It's not a date.

Mato Seihei no Slave (localized as Chained Soldier instead of as Slave of the Magic Capital's Elite Troops) is a new anime based on the manga by the same author who wrote Akame ga Kill!. Consequently, you might expect it to be edgy nonsense (I mean that in a good way, okay), but it's more of a gratuitous fan service romp. I suppose I could characterize the manga as a guilty pleasure except I don't feel guilty about enjoying it. It's great, actually.

You're in the sort of anime where this happens, Himari. Deal with it.

Through three episodes, the anime isn't quite as good, mostly because (I suspect) this is the sort of thing that works better as manga than as anime. For one thing, there's something not right about seeing it in color—or at least in these colors. There is, also, the fan service, which does honestly come across differently animated than in manga form. Still, I'm generally in favor of gratuitous content, even if a show is forced to prepare a censored version for the delicate to go along with the uncensored version for general audiences.

See, just like Fullmetal Alchemist.

Oh, am I going to need to describe the premise? Fiiine. Chained Soldier is about women (well, teenage girls, mostly) with superpowers defending the world (well, Japan, mostly) against inhuman monsters. The leader of one of these groups has the ability to enslave these beasts, but it turns out her power works on humans, too (well, on one male human in particular, anyway). Naturally, payment is required in exchange for using this power. In principle, it's like Darker than Black (where a price is paid for using one's powers) or, uh, Fullmetal Alchemist (where, uh, you know, equivalent exchange). Same thing, honestly, except lewd.

This anime bed is made of concrete.

I've been reading Kekkon Yubiwa Monogatari (Tales of Wedding Rings) since it first came out a decade ago. It's honestly not an especially compelling story, but I got in at the ground floor because I like Maybe, the manga duo who also gave us Katsute Kami Datta Kemono-tachi e (To the Abandoned Sacred Beasts) and Tasogare Otome x Amnesia (Dusk Maiden of Amnesia). Wedding Rings is a fairly straightforward Hero v. Evil Menace fantasy story. It's also one of those deals where the hero's strength is bolstered by the power of polygamy. There are plenty of stories where magic abilities correspond with boner status (e.g., Dakara Boku wa, Ecchi ga Dekinai and Dokyuu Hentai HxEros, among others), but that's not quite what's going on here.

There sure has been a a lot of polygamy anime lately.

Still, the whole going-on-wife-collection-adventures thing sets the tone for what you can expect. I don't think the anime will attempt to cover the entire manga in a single cours, but I also have my doubts about the likelihood of this getting multiple seasons. Through two episodes, it's mostly just fine, although I'm less enthusiastic about it since most of what I liked about the manga is how it looks. In comparison, the Tales of Wedding Rings anime simply looks like, well, just another anime. I'm sticking with it, but I can see how anyone coming to the series with a blank slate may be somewhat unimpressed.

I don't know what sort of voice I expected instead, but it wasn't that.

I started watching Sasaki to Pii-chan (Sasaki and Peeps) despite knowing basically nothing about it. Well, I knew Yuuki Aoi voiced a talking bird, and that was reason enough for me. And I guess I also knew someone convinced Frog-kun that it got better later. It turns out it's about a salaryman who is not at all phased that his newly acquired pet bird is a wizard from a different world. Oh, and magic also works in Japan. I guess there's no reason why it wouldn't.

You may remember me from such anime as 80,000 Gold, Etc.

Anyway, it feels as if I'm being pranked largely because of how the two leads are voiced. I'm at the point where I can't hear Tomokazu Sugita voice any character without, well, without it sounding as if it's just Tomokazu Sugita voicing a character. Additionally, Yuuki Aoi has given the bird an unexpectedly deep voice. You know how the cat in Machikado Mazoku (The Demon Girl Next Door) has a deep voice that's played for laughs? It's a similar effect, except played straight. The first episode is double-length, which is enough time to bring in the psychics who are part Japan's secret psychic government agency, and, it's like...are you putting me on?

How long have you been sitting there?

Anyway, I'm going to keep watching, and hope its focus on arbitrage diminishes a bit. I also don't want it to devolve into magic v. psychics battling. Okay, but then what do I want from Sasaki and Peeps? I suppose I want talking-bird adventures. And I suppose I'm also curious to find out how out-of-place the subplots involving the neighbor feel. I've seen people claim on the social-type media that she was an editorial addition glomming onto some sort of wayward teen girl trend, possibly inspired by HigeHiro. I see the source material (a light novel) is still ongoing, so I'm not expecting much from this anime. Maybe being elaborately pranked by it wouldn't necessarily be a bad thing.

On the plus side, Ayako Doctrine invoked.

I've been buying the Mahoutsukai no Yome (The Ancient Magus’ Bride) manga for more than eight years. When I started, I didn't really think about how long I'd be reading it, let along buying it, but I do have volume 19 pre-ordered. I still enjoy it, but it's no surprise the story has evolved over that time. And when I say it has evolved, I mean it gained a magic school arc. This is also the focus of Mahoutsukai no Yome SEASON 2 Part 2, currently airing now. Seeing as how Chise is still a teenager, it does make sense to end her prolonged truancy. It's also providing more opportunities for her to interact with humans her age.

How you feel about Philomela will influence how you feel about the magic school arc.

Unfortunately, I—as the reader and viewer observing Chise's life of sorcery and mystical weirdness—don't care so much about the other humans her age. I mean, they're fine. A lot of them have had shitty lives, and some of them have exasperating hangups, as one might expect of humans in general and human teenagers in particular, but I don't find the sources of these tensions quite as engaging as one might expect. So yeah, I'm still watching the anime, and I'm still buying the manga, and I'm even still enjoying them both, but I do sometimes wish I could see what Silky has been up to instead.

Everyone loves this shark.

It's probably misleading to say I dropped seven shows this season, since I wasn't expecting to finish any of these when I started them. (There's a lot of other anime this season that I find much more compelling.) Anyway, I dropped two shows after a single episode: Hikikomari Kyuuketsuki no Monmon (The Vexations of a Shut-In Vampire Princess) and Kimi no Koto ga Dai Dai Dai Dai Daisuki na 100-nin no Kanojo (The 100 Girlfriends Who Really, Really, Really, Really, Really Love You). I understand Hikikomari has it's fans, but it really wasn't for me. Hyakkano, I've addressed already.

SHY has a Mamikore alcoholic.

I watched two episodes of Saihate no Paladin: Tetsusabi no Yama no Ou (The Faraway Paladin: The Lord of Rust Mountain) and three episodes of SHY and Tearmoon Teikoku Monogatari: Dantoudai kara Hajimaru, Hime no Tensei Gyakuten Story (Tearmoon Empire). I didn't find anything objectionable about these three shows. I probably would have watched them during a duller season, or if I had more free time right now. I suppose it's worth noting Saihate no Paladin is the second cours of something I watched two years ago, but I did lose interest towards the end back then.

This is some beach episode.

Somehow, I watched five episodes of Ojou to Banken-kun (A Girl and Her Guard Dog) which is a very shoujo age-gap romance notable only because the would-be couple starts the series already into each other. I guess it's also notable for having a lot of plot contrivances, and for having a Kitou Akari lead who sounds extremely Kitou Akari, if that's important to you. I also watched six episodes of Boukensha ni Naritai to Miyako ni Deteitta Musume ga S Rank ni Natteta (My Daughter Left the Nest and Returned an S-Rank Adventurer), which is sort of a lot of episodes for a show that I never found especially interesting. Mostly, I was motivated to continue watching because the source material has ended, so I was at least not concerned about getting a non-ending ending. Hayami Saori voices the lead, so S-Rank Mususme has that going for it if you're a Hayamin fan.

Probably the last person who should have a gun.

When the series began, the science-based exploits described in Dr. STONE seemed somewhat plausible, at least for a show where everyone on the planet was petrified by a mysterious force and our protagonist measured the passage of time by counting in his head for thousands of years. Now in its third season (specifically, the second part of its third season), basically everything requires a similar sort of acceptance. It's not that the scientific principles are unsound, it's more that the viewer is required to ignore the engineering demands necessary to realize these designs, and the amount of time it should take to get stuff built.

Now would be a good time to break out some of that Jedi Mind Shit, Gen.

It's fine, though. Heroic achievements and overcoming incredible odds are very much a part of Dr. STONE, so I'm not bothered that everything gets constructed on time and works perfectly as intended, just as the superhuman physical feats that characters casually perform don't bother me.

We're never going to find out how the thing on her head survived thousands of years.

I don't actually know how much of the series remains. I think there are only five episodes left in the season, but I don't know if that means there are only five episodes left overall. In any case, the anime is still entertaining, and knowing that there will be an actual ending goes a long way towards reassuring viewers that the time invested in a lengthy series is worthwhile.

How are you feeling, Gesicht? Good?

I don't know very much about PLUTO despite reading some of the manga when it was new. I know that it is well regarded, and that fans have been eagerly anticipating the anime adaptation for years. But then the anime adaptation really happened, and basically no one is talking about it (at least not adjacent to the sliver of Internet that I occupy), presumably because every episode got dumped at once on the Netflix, as the Netflix is wont to do.

I don't know anything about Astro Boy either.

There are only eight episodes, but each episode is about triple-length, so it works out equivalent to a two-cours series. I've watched three of these episodes so far. The anime is good, but it's not blowing me away. I should probably have mentioned the author of the manga earlier, but yeah, the mangaka is Urasawa Naoki. I think Monster is fantastic, and I enjoyed 20th Century Boys. Everything else he's written is critically acclaimed too, but I haven't read them. Honestly, I'm surely unqualified to provide more than a passing acknowledgment that a PLUTO anime exists, and you should probably give it a try to see for yourself rather than going off of anything I might say about it. Still, maybe I'll circle back after finishing the rest of it to tell y'all how it went.

Potential Girlfriend Number Three might be Best Girl.

The second season of Kanojo mo Kanojo (Girlfriend, Girlfriend) is currently airing. It's maybe not quite as absurd as its first season, but it's still pretty wild. It's definitely not a series the viewer is meant to take too seriously, but the characters are earnest. If a show about a two-timer forcing himself to keep potential girlfriends numbers three and four at bay isn't wacky enough, this season also includes the anime adaptation of Kimi no Koto ga Dai Dai Dai Dai Daisuki na 100-nin no Kanojo (The 100 Girlfriends Who Really, Really, Really, Really, Really Love You or Hyakkano for short).

Thanks to divine intervention, Potato-kun pulls chicks like none other.

Spoilers: There aren't really 100 girlfriends in 100 Girlfriends, at least not yet. I presume there eventually will be, but I don't believe the source material has gotten anywhere near that goal yet. I've read some of the manga, and it's reasonably funny, although not really my sort of thing. It's at least successful in running with its ridiculous premise. However, I didn't like the anime as much; I dropped it after only one episode. That's not to say you should avoid the series. Hyakkano seems pretty popular this season (more so than Kanojo mo Kanojo Season 2). I'm simply following too many other anime this season, so a lot of stuff I might watch at other times got cut.