This queen's bed looks smaller than queen-sized.

Egao no Daika (The Price of Smiles) caught my attention because it is an original anime featuring mecha. But then the initial responses to the first episode suggested it was more about a silly country's 12-year-old monarch trying her best with the assistance of her loyal childhood friend, Potato-kun. Based on those reports alone, I wrote the show off. But then I heard about what happens in episode two and decided to give it a try out of curiosity. Yeah, I am totally on board. Yes, the show still stars a naïve awkward-age girl, but it's actually about a war that Smilestan's Deep State kept hidden from her. Moreover, it's clear from the OP and the ED that Egao no Daika also stars a soldier fighting for the opposing side. Indeed, Ittōheisō Shining has had a more prominent role in the show through its first four episodes than Queen Princess Yuuki.

I like Hayami Saori in this role, but I'd rather have Dark Mamiko.

Thankfully, Egao no Daika is also not one of those shows where Potato-kun spends half the series wiping out enemy mecha on easy mode before suddenly realizing people die when they are killed. I can at least guarantee this is not going to happen in The Price of Smiles. Rather, soldiers in this show display no hesitation killing their opponents even when they can see the whites of their eyes. There is still some question as to how Yuuki is going to react to the war now that she's getting a crash course in reality. It's more likely than not that she'll continue to oppose it, but other possibilities remain on the table since this is an original anime. Personally, I'm hoping for at least two cours of gripping war melodrama, but we're probably only going to get the 12 episodes scheduled thus far, alas.

<&Seem> Oof. My overburdened media shelf decided to finally collapse and it took with it all the remaining Macross/Gundam models I'd kept intact and displayed since the early 2000s
<&Seem> Just look at these shattered things and thinking all I can do is toss them in the garbage ( ._.)

Learning of Seem's misfortune reminds me that recovering my own anime merchandise from the inevitable future SoCal earthquake is going to be troublesome. Viewed from the perspective that the things you own end up owning you, there is something perversely attractive about the prospect of going through life with fewer material possessions. I do know people who favor that lifestyle, but fewer still who both favor it and actually embrace it. I, on the other hand, like having things, even though each acquisition incrementally increases the burden and complexity of storing it all and finding new spaces for additional hoarding.

Meanwhile, I imported more Japanese BDs.

I'm not prepared to take the position that losing everything in a catastrophe should be viewed as liberating, but hearing about events such as the above does remind me that I don't really have any sort of plan for the Blu-rays I buy and never watch, nor do I have any idea what I'm going to do with my growing collection of anime tchotchkes. I do occasionally see people selling off their stuff on the Twitter, but it sort of seems as if those efforts are intended to ensure the items at least go to people who will appreciate them, rather than to recoup financial value. Probably that's the best case scenario, long term.

She'll make point five past lightspeed.

If you've been paying attention to the anime Twitter, you've probably noticed the flood of Takarada Rikka pictures. Rikka is a character from SSSS.GRIDMAN who is notable for having unusually large thighs for a tiny anime girl, and also for wearing a long sweater that makes it appear as if she is not wearing any pants. It seems The Fandom deemed this to be a noteworthy combination, and fan artists took note. P.S. Fuck pants.

You know, I should probably get some blue-light-filtering glasses.

With regard to SSSS.GRIDMAN itself, there is also a bit of buzz about the show since it is a Studio Trigger production that adapts the '90s television series Denkou Choujin Gridman (Gridman the Hyper Agent). I'm not familiar with this series, but I am familiar with Studio Trigger staff's penchant for moments of occasional greatness. (Likewise, I'm also familiar with their penchant for disappointing overly optimistic fans.) Through four episodes, I am enjoying it more than I liked DARLING in the FRANXX from spring and summer 2018, at least.

This railroad apartment was the perfect place.

The highlight of SSSS.GRIDMAN for me, as you might expect, is the Ueda Reina-voiced Shinjo Akane. I am 100% Team Akane, although she does occasionally kill innocent anime girls. Even more concerning, she's a bit of a slob and inexplicably seems to never take out her garbage. I guess at least it's all bagged, but sheesh. To tell you the truth, I'm not entirely certain whether I find Akane appealing because she's voiced by Ueda Reina or if it's because she's a psychopath, but I suppose there isn't any reason why it can't be both.

Look, it ain't that bad, okay.

Depending on which corner of the anime fandom you find yourself, I imagine you're either on the side that doesn't believe DARLING in the FRANXX needs defending, or in the camp that doesn't believe it deserves defending. My basic perspective on the show is that it is not capital-G Good, nor is it part of the "bad but has good parts in it" category, but rather that it is a flawed result of some efforts that I genuinely appreciate.

I guess you need to watch The Second Raid
to know who the person on the right is.

There has been a running gag for years about Full Metal Panic! fans in anguish about Kyoto Animation working on other projects instead of animating another sequel to follow Full Metal Panic! The Second Raid. To some extent, I fit that category of disgruntled fans in the sense that I did want another FMP season, although it's not accurate to claim I harbored Kyoani any ill will, if only because I had long ago concluded no such sequel would ever be forthcoming. Surprisingly, there is going to be a fourth season after all: Full Metal Panic! Invisible Victory. (Get it? Full Metal Panic! IV. Anyway....) Xebec is making this one, and it starts on 13 April. Do you need to watch the first three seasons before watching FMP IV? I dunno. Probably?

Shameless flirting.

I was a stranger to the iDOLM@STER franchise the first time I watched iDOLM@STER XENOGLOSSIA. I mentioned this before, but perhaps I should have noted I was also mystified by the amount of hostility displayed by some fans of the original games (arcade and Japanese Xbox 360 exclusive) toward Xenoglossia when the anime came out in 2007. Although I understood in principle the objections fans would have concerning the different character designs and replaced voices, I was not personally invested in any of the characters, so some of the more venomous attacks seemed excessive. Moreover, the character designs looked fine to me, at least relative to other anime of the period and Sunrise shows in particular. I finally watched my DVDs over the past few months, and actually enjoyed Xenoglossia a lot more on re-watch than I did during its initial broadcast, despite having a better understanding now of THE iDOLM@STER as a whole. Or maybe I like Xenoglossia more because I've watched several cours of bona fide iDOLM@STER anime now, not "despite" watching them.

Yukarin Iori with purple hair is good too.

Still, I'm not quite sure how I would characterize iDOLM@STER XENOGLOSSIA. It's not really much of a giant robot show for a show about giant robots, and it's not an idol anime despite having (regular-type) idols and iDOLs in it. It's not a "cute girls doing cute things" show, nor is it an early example of the more recent phenomenon where anime girls band together to be really excited about some typically male-dominated activity, like Bakuon!! or Two Car or GIRLS und PANZER. Honestly, it really is a love story about a teenage girl and her much older robot boyfriend. Notably, the affection Haruka develops for Imber is not at all unusual, as all of the other pilots also develop complex feelings toward their robots as well. In fact, jealousy plays a huge role in the plot, as do the inevitable love triangles.

Also, Xenoglossia Azusa > regular Azusa.

IDOLM@STER XENOGLOSSIA does not take itself too seriously, but does not devolve into camp either. I buy into the HARUKA X IMBER pairing enough to believe there should be real questions raised about the ED once its setting becomes clear. I also enjoy the romance enough that I think I like the Xenoglossia Haruka more than I like the regular Haruka. Not that there's anything wrong with the regular Haruka necessarily, but I like the Xenoglossia Haruka's attitude better. Perhaps it's because she comes across as more of a main character in her own show, while the "real" Haruka necessarily seems more like a token default protagonist in a franchise with an ensemble cast, must the way I regard Miyafuji in Strike Witches or ol' Bucky in the Kantai Collection anime. I don't know if true fans of THE iDOLM@STER will ever regard Xenoglossia as positively as I do—the different voices must be especially jarring for them—but perhaps they'll come to appreciate the series if they think of it as one of those in-universe television programs the iM@S characters themselves occasionally feature in as actresses.

The robots are named after flowers, but I don't know if there is any meaning to it.

Studio Trigger's Gainax heritage basically guarantees I'll give any of its shows a try. They haven't all been hits, but I'll generally find at least something to enjoy. DARLING in the FRANXX is Studio Trigger's two-cours science fiction partnership with A-1 Pictures featuring giant robots and lots of sexual allegories. The show is not at all subtle, with wall-to-wall metaphors about marriage, intercourse, orgasm, infidelity, and polyandry. And that's just the first three episodes. Unfortunately, it also stars an exceptionally dull teenage boy (because of course it does). At least he isn't a whiny brat, I guess. (That role was already taken by one of the supporting cast.)

I wanted to like Kuromukuro. It didn't work out.

Spreadsheets killed anime blogging. At least that's my excuse for not even having a Kuromukuro category until now. I wanted to like this show, but it turned out to be too irritating to watch. I mostly bitched about it on the IRC and probably also the Twitter when it aired in spring 2016. (I dropped it before the second cours began summer 2016.) Anyway, here is a tardy, low-effort collection of gripes for y'all to skim over.