use of my spare time? Maybe it's both. There were quite a few good shows, or at least okay shows with lots of good moments.(more…)
KILL la KILL and Golden Time continued without interruption from the previous cour. Both remain about as good as they were previously, and for pretty much the same reasons as before. Thus, if you liked the shows the first time around, you'll probably still like them now. Gin no Saji (Silver Spoon) took a short break after its first cour, but also proves to be as good as it was now that it has resumed for winter 2014.(more…)
Since I'm less likely now to start something I'm not certain I'll enjoy, I drop fewer shows these days. However, this trend apparently gets offset by my decreasing patience with shows in general, so I still dropped four shows winter 2013. Moreover, all four were fairly well-regarded by fans who aren't even disreputable. That is, the shows didn't suck; they just didn't appeal to me.
The "best" show I dropped was Love Live! School Idol Project which I stopped watching after episode five. I can see why other people enjoy it, but I never cared about the characters or the plight of their school. Some of the characters have interesting traits, but I didn't find them to be interesting people. I understand that schools closing due to Japan's declining birthrates is a genuine phenomenon, but it's not a problem that resonates with me personally. Also, I may have exceeded safe school-closure dosage levels after exposure to so many shows invoking that particular plot device.
I dropped Kotoura-san at episode nine. This is unusual for two reasons: First, Kotoura-san is a really good show sometimes. Or at least it really has its moments. Second, after watching nine episodes of a single-cour series, I was so close to the end anyway it seems sticking it out and hoping for the best would have been a reasonable proposition. On problem with that though: Kotoura-san also annoyed the Bejesus out of me pretty frequently. Pointless cockblocking, idiotic one-note gags, and some really shitty writing offset the show's good qualities. I guess on average it's still at least okay as a whole, but it just wasn't worth it to me.
It seems so long ago now, but I dropped Maoyuu Maou Yuusha at episode three. It was frankly kinda boring, and the lengths it went to in order to prevent its lead characters from becoming romantically involved were kinda ridiculous. When the season's starchiest Potato-kun isn't the high school kid in the harem comedy, but rather the skillful warrior in the fantasy epic about economics and logistics, there's a problem.
I had no interest in starting GJ-bu until maybe a couple weeks ago when its vocal fans and their adoration reached critical mass. Something about brushing girls' hair? I dunno, couldn't be that bad. The most passionate fans were particularly enamored of a character named Shion and episode five—the one where she gets her hair brushed. Okay, I guess I can watch five episodes of this thing. Well, it turns out it's not a bad show at all, but it did not appeal to me in the slightest. I guess it's because I prefer "cool," confident, and capable female characters doing things adeptly or with aplomb. Conversely, I dislike "cute" girls who are deliberately broken or inept in some fashion to appear more attractive. As a rule of thumb, I think I should just avoid anything described by other anime fans as "adorable." That seems to be a politically correct code word for "loli" or "mentally deficient" depending on whether the character in question is a small child or an adolescent. (E.g., Rikka from Chuunibyou demo Koi ga Shitai!) You may remember that I railed against K-On! for its aggravating Retard Moé shtick.
However, GJ-bu wasn't so much Retard Moé as it was Autism Moé. This is not a term I coined or attached to the show, and I can't remember who said it first, but I certainly agree it is apt. These are not normal girls by any stretch of the imagination. I'm not suggesting solidly average boring girls would have been an improvement, but I'm increasingly put off by the "cute girls doing cute things" trope being extended ever further away from merely eccentric (or even neurotic) behavior towards an ideal where anime girls are basically pets or small children. This is not a new or unique criticism of moé to be sure, and I don't even have any opposition towards moé in general. I just can't enjoy the glamorization of these hopeless girl-shaped caricatures, even if they do have flaxen hair. Snow White had that too, but let's face it, she wouldn't have lasted two days alone in that forest without her benevolent animal friends.
Okay, I didn't really build a kotatsu. I bolted an electric wall-mountable low-wattage ceramic heater to the underside of a cheap square coffee table.
My first encounter with a kotatsu was almost 10 years ago, while watching Love Hina. There's an early scene during which Keitaro is forced to hide underneath one for some contrived reason. At the time, I couldn't understand why he was complaining about the heat. Reading the manga (incidentally, offered online for free by its author, Ken Akamatsu) clarified things a bit. 14 volumes of Love Hina gave me a better understanding as to the functions and features of this weirdo heated table thing. Still, I couldn't understand why Keitaro wasn't bending Naru over the kotatsu at every opportunity, but that question is not germane at this time.
There are probably a few changes I would incorporate were I to construct Ghetto Kotatsu 2.0, pending further testing. It doesn't help at all that the temperature in Southern California was regularly in the 80s this January (think high 20s, if you use Celcius).
The end of the Rihoko arc in Amagami SS was a bit unexpected. Based on the four previous arcs, I had come to expect certain conventions, so their absences are a bit perplexing. I suppose the differences this time around serve to give the show as a whole greater depth.
I still say Rihoko is one of the more likable girls in Potato-kun's serial harem, although I felt her arc was rather unsatisfying. This probably says more about how little chemistry Junichi has had with basically every character in the show aside from his childhood friends, to tell you the truth. It also makes it all the more perplexing that neither childhood friend option got nearly as much action as the less believable pairings. And when you consider how much attention that damn tea club table has gotten over the past 20 episodes, Potato-kun's failure to bend Rihoko over the kotatu is especially egregious.