Shameless flirting.

I was a stranger to the iDOLM@STER franchise the first time I watched iDOLM@STER XENOGLOSSIA. I mentioned this before, but perhaps I should have noted I was also mystified by the amount of hostility displayed by some fans of the original games (arcade and Japanese Xbox 360 exclusive) toward Xenoglossia when the anime came out in 2007. Although I understood in principle the objections fans would have concerning the different character designs and replaced voices, I was not personally invested in any of the characters, so some of the more venomous attacks seemed excessive. Moreover, the character designs looked fine to me, at least relative to other anime of the period and Sunrise shows in particular. I finally watched my DVDs over the past few months, and actually enjoyed Xenoglossia a lot more on re-watch than I did during its initial broadcast, despite having a better understanding now of THE iDOLM@STER as a whole. Or maybe I like Xenoglossia more because I've watched several cours of bona fide iDOLM@STER anime now, not "despite" watching them.

Yukarin Iori with purple hair is good too.

Still, I'm not quite sure how I would characterize iDOLM@STER XENOGLOSSIA. It's not really much of a giant robot show for a show about giant robots, and it's not an idol anime despite having (regular-type) idols and iDOLs in it. It's not a "cute girls doing cute things" show, nor is it an early example of the more recent phenomenon where anime girls band together to be really excited about some typically male-dominated activity, like Bakuon!! or Two Car or GIRLS und PANZER. Honestly, it really is a love story about a teenage girl and her much older robot boyfriend. Notably, the affection Haruka develops for Imber is not at all unusual, as all of the other pilots also develop complex feelings toward their robots as well. In fact, jealousy plays a huge role in the plot, as do the inevitable love triangles.

Also, Xenoglossia Azusa > regular Azusa.

IDOLM@STER XENOGLOSSIA does not take itself too seriously, but does not devolve into camp either. I buy into the HARUKA X IMBER pairing enough to believe there should be real questions raised about the ED once its setting becomes clear. I also enjoy the romance enough that I think I like the Xenoglossia Haruka more than I like the regular Haruka. Not that there's anything wrong with the regular Haruka necessarily, but I like the Xenoglossia Haruka's attitude better. Perhaps it's because she comes across as more of a main character in her own show, while the "real" Haruka necessarily seems more like a token default protagonist in a franchise with an ensemble cast, must the way I regard Miyafuji in Strike Witches or ol' Bucky in the Kantai Collection anime. I don't know if true fans of THE iDOLM@STER will ever regard Xenoglossia as positively as I do—the different voices must be especially jarring for them—but perhaps they'll come to appreciate the series if they think of it as one of those in-universe television programs the iM@S characters themselves occasionally feature in as actresses.

The OVA epilogue is also pretty good even though it's not wall-to-wall tank battles.

If you watched the GIRLS und PANZER television series, then you've probably been anxiously waiting to watch GIRLS und PANZER der FILM. Since its release in November 2015, this movie continues to print money for Japanese theaters even though the Blu-ray came out at the end of May 2016. Now that I've finally gotten to see it, the reasons for the film's success and unflagging popularity are obvious.

Go on, Mumei. Curse the bitch out.

The best anime this season is a steampunk show about cowardly idiots and assholes on a train getting killed by zombies. This is not to say that Koutetsujou no Kabaneri (Kabaneri of the Iron Fortress) doesn't have problems, 'cause it's got a mess o' problems, but they're the sort of thing I'm happy to overlook as long as all the right people keep getting fucked up. (See also the second half of Shiki, another noitaminA show, in fact.)

Monster Perfect Edition volumes compared to standard Full Moon wo Sagashite volume.

Monster is one of my favorite anime, but its DVD release was doomed to fail. If I remember right, the R1 release was a Viz license. Viz at the time already had a reputation for abandoning shows partway (e.g., Full Moon wo Sagashite) and even optimists didn't like the odds of a full Monster release. With replacement music for the ED and rumors of interlaced video, fans of the series were trapped by a Catch-22: They had to buy enough of the early discs to ensure a successful full 74-episode release, but the likelihood of that happening was so low that these fans would almost certainly suffer the same fate as FMoS fans. As you may have guessed, the DVD release as a whole did not go especially well.

Not quite as big as the Cardcaptor Sakura omnibus volumes.

Thankfully, the manga release appears to be in much better shape. Although also a Viz release, all 18 volumes did get releases. The last of these volumes came out in 2008, and I'm pretty sure they're out of print now, but Viz currently publishes the Monster manga in large double-length compendiums with the final (ninth) volume due out in July 2016. I haven't actually started reading these yet, thanks to my ever-prodigious backlog, but picking these up is a no-brainer, even if the manga lacks the anime's MAMIKORE voice acting.

It didn't actually cost me seventy-six hundred yen.

Due to the friendly currency exchange ratio of the U.S. dollar to Japanese yen, I import a lot more Japanese merchandise these days. These goods include the first Blu-ray set for Kono Subarashii Sekai ni Shukufuku wo!, my fourth-highest-rated show from the 2016 winter season according to my chart. Notably, I don't currently have any plans to do the same for any other series from that season, to include the three shows I ranked higher than Konosuba. There are a variety of reasons for this.

It's your own fault for only bringing a gun to a sword fight.

Innocent Venus is "pretty good," but it sort of feels as if viewers forgot about it somewhat quickly. When was the last time you even thought about this 2006 series? I liked it quite a bit when it first aired, but even I haven't thought about it much after it ended. I want to say it was at least popular enough to get licensed, but basically everything was getting licensed back then just before the crash. I see it sure didn't take long for the DVDs to go out of print, so good luck finding it now if you haven't secured a copy already.

At least he's not also voiced by Kaji Yuuki.

There sure seems to be a lot of freaky-looking 3D anime characters this season. I assume this is due to advances in technology making the technique viable enough from a financial perspective (and not abhorrent enough from an artistic one) to make 3D production attractive these days. Whatever the reason, this season you'll find 3D characters used 100-percent of the time in Ajin and Bubuki Buranki, and at least some of the time in Luck & Logic, Aikatsu!, Pretty Cure, Gate (if you count the dragons), and probably a couple other shows I'm either forgetting or not watching.

Tadaima.

I caught the news on The Twitter that there are problems with the Neon Genesis Evangelion Blu-ray box and the DVD box. Here is the Starchild notice and details for a disc exchange. Thankfully, I consider this a non-issue. I imported the Blu-ray set, and if the only problem is one incorrect eyecatch, I'm good with it. The DVD error doesn't seem too bad, either. At least it's not bad enough to hazard an out-of-country disc exchange if you ask me. I'm guessing anyone in that situation who would have cared probably imported the Blu-ray set instead of the DVD one anyway.

This is about where the layer change occurs on the 2002 DVD.

However, this incident does remind me of the botched Region 1 DVD release of The End of Evangelion 13 years ago. I was somewhat annoyed at the time, but the incident did at least provide me with my greatest moment as an Evangelion fan. I had purchased my defective DVD at a local Best Buy electronics establishment, and the store was good enough to allow me to exchange the disc for a new one. However, there was no way to know ahead of time whether or not my replacement disc would also suffer the same problems. Best Buy's Customer Service department (located at the very front of the enormous store) agreed to test the replacement DVD to see if the video would freeze at the layer change. Sure enough, it did, and we had to repeat the process at least once before I got a working disc. What this means is a busy Best Buy prominently displayed a levitating nude blue-haired anime girl on the overhead display televisions at the front of its store over and over again for reasons important to me, but likely entirely perplexing to the rest of the customers.