Get pumped, witches.

As you can see from my per-episode chart, it took a while for Dagashi Kashi to secure the top spot I predicted, but it's in good company. Konosuba is my current number four show, but its rating is higher than what I gave my top show, One Punch Man, autumn 2015. I certainly disagree with people who claim this is not a very good season. Besides, there are at least three "NOT KID'S STUFF" serious shows worth watching1 in addition to some entertaining lighter fare, so I'm pretty deaf to most complaints.

Coconuts and Saya are pretty lucky You is looking out for them.

Dagashi Kashi is an uncomplicated show, but it succeeds because it's easy to enjoy the characters and their candy-related shenanigans. Hotaru and Saya are the real stars of the series, but it helps a lot that Coconuts is not a potato, if you get my meaning. Sure, he's a little dense when it comes to Saya, but his observation that Hotaru is "pretty cute when she doesn't talk" is fairly astute for an anime male lead. Likewise, his buddy Tou is totally all right. I like how he's always slumming in a Hawaiian shirt and sunglasses. The dude is leagues above the usual shitheads male anime leads tend to surround themselves with. TYPE-MOON, I'm looking in your direction.

Fast cars and polite, well-dressed robots.

I'm probably enjoying Dimension W more than most people thanks to my growing appreciation of Ueda Reina. Still, her role in the show isn't nearly as large as I would have expected, so maybe I just enjoy the mysteries and the pacing more than most viewers. There's enough detail in each episode for me to follow the story, but not so much that it becomes predictable. I've read some of the manga, and there's actually a lot more background and world building in the source material that is absent from the anime. This is probably a wise decision, as it keeps things moving along and none of the omitted bits seem critical to the main story.

Yeah, I'm not watching the Toonami dub either, Mira.

The Toonami broadcast dub started airing recently, but I'm not sure Dimension W is really going to draw a large general audience. I don't think it's nearly episodic enough to engage anyone who isn't on board from the beginning. I'm totally with it, though. Depending on how the final arc shakes out, Dimension W could easily end up being my favorite show from this season.

Paper fans are a lot more durable than I'd imagined.

Shōwa Genroku Rakugo Shinjū turned out to be much different than what I was expecting. First episode aside, Rakugo devotes all of its time to an extended flashback covering the rakugo master's youth and his relationship with the now-deceased father of the surly lady from the first episode. There are homosexual overtones, but it's starting to look like the climax of the series may involve fighting over a woman. I'm doing Rakugo a disservice by commenting on it so lightly, as it is an excellent and serious show. We don't get anime this good very often, so anyone who complains about anime being all moé shit these days had best be watching it lest he be disregarded as a hypocritical crank hereafter. In other news, there's an amusing amount of Evangelion alumni in the cast. Voice actors for Kaworu, Kaji, Rei, and Touji all have important roles.

I bet that thing dies.

Like Rakugo, Kono Subarashii Sekai ni Shukufuku wo! is a Studio Deen production, giving this oft-maligned studio two series in this season's best four shows. Crunchyroll described Konosuba as a pastoral. I agree with this view and would like to add that Konosuba comes across overall as the best case scenario for a NEET reincarnated in a fantasy world. Yeah, Aqua is a sloppy and generally horrid person, and Darkness' one shtick can get pretty tiresome rather quickly, but...you know, this don't seem so bad. I'd sleep in that stable. The show itself is quite funny and very refreshing considering the over-saturated Fantasy and Reincarnation genres we're stuck with. Even though Konosuba is my number four show of winter 2016, I feel as if it ought to be higher.

I want to read a 4-koma comic strip about Kayo's shitty life.

If you look at initial impressions from the first couple weeks of the season, you'll find near unanimous agreement claiming Boku dake ga Inai Machi (ERASED) is the best show of the season. I can't agree with this at all, but I also can't disagree too vehemently. ERASED is very good when it's good, but it's also the sort of show that really hurts itself when it's bad. It's probably unfair to hold a time travel show to such a high standard that even minor plot holes become damning, but the plot holes (and contrivances) do bother me. I went over this already, though, and don't feel the need to revisit those criticisms at this time.

The rising sun was a bit much. P.S. Spoilers.

I should probably say a few words about the second season of Gate, particularly since I seem to enjoy it much more than most viewers. However, it's one of those shows that has so much baggage and requires so much context that it's just too much work to address at this time. At a minimum, it requires a lot more explanation than is appropriate for one of these little blog updates. Maybe I'll get around to it someday (just as maybe I'll get around to writing down all those Aldnoah.Zero thoughts. I will at least say anyone on the fence about starting the series should disregard the criticisms of opponents who are hostile towards military force projection as a matter of principle.

Meanwhile, Ojou helps you find her nipples.

Oshiete! Galko-chan probably deserves to be at the top of this list, especially considering I've given it a perfect score through eight episodes. However, it's an episodic short series with eight-minute episodes and essentially no continuity. Galko-chan is mostly deft observational humor and gags about Galko herself behaving differently than one might stereotypically expect, but it's fun to watch. Additionally, Noto Mamiko is really making the most of her role as the show's narrator.

This was a pretty good catch, especially since it doesn't have opposable thumbs.

I only intended to highlight three or four shows from this season, but there are just too many gems currently airing. I haven't even mentioned the latest Pretty Cure or any of the bad shows with good ideas. Back in the day, I'd probably have gotten a lot more mileage out of the current crop. Before the dark times. Before the Twitter. Well, that platform does seem intent on self-destructing, so maybe good ol' anime blogging will return one day.

Note 1: Rakugo, ERASED, and Ajin (which I dropped after one episode).

I don't know why Ulrica has wings on her boobs,
but they're probably for generating downforce.

I'm tempted to describe Chaos Dragon as the broth of too many cooks, but I'm not quite optimistic enough to believe that. More likely it's just your regular ol' half-assed train wreck. As I understand it (and certainly do not rely on my impressions as the truth, garnered as they were from the rumor and conjecture of various secondary sources), Chaos Dragon is an anime adaptation of a real-world Red Dragon role-playing game campaigned by esteemed writers and directors including Nasu Kinoko (Fate/stay night), Narita Ryohgo (Durarara!!!), and Urobuchi Gen (Mahou Shoujo Madoka Magika). The actual anime itself is incoherent and frankly terrible in wholly unremarkable ways. I have no interest in the lead character, Ibuki, and never agreed there was a good reason to make this kid king. I also didn't care about that nonsense about the Red Dragon's powers, or killing suicidal friends, and definitely not the bewildering responses to news about his sister.

The coffin is for carrying around Lou's talking sword.

Basically the only parts of the anime I found entertaining were Sir Swallow's amusing curse and Lou's psychotic behavior. Sir Swallow's curse destroys any tools he uses (man, that is such a Nasu thing to come up with), so his swords disintegrate after each slash, his teacups shatter after each sip, and, well, you get the idea. I was also under the impression his sexual partners would suffer grisly fates, because I guess they would count as tools as far as his curse is concerned (again, such a Nasu idea), unless they are protected by plot prophylactics. Lou (Urobuchi Gen's Not Chaika lady who carries around a coffin) was interesting because she goes around killing people and not being particularly nice about it. For example, she killed the most aerodynamic character in the show and lugged the severed head around for the sole purpose of hucking it at Sir Swallow later.

Sir Swallow's solution? Carry around a box magazine of extra swords.

To me, Sir Swallow and Lou are both characters perfectly suited to their respective creators. I can't claim that my impressions of Nasu and Urobuchi are necessarily accurate, but I would much rather have watched a home video of the Red Dragon campaign that inspired the Chaos Dragon anime. I think it would have been pretty interesting to see how these authors interacted with each other, particularly if their associated reputations match stereotypes fitting their previous work. I can't promise even this would still be compelling for 12 episodes, but I'm pretty confident it would have been more amusing than the Chaos Dragon anime.

Nice couch.

The first cour of Fate/stay night: Unlimited Blade Works is quite good despite all the problems in its source material. This is a testament to ufotable's deft execution, because that source material is sufficiently flawed that it could easily turn into a train wreck in less capable hands. The mythology behind the Holy Grail War is so preposterous that it seems more appropriate for any Fate/stay night adaptation to play it safe and simply be a straight-up farce like Carnival Phantasm. It's a credit to ufotable that I don't spend every moment of every episode asking perfectly reasonable questions such as, "Why hasn't Berserker killed them yet? Why isn't he killing them now?"

Saber could use some coaching.

The first cour of Fate/stay night: Unlimited Blade Works legitimately is good, though. The action sequences are exceptionally well done, the production values are great all around, and (most amazingly) Emiya Shirou does not come across as a shitheel. Unfortunately, this is a split-cour series, so we're going to have to wait until spring to find out what manner of CGI euphemism we'll get this time around. Who knows, maybe ufotable will actually animate the sex scene? J.C. Staff did that with Shingetsutan Tsukihime, the first anime adaptation of a TYPE-MOON game (Internet memes notwithstanding), even if it turned out that vampires don't have nipples.

Saber works better as a supporting character than as a lead.

I'm not entirely convinced Fate/stay night needed a remake. Whipping boy Studio DEEN's first adapted this TYPE-MOON game in 2006 with the Saber-centric "Fate" route, followed by a 2010 movie based on the Rin-tastic "Unlimited Blade Works" route. Logically, the Sakura-suffering "Heaven's Feel" route should be next, but it appears ufotable plans on adapting it (as a movie) after animating their own "Unlimited Blade Works" project, this time as a television series that sort of succeeds ufotable's 2011 Fate/Zero prequel.

A gentleman takes off his hat indoors, Moffle.

Kawasumi Ayako is in three shows this season. She returns as the regal Saber in ufotable's adaptation of Fate/stay night, she's back as the not entirely forthright LRIG Hanayo in selector spread WIXOSS, and she voices a surly (male) mascot in Amagi Brilliant Park.

Saber, that outfit's wearing you.

Ayako's Saber remains basically the same as her previous turns as Saber (excepting the farcical Carnival Phantasm), meaning she's generally pretty good and has some neat battle cries, but doesn't otherwise offer a lot of range since Saber is fairly taciturn. Her Hanayo has been largely absent from the initial episodes of selector infected WIXOSS. The show has thus far been churning through apparently endless amounts of grief involving other (read: inferior) characters. This basically leaves Moffle in Amagi Brilliant Park—an amusing character with occasional mugging, but Moffle is no Nodame, I'm afraid. These days, however, I'll take what I can get.

Slaine has seen some shit.

Aldnoah.Zero was far and away the best show from Summer 2014. I know a lot of viewers disagree with this opinion, but I thoroughly enjoyed all of its episodes. I've written a lot about it. Probably too much, considering I don't like it thaaat much even though it did almost get a perfect score on my little chart jobbie.

The faces do seem slightly less knobby this season, though.

The first season of Fate/kaleid liner Prisma☆Illya was unexpectedly good. The TYPE-MOON universe is so filled with overwrought narratives it's no surprise viewers who are fans (but, importantly, not fanatics) of TYPE-MOON enjoy its parodies so much. (See, for example, the brilliant Carnival Phantasm.) The first season of Fate/kaleid liner Prisma☆Illya hits its marks almost perfectly. It had clever juxtapositions of familiar elements, funny inversions of standard mahou shoujo stereotypes, and outstanding fight scenes.

Hey, a bow.

Unfortunately, Prisma☆Illya stumbles in its second season, perhaps because it has become too familiar. Rather than simply being a Fate/stay night parody, the Prismaverse now has its own emerging myths and canon. It hasn't outright bogged itself down with its own "overwrought narratives," but it is neglecting much of what made the first season so good. This may be a roundabout way of saying that the second season is slow, but I'm not sure pacing is really the issue. I think the actual problem is I don't care about Kuro as an antagonist. She's also not likeable enough to sympathize with as an inevitable "frenemy" character, either. Many viewers also complain about the fan service. Although I generally won't criticize a show for its fan service, no matter how aggressive it is, there is a desperate quality to the fan service this season, to the show's detriment. On the plus side, episode six demonstrates that Silver Link can still do cool shit with the fight scenes, so there is that.

Wow. Natsuno is sure in a good mood tonight.

At first glance, Inu to Hasami wa Tsukaiyō and Fate/kaleid liner Prisma☆Illya probably don't appear to have that much in common, but I can think of at least one thing. Okay, TWO things if you include the fact that I finished watching both of them at about the same time and thus went looking for an excuse to force both shows into a single blog entry, but really ONE thing that I wanted to discuss: PERVERSIONS. Oh, baby, let's get it on.

When they point the finger it means you're a rival.

So, Inu to Hasami wa Tsukaiyō. Dog and Scissors. This show made no God damn sense. And I'm not talking about the part where a boy who loves books is murdered, gets his soul trapped in the body of a wiener dog with telepathy, and is adopted by his favorite author. That part I get. What I don't understand is what the deal is with his psycho kid sister and her MAGURO EATAH kitchen knife or the part with the singing maid or Maki the SHINING! idol rival author. And who was the broad in the wheelchair? Really, Dog & Scissors is terrible and somehow only managed to work in three jokes: (1) Natsuno Kirihime (Akiyama Shinobu) is insecure about her small breasts. (2) Natsuno frequently physically abuses Harumi Kazuhito (the dog) with a pair of scissors after he insults her. (3) Natsuno wants to have sex with the dog.

Always with the scissors.

Okay, not really really, but yeah, really. I mean, sort of really? There are a lot more bestiality jokes in Dog and Scissors than I was expecting, okay, even if most of them are just about tsundere bullshit. And while the show does end with a non-ending ending (which is probably why none of the things I mentioned earlier made any sense—they're probably explained in the light novels), it does sort of try to resolve the "romance" sub-plot at the, uh, climax. [SPOILERS] Natsuno gets drunk one night and takes the dog into bed with her, but ralphs all over him before she can force him into doing her human-style. Yes, Kazuhito narrowly avoids inter-species coitus from beyond the grave.

I'm impressed Illya's anime bed isn't made of concrete.

Fate/kaleid liner Prisma☆Illya started late, ended early, but is coming back for more. I had relatively high expectations for Prisma Illya because I liked the manga chapters I sampled. I'm glad that it is returning for another season, because I felt the show only scratched the surface with regard to exploiting the subject matter or letting us know the characters.

Berserker-chan.

Most of us have probably formed some general impression of who Illyasviel von Einzbern is based on the Fate/stay night game, anime, and movie, as well from her appearances in Carnival Phantasm. Still, I think it is accurate to claim that viewers don't really know Ilya very well at all, since much of her personality comes from fairly stereotypical characterizations. Yeah, yeah, I was going to talk about how Inu to Hasami wa Tsukaiyō and Fate/kaleid liner Prisma☆Illya are similar because of perversions. I'm getting to that.

Illya ruins her outfit.

As I was saying, even after Kaleid Liner, we still don't really know Ilya. Probably the main thing viewers will remember about Ilya is her fetish. As an aside, it was at this point in the entry that I struggled to find a way to use the word "cis" as a pejorative in the same sentence as the term "maid-sexual." I suppose it's not that strange of a fetish. I mean, for example, I bet being maid-sexual is a lot more mainstream than being obsessed with cake sex. It's just that Illya's encumbrance is particularly violent.

<&Nakar> To be fair raping maids is a Nasuverse tradition

I guess there's a third thing Inu to Hasami wa Tsukaiyou and Fate/kaleid liner Prisma☆Illya have in common: Both shows could have looked better. Dog & Scissors was obviously low-budget and would have suffered quite a bit from this had the show not already been so low-tier. Prisma☆Illya had really jarring character designs, although I guess it's probably a good thing its mahou shoujo weren't blessed with superlovely character designs. Kaleido Ruby in particular probably would have been too dangerous. Besides, maid rape is easier to play off as a gag when everyone has knobby faces. (See also K-On!) I do want to point out Prisma☆Illya had rad fight scenes like three episodes in a row, though. Because of it, I'm looking forward to more from Silver Link, although I guess this means I might have to watch Strike the Blood now.