Don't hurt him. He's just a child.

After 21 episodes, I presume most viewers have noticed Sousou no Frieren (Frieren: Beyond Journey’s End) adopts understated, laid-back approaches to most of its tasks and conflicts. Neither Frieren nor Fern tend to get particularly excited about anything, even during life-and-death struggles. Only Stark's occasionally quavering voice externally reveals much anxiety, typically from stifling his despair over companions who don't seem outwardly concerned about their shared predicaments. Fern, in particular, has come a long way from the terrified girl fleeing from her first violent encounter (against an scary monster that she can—and does—easily defeat). Now she displays no emotion as she uses "boring" attacks to dispatch a fellow mage (without even harming her).

Maybe you'll find a grimoire containing umbrella magic.

I presume not everyone enjoys the tone or nature of these fights, particularly if there's an expectation for something more dramatic than waiting for Chekhov's Rainfall to finally factor in as a decisive tide-turning element. However, given the unflagging popularity of the Frieren anime (and manga), I have to assume I'm not alone in relishing extended moments where Frieren simply stares as she patiently waits for her opponent to fuck up. It's fitting for someone who has all the time in the world.

I still don't actually know what "Alicization" means, unless it involves energy beams to the face.

The final cours of Sword Art Online: Alicization - War of Underworld began on Saturday, picking up where it left off six months ago. First, a quick overview: Sword Art Online is the franchise. Alicization is its third major season (and once complete, will be four cours long—as long as the first two seasons combined). War of Underworld is the double-cours second half of Alicization.

I bet that sleep spell wouldn't have worked if Alice S. 30 had an N95 mask.

The original SAO cast was absent from most of the previous 12 episodes, which focused instead on Alice Sythesis Thirty, a UCLA Bruin introduced for the third season. Kirito has been present during War of Underworld, sort of, but relegated to mostly convalescing in a wheelchair while Alice S. Thirty pushed him around so he could be nearer to people who want him dead.

He's probably trying to figure out what's going on with your outfit.

Kirito has been showing signs that he's still awake somewhere behind his dead-fish eyes, so it's a cinch he's going to make his grand return at some point. Kirito's, uh, new best friend Eugeo also features prominently during the opening and closing credits of the new season, so maybe he's going to be back, too.

Somehow Asuna is the only one to recognize flying is a big deal.

Asuna and Sinon both joined the titular war at the end of the previous cours. Leafa and Klein logged in during the first episode of the current cours. So yeah, they're getting the old crew back together for the season's big finish. Fans of the original cast who have been dying for more Silica and Lisbeth deban presumably won't have to wait much longer. First-season characters are not the only thing that has returned, though. Sexual assault is also back.

I'm including the time the pope Jedi mind fucked Eugeo.

Actually, sexual assault has never really left. Attempted rape, etc., is such a common occurrence in the Sword Art Online franchise that I'm not sure I could name all the times it appears without accidentally forgetting a scene or two. I don't even object to its inclusion on principle, necessarily—it's just always contrived and presented so poorly and obnoxiously, though.

I can't rule out the possibility Suguha just enjoys suffering.

In the instant case, Leafa logs in, makes a new friend, and is instantly tentacle raped by an exaggerated over-the-top villain (the most common sort of villain in SAO). It goes beyond even the infamous first-season example involving Asuna. (That's specific enough to identify which one I mean, right?) Leafa suffers through it for entirely unconvincing reasons.

You can identify SAO villains because they all make this face.

Maybe Sword Art Online includes these scenes and presents them in this way because possibly a significant majority of SAO fans enjoy and appreciate them, but I'm optimistic enough to hope it's done out of deference to Kawahara Reki's light novels. I don't know how much the SAO anime deviates from the source material, but I sort of get the feeling that it's not doing it enough.

I don't remember Alice S. XXX wearing this outfit before.

If you listen to the commentary track for Sword Art Online The Movie: Ordinal Scale, it's quite obvious the production team changed or rejected a significant number of Kawahara's ideas and scenes. I can only guess at what the movie's original script might have looked like, but I think all but the most puerile viewers can identify with certainty which elements of the television show desperately needed re-working.

Someone is going to have to clean that, Dolly.

There has not been a new episode of Toaru Kagaku no Railgun T (A Certain Scientific Railgun T) since the seventh week of the Spring 2020 anime season. Moreover, the next episode is not scheduled to air until the 24th of July. Through 15 episodes, my perspective on the Index/Railgun franchise has not changed. It's heavily flawed, but there have been a few things I've liked.

I want cake.

Ito Kanae's setup and SATEN's subsequent pratfall in episode 14 is basically the highlight of Railgun season three thus far. Misaka x Touma 'shippers (y'all exist, right?) probably enjoyed the scene for other reasons. I liked it because SATEN amuses me and because I enjoy Ito Kanae's voice work.

This tightly controlled facility allows kids to run in the halls.

On a sort of related note, Shokuhou Misaki also amuses me, but I'd prefer if she talked more like a normal person and less like an anime weirdo. There has been a lot of Misaki this season, but not enough for me to understand what the Hell was going on sometimes without looking up background information (like why she acted the way she did around Touma). Possibly that information was provided in episodes from different installments of the Raildex Animatic Universe, but someone who only watches the Railgun episodes will find a significant part of it perplexing.

Touma isn't dim, it's your screen.

With regard to the animation itself, the quality has remained high, no doubt thanks to the numerous Covid-19 delays and breaks between episodes to accommodate production requirements. This presumably accounts for the current hiatus as well. Nevertheless, I think it's worth pointing out that precautionary measures (contrast dimming) meant to reduce the risk of flashing-light-induced seizures among susceptible viewers means that the screen dims significantly anytime Misaka does anything, because all of her powers involve flashing lights. I don't know if there is a better solution for addressing these concerns, but I hope the industry develops one someday.

SATEN constantly looks as if she needs a haircut, but she apparently never gets one.

There is no end to the amount of bitching I could do about Toaru Kagaku no Railgun T (A Certain Scientific Railgun T) and the Index universe as a whole. Seriously, though, it is mostly bad. Like, wall-to-wall bad. Nevertheless, I fully intend to watch both cours of Railgun 3 even though Railgun 2 was not nearly as good as Railgun 1, and it's been so long since I've seen Railgun 1 that I have to question if I would even like it as much now as I did then. (I bought the Blu-rays anyway. Still unopened.)

I'm also not 100-percent sure I remember why Kuroko is in a wheelchair.

What I do know is that I still really like SATEN even though my reasons for liking her are entirely superficial. Here is a numbered list:

1. SATEN has excellent hair. Like, for real. This is straight-up one of the biggest reasons.
2. She's voiced by Itō Kanae, who typically uses a much more normal-sounding voice than you usually find in anime. Or at least it sounds normal to me.
3. I get to continue writing SATEN Ruiko's surname in all capital letters (you know, like, on the Twitter) even though I've entirely forgotten why I started doing that in the first place. In any case, I've done it too long now to stop.
4. As the only character in the main Railgun cast without superpowers, the distinction makes her the special one, I guess. I'm at least under the impression this is a big part of the reason why other SATEN fans like her—especially other SATEN fans who probably don't care about my first three reasons.

That's it. That's my list. You thought there would be five reasons, right? Because five is an honorary round number, eh. Fuck you, no it's not. Four reasons are all I need. And really I only needed the first two. SATEN's hair and Ito Kanae are wonderful.

Go on, Yui, curse the bitches out.

Sword Art Online: Alicization - War of Underworld has a mind of its own. Or at least, Sword Art Online: Alicization - War of Underworld is about AIs having minds of their own. Specifically, Alice Synthesis Thirty MacGuffin is the prize AI the bad men are trying to seize because she is a real girl. Never mind that Sword Art Online has had a Real Girl AI almost from the start in the form of Yui, Kirito's and Asuna's adopted daughter. Yui isn't even a secret!

It's not easy being pope.

For that matter, I'm not sure there's any meaningful distinction between the Underworld AI yahoos and the "real world" regular-ass people. I certainly regard Alice as being every bit as much as a real character as I do, say, Asuna, even though Alice is very yellow. I definitely regarded the pope as being more of a real person than nearly every other Sword Art Online villain (including the current ones). Ultimately, this has a lot less to do with Alice and the pope being AIs than it does with Sword Art Online having lots of terribly written characters—especially when it comes to its villains.

This reminds me I need to get a new video card.

I'm inclined to believe Sword Art Online: Alicization - War of Underworld theoretically could actually have something intelligent to say about artificial intelligence and what makes someone a real person, but any chance it had got undermined by the really awful writing that has plagued the franchise from the beginning. I still find it entertaining, even though Alice is very yellow, but I do wish the franchise would move past its more egregious tropes. The Ordinal Scale movie accomplished this with some success, but it seems to be the exception, not the norm.

Relax, he's fine.

I don't regard myself as part of the Sword Art Online fandom, a demographic I associate with "newer" anime fans (newer than me, okay), but at the same time I think I'm much less critical of the franchise than most "old ass" anime fans. Pretty much all of the major criticisms of the anime and its source material are accurate, but I also take the position—somewhat—that it doesn't really matter. Not exactly high praise, indeed, but perhaps sufficient to establish that I am happy to watch Sword Art Online: Alicization, yet not particularly enthused that it is reportedly going to be about 50 episodes long.

Asuna is the best-dressed guest at this hosptial.

I think I've already been spoiled on most of the major Alicization plot developments. At least nothing in first five scene-setting episodes seemed unexpected. This does make me wonder what it is about the show that I'm even anticipating, though. Potentially, I'm only watching because Sword Art Online is a big property and I'm motivated to stay up to date since I've seen all of the anime thus far already. That could be it, but there are plenty of big shows that I've simply abandoned or ignored completely.

If you didn't watch the SAO: Ordinal Scale movie, you may be confused why Yui is here.

I can't even claim to be watching it for the characters, since I'm only modestly fond of Asuna and Yui and basically ambivalent about everyone else, at best. All those jokes about MORE DEBAN? Yeah, I don't really care if y'all get more deban or not. Oh, I also like the character who died of AIDS, but I'm not expecting her to make an appearance in SAO: Alicization. You know, because she already died of AIDS. At least I think Kajiura Yuki is still doing the music, so there you go; that'll be my motivation for dragging myself through this show for the next year.

Birth control glasses.

Just a few observations now that I've been using the Wake Me Up Asuna app for over a month. It really can fail for no apparent reason. It's only happened once, but that's pretty unreliable for an alarm clock. Hence the need for its prominent disclaimers and warnings, I guess. It also can go batshit crazy and drain your battery out of nowhere. That's only happened once too, and I haven't been able to reproduce the bug. The real news is—aside from the initial nag—Asuna hasn't pestered me to buy her any new clothes, and now there's even a new free outfit, shown above.

I get the feeling we're only a few years away from a wave of digital assistants, probably something like the Amazon Echo combined with a Cortana that's more like the Halo version than the Windows version. I'm hoping for a Yui voiced by a synthesized Ito Kanae—a Yui that will randomly crash the fuck out of my SMRT-HOEM with erratic bugs. The future's gonna be awesome.

Yeah, Hotaru's eyes are always like that.

I'm not going to watch all of these shows, but here are the ones at least on the radar. They're even sort of in order.

• Dagashi Kashi: The original manga about cheap ass candy is fucking delicious. I don't see how anyone could screw this up as long as the anime keeps the crazy crossed eyes and incredulous reaction faces. This is your best God damn show, right here.
• Gate: Jieitai Kanochi nite, Kaku Tatakaeri second cour: Yeah, I know most viewers have a fairly negative opinion of this show. I'm almost inclined to say they're opposed to it as a matter of principle because it glorifies the military, sort of like how some readers loathe Robert A. Heinlein's Starship Troopers because they find it "fascist." Whatever, man. This is some good shit.
• Aikatsu!: I only gave Aikatsu! another chance fairly recently, but I'm totally on board now. Bring on the idol activities!
• Go! Princess Precure and Mahou Tsukai Precure!: The current season will end in about a month with episode 50. I'll be sad to see it go, but the next iteration is frickin' WITCH PRECURE for crying out loud. We're there.
• Shouwa Genroku Rakugo Shinjuu: I don't really know what this is about. Something about an ex-con who just wants to tell stories? In any case, it seems different, and probably won't have any of that "moé shit" people love to cry about.
• Dimension W: I'm going to watch this for Ueda Reina and the Toyota 2000GT.
• Luck & Logic: ORIKASA FUMIKO. Holy shit. Omigawa Chiaki, Kayano Ai, and Ueda Kana are in this too, as are Uesaka Sumire, Taneda Risa, Touyama Nao, and Minase Inori. I hope this doesn't turn out to be too much bullshit about the trading card game or whatever, but I'll at least give it a chance thanks to the cast.
• Akagami no Shirayuki-hime 2nd Season: I'll watch the second cour if I ever get around to finishing the first one. I stopped watching because I was tired of watching Snow White getting conveniently rescued from would-be rapists every week, but I heard the show stopped being about that.
• Detective Conan: Yep, here's my control.
• Hai to Gensou no Grimgar: Eh, it has pretty watercolors.
• Prince of Stride: Alternative. As an avid runner, I have to watch this. I'm also guaranteed to drop it in disgust the minute someone does something unrealistic, like I did after the first chapter of Suzuka.
• Ao no Kanata no Four Rhythm: I know at least one person who's psyched about this, so I'll give it a try. Something about flying kids.
• Oshiete! Galko-chan: Something about three girls fucking off in class. Based on a manga which I've not read.
• Ajin: The manga is sort of interesting. Kaji Yuuki is in this, though.
• Kono Subarashii Sekai ni Shukufuku wo!: It's DEEN, but it has girls who twist their bodies a lot, at least according to the promo art. That's something, right? Really, though, I am curious to see what Studio Deen is up to these days, and Deen is responsible for the best anime of all time. Besides, the people who were loudest at jeering, "LOL DEEN," were the ones who worshiped SHAFT until Madoka went mainstream.
• Divine Gate: I guess it would be interesting to watch TWO shows called Gate in the same season, right? Besides, Ito Kanae is in this.
• Saijaku Muhai no Bahamut: I really wish this would have come out three months ago so we could have had a triumvirate with Cavalry and Asterisk. It's the same setup.
• Musaigen no Phantom World: Eh, it's Kyoto Animation. I'll keep watching if it involves ghost girlfriends.
• Shoujo-tachi wa Kouya wo Mezasu: This sounds like a shittier Saekano.
• Ooya-san wa Shishunki!: This is a three-minute show, right? I ain't watching if it's not a three-minute show.
• Mahou Shoujo Nante Mouiidesukara.: I think the period is part of the title. How bad could it be? It has Mahou Shoujo right in the title!
• Sushi Police: This looks too shitty to not at least try.
• Ojisan to Marshmallow: It's got an old dude as the love interest. That never happens.
• Nurse Witch Komugi-chan R: Eh...it's not Momoi as Komugi. But she plays her mom instead. Is that good enough?
• Nijiro Days: Shoujo about three dudes? I guess one is in love with some chick and the other two dudes cockblock him for sport?
• Bubuki Buranki: I have no idea what this is, but it's an original anime. That still counts for something, right?
• Boku dake ga Inai Machi: I'm not especially interested in this time travelling manga artist mystery thingy, but whatever. Really, I'm just not up for another noitaminA show right about now.
• Heavy Object: This show is hot garbage. I should really just stop watching. Seriously. Hot garbage.

Christ, that is a lot of shows. There are also a bunch of specials and OVAs. I hope you weren't relying on me to keep track.