The once and future center.

Both Golden Time and Wake Up, Girls! are good concepts with some flaws in their execution. For the most part, the two shows' flaws are not related, but there is one issue they both share: Neither Kaga Koko nor Shimada Mayu seem special enough.

Pilder fucking on!

I should probably put together a season introduction for Winter 2014, considering that half of it has already passed. At this time, I'm still following 14 15 of the shows currently airing this cour (Jesus Christ, fourteen FIFTEEN?), and may add Gundam Build Fighters if I ever get around to starting it. I present the following shows in order of their precedence on the chart at the time I started writing this sucker, but you shouldn't put too much weight on their positions or particular ratings because this ain't anime titration, you know.

True love.

KILL la KILL and Golden Time continued without interruption from the previous cour. Both remain about as good as they were previously, and for pretty much the same reasons as before. Thus, if you liked the shows the first time around, you'll probably still like them now. Gin no Saji (Silver Spoon) took a short break after its first cour, but also proves to be as good as it was now that it has resumed for winter 2014.

As always, no wagering.

I started these Girl of the Year awards in 2009 mostly as a goof. Then I kept doing doing it every year and now I can't stop. Can I still pass judgment in a fair and balanced manner even though I watched relatively few shows in 2013? What if I refuse to accept nominations for girls from shows I haven't seen? Not to worry. This contest has always been rigged. Actually, it's not so much a competition as it is an exhibition.

Go on, Ace. Slap the shit out of her.

I only watched five shows from the autumn 2013 anime season. It really should have been six, but subs for Detective Conan lagged again.

Autumn 2013: KILL la KILL (1-12) > Golden Time (1-12) > DokiDoki! Precure (35-46) > Kakumeiki Valvave [13-24] > IS Infinite Stratos 2 [1-12, OVA2]. Dropped: None.

I'm sure Ryuuko is a sweet girl when she isn't psycho.

If you've been following this blog for any length of time, it should comes as no surprise that I love KILL la KILL. Not only is it relentlessly brazen, it features girls with superpowers whaling on each other. This is the same reason why I love Pretty Cure, Symphogear, My-HiME, and Read or Die. Really, just having Koshimizu Ami hollering crude things every week is enough to keep me watching. It really makes me wish she had talked like that during Suite Precure♪. I'm definitely looking forward to the next cour of KILL la KILL. (Yes, I did just lump Read or Die together with Pretty Cure.)

Faceless eroge protagonist.

The anime adaptation of Golden Time faltered in a few spots, but the show is still good enough to easily claim the second spot on this list. I can't claim it's an exceptional drama or romance, but it's worth considering merely for not being set in a middle school or high school. I have it on good authority that White Album 2 is far superior when it comes to romance and drama, but I'm a little wary because I found the first episode of the first White Album anime to be insipid. I'll add White Album 2 to my ever-growing queue providing it is not a sequel to (nor requires familiarity with) the first anime, and as long as it doesn't feature the same idiot male character who could not grasp the concept of pre-recorded television.

Revisiting the bit about the carrots was a nice touch.

DokiDoki! Precure is okay, but mostly notable merely for not being terrible. I'm relieved at how the Regina and Aguri arcs are progressing. Barring any last-minute stumbles, the ending will probably be all right. I'm glad Cure Ace didn't turn out to be another Cure Muse. There was still a lot about her that was straight bullshit, but I'm willing to give her a pass simply for her willingness to embrace her "it's our destiny to fight" moment. I'm still opposed to having shrimpy kids as Cures, but Aguri is so much better than Ako that I'll let it go.

I like that she still took the time to do her hair.

Kakumeiki Valvrave is a terrible show. Really, it's god-awful. Unfortunately, the worst part about the second season is that it was only "so bad it's good" on rare occasions. Aside from never making any sense, it had awful characters in ridiculous social and political constructs promoted so earnestly I'm completely unable to determine whether or not their ideals and goals were sincere or farcical. On the plus side, I get to use my "Characters in Need of Better Shows" tag again. Poor Saki.

Fräulein's crazy, yo.

IS Infinite Stratos 2 would have been so much better had it been entirely filler. I didn't care about the plot or any of the antagonists at all. The second new girl, Kanzashi, also really sucks. Her big sister (the first new girl), Tatenashi, is okay, even if she does take Bruce Lee's advice a little too literally. If they ever make an IS Infinite Stratos 3, they should disregard whatever nonsense is canonically in the light novels and just make the entire cour a series of jokes about the wacky, goofball, anime-Teutonic things Laura does after waking up in Potato-kun's bed every morning. Charles > Laura > Cecilia > Lingyin > Tatenashi > Charlotte > Houki > Kanzashi.

Please, please, please, actually be the ghost of Nobunaga.

As you might expect, you miss out on a lot of anime when you only follow five shows in a cour. (Hell, I don't even know what some of the shows people talk about on the Twitter are putatively about.) However, you also miss out on a lot of crap. It's a real shame, because I probably would have gotten a lot of blogging mileage out of some of those crap shows. Luckily, we've got like three different shows featuring true facts about the Nobunaga and (I think) two shows about ghost girlfriends next season. At least one of those has got to be hot garbage.

The best part about having a $2400 laptop suffer a hardware failure while you're away from home is relying on dubious bittorrent clients on your phone to stay up to date with currently airing anime. Turns out Golden Time was worth it this week, though.

When they point the finger, it means you're a rival.

I was looking forward to Golden Time because I felt both the manga and the original light novels successfully combined the two components I claim critical to a romantic comedy's success: Medium-Wackiness and Emotional Resonance. The Golden Time anime does not deviate from the source material, but the way it covers some significant events is haphazard and rushed.

In case you blinked during her appearance, this is Nana.

From a narrative standpoint, watching Golden Time is sort of like hearing a synopsis from a reader who only skimmed the books. All the key points are there, but getting them from this type of storytelling isn't conducive to understanding how they relate. The viewer is less likely to appreciate the moments themselves.

It's not the same without a hangover.

The biggest problem so far is episode four was clearly rushed. A lot of important events occur shortly after Banri's and Kouko's night in the woods, but episode four of the anime runs through them all without conveying their gravity. Specifically, the confrontation with Chinami, the subsequent encounter with Nana, Kouko taking the stage, and the departure from the club are all important events that the anime basically glosses over, skipping to the morning after. (Significantly, the anime also entirely omits the binge drinking that occurs throughout those events.) I was also dissatisfied with how the anime covered Kouko's struggle at Banri's club and with how it handled Banri's unexpected journey.

To be fair, this probably would have been painful to watch.

Before the Golden Time anime started, quite a few people expressed their reservations after learning Kon Chiaki is at the helm. (She's the director perhaps best known for "ruining" the Nodame Cantabile sequels.) Through four episodes, I have to grudgingly admit that these pessimists were right.

Chinami does kinda suck.

Despite all the criticism J.C. Staff attracts these days, I still consider it a very capable studio when it plays to its strengths. Emotional resonance is its bread and butter. Unfortunately, compared to its deft execution in other adaptations such as Toradora! and Honey & Clover, Golden Time is an underachiever. Maybe episode four was just a aberrant one-off, but it was ham-fisted even compared to the Nodame Cantabile sequels Kon Chiaki herself directed, let alone compared to the brilliant first season. One-off or not, it's troubling that such important parts of Golden Time didn't get better treatment.

Nice smock.

Nevertheless, despite the flaws in how Golden Time is presented, I do still like the show. I think this is a testament to the strength of the original source material. It's a real shame the anime isn't taking a bit more care with how it covers the events, because it has the potential to be very good. It seems merely slowing down a bit would suffice, Kon Chiaki notwithstanding. I suspect it's likely the rush is inspired by desires to hit a milestone by the end of the season, but this makes it more difficult to simply enjoy the ride.

Relax, it's cool. He's her teacher.

I'm watching fewer shows autumn 2013 than I usually do. I suppose on average it's still about one episode each night, but with less time watching anime and less attention devoted to The Twitter, I do have noticeably more time to pursue other interests—to include updating an anime blog that's nearly in its 13th year.