Version 5.4 ~ Haruhi gave rock and roll to you.
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Dated 6 May 2019: I like Demon Slayer: Kimetsu no Yaiba, but there's probably going to be a lot of shounen jive

Tanjirou
Hey, wait a minute.

I wasn't originally planning on watching Kimetsu no Yaiba, but it is a ufotable show, so I basically needed to at least give it a try out of general principle. Not that Kimetsu no Yaiba bears much resemblance to the sorts of shows ufotable animated before they started doing all Fate all the time. As it turns out, though, Kimetsu no Yaiba is pretty entertaining, despite containing a fair amount of shounen tropes that I generally dislike. I suppose you could regard my enthusiasm for the series despite my typical disdain for such conventions as an indication that Kimetsu no Yaiba has a lot going for it.

Nezuko
They really missed the boat by not using a harmonica for Nezuko's bit.

I do get the feeling Kimetsu no Yaiba is going to run for a really long time. Based on the sort of progress made in the first five episodes, this is going to take a while. Of course, the source manga is still ongoing, so even a two cours anime is probably going to have a non-ending ending. Still, the series is easily in my top three shows of the Spring 2019 anime season so far. Whether it will remain there will probably depend on how much the coming episodes balance scenes of Nezuko booting deadbeats in the head vice how much the show spotlights various irritable boys being angry.

Dated 21 December 2011: Something that bugs me about this last Idolmaster arc ~or~ The Idolm@ster TV and Neon Genesis Evangelion are the same show

Haruka and Miki
Miki, the sound voice of reason, lectures Haruka.

The Idolm@ster TV has been pretty good with its attention to detail. However, I'm a bit confused about one seemingly obvious aspect about the current arc that doesn't make sense. Unless I missed something, everyone gets together for a party on Christmas Eve or Christmas Day. In the subsequent episodes, they struggle to coordinate their schedules so that they can practice together for their New Year's live performance. This concert is on New Year's Eve or New Year's Day, right? Well, there is only one week between Christmas and New Year's. It sure seems like a lot of days go by as practice after practice gets canceled or postponed, and then a lot more days during which Haruka is mired in her deep, blue funk. It sure seems a lot of stuff happens in the course of one week, and we haven't even gotten to New Year's yet. If you can point out an error or misunderstanding on my part or otherwise clear things up, send me a telegram.

[Update: That was fast. So the live performance is not on New Year's Eve or New Year's Day.]

@Evirus The New Year's Live isn't in New Year's Eve; it's supposed to be an homage to the RL New Year's Live: http://jouttex.otadesho.com/the-idolmster-2-new-year-live/
-@SieteSeventh

Haruka
Haruka and two conflicting calendars.

However, I am inclined to believe this incongruity is intentional. Calendars appear in numerous scenes in episode 23 as Haruka strives to get the group back together. Curiously, these calendars are not all in agreement. One shows January 2012, but another shows November 2012. At least two display January 2013. Kotori's desk calendar remains unchanged both before and after Christmas, but the month shown does not match any likely possibilities.

Azusa, Makoto, Yukiho, Chihaya, and Haruka
Don't you girls have any chairs? Metal folding chairs?

There is a simple answer that explains both the unusually long month and these dueling calendars—one that other people have surely surmised already: Haruka has initiated Third Impact. Yes, Idolm@ster Instrumentality has begun. Just as Shinji anguished over his chance to re-create his world into a form less painful (Love Eva), Haruka holds the future in her hands. Haruhi help us all. On the other hand, when they get around to making The End of Idolm@ster ~Air/My Purest Love for Honey~ it is going to kick all ass.

Dated 17 December 2011: It's not easy being Guilty Crown's Potato-kun

Shu
Running Shu.

This week's episode of Guilty Crown is about Shu's performance anxiety. Remember how episode nine ended? Yeah, I guess our hero has shell shock or PTSD or Christmas Blues or whatever they call it in the future. And not just a little bit, either.

Ayase
Guess why Ayase is angry you ran away, Potato-kun. Go on. Guess.

It's difficult for me to praise Guilty Crown because I understand that, by a lot of metrics, the show is not very good. Nevertheless, it still manages to be entertaining if you're willing to watch it for what it is. I'm inclined to nod my head along when critics accuse it of being cliché or generic or unoriginal, but despite being all those things (if the accusations are true), I sure don't know what's going on. That's a positive point in its favor, right?