The first arc of Seiren was a stunning disappointment. It was inept in almost wholly unoriginal ways, which made it doubly worse because this meant it should have been able to avoid all its missteps. The first episode of its second arc, however, gets the next route off to a good start by revisiting some of the elements that made Seiren's Amagami SS predecessor at least memorable, even if it was not exactly capital-G Good.(more…)
I still enjoy the Haruhi franchise quite a bit, even in its Disappearance of Nagato Yuki-chan guise. For the most part, the characters remain true to their established forms, with the notable exception of Yuki herself. You wouldn't expect this to be problematic, since the entire premise of Nagato Yuki-chan no Shoushitsu is that it takes place in an alternate reality based on the Suzumiya Haruhi no Shoushitsu book and movie. However, Yuki-chan from the television anime is neither the "original" Nagato nor her alternate counterpart from the 2010 feature film.
Disappearance movie Nagato is quiet and incredibly meek, but Disappearance TV Yuki is sort of spacey and oblivious instead in a clumsy sort of way that's supposed to make her appear cute. She already has an established friendship with Kyon, which at least provides a framework for the overarching story about her crush on him, but she's also clearly not alt.movies.nagato warmed up a bit. Part of the difference is how this Yuki plays video games constantly instead of spending all of her time reading. I'm not entirely sure what inspired this change. Some have postulated it makes her more relatable to the show's target demographic, but I wonder if it's actually to make her appear less introspective and thus reinforce the sort of clueless, helpless vibe she currently extrudes? In any case, it's not a good change, but also not bad enough to sink the entire series, thanks to Haruhi still being Haruhi and doing all the in-character Haruhi things Her faithful have come to expect of their small god.
No, not this one.
Granted, the show is not meant to be entirely realistic, but this is just dirty.
Everything I know about Kantai Collection (also known as Kancolle) comes from secondary sources. Specifically, I have absolutely zero first-hand knowledge of the popular game. Of what I do know, I gleaned probably eight percent from anime heads on The Twitter, various bloggers, and IRC drones. The remaining 92% I learned from hydrodynamic fan art. Some of these illustrations, no doubt, potentially promote misleading characteristics of various Kantai Collection boats, if not the franchise as a whole.
Through the first four episodes, it's apparent some knowledge and enthusiasm for the game is necessary in order to fully appreciate the Kantai Collection anime. The show is wall-to-wall cameos clearly intended to stoke ardent fans of underappreciated boat girls. The characters also occasionally holler non sequiturs that are obviously catchphrases from the game's voiced components. Some of the game mechanics also found their way into the show despite not making a whole lot of sense from a narrative standpoint. Still, the project seems well done and there's a palpable sense of affection that comes across so that I at least feel as if people in the shipyard care about the fleet.
Dated 30 December 2014: Fate stay/night: Unlimited Blade Works is still good even though it's no Carnival Phantasm
The first cour of Fate/stay night: Unlimited Blade Works is quite good despite all the problems in its source material. This is a testament to ufotable's deft execution, because that source material is sufficiently flawed that it could easily turn into a train wreck in less capable hands. The mythology behind the Holy Grail War is so preposterous that it seems more appropriate for any Fate/stay night adaptation to play it safe and simply be a straight-up farce like Carnival Phantasm. It's a credit to ufotable that I don't spend every moment of every episode asking perfectly reasonable questions such as, "Why hasn't Berserker killed them yet? Why isn't he killing them now?"
The first cour of Fate/stay night: Unlimited Blade Works legitimately is good, though. The action sequences are exceptionally well done, the production values are great all around, and (most amazingly) Emiya Shirou does not come across as a shitheel. Unfortunately, this is a split-cour series, so we're going to have to wait until spring to find out what manner of CGI euphemism we'll get this time around. Who knows, maybe ufotable will actually animate the sex scene? J.C. Staff did that with Shingetsutan Tsukihime, the first anime adaptation of a TYPE-MOON game (Internet memes notwithstanding), even if it turned out that vampires don't have nipples.
As you might expect, THE iDOLM@STER TV anime is a bit different if you're already familiar with the characters, their songs, and the dances. The first time I watched the series, I merely had a general understanding of the franchise at best, with most of what I knew coming from (once again) the fan art or from criticisms I had heard of the "apocryphal" Xenoglossia series from years back. I'm still largely ignorant of the gameplay, but I've at least been exposed to the music, more of the fandom, and Haruhi knows how many hours of all-singing, all-dancing videos on YouTube and NicoVideo. I've also played enough Shiny Festa to know I'm pretty terrible at it.(more…)
Truth be told, I almost dropped Ben-to after episode two, but soldiered on to figure out why Panty was in this show. It's stayed amusing longer than I thought it would, but possibly I'm biased because I'm a loyal Sega fan, and the Sega product placement has been relentless. Does is still count as product placement if nothing featured is current?