Version 5.4 ~ Haruhi gave rock and roll to you.
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Dated 29 September 2020: The End of Oregairu ~Air/My Purest Yahallo for Thee~

Iroha
BEST GIRL.

Yahari Ore no Seishun Love Comedy wa Machigatteiru. Kan (My Teen Romantic Comedy SNAFU Climax!, among other localized names) completed the three-season run of a harem comedy that fared surprisingly well despite my initial misgivings. Generally speaking, the term "harem comedy" itself feels anachronistic now and less appropriate even when applied to shows such as Gotoubun no Hanayome (The Quintessential Quintuplets) compared to the label's Love Hina-era association (at least in my mind). I suppose it's probably still applicable for shows such as Kanojo, Okarishimasu (Rent-a-Girlfriend). But I digress.

Yui
Oregairu might have been a better series if told from Yui's point of view.

These types of shows invoke a competitive element that pits various female protagonists against each other to vie for the male lead's affection, ultimately "winning" by becoming the romantic interest he selects at the conclusion of the series. Longtime readers of this blog may remember I'm not a fan of this construct when the male lead is so frequently a dull sap, to say nothing of the ones who are legitimately terrible cretins. I'm did not watch Kanojo, Okarishimasu, but I did watch it get shredded on the Twitter, and Potato-kun appears to be a colossal douche in addition to the show's numerous other problems. Does the girl who ultimately ends up with such a character really win? [Spoilers: No.]

Hachiman and Yukino
Kids and their selfies.

Oregairu does not suffer from this particular problem, at least by its conclusion. Hachiman in the third season is no longer the same person he was in the first season. Unfortunately, the girl who ultimately "wins" has her own issues. [Spoilers henceforth, obviously, if you haven't already either seen this coming or learned about it via some other way, such as discussions about the light novels' ending.]

Komachi and Iroha
It's about the future, Madam Chancellor.

Yukino is not interesting. She is supposed to be the most complex of the various love interests, and has some significant hang-ups that admittedly align well with Hachiman's character, but I never found her problems or growth compelling. As far as "winning" the harem comedy contest goes, she is the most sensible one to pair with Hachiman, but my lack of investment in their relationship makes the show's resolution somewhat hollow. Ultimately, it was still a good journey, and I can appreciate why Oregairu accumulated so much praise during its run, but I can't quite point to it as a much-watch show by any means.

Dated 2 October 2009: Bakemonogatari turns Panavision into shortscreen

Hitagi
Open wide.

Sometimes I think SHAFT/Shinbo is trying to be the next Gainax/Anno. Other times I think SHAFT/Shinbo is just trolling viewers. Some argue unfavorable opinions about SHAFT's avant-garde Bakemonogatari represent intellectual deficiencies or unbreachable cultural divides hamstringing impaired viewers.

< wildarmsheero> the people who dont like things like bakemonogatari or zetsubou sensei
< wildarmsheero> are just dumb americans who dont get japanese culture
<&Nakar> I may not know a japanese ghost from a hole in the ground - and I know from holes in the ground - but I know smug self-congratulatory dialogue when it hits itself on the back.
< wildarmsheero> i think youre jsut mad at the show
< wildarmsheero> because you dont get it
< Asuka`s_Hair_Clips> I totally agree with Nakar, but I also think Bakemonogatari is a brilliant slide show presentation.
< Asuka`s_Hair_Clips> It just wasn't any fun to watch.

Araragi
As a harem-anime protagonist, Araragi is as much
a loser as Urashima Keitaro. Maybe more so.

The things I don't like about SHAFT and Shinbo in general and Bakemonogatari specifically have nothing to do with Japanese culture, though. (But I guess it is possible I might still be too dumb to "get" the show.) Mostly I'm irked that they attempt to be different merely for the sake of being different while giving their fanatics a smug sense of self-importance that seems to arise out of the very act of being SHAFT, Shinbo, and Bakemonogatari fans.

Hitagi's and Araragi's hands
(1) Best use of the wider-widescreen aspect ratio all episode.
(2) God damn, Araragi has little girl hands.

For example, the 12th episode of Bakemonogatari was presented in widescreen—not its regular 16:9 widescreen—but wider widescreen. But the actual content of the episode did not benefit in any way from the aspect ratio. Is it really widescreen if there are no gains side-to-side? If it's just a regular episode with the tops and bottoms cropped off, isn't that technically shortscreen? Is that still good? Or is it just dumb? Granted, Bakemonogatari was not the first show to attempt this trick.

Raven, Break, Alice, and Oz
Pandora Hearts uses the entire screen.

The final episode of Gunbuster by the aforementioned Gainax is in black and white and widescreen. (The previous episodes of Top wo Nerae had a 4:3 aspect ratio.) Turns out Gunbuster episode six was also originally 4:3 and was matted to give a widescreen appearance as well. Without delving into a comparison to determine if Gainax made good use of the wider aspect ratio during the final episode of Top wo Nerae, or was also guilty of shortscreen shenanigans, I can at least claim Bakemonogatari was neither unique in employing this technique nor successful at its execution.