It helps that I like all the characters.

I enjoy the [Oshi No Ko] manga (localized as My Star, or My Favorite Idol, among other titles), so I'm pleased the anime adaptation is also going well. The manga is one of those stories that I happen to think is really good, but is constantly teetering on the verge of potentially going really poorly if it takes a couple of missteps. If anything, an anime adaptation for something like this is even more precarious, with additional opportunities to straight fuck it up.

Akane is a later arrival to the show, but also excellent.

Thankfully, it's getting everything right so far. It even took the unusual step of making its first episode 90 minutes long so that it could conclude with The Thing No One Will Talk About. It seems an odd spoiler to dance around, seeing as how important it is to shaping the rest of the (still ongoing) story, but I guess I'm doing it too, albeit mostly because everyone else has thus far. It's a conspiracy of silence!

It's not easy being a superstar.

Anyway, [Oshi No Ko] is about contemporary show business dynamics. I don't know how accurately it is depicting the production and public interactions side of things, but I at least enjoy feeling as if I'm getting an insider's perspective. It's the same sort of reason why I liked Shiorobako and Otaku no Video. Don't get me wrong—I'm also in it for the revenge plot that I guess I'm not talking about. I do love me some revenge.

Tiny pictures are the way of love.

I don't know what I expected. Nine child idols do kid-type things. At least that's what THE IDOLM@STER Cinderella Girls: U149 has been like for its first couple of episodes. This was especially true for the second episode because its focal point was one of the two nine-year-olds in the cast. Ostensibly, the U149 title refers to how all of the idols in this troupe are under 149 centimeters (4'11") in height. This is accurate, but they're all quite a bit under. The tallest is 145 centimeters (4'9") and the shortest is 128 centimeters (4'2"). And they are all kids. Five of the nine are 12, but none are older. Meaning, there are no token short adults in the cast (well, I guess their Producer). I.e., there is no equivalent to Baba Konomi from the Million Live! set.

The U149 office really does look like a daycare center.

I enjoy iDOLM@STER as a secondary (really, probably tertiary) fan, but I'm unsure I'll have a good reason to keep watching this. At least the focus episode for one of the two youngest characters is out of the way. Maybe I'll find the subsequent episodes more entertaining. Promising to have a steady stream of cameos from other Cinderella Girls characters is probably enough to keep me watching, but I'll appreciate U149 itself a lot more if it makes an effort to offer something more compelling. I hope there's more to this anime than predictable canned scenes. Will the sporty one get to talk about subjects that aren't purely intended to remind us she's the sporty one? Is Risa going to contribute anything to the series that does not involve lolicons? If U149 doesn't deliver actual content, then the show is going to drag.

Kusunoki Tomori welcomes her successor.

31 March 2023 marked Kusunoki Tomori's final day voicing Yuuki Setsuna in the Love Live! franchise. Hayashi Coco (alt: Koko) assumed the role beginning April 1st. This is hardly the first time anime characters have been recast, and this particular handover seems to have been handled well, but part of me wonders how necessary it really was. As far as I know, Kusunoki Tomori is still doing voice work and has only stepped down as the voice for Setsuna because health issues make the physical requirements of the live performances too demanding.

The handover between Hayashi Coco and Kusunoki Tomori was posted on the YouTube.

Despite still claiming—even now—not to be a Love Live! fan, I consider Setsuna to be the franchise's best idol. (Shibuya Kanon is "only" its Best Girl and best character.) Of all the different Love Live! iterations, I regard Love Live! Nijigasaki Gakuen School Idol Doukoukai (Love Live! Nijigasaki High School Idol Club) as having the best music. This is in no small part due to how much I enjoy all of the Setsuna songs. Would I like them as much with someone else in the role? That remains to be seen, but I do know the Kasumi version of "CHASE!" from the Shuffle Festival album isn't quite as good as the original Setsuna one.

Nijiyon Animation was okay.

Personally, I think simply not having Setsuna appear during the live events ought to have been a viable solution, but this likely reflects a lack of appreciation on my part as to just how important those live events are to the franchise and its real fans. The production powers-that-be (not to be confused with the School Idol Deep State) surely fully explored every possible option and concluded that re-casting the role was the right decision.

Second-Generation Setsuna appears briefly in the Next Sky PV.

I don't know how many Nijigasaki-type things there will even be going forward, but I know there's one OVA already announced (Love Live! Nijigasaki Gakuen School Idol Doukoukai: Next Sky). I presume there are a lot of live events planned too. Thankfully, the reception to "Setsuna 二代目" appears to be very positive, so the newest Love Live! member at least shouldn't be facing an uphill battle for our hearts and minds.

Come with me if you want to love live.

I had a lot of reservations when I learned Love Live! Superstar!! was adding new characters for its second season. Superstar!! was the only Love Live! iteration I regarded as actually being a good anime. Its much smaller cast was a big part of that. Through seven episodes so far, the second season has at least not ruined the good thing it had going, and remains pretty all right in and of itself. Kanon is still the character I like the most, though, and by a significant margin.

At least I like Cuckoo a lot more now than I did originally.

Fortunately, the second season continues to present Kanon as the Love Live! Superstar!! center point rather than taking a more chaotic or uncommitted ensemble-cast approach. For example, it sensibly found an excuse for Kanon to exhibit her preternatural ability to basically "fast travel" once again in order to personally set one of the newbies straight. It resulted in a scene that advanced both characters.

She's weird.

Don't get me wrong. The rest of the cast is pretty good, too, and none of them actually suck. The supporting cast does suffer a bit from being relegated to various gimmicks at times, but they are being fleshed out more and more over time. It's not at all like, for example, Cure Honey from HappinessCharge Precure!, about whom I could tell you absolutely nothing that doesn't involve rice. Even Natsumi—the unpopular would-be video streamer who is obsessed with money—has more going on already than I initially feared.

I believe this is what the kids used to call being "extra."

This is not to say it's all been a huge success, though. MARGARETHE WIEN, or whatever her name actually is, disappeared basically immediately and looks to be another Lanzhu (from Love Live! Nijigasaki). I.e., someone contending for rival status who ultimately turns out to be mostly irrelevant. I'm also not particularly impressed with the character development for Shiki thus far, but I guess there is still nearly half a cours remaining. Maybe there will be something surprising to learn about her. Personally, I'm hoping she's secretly an android sent back in time from the future by Honoka to keep the idol wars from destroying humanity. It could happen.

The Million Live! anime sure is taking its sweet time.

They're like magic headphones.

Renmei Kuugun Koukuu Mahou Ongakutai: Luminous Witches (League of Nations Air Force Aviation Magic Band Luminous Witches) is a Strike Witches spinoff set in the greater World Witches universe with a key difference: Instead of fighting Neuroi invaders, they sing and dance to raise the spirits of the populace. At least that's the way it has been through the first five episodes. Maybe later on they will also fight along with and/or perform for combat units.

They're almost dressed normally.

We've come a long way from the original Strike Witches anime with its copious amounts of fan service and casual nudity. True, the Luminous Witches are still engaged in the War on Pants, but the series also relies on technicalities by cladding its characters in leggings, skirts, dresses, and shorts. In fact, some characters DO wear trousers, if you can believe it. Like I said, we've come a long way from the days when even the civilian girls in the franchise ran around without pants on for no clear reason. Actually, there was a reason: Because Fuck Pants. No peace in our time.

The original Strike Witches OVA also features animal familiars.

As far as the Luminous Witches anime itself goes, it's fine. I'm not exactly invested in any of the events or the characters. In fact, I definitely could not tell you all of their names or match most of the individual witches with their familiars. For that matter, I couldn't tell you the names of all the Brave Witches, either. (This might have more to do with the fact that Brave Witches ended more than five years ago.) I can still name all the characters from the 501st Joint Fighter Wing, though, even though they sometimes paraded around in the nude. I'm just saying.

She may be dead, but she still has feet.

I mostly started watching Kami Kuzu☆Idol (Phantom of the Idol) as an excuse to pad my Ghost Girlfriends tag. The series is about an unmotivated (read: total deadbeat) male idol who gets possessed by the ghost of a recently deceased female idol. Combined, they—I dunno—do idol-type things better, I guess. I enjoyed Ginban Kaleidoscope, which also involved being possessed by a ghost, so I figured I could make space for Kami Kuzu☆Idol in my Summer 2022 anime queue.

I like how she hijacked his body without consent to indulge in physical pleasure.

Through three episodes, it's fine. So far, it's about what I expected. I don't have any complaints about Kami Kuzu☆Idol, but it also hasn't done anything particularly remarkable or memorable yet. Touyama Nao as the ghost is doing a very Touyama Nao voice, if you like that sort of thing. Honestly, I think the show would be more interesting with the premise reversed. Like, instead, make it about highly motivated TOP FUEL GENKI idol who gets possessed by the ghost of a disgruntled dead idol who is a constant downer. I'd watch that too.

It must be inconvenient carrying that thing around all the time.

I initially passed on Paripi Koumei (a contraction of Party People Koumei, but officially localized as Ya Boy Kongming!) because a show about Zhuge Liang (a Chinese strategist from the Three Kingdoms era) reincarnating in modern Japan and adapting his expertise for use within the music industry didn't really appeal to me. However, I kept hearing good things about it, and the OP is really catchy, so here we are.

I enjoyed Eiko's bewilderment at her sudden spike in popularity.

It turns out the series really is good. It's also worth pointing out Paripi Koumei is much more about Eiko, a singer who Kongming decides to support, than I had realized before I started watching it. Or, at least it was for its first four episodes. The latest two have been about a rapper who Kongming pursues, and there are more characters from the OP who I still don't recognize, so I don't actually know if Eiko's role will remain as prominent.

Somehow, questions about their hair never come up, though.

Questions about who the series is going to focus on also appear in Love Live! Nijigasaki Gakuen School Idol Doukoukai 2. Besides the already sizable cast, the second cours of Nijigasaki adds new characters who, through six episodes already, haven't honestly appeared very much. From the looks of it, this season is probably going suffer from having too many characters to juggle, just as its first season did.

It's not as if she was stealing recipes from restaurants and fighting Pretty Cure.

I did enjoy the resolution of the whole Setsuna v. Nana secret identity thing, despite never genuinely believing this double life was truly necessary in the first place. Actually, maybe that was its appeal. The absurdity of it all amused me, as did the student body's baffling inability to penetrate her flimsy disguise. It's at least a contributing factor as to why Setsuna (and Nana) have rocketed towards the top of my Love Live! character rankings. (Meanwhile, fellow student council presidents Eli, Ren, and Dia are mired deep in the bottom half of the list.)

I was expecting you to have done more stuff by now.

I'll probably still enjoy whatever Love Live! Nijigasaki decides to do going forward, but I expect it will be a far cry from Love Live! Superstar!! and its successes. Speaking of which, I hope adding those four new idols doesn't end up ruining the second cours of Superstar!! for me, but that's a whole 'nother topic.