There was a time when I would have been so stoked to see this.

Until I watched Suisei no Majo (The Witch from Mercury), Kidou Senshi Gundam SEED (Mobile Suit Gundam SEED) and its sequel Gundam SEED Destiny were the only two series from that venerable franchise I had ever watched. I did enjoy Gundam SEED and thought it was good enough to buy the giant DVD box, but I probably enjoyed blogging about Destiny more because it's easier to get more mileage out of deeply flawed shows. I wrote most of those posts before adopting WordPress, and never got around to properly migrating all of them. I keep meaning to, though, someday.

Kira looks normal.

At the time, I thought a third season of Gundam SEED would not be too far away. As it turned out, ah, a variety of reasons prevented that from happening. I won't go into it since I don't have a complete understanding of the relevant facts (or at least not a confident understanding). In any case, a 20-year-anniversary movie project is expected in early 2024 now. The details I've been seeing about it do not exactly inspire much enthusiasm, though, at least in my case.

You ARE the villain, right?

At a minimum, the way the already distinctive character designs have evolved appear distractingly silly. Maybe I'll get used to them, but I can't take any of the promotional materials that I've seen so far seriously. More importantly, I'm skeptical a movie project can cram in all the things I'm expecting it to include in any sort of coherent way. I suppose it doesn't need to necessarily wrap everything up as a single movie. I had my doubts when I first heard the GIRLS und PANZER follow-up would consist of six movies, and that is working out well so far. They sure are taking a long time, though. Perhaps, if the FREEDOM movie is popular enough, Sunrise will make more.

Maybe tomatoes count as a Miorine surrogate.

Continuing from my previous post about Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2), I'm gonna go ahead and voice my primary beef with the way the show depicted Suletta's & Miorine's relationship. The short version is the series simply did not have enough episodes to adequately develop it. Or rather, it did, but it would have had to do so at the expense of something else. I suspect this is true of most of the areas that lacked sufficient elaboration for many viewers. (For example, anyone clamoring for more details about Miorine's mother, or about what tomatoes had to do with her Quiet Zero plans.)

It's an act, but can you imagine Suletta doing something like this?

With regard to Suletta and Miorine specifically, nearly all of the slow, getting-closer parts that 'shippers might want occur almost entirely off-screen. Instead, we're treated to multiple instances of Miorine being distant, or cold, or outright cruel, and subsequent cathartic moments when she's realized she has fucked up and makes herself vulnerable to Suletta. All the less flashy (but still critical) incremental bond building occurs during time skips. It relies on the viewer to already be on board with the pairing, and willing to fill in the gaps with "head canon." Actually, not all of it was off-screen. A lot of it occurred during anachronistic dates across contemporary Japan shared on the Twitter.

I guess this counts as a date.

I don't intend to belabor the point about these short vignettes that the @G_Witch_M account posted between cours, but I am serious about how these Suletta and Miorine Japan-tour snapshots are the clearest examples we have of the two actually going on dates or acting like a couple. This doesn't change the groundbreaking importance of their prime-time teenage lesbian marriage, but it is unfortunate that including regular romance material would have crowded out all the other Gundam-critical-type stuff that G Witch barely managed to include.

I heard you liked helmets.

Now that Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2) has finished, I should probably capture my concluding thoughts on the series while they remain somewhat fresh. However, I get the feeling that would result in a long blog post, so maybe I ought to break things up into multiple entries despite the risk I might simply lose interest in writing more before completion. Anyway, the first post in this series (?) is about Elnora. If you've been following me on the Twitter, this should surprise you not at all.

Notably, I never stopped seeing Elnora as the girl she used to be.

Many viewers (if not most viewers) seemed to regard Prospera as the main villain of the series. This is not an incorrect perspective, but I think it's incomplete. I take the position that she is both an antagonist and a protagonist. This is not to say that I thought of her as the protagonist—that's clearly Suletta—but I do see her as a protagonist. (Fuck your deuteragonist and tritagonist nonsense. You're reading an anime blog, not a fan wiki.) That's not a controversial position for me to take, is it?

Maybe she'll start calling you Mom without sounding sarcastic.

I'll need to put more thought into this, but my initial impulse is to suggest Elnora embraced the forgiveness aspect reflected in (or constrained by) The Tempest a lot more readily than I expected. Like, she had already forgiven Delling during the scene where she's fucking with Miorine's head to get her to aspire for the Benerit leadership role, right?

I wonder how soon Elnora realized she was going to end up in this chair.

I also found Prospera's Quiet Zero plot to be a lot less sinister than what most people were assuming. (Never mind that I still have no idea what Notrette's original Quiet Zero plan—or Delling's intentions for the project, for that matter—were meant to be.) Now, I'm not part of the "Prospera Did Nothing Wrong" faction, but I do view her actions from a position that is decidedly more favorable to her than most seem willing to adopt. Let's just say I'm grading on a curve.

Space Oomfie.

As you may have noticed, I really enjoyed the first cours of Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury). I've watched so little from the Gundam franchise that I'm hazy on a lot of its common, recurring themes. Nevertheless, I at least know the depiction of death and the consequences of war are integral companions (in some way) to the cool-robot plastic-model-sales aspects.

Nika realizing how much extra work killing that guy is going to create for her.

However, I'm not well versed in terms of how Gundam presents these elements or how it communicates its perspectives about them. My assumption is that it adopts a "killing is bad" approach, but I'm willing to trust it at least has a more nuanced view than something like Sword Art Online II:

2016-01-08-18:16< Evirus> The robber had already killed one person and was about to shoot the mom, the teller, basically everyone. But sniper girl, who was like five at the time, managed to get the gun and shot the robber dead. And she was a pariah ever since, even to her mother.

ANYWAY, I don't know if this ultra-pacifist view crudely depicted in SAO II in any way accurately reflects a mainstream Japanese view, nor do I know if Gundam has anything similar. For the purpose of this blog post, I'm going go assume neither are true. That said, episode 12 of Kidou Senshi Gundam: Suisei no Majo ends with a violent death that leaves one of its leads shocked and deeply troubled.

At a minimum, Prospera is way better than Sinon's mother.

Now, the most important aspect of this character's reaction is her disbelief the person responsible for the killing could appear untroubled by the act. That is the critical focus of the scene, but the implication "all killing is bad" still looms. We'll have to wait until the second cours begins in April 2023 for more clarity on these points, but anything other than unambiguously concentrating on the mental-state aspect of the scene will appear alien to me.

I think this qualifies as an imminent threat to life or bodily harm even if he's not using the sights.

The distinction derives from my inculcation in a common American belief that using deadly force is justified in the defense of others. The legality and scope of this doctrine varies by region and jurisdiction (as do American self-defense doctrines and perspectives as a whole, for that matter), but I presume it's at least much more common in the United States than it is in Japan. I just don't know how it's portrayed in Gundam.

I wonder if she has her eyes open.

I look forward to Bocchi the Rock! each week because it's excellent, not because I'm anticipating big surprises or anxiously awaiting the resolution of cliffhangers. If I thought about it some more, I could probably reasonably chart out how the rest of the season is going to go, but it doesn't matter. The key to Bocchi's tremendous appeal is its impeccable execution. This is a great show, top to bottom, back to front.

Despite what you might think, this gesture is definitely threatening.

I'm not quite prepared to call Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury) a great show even though it's also doing everything well so far. Nevertheless, I do look forward to each episode even more than I look forward to Bocchi the Rock! each week. I think the biggest contributing factor is that Witch Gundam has greater potential for unpredictable (and unsettling) developments. Even though it's been good so far, basically anything can happen because it's Gundam and because there aren't really any constraints on the possible directions the story may take.

Chu-squared is one of the good people, okay.

In light of this distinction, is it worth pointing out Bocchi the Rock! is about a character with anxiety, whereas Witch Gundam is about generating anxiety in the viewer? I suppose it's not really about generating anxiety, but I don't think I'm alone in experiencing some apprehension as to how the series will play out. I do mean this in a good way, though. Consequently, on some level, this means I look forward to Bocchi the Rock! each week because I'm eager to see good things to happen to good people, while I look forward to Mobile Suit Gundam: The Witch from Mercury because I'm concerned bad things might happen to good people.

Everybody has a plan until they get Gundamed in the face.

Despite blogging about anime for more than 20 years, I know surprisingly little about the Gundam franchise as a whole. Aside from some inescapable tropes and details, basically everything that I do know comes from Gundam SEED and Gundam SEED Destiny (the only installments that I've watched). Oh, and the compilation movies for the original Mobile Suit Gundam, but that was a long time ago. However, after the prologue to and the first episode of Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury), I'm fairly confident in assuming regular-type Gundam TV ain't normally like this. And I'm not just saying that because the lead character is a girl.

Be nice to the new girl.

I've seem multiple fans describe Mercury Witch Gundam as Utena Gundam, which seems about right to me, with the heavy caveat that I don't know anything about Shoujo Kakumei Utena (Revolutionary Girl Utena) either. It at least fits the stereotypes I've encountered related to Utena. Maybe nobody has turned into a car yet, but it's only been one episode. Basically everything that did happen in the first episode was absurd, and that also fits with my secondhand impression of Utena. Y'know, maybe it's not that weird. Maybe Gundam is always like this and I just never knew. I'm at least aware people get slapped in Gundam, and there is slapping in the first episode of Kidou Senshi Gundam: Suisei no Majo. Maybe it's not that different after all.

<&Seem> Oof. My overburdened media shelf decided to finally collapse and it took with it all the remaining Macross/Gundam models I'd kept intact and displayed since the early 2000s
<&Seem> Just look at these shattered things and thinking all I can do is toss them in the garbage ( ._.)

Learning of Seem's misfortune reminds me that recovering my own anime merchandise from the inevitable future SoCal earthquake is going to be troublesome. Viewed from the perspective that the things you own end up owning you, there is something perversely attractive about the prospect of going through life with fewer material possessions. I do know people who favor that lifestyle, but fewer still who both favor it and actually embrace it. I, on the other hand, like having things, even though each acquisition incrementally increases the burden and complexity of storing it all and finding new spaces for additional hoarding.

Meanwhile, I imported more Japanese BDs.

I'm not prepared to take the position that losing everything in a catastrophe should be viewed as liberating, but hearing about events such as the above does remind me that I don't really have any sort of plan for the Blu-rays I buy and never watch, nor do I have any idea what I'm going to do with my growing collection of anime tchotchkes. I do occasionally see people selling off their stuff on the Twitter, but it sort of seems as if those efforts are intended to ensure the items at least go to people who will appreciate them, rather than to recoup financial value. Probably that's the best case scenario, long term.

Shiny Chariot's Magical Festa is a tough act to follow.

Overall, the spring 2013 season was a little bit of a letdown considering it started fairly strong. (I can sort of prove it too.) From a subjective standpoint, it probably felt worse because the start of the season coincided with the release of Little Witch Academia and Death Billiards which are both excellent short films, although not part of the spring 2013 anime season itself. As you can probably predict, both the best show and the worst show I watched were pretty consistent episode to episode.