Minori and Akatsuki realize they are rivals.

I finished my re-watch of Log Horizon. It did not go as well as I was expecting. I remembered liking the series more in the past. Objectively, this is still true. I know this because I keep track of my ratings for individual anime episodes on a spreadsheet. (This was originally a joke, but then I kept doing it. See this, for example.) So I can technically quantify numerically specifically how much liked the series more in the past, even though I didn't score the second season very high to begin with. In any case, I liked the series less overall the second time around. That's not doing the upcoming third season any favors. There are two basic problems I have with the anime.

You know you like it.

First, none of the jokes work for me. This includes the recurring gags involving Naotsugu and Akatsuki. There wasn't a reason to repeat them beyond the first episode. Then Tetora shows up in the second season. And fuuuck, Tetora is not amusing. None of those jokes work either. The other problem is the inverse relationship between the characters' reported ages and the maturity levels of their behavior. Well, at least that's the way it seems for the girls.

I seriously thought Serara was 12.

The worst offenders are Marielle (28), Henrietta (28), and Serara (16). Marielle is whiny and petulant, constantly throwing literal tantrums about the work she has to do. (She's sort of in charge.) Henrietta is obsessed with molesting Akatsuki and does so at every opportunity. Serara is the nekosexual girl who really, really, really likes Nyanta. All of these characters and their behavior are played for laughs. None of it is funny. On the other hand, Minori is only 14, and the princess who ends up saving her kingdom when the men in charge couldn't get their shit together is only 15. Presumably they'll be older during season three, though. Maybe they'll become less mature in keeping with the rest of the show.

That collar would be so uncomfortable

Log Horizon is much, much better than typical isekai fare. However, as an anime, it's perhaps not as entertaining as people make it out to be. I suspect it's probably better as a book. This is my second time watching the anime, and I like it about the same now as I did originally, but there are definitely parts of it I find less interesting than others. There is a lot of info-dumping, for example, and there are a few arcs that I simply don't care about, such as kids learning the hard way how to be adventurers because nobody will listen to Minori.

I guess he's fine when he doesn't talk.

With regard to that particular arc, Log Horizon deliberately made the boys shounen-type dipshits in order to make Minori a more sympathetic character. I guess it's working, because Minori is the only member of that party I care about. I appreciate that Rudy has an actual character arc, but he was way too annoying in the beginning. It was unrecoverable. It also helped that Shiroe reached out to Minori instead of her brother when the two of them were slaves in an MMORPG sweatshop. I guess he liked her better, too.

Minori getting shit done.

The mentoring Shiroe provides to Minori, her shounen-type dipshit brother, and other characters does make Shiroe more likable. Most fans of the show point to Shiroe's various schemes and plans when identifying his attributes, but I think those are less important than his penchant for helping people. I mean, the craftiness is neat, too, but I think that aspect gets overstated when fans highlight the elements that differentiate Log Horizon from other isekai anime. The problem is you'll run up against a bunch of questions you're meant to ignore if you think too hard about how those plans of his work out. In comparison, despite being simple and straightforward, the mentoring thing remains compelling because other shows often try to prop up their protagonists by focusing on how great they are at everything. (For example, consider Kirito from Sword Art Online.) Conversely, Shiroe's whole shtick is that he makes other people better.

Henrietta's relentless harassment is fine because they're both girls, right?

There are a lot of characters in Log Horizon, and I like most of the ones who are not shounen-type dipshits, but I could do without the jokes some of them are stuck with. For example, every gag involving Akatsuki. It's a shame, because I'd probably like Akatsuki quite a bit without them. She's at least a fan favorite even despite those tired jokes.

They definitely just wanted to dress up the princess in ridiculous clothes.

I do wish Log Horizon explored the NPCs more, though. I'm more interested in how they handle sharing their world with immortal superbeings. The show does address this to some degree, but still think it deserves more attention. Perhaps there is a stronger focus on this in the books, and I'll get my wish when season three starts in October. Well, if it starts in October. Just don't put all the attention on shounen-type dipshit NPCs, okay.

In unrelated news, I'm pretty stoked Shiho is in this too.

I can't remember where I first heard Wake Up, Girls! characterized as "failure moé," but the term has stuck with me as a fairly apt way of describing the franchise, notably for its upward swings from being the underdog as the only idol show without a Sunrise affiliation, to achieving solid triumphant moments, including what was reportedly a stunning performance at Anime Expo 2017 in Los Angeles (which I missed). Unfortunately, the current season of the anime, Wake Up, Girls! New Chapter, has fared woefully from an animation standpoint, giving the impression that the WUGs have taken a couple steps backwards. The Yamakan-helmed first season had its own problems at times, but nothing anywhere near this dire. Through seven episodes, extensive use of stills and slow pans turn much of the show into a radio drama, and it's obvious quite a bit of daylight separates reality and desire when it comes to production efforts. Problems plague even the official subtitles, which continue to display an incorrect name for one of the main characters in the opening credits even now.

Princess Latifah and her knight, I guess.

I finally finished watching Amagi Brilliant Park after putting it on hold last year because I was watching too many shows at the time. It's an all right anime, but frankly nothing to get excited about. (I did enjoy Kawasumi Ayako as Moffle; that's a different sort of character for her.) It should surprise no one that the primary plot about the theme park's flagging attendance wraps up favorably. No, the fairies don't all wither and die. However, there was a subplot I didn't anticipate. Naturally, spoilers fill the rest of this entry.

15-love.

I put Inou-Battle wa Nichijou-kei no Naka de (When Supernatural Battles Became Commonplace) on hold halfway through the autumn 2014 season to watch different shows, but I came back to it and finished it off a year later. There wasn't anything particularly bad about the series when I put it on the shelf last year, except I felt it was a rather unremarkable effort by Studio Trigger, a company better known for KILL la KILL and the Little Witch Academia movies. But now that I've finished Inou-Battle, I believe it is a excellent show—not relative to anime in general, mind you—relative to other harem comedies. You see, harem comedies tend to be mediocre at best and typically cursed with one or both of the following typical flaws: (1) Uninteresting harem candidates, or (2) an unlikable male lead.

There's also a lot of this sort of thing.

Akatsuki no Yona is really good for sufficiently broad definitions of good. This is a backhanded compliment, but I do admit it's not for everyone. Now in its second cour, this anime adaptation remains true to the original shoujo fantasy manga. Fans of the manga will likely enjoy the anime a great deal, but neither the tonal shifts nor the reverse-harem cast will likely appeal to anime fans who may have expected a more typical princess-in-distress series of canned adventures. Viewers don't need to be primed for squealing, KYAA! BISHIES! in order to enjoy the show, but they'll be better off if they at least aren't put off when more and more spikey-haired boys with large hands keep joining the cast.

Back away from the princess and nobody gets hurt.

That cast does keep getting bigger, though. An entire cour has passed and Akatsuki no Yona still hasn't finished introducing characters. I hope the anime isn't set to conclude with this second cour, because it's just getting started in relation to the manga. It really is a good adaptation, though. Saito Chiwa is perfect as Yona, and the anime communicates all the emerging fire-hair staredowns perfectly. That's the real reason to watch Akatsuki no Yona. Yona's transformation from a spoiled helpless fugitive princess to a leader of warriors is quite satisfying. I just hope the anime runs long enough to cover it all.

It's a pity she won't live. Then again, who does?

I should probably write more about Akame ga KILL!, seeing as how it finished in the number two spot among the shows I watched during autumn 2014. However, I don't especially have a lot to say about it aside from acknowledging that I enjoyed it a great deal. That's significant in and of itself because I don't typically enjoy shounen fighting anime, but I like how Akame ga KILL! did it, even though it rushed the ending a bit after diverging from the manga.

It's a pity she won't live. Then again, who does?

The divergence was necessary because the manga hasn't ended yet. Without at least another cour, the anime would have had to trail off if it didn't pursue a different track. This also gave the anime an excuse to be less harsh than the manga, which has (for example) a lot more rape and lots more bad things happening to good people. Nevertheless, the anime still has a substantial body count, as a reasonable viewer should probably expect after becoming familiar with the general tenor of the title. Pretty much nobody is safe except for Akame. Her name is in the title, after all.

It sort of bugs me there are no sights on that weapon.

I first noticed Kakuma Ai because of her Aldnoah.Zero supporting character. She voices Nina, the schoolgirl refugee who nearly collided a ship with a giant obstacle the instant they let her steer. There's not much to the character that really stands out, but her panicky cries as she nearly wrecks the boat were pretty amusing. But then I noticed she's also in Amagi Brilliant Park, voicing Sento who sounds completely different than Nina. Sento didn't do any panicky yammering in the episodes I watched, but I did like the way she said "brilllyant paahk." I'm not particularly familiar with the rest of her work, but given the contrast between Nina and Sento and their aforementioned highlights, I'm encouraged to pay more attention to her in the future.

Emi's piano? Also a weapon.

Hayami Saori, who voices Emi from Shigatsu wa Kimi no Uso caught my attention for the same reason I really enjoy Ito Kanae: She speaks with a normal voice. I find artificially squeaky "anime" voices a bit tiresome at times, and perhaps moreso when that fake-sounding anime voice is one the seiyuu uses as her "real" voice. Hayami Saori, on the other hand, sounds like a genuine person to me, which contributes a great deal towards my positive impressions of her character. Emi, if you don't know, is pathologically passionate about piano in such a way that would be sort of grating if I hadn't fully bought into her character. Emi's success in this regard speaks volumes to Hayami Saori's contribution to the show. It turns out I've also liked her in a few of her previous works, so she's another seiyuu to keep an ear out for, as it were.