Ika Musume terrorizes Nagisa.

Autumn 2010 had a number of surprises. I never would have predicted my top three shows from this season. In fact, three months ago I would have been surprised to learn I would watch two of the top three at all.

Shinryaku! Ika Musume [1-12] > Shiki (12-22) > Detective Opera Milky Holmes [1-12] > Panty & Stocking with Garterbelt [1-13] > Amagami SS [14-25] > Detective Conan (591-600) > Heartcatch Precure! (34-45) > Ore no Imouto ga Konnani Kawaii Wake ga Nai (11) > To Aru Majutsu no Index II (6-7) > Yosuga no Sora [1-12] > Psychic Detective Yakumo [1-13]

Shinryaku! Ika Musume takes the top spot by the strength of its comedy and its No Bad Episodes achievement. I didn't have much interest in the show initially based on its description, but toward the middle of the season I decided to give it a shot because of the near universal praise I encountered for it. I'm glad I did, because Ika Musume is a solid show. I only wish there were more episodes.

Y'all know Megumi is right, right?

Shiki took me by surprise by embracing B-movie staples and running with it. I can't actually claim that Shiki is "good," but when it hits its marks it is wildly entertaining. If you like yelling at idiots for their stupidity and watching villagers storm castles with torches and pitchforks in hand, then Shiki is for you. Plus it's bloody! Even for a vampire show! I almost want to give it the top ranking for autumn 2010, but there were a few lackluster episodes in the mix holding it back. Its first OP and second ED are unquestionably this season's bests, though.

Just so you know, this is a great disguise.

I wasn't really expecting to enjoy Tantei Opera Milky Holmes, and only started watching it so I could claim to be watching three detective shows this season. However, after an unimpressive start (everyone seems to loathe the first episode), it proved to be a fun series that continued to push the envelope; some of the things Detective Opera Milky Holmes did were really...inappropriate, but it was never dirty. An unexpectedly funny series, I've heard Milky Holmes described favorably as "the next Galaxy Angel." Now, it ain't that good, but I could definitely go for more episodes of these idiots.

Panty and Stocking put Chuck to work.

Panty & Stocking with Garterbelt is as good as you've heard, but it never really resonated with me. There were some really amazing moments and a lot of good episodes, but I can't help but feel Gainax could have done more with the show. Even the Gainax Ending was not as outrageous as it could have been. It's no The Melody of Oblivion ending, for example. I'm probably the only person in the world who feels Panty & Stocking wasn't daring enough, though.

Don't worry, he has it coming.

I liked Amagami SS because of its gimmick, but ultimately Potato-kun just didn't have enough charisma to carry the show. It's a nice enough romantic comedy, but nobody who missed it should feel as if they've missed anything important.

Ran is always so well dressed.

Detective Conan is Detective Conan. Nothing important changes, and the show remains as good as ever. For that reason, I suppose curious readers may be able to rely on its position in these season summaries as a baseline or control group of sorts for pan-season comparisons.

Erika is the best girl in Heartcatch, but she ain't no Girl of the Year.

Heartcatch Precure! is all right, but I don't like it as much as its predecessors. I suppose viewed as a whole, it is better than Fresh Pretty Cure, but the best Fresh moments are a lot better than the best Heartcatch ones. I know Heartcatch Precure! is very well regarded among many anime fans who don't typically watch Pretty Cure. I wonder if they rank the show so highly because this is the only Precure they know, or if they rank it so highly because Heartcatch has certain unique elements that other Pretty Cure season do not have. If the latter, perhaps it is these differences that I don't care for—differences that cause me to view Heartcatch unfavorably in comparison to past seasons. Or maybe I'm just tired of watching weak magikal girls fight bad feelings every week.

Kirino hassles Ruri.

I technically did not drop any shows this season, but I only watched one episode of Ore no Imouto ga Konnani Kawaii Wake ga Nai. I watched episode 11 to see what all that KUNKA KUNKA jazz was about. Man, that Kirino is a total bitch. There is no way I'd be able to watch a full season of anything with her in it. (Bear in mind that I'm an unapologetic Asuka fan, too.) I never had any interest in the show because its most fervent fans are all siscons; that's gotta mean something whether or not the show's actual content justifies that label.

How about you go to a hospital, Kuroko? How about that?

I only watched episodes six and seven of To Aru Majutsu no Index II because I heard they were Kuroko episodes without any Touma speeches. I'm oddly fascinated by Kuroko's old woman voice, but I still have zero interest in the show.

Turbo Genki Akira is the Best Girl in Yosuga no Sora.

I accidentally watched all of Yosuga no Sora. I watched two of the episodes towards the middle of the season because I heard a harem-anime protagonist actually managed to have sex. If you know anything about anime, you'll understand this is a shockingly rare occurrence, especially so early in a season. I was hoping the show would be another School Days, but it turned out to be an R-rated version of the Amagami SS gimmick. Once I learned that, I backtracked through the earlier episodes to find out how everything started. By then I had watched half of the show and figured I'd keep watching since Haruka was apparently going to run the table. Man, Sora was an intolerable bitch, though. She and Kirino should hang out—at like the bottom of a lake. Anyway, if you want to know what happens but don't feel like waiting for the uncensored Blu-rips, just watch one of the omake EDs; they spoil basically everything that happens in the show.

Even Kirika didn't wear the same outfit every single episode, Haruka.

I finished Psychic Detective Yakumo on general principle, but found it pretty boring. It wasn't very Bee Trainy for a Bee Train show. I also wished Haruka had more than one outfit.

The Eva Series? It's been completed?

I have a feeling I'm not going to be watching as much anime this year, at least not as many of these 13-episode throwaway shows. That said, I do hope Freezing will have DARK MAMIKO. Speaking of Noto Mamiko, Kimi ni Todoke 2 is a lock, and everything about Mahou Shoujo Madoka Magica sounds pretty good with the exception of the SHAFT X SHINBO part (which probably sounds pretty good to most people). Naturally I'll continue watching Detective Conan and Pretty Cure and anything Gainax churns out, even if it might cause me to buy and then itasha the fuck out of a Subaru.

The real antagonists in Mahou Shoujo Madoka Magica are trolls, not witches.

Despite my disdain for SHAFTXSHINBO, Mahou Shojo Madoka Magica (at least what I've seen of it so far, as the remaining episodes were pre-empted due to the catastrophic earthquake and tsunami—they're expected to air in a few days) is really good. [Update: The final two episodes did have some surprises. The rating remains unchanged.] Whether it's good in spite of SHAFTXSHINBO because of Kajiura Yuki and Urobuchi Gen isn't so much important as the fact that they took something which I had fully expected to be unconventional, made it so, and still managed to impress. Although I did not enjoy Mahou Shoujo Madoka Magica nearly as much as its true fans did, it was still easily the best show I watched from winter 2011, admittedly not a very difficult feat when the runner up probably only placed as high as it did thanks to the Hanakana Distortion Field.

Infinite Stratos needed more Full Frontal Bageena Char.

Infinite Stratos was by no stretch of the imagination a good show, but it was fun to watch. Curiously, it's often the male protagonist that makes or breaks harem comedies, not the bevy of girls themselves. Thankfully, Infinite Stratos does well on both fronts. Potato-kun is mostly unobjectionable, with neither an overpoweringly "strong sense of justice" nor a timid adversion to girls, the two most common flaws of the typical harem comedy putz.

There ain't no way Ichika owns that many books.

Unfortunately, not having those two flaws means Potato-kun needs some other character flaw to be the excuse why he doesn't trophy fuck love all the girls during the course of the show. In Ichika's case, he's a moron. It works out, though, because nearly every girl in his harem is also a moron. This is probably why Charles is so popular, as she's the only girl in the harem who is neither dumb nor crazy. Okay, she did pretend to be a very unconvincing boy for a while, but she gave that up after a few episodes, and the only reason other people bought that act is because the entire school is filled with complete idiots.

What's that fishy odor?

Anyway, Infinite Stratos was an amusing, harmless diversion and was pretty fun until it decided it needed a plot towards the end. Instead of the Final Battle against MacGuffin, they should have devoted the last three episodes to a footrace or an extended game of tag.

This is the best reaction shot of the entire series. [P.S. Spoilers.]

Kimi ni Todoke really took a dive with 2nd Season in my view and dipped below the Detective Conan Line during the middle episodes because it upset the precarious balance of misunderstandings and heartfulness. Basically the entire season dragged out due to terribly painful communication problems. It made me wish the show was about Ume instead, or maybe Yano falling in love with Pin. (It's not a spoiler, okay? It's right there in the OP!) Thankfully, Kimi ni Todoke 2nd Season pulled itself together during the final three episodes. Pity the entire season couldn't be that good. Had it been, then Kimi ni Todoke Second Season would have been as good as, well, Kimi ni Todoke First Season.

Ai Yori Aoshi volumes 17 and 16.

Somewhat unexpectedly, finishing Kimi ni Todoke S2 makes me wish for a third season of Ai Yori Aoshi—one that follows the manga instead of jumping all over Creation. The final volumes of Ai Yori Aoshi really deserve a lot better than the lackluster impression the two inconsistent anime seasons left behind. They may have to animate Aoi's bra in the series climax with CGI, though. (Ha ha. "Climax.")

Take Fractale easy.

Viewers seem fairly divided on Fractale, particularly with regard to its ending. Much as I postulated when describing my early impressions of the show, the way I see it, there are two camps: Those that care about its pedigree and subsequently chose to watch Fractale critically, and those who just wanted to enjoy themselves because anime is still a hobby. That latter group likely enjoyed Nessa's turbo-genki moments quite a lot more, and even if there might be a Hanakana Distortion Field at work, they presumably enjoyed the show more as a whole.

How did they end up in the ending to Heartcatch Precure!?

This is not to say Fractale doesn't suffer from a host of problems. Personally, I felt all of the fighting and battle scenes were comically bad, and a lot of things (especially towards the end) didn't make any sense. I was also somewhat crestfallen to learn Phryne wasn't just acting stupid—she really was an idiot. It's because of these problems that I don't rank Fractale higher among the winter 2011 shows. Nevertheless, it was still pretty good overall, and including an audio cameo by Nausicaä herself towards the end to bookend the visual references from earlier in the season was pretty nice, even if I totally missed it.

If you advance this scene frame by frame you can catch
the exact moment Ran's heart breaks. [P.S. Spoilers.]

Detective Conan is Detective Conan. As I mentioned before, Detective Conan is basically my control group when it comes to ranking shows. Each season of Detective Conan is about the same and typically as good as any of its myriad previous seasons. This remained true during winter 2011, although I would like to point out the "Tear Drops" OP totally messes with the heads of Shinichi + Ran 'shippers.

IN THE FACE!

The end of Heartcatch Precure! was all right, even though Cure Blossom remained mostly useless. Probably the highlight for me was Cure Marine suckerpunching Kumojacky in the face on general principle before he could launch into an idiomatic, vaguely evil speech.

More punching, less baking.

Suite Precure is decent, but nothing really special unless you care about voice actresses. Koshimizu Ami, Orikasa Fumiko, Toyoguchi Megumi, and Mitsuishi Kotono are all on board. In fact, I should probably check Danbooru for what I'm sure must be copious amounts of seiyuu_joke parody/crossover fan art.

I dropped Freezing not because it was exploitative, but because it was kinda retarded. I can't wait for the second season of Seikon no Qwaser, though. (No, seriously.)

I was intriqed by Ri♡ -Rainbow Gate!- because it was Highlander with card battles, but I think I lost interest after two episodes beause Rio's hair sucks.

Yumekui Merry didn't suck, but I dropped it after the first episode because I wasn't interested. I heard it gets better later, but I still suspect Merry might actually be a boy.

Cosprayers Line.

I dropped Wolverine after a single episode because it was God awful. Congratulations, Wolverine, you are easily WORSE THAN COSPRAYERS. All you need to know about the show is that in the first episode, a group of people flying around with jetpacks bent on attacking Wolverine with rifles decide to all fly close enough for him to gut them with his claws. Then later on Wolverine breaks one of Sir Isaac Newton's Laws of Motion. Look, I'm okay with his indestructible skeleton and canonical ability to regenerate from a single remaining drop of blood, but c'mon.

Final tally: Mahou Shoujo Madoka Magica > IS: Infinite Stratos > Kimi ni Todoke 2nd Season > Fractale > Detective Conan > Heartcatch Precure! > Suite Precure | Dropped: Freezing > Ri♡ -Rainbow Gate!- > Yumekui Merry | WORSE THAN COSPRAYERS: Wolverine.

This is pretty half-assed choking, Minko.

The best show I'm watching this season is Hanasaku Iroha which basically takes Saten Ruiko from A Certain Scientific Railgun and forces her to work in an inn with some misfits. Theres the MAMIKORE gossipy Tomoe, the bitchy Minko, and the annoyingly meek Nako. There are also a number of adult characters, all with their own problems.

Even the turbo-genki voice is normal.

One thing I've come to enjoy about Ito Kanae is she does a fairly normal voice. Not that I don't enjoy high-fructose Yukana sweetness, for example, but that is a very artificial-sounding voice. Ito Kanae, like Sawashiro Miyuki, uses a more natural voice for her characters. Hanazawa Kana used to have one too back in her Zegapain days, but now she's all about the Hanakana Distortion Field brainwashing viewers.

Ran really should get herself a Surefire flashlight one of these days.

Detective Conan continues this season from episode 610 with a Hattori arc. Where Hattori goes, Kazuha follows, bringing with her a Kansai-ben Miyamura Yuko (Soryu Asuka Langley) that I enjoy far too much. If you didn't know already, Rei and Asuka are both recurring characters in Detective Conan as Ai and Kazuha, respectively. Both need more screentime.

Nice hat.

Moshidora, also known as Drucker in the Dugout or as What If a Female Student Manager of a High School Baseball Team Reads Drucker's Management? (Full title: Moshi Kōkō Yakyū no Joshi Manager ga Drakkā no "Management" o Yondara) is frankly kinda low-budget, but it's refreshing in that it obviously caters towards adults, despite the high school setting.

Minami must be reading an abridged edition. My copy is twice as thick.

As background material, I've actually started reading Peter Drucker's Management: Tasks, Responsibilities, Practices, but I'm only about halfway through the 800-page book. Because Moshidora airs daily and only has 10 episodes, I don't think I'm going to finish reading the book before I finish watching the anime. What I really want to do is read the novel that inspired the anime.

Hibiki works from the stretch, but I didn't see her check the runner first.

Suite Precure is in the process of bringing in more Cures, although the masked Cure Muse seems pretty obviously the sort-of-evil but out of work Siren to me. Personally, I have a feeling Cure Muse will be unmasked soon enough to henceforce be Cure Beat. Whether or not this means we'll see more of Cure Muse after that, I'm not sure, but maybe Suite Precure will handle it like Splash Star managed part-time Cures Cure Bright and Cure Windy.

Suddenly, a magikal girl appears.

Seikon no Qwaser II continues to test the limits of what its viewers can expect and accept. Although off to a "slow" start, there is already a sub-plot about a previously smug bitch who has her soma extracted against her will, turning her quiet and meek while she burns with the subsequent shame and guilt she carries from enjoying the experience. Honestly, though, one thing Seikon no Qwaser has always done well is challenge expectations. There are allegories in the second season that address serious issues in irreverent ways. You don't have to care about those parts to necessarily enjoy Qwaser, but the fact that they're there is one of the reasons why Qwaser is not merely a smutty fan service show its dismissive detractors assume it is. Seikon no Qwaser does for fan service what Shin Seiki Evangelion did for giant robots, what ef ~a tale of memories~ did for moe blobs, and what Mahou Shoujo Madoka Magica did for magikal girls.

So who remembers when Wolverine was canonically five-foot three?

I dropped X-Men after two episodes, but not because it was bad. On the contrary, it was pretty good—way better than the '90s cartoon. Aside from the questionable casting of Hisakawa Aya as Storm, I basically have no issues with the show but I think I'll like it better in its inevitable dubbed incarnation. It's pretty obvious the X-Men anime will probably air dubbed on Cartoon Network or something. Aside from setting the first arc in Japan and, y'know, all the violence, it is very much a western-friendly cartoon. In fact, it's so western that I have to wonder if they set the first arc in Japan because the producers were afraid Japanese viewers wouldn't watch a western property without something they could directly relate to, just as the western producers for the upcoming Akira movie feel compelled to cast caucasian actors in Japanese roles because they're afraid western viewers won't watch something they can't directly relate to.

Spoilers: Kaoru won't win this year.

Halfway through 2011, I propose the following tentative nominations for Girl of the Year. I'm providing this update so characters from shows that ended during 2011's first half don't get overlooked by the myopia that seems to set in each December.

Go on, Momoko, bitch those jackasses out.

As a former winner (2009), Shimizu Kaoru from Major would normally get an automatic nomination for returning in the OVA epilogue, but she's inelligible because it came out December 2010. Unfortunately, this means I also can't nominate Momoko from the same OVA. Momoko first appeared in Major season one as Goro's kindergarten teacher and has been a regular part of the series ever since. She definitely deserves recognition for her contribution to the best baseball anime of all time. (Neither could have won in 2010, by the way, as Aoba from Cross Game had that title locked up nearly from day one.)

This usually means someone's about to get fucked.

Mouri Ran gets a nomination because Detective Conan is as good as it ever was. As long as the series continues to air (or the franchise continues to churn out OVAs and movies), Ran will get a nomination by virtue of being a long-suffering sweet kid and one of anime's All Time Babes. Actually, I say "as good as it ever was," but this year it might be better than ever. It's still really good at least.

It helps that Minami has awesome hair.

Minami from Moshidora adds to the growing list of nominations from baseball anime. Minami's initial contribution to Moshidora is a gimmick, but it's an interesting one, and both Minami and Moshidora continue to grow over the course of the season.

Hana and Katja should get their own show when Qwaser ends.

Hana from Seikon no Qwaser II carried the show during its early uncertain episodes, and I'm not just saying that because part of it took place inside her ass. Hey, that's two characters nominated now for Hikasa Youko (best known for her role as Mio in K-On!).

Charles is from fork-lovin' France.

It's a pity Houki didn't have much to offer in IS: Infinite Stratos, otherwise Hikasa Youko might have managed a hat trick. At least Infinite Stratos doesn't walk away emptyhanded, though. Its very popular Charles easily gets a nomination even though she unconvincingly tried to disguise herself as a boy initially.

Also for being a magikal girl King of the Battle.

Homura from Mahou Shoujo Madoka Magica gets a nomination for her indefatigable [SPOILERS. DECLASSIFY IN 30 YEARS].

Erika is kinda smug sometimes though.

Erika from Heartcatch Precure! manages a nomination for 2011 despite not receiving one in 2010. Although she's the first Pretty Cure to be nominated, Erika arguably only gets the nod because of the relatively weak field so far in 2011 and for being the most generally liked character in Heartcatch Precure!

So there you have it. Note, however, these are only preliminary nominations for 2011, and the field could change dramatically depending on how the rest of the year plays out. No doubt, this field is also limited by the relatively few shows I've followed this year. But before anybody says anything, nobody from Ano Hana gets in. Not even close.

You're still a lousy mom, Satsuki.

The best show I watched spring 2011 was Hanasaku Iroha. Consistently engaging, with characters I cared about and the high levels of animation quality I've come to expect from P.A. Works, I always looked forward to the next episode. I'm glad it's continuing for another cour in summer 2011. However, I initially thought Ohana would take an early lead in the race for Girl of the Year, but surprisingly she is thus far not in the running. In fact, it is scene-stealing Minko who is poised to garner the year-end nomination, provided she gets past Tomoe first, the current front runner for Hanasaku Iroha's Best Girl.

Surprise! Moshidora gets better with each episode!

It almost doesn't feel as if Moshi Kōkō Yakyū no Joshi Manager ga Drakkā no “Management” o Yondara was part of spring 2011 because it ended so early. (Its 10 episodes aired during consecutive weeknights for two weeks at the start of spring 2011.) Accused early on of having low production values and an unengaging storyline, Moshidora's detractors mostly abandoned the series by the second episode. It's too bad, really, because Moshidora improved with nearly every episode, culminating in a satisfying finale that underscores the difference between anime based on juvenile or young adult "light" novels and anime based on books aimed at adults.

Minerva Glass is here to eat bangers & mash and kick ass.
And she's all out of bangers & mash.

Detective Conan is as good as it ever was. In fact, it was better than usual this season. The long London arc in particular was a nice change of scenery. Minerva Glass was also a nice addition to the cast, although I suspect she will not be a recurring character. Many of her scenes reminded me of the old David Foster Wallace article "The String Theory." Be sure to read all the footnotes.

Suite Pretty Cure is here to eat cake and kick ass.
And they're all out of...wait, there's some more cake in the house.

Suite Precure♪ suffered from weak-protagonist syndrome, but Hibiki and Kanade have mostly found their footing by now. I'm glad the show is drawing out its Cure Muse mystery, throwing out a number of red herrings regarding her identity and her role. This makes Toei only marginally better at protecting its properties from spoilers, though. Cure Beat's identity and details were widely known months in advance.

Big Mom is big.

The second season of Seikon no Qwaser is not as good as the first. The difficulty comes in trying to live up to the predecessor's reputation or trying to surpass the first season's achievements. Along those lines, it was really only successful with episode 10. Probably developing its characters more would have served Qwaser II better.

Ahh! Ghost glasses!

I did not enjoy Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai nearly as much as most people seemed to have. Ano Hana had a huge following of emotionally invested fans. I found every character irritating, trite, juvenile, and overly melodramatic. It didn't help that Cross Game recently dealt with a similar theme in a far superior manner. (Haruka Tomatosauce, Anaru from Ano Hana, plays Aoba in Cross Game. You should give Cross Game a try if you haven't seen it already.) It also kinda bugged me how everyone's thick emo glasses developed side-view transparency so that they wouldn't obscure the characters' eyes in profile, but now I'm nitpicking.

I dropped X-Men even though I thought it was pretty good. I'm just waiting for the English dub, since the show seemed so western. I heard there's stunt casting for the English voices, though. Something about the cast of Heroes. I'm not really sure.

Cosprayers Line.

I sort of wanted to watch three episodes of Pretty Rhythm Aurora Dream to see what in Hell King in Prussia was talking about about, but the show is too awful. I could suffer through more if it had some redeeming qualities, but man, watching that crap is painful. Yes, Pretty Rhythm Aurora Dream is worse than Cosprayers. At least there weren't any live-action segments in the second episode.

I won't buy you lipstick because you don't have any lips.

Usagi Drop surprised me by being much better than I expected. After five solid episodes to open the series, it has climbed to the top of the list. However, it is a good thing Rin is such a nice, well-mannered, and thoughtful kid. Were it Daikichi's sister's cousin's devil child twisting in the wind in episode one, I wager that brat would be on her own and the show would have to be about her bouncing from home to home in foster care or something. I heard there's a timeskip in the manga, but I also heard the anime might not make it that far. I've not read any of the manga nor learned any spoilers aside from knowing the timeskip exists, but I wonder if it has to do with how Daikichi's concern for Rin is very paternal yet Rin explicitly rejects him as a father?

Daikon goes in here.

Hanasaku Iroha remains one of my favorite shows this season, although it really needs more Minko and Tomoe episodes. It also needs less of Ohana's spineless uncle and that wretched consultant lady he dragged to the inn—a lot less. Hopefully now that the movie fiasco is over we can move on to more Minko episodes about her unrequited love for daikon and Tohru, preferably without overdoing Tohru's guilty boners for Ohana.

Cure Beat's guitar is full of mercy.

The Cure Beat arc of Suite Precure exceeds expectations, probably because it puts the Cure Muse mystery arc on hold for now. Cure Beat needs to reverse her windmill move, though, and do it Pete Townshend style. I, for one, am pretty glad Suite Precure is turning into FLCL instead of K-On! I'm also impressed by the new transformation sequences and the quality of some of the recent fight scenes.

THE ENFORCER. Well, the parking enforcer anyway.

Wait, did Tanaka Rie just join Detective Conan's menagerie of regular characters? I swear that was her.

I should probably say more about Detective Conan because Something Important happened last season. However...spoilers.

Chihaya appears to use Sony MDR-V6 headphones.

We're headphone buddies!

Idolm@ster needs more song and dance numbers. I presume the absence of music from the first episode was a stylistic choice designed to fit the documentary framework. The show is all right so far, but because there are purportedly many former current Gainax staff members behind the show, I'm hoping for a Gainax ending—possibly with more Bio Concerto. In related news, Chihaya by a mile. Chihaya > Miki > Ritsuko > Azusa > Makoto > Takane > Kotori > Hibiki > Yayoi > Iori > Mami > Ami > Haruka > Yukiho.

The real star of Dantalian no Shoka is Huey's Imco lighter.

You may recognize it from Haibane Renmei
as the lighter Reki uses.

I'm mostly watching Dantalian no Shoka out of general principle because of Gainax. Huey seems all right. I was impressed during the first episode when he revealed he wasn't another damn Potato-kun. However, I am getting pretty tired of Dalian's tsundere bitchiness. Her lack of charisma is going to wear on me, even if she does say "YES" all the time. (Bad gourds don't say "no.")

Masa stole Aoi's haircut.

Uta no Prince-sama - Maji Love 1000% was less gay than I expected, but I can't find a reason to keep watching it. This is not Miracle Train. Miracle Train was actually pretty good. Prince-sama just has Wakamoto Norio playing Wakamoto-Norio-playing-a-character as its main draw. I haven't officially dropped it yet, but I'm also in no hurry to watch the second episode.

Twin Angel needs more Galaxy Angel.

I only watched Kaito Tenshi Twin Angel - Kyun Kyun☆Tokimeki Paradise!! because of Asakawa Yuu. I'm sorry to say the first episode was horrible. Consider it dropped. I'm hoping it turns out to be a lot better later on. I'll start watching again it if I see a lot of people sucking up to @julia320 on Twitter praising the show. This has not happened yet.

Hanasaku Iroha could have used more Tomoe.

Despite the melodramatic Ohana + Kou angle, Hanasaku Iroha narrowly eeks out Usagi Drop as the best Summer 2011 show by turning the inn into a character. Love Hina did the same thing, although I didn't notice it until the Hinatasou reappeared in Earth Defender Mao-chan; I realized I missed the inn itself. As for Hanasaku Iroha, it is disappointing that the tensionless romance between Ohana and Kou was so uninteresting, but every other aspect of an otherwise engaging show earns it the top spot.

Go cry about the Usagi Drop ending somewhere else.

Usagi Drop likely would have fared much better were it longer than its mere 11 episodes. Every episode was good, earning it the No Bad Episodes award, but there simply needs to be more to the show to make it a solid series. With only 11 episodes, it's practically in OVA territory. Then again, perhaps it would not be better served with additional episodes. I know there are controversial events following a timeskip resulting in a widely disliked ending. Although I have a general understanding of these spoilers, I have not read the manga itself so I cannot speak for their execution. If the events are done well, perhaps more Usagi Drop episodes would make the show even better. If all they're going to do is antagonize most viewers, then maybe it's best that Usagi Drop ended when it did.

LISTEN TO MY SONG!

The IDOLM@STER succeeds by taking simple things and doing them very well. It also help that it has a deep cast of charismatic characters, allowing the viewer to latch onto his favorites. Ahem. Chihaya > Miki > Takane > Makoto > Ritsuko > Mami > Hibiki > Ami > Iori > Azusa > Kotori > Haruka > Yayoi > Yukiho. I am a little troubled by the slightly knobby faces, but they never cross into K-On! territory, so I'm satisfied.

Nice hat, Kaito.

I'm treating the Magic Kaito / Kid the Phantom Thief episodes of Detective Conan separately. Not quite a spinoff, and not quite OVAs, they aired in the regular Detective Conan timeslot to focus on the titular long-time Detective Conan side character before crossing over with the Detective Conan series proper. These episodes were very good, although I'm not sure how they fit into the canon. I'm a little confused as to the timelines and the ages of the characters involved, but this might be because there are large gaps in my list of watched Detective Conan episodes. Fujimura Ayumi does a really good cranky voice as Aoko, too.

It turns out Waon is kinda awesome.

Suite Precure♪ has been mostly good, benefiting from a well-done Cure Beat arc. Although I'm opposed on principle against [spoilers] making non-human characters bona fide Cures, I guess I'm okay with it since Ellen is stuck in human form and hasn't been able to transform back into a cat (or anything else). I'm hoping the Cure Muse episodes are as good, because right now I find Cure Muse hopelessly uninteresting. Worst Cure ever.

Dantalian no Shoka needed more Flamberge.

Dantalian no Shoka should have been better, but could have been worse. It's not much of a series, ending abruptly at 12 episodes, but it had enough good moments interspersed throughout to make it the anime equivalent of a collection of short stories. I did want more episodes with the fireman and Flamberge, though. Koshimizu Ami played Flam exactly the way I picture Marisa from Touhou. (I don't actually know jack shit about Touhou). I still don't know why Flam wears a straitjacket dress, though.

Sonoko gossips with Ran.

Detective Conan is Detective Conan, but if you leave out the Kaito episodes mentioned above, this was actually a relatively weak cour of episodes—enough to knock it down a bit, whereas the average Detective Conan cour would typically be above Suite Precure♪ and Dantalian no Shoka.

Dropped shows: I dropped Uta no Prince-sama - Maji Love 1000% after one episode because it didn't interest me. I considered watching a second episode for a long time, though. Likewise I dropped Nekogami Yaoyorozu after one episode semi-reluctantly. After all, it did star HOCCHAN and Haruka Tomatosauce, but I couldn't bring myself to watch more of it.

Cosprayers Line.

Kaito Tenshi Twin Angel - Kyun Kyun☆Tokimeki Paradise!!, at least the one episode I watched, was WORSE THAN COSPRAYERS. I only watched the first episode at all thanks to Asakawa Yuu's constant pimping of her new show on Twitter, but it just wasn't very good. Very likely it had a good episode or two somewhere down the line, but I wasn't sticking around to find out. If someone watched it all and can identify any must-watch episodes of Kaito Tenshi Twin Angel - Kyun Kyun☆Tokimeki Paradise!!, send me a telegram.

Kotori, Ritsuko, Miki, Ami, Yukiho, Mami, and Azusa on top.

So far, The IDOLM@STER TV has been the best show I'm following during autumn 2011. I'm pleased to see the 765 Pro girls' careers advance and I look forward to the inevitable scandal that threatens to destroy them when the evil rival talent agency blows the lid on Miki and her HONEY shacking up. You know it's coming.

Saber sure dresses sharper in Fate/zero than she does in Fate/stay night

Fate/zero is kinda stupid so far, but I can't resist. You could attribute it to the Ayako Doctrine, since I'm pretty stoked about having three (technically four) shows this season featuring her work. Truth be told, as much as I enjoy Kawasumi Ayako's "tough girl" voice, her "comic tough girl" voice is even better. I refer you to the Carnival Phantasm OVAs and Magical Witch Punie-chan.

I hope you weren't expecting a squid-pun caption.

Shinryaku!? Ika Musume is a worthy sequel to the first season, although thus far it seems to be playing it safe. It needs another moment like the umbrella episode to really return it to its former glory.

It turns out Guilty Crown and Dantalian no Shoka are the same show.

Guilty Crown is way better than people give it credit for even if it isn't necessarily good. It's got good stuff in it, okay? That's good enough for me. And I'm not just saying that because that one girl's zero-gravity breasts are obviously some artist's labor of love.

Cure Muse kinda sucks, to tell you the truth.

Suite Precure♪ really benefits from having Koshimizu Ami, Orikasa Fumiko, and Toyoguchi Megumi on the cast, much more than Heartcatch Precure! ever did from having Banana Mizuki or Hisakawa Aya on its cast. All five are very talented voice actresses, but Mizuki Nana was completely wasted as Tsubomi and Hisakawa Aya never impressed me as Cure Moonlight (nor as Sailor Mercury neither, through the first 46 episodes at least). If you listen to their stock footage transformation catchphrases, for example, Koshimizu Ami adds a lot of verve to her role, and Toyoguchi Megumi announces herself with real authority. I totally buy that she's about to beat some ass. Fumiko Orikasa...man, I'm just glad she's working again outside of that Bleach black hole.

Sen's understanding of "half off" differ's from Inori's.

Ben-to probably would have made a good two-episode OVA. I can't see watching more of this, even if Panty is in it eventually.

Needs more Ran service.

Detective Conan is Detective Conan. I expect it will continue to be as good as it always is, discounting the anomalous previous cour.

That's funny, the damage doesn't look as bad from out here.

Boku wa Tomodachi ga Sukunai is about as good as the manga, I suppose, but I'm not a big fan of that either. I've met my goal of watching enough to see the eroge episode, so I think I'm done—both with the anime and the manga. It's just not especially interesting, and the character designs aren't appealing.

This is basically all Shana needs to succeed: fire and grimacing.

Shakugan no Shana Final is kinda poor, but making Yuji a villian is a good move. Oops, spoilers. I was half-wrong when I claimed there was no need to watch Shana II before watching Shana III. You won't know what the Hell is going on if you skip from Shana I to Shana Final, but then again there's a 50/50 chance you'll still be horribly confused by the start of Shana III even if you do watch the second season. Anyway, Shana III is pretty lousy, but sweet Haruhi, it's not nearly as bad as the second season was. Plus more Ayako!