This fight could have been an e-mail.

As far as I know, there is only one episode of Sasaki to Pii-chan (Sasaki and Peeps) left this season. I should have dropped it after that bowling alley fight in episode two. Let me be absolutely clear about this: All of the fights in this anime are terrible. They're not interesting, there's no tension, and they never feel necessary. They're not the worst I've ever seen, but Lord, they ain't good. If this were a better show, I would say something like, "Thankfully, the fights comprise only a small part of the series, and are not critical to one's enjoyment of the narrative."

There are A LOT of shrimpy girls in this series, but they aren't love interests.

Unfortunately, Sasaki to Pii-chan is not a better show. Maybe it'll get good after 50 episodes? I get the sense the audience is supposed to be in it for the long haul. I don't know how many volumes of the source material this single cours has covered, but it doesn't feel like much. The show drags, and it seems as if it wants to explore a lot of different ideas, but also wants to do them all at once. Consequently, there's no chance for any sort of satisfying conclusion or storytelling beat this season. It's just going to end, and I'm not going to care.

This anime bed is made of concrete.

I've been reading Kekkon Yubiwa Monogatari (Tales of Wedding Rings) since it first came out a decade ago. It's honestly not an especially compelling story, but I got in at the ground floor because I like Maybe, the manga duo who also gave us Katsute Kami Datta Kemono-tachi e (To the Abandoned Sacred Beasts) and Tasogare Otome x Amnesia (Dusk Maiden of Amnesia). Wedding Rings is a fairly straightforward Hero v. Evil Menace fantasy story. It's also one of those deals where the hero's strength is bolstered by the power of polygamy. There are plenty of stories where magic abilities correspond with boner status (e.g., Dakara Boku wa, Ecchi ga Dekinai and Dokyuu Hentai HxEros, among others), but that's not quite what's going on here.

There sure has been a a lot of polygamy anime lately.

Still, the whole going-on-wife-collection-adventures thing sets the tone for what you can expect. I don't think the anime will attempt to cover the entire manga in a single cours, but I also have my doubts about the likelihood of this getting multiple seasons. Through two episodes, it's mostly just fine, although I'm less enthusiastic about it since most of what I liked about the manga is how it looks. In comparison, the Tales of Wedding Rings anime simply looks like, well, just another anime. I'm sticking with it, but I can see how anyone coming to the series with a blank slate may be somewhat unimpressed.

I don't know what sort of voice I expected instead, but it wasn't that.

I started watching Sasaki to Pii-chan (Sasaki and Peeps) despite knowing basically nothing about it. Well, I knew Yuuki Aoi voiced a talking bird, and that was reason enough for me. And I guess I also knew someone convinced Frog-kun that it got better later. It turns out it's about a salaryman who is not at all phased that his newly acquired pet bird is a wizard from a different world. Oh, and magic also works in Japan. I guess there's no reason why it wouldn't.

You may remember me from such anime as 80,000 Gold, Etc.

Anyway, it feels as if I'm being pranked largely because of how the two leads are voiced. I'm at the point where I can't hear Tomokazu Sugita voice any character without, well, without it sounding as if it's just Tomokazu Sugita voicing a character. Additionally, Yuuki Aoi has given the bird an unexpectedly deep voice. You know how the cat in Machikado Mazoku (The Demon Girl Next Door) has a deep voice that's played for laughs? It's a similar effect, except played straight. The first episode is double-length, which is enough time to bring in the psychics who are part Japan's secret psychic government agency, and, it's like...are you putting me on?

How long have you been sitting there?

Anyway, I'm going to keep watching, and hope its focus on arbitrage diminishes a bit. I also don't want it to devolve into magic v. psychics battling. Okay, but then what do I want from Sasaki and Peeps? I suppose I want talking-bird adventures. And I suppose I'm also curious to find out how out-of-place the subplots involving the neighbor feel. I've seen people claim on the social-type media that she was an editorial addition glomming onto some sort of wayward teen girl trend, possibly inspired by HigeHiro. I see the source material (a light novel) is still ongoing, so I'm not expecting much from this anime. Maybe being elaborately pranked by it wouldn't necessarily be a bad thing.

Momo puts up with a lot of stuff she doesn't care about.

Machikado Mazoku: 2-Choume (The Demon Girl Next Door 2) and Komi-san wa, Komyushou desu. 2 (Komi Can't Communicate 2nd Season) both pick up where their first seasons left off. In that respect, it's basically more of the same for these sequels. In my case, I am fully on board with both of these shows because they're fuckin' great.

You can tell she's not serious because she's not using her dominant hand.

In particular, I enjoy the way Kitou Akari delivers her lines as Momo in Machikado Mazoku. Maybe I don't have any reason to know how Momo should sound, but her deadpan and somewhat tired way of speaking goes a long way towards convincing me she really is a veteran magikal girl who has already saved the world at least once and is now sort of slumming it without much enthusiasm in the world she protected.

I appreciate "anxious Shouko" more than "hot Shouko," but I'm pretty sure everyone does.

In contrast, Shouko, the titular Komi-san, is basically in a constant state of anxiety, but her struggles and the reactions of those around her continue to amuse me. I wouldn't characterize the anime as a must-watch series necessarily, but it is done well and I do find Shouko herself and some of the members of her menagerie enjoyable to watch, so I'm glad the show got a second cours.

Rika could stand to be a little less uptight.

Actually, wait, the title of this post is a lie. Probably everybody did. I, for one, am in it for the potential wall-to-wall traumarama. Somehow, Araburu Kisetsu no Otomedomo yo. (O Maidens in Your Savage Season) is my top Summer 2019 show through four episodes, even though I typically hate a lot of Okada Mari's work. Anohana is the best example of this, being a highly praised show about Deep Feelings which drove me nuts with its bullshit and lazy contrivances. On the other hand, I'm riveted in my front-row seat for Araoto as its melodrama plays out. So far, its themes of unrequited love, envy, lust, and cruelty are not especially unique, but they also don't have to be. Everything just works and I'm happy to see its characters struggle to make sense of this challenging stage in their lives.

We're going to be seeing this face a lot, I suspect.

With regard to my own feelings about the Okada-isms in Araburu Kisetsu no Otomedomo yo., it's not as if there haven't been shows I've liked despite of (or potentially because of) her contributions to them. Additionally, it's entirely unclear to me whether my opinions on Okada-type works are simply unreliable, whether the shows I end up liking were fixed by other collaborators, or whether it turns out I actually do like her work, but it's other people in the production cycle who fuck it up along the way. Seeing as how the Araoto anime is based on a manga that Okada Mari is authoring herself, there's a genuine possibility that "Pure Okada" is legitimately good, and sour products such as Anohana result from other cooks dumping shit into her broth. Or I suppose maybe I'm just finding her more palatable over the years.

At least the apartment she's cleaning is also small.

I think it's been more than 10 years since I last re-watched Hand Maid May. I probably have a disproportionately positive perspective on what is ultimately a 20th century fan-service-laden harem comedy. I can't guarantee I would still hold it in high regard if I were to watch it for the first time now, but I do still remember it fondly. (The impetus for bringing Hand Maid May up again comes from the latest episode of Hataraku Saibou.)

That ladder bridge looks less and less safe as the years go by.

If anything, re-watching Hand Maid May now might help me clarify one aspect that I've always been sort of uncertain about. Namely, how old is Kasumi? Her current English Wikipedia entry describes her as an 18-year-old college student (with no citation), and the current Japanese Wikipedia entry claims she is a student at Kazuya's university (also with no citation). I don't remember this ever being established within the anime itself.

Further proof that Kasumi is right-handed..

It is pretty likely that she is at least out of high school, because there is a flashback in episode eight to Kasumi's graduation, and we never see her in a school uniform outside of those flashbacks. But since (as I understand it), compulsory education in Japan ends with middle school (after completing 9th grade, by U.S. reckoning), it's not impossible (albeit unlikely) that she dropped out to run the apartment complex, coach baseball, and flirt with Kazuya full-time.

These are the worst disguises, ladies.

Remember that part in the movie Beautiful Girls where they talk about tits and asses? Not the scene with the preternaturally precocious Natalie Portman, but the one with Rosie O'Donnell arguing about how God is fair.

Evil is such a strong word.

Yeah, apparently Futaba Aoi never got that memo. Either that or I've discovered where that suit hides its power source.

In other news, I don't understand why Aoi doesn't use that teleportation power of hers to snatch weapons and bomb triggers away from her opponents.

Try a little tenderness, Urashima.

The Ayako Doctrine doesn't compel viewership, but it does compel consideration. In the case of Ookami-san, being the only source for Kawasumi Ayako in the summer of 2010, I stayed with the show too long. Granted, it had an amusing first episode, but that second episode was God awful—easily the single worst episode of anything I've seen this season. The third episode was actually a nice bit of storytelling with some parallels to the fable about the ugly duckling, and the fourth episode even focused primarily on Ayako's character, but it's not enough. I stayed with the show through five episodes—long enough to determine Ookami-san to Shichinin no Nakama-tachi just didn't have anything worth watching, even with the Kawasumi Ayako + Horie Yui + legs-that-go-up-to-her-neck trifecta. I'm done with it.

Asobi ni Iku yo! is awesome because it is preposterous.

On the other hand, Asobi ni Iku yo! is amazing. Why didn't anyone tell me this show was actually good? I was sold when I found out the Girl Next Door was a crazy stalker. Also it has guns and cars. And swarming robots with "..." signs.