For a kid who's only in her 70s, Aura has a lot to deal with.

I assume nobody is trying to watch the fourth season of Overlord without watching the first three seasons first or reading the books. Without the foundational background, most of the events so far must be somewhat confusing. Since the first anime season came out seven years ago, there are surely potential viewers today who were too young to get in on it in 2015. If any of y'all are reading this, I don't know what to tell you. At least all of it is available on the Crunchyroll, so it's accessible, even for non-subscribers using the free, ad-supported tier. Get caught up.

It's all right, Shalltear. You can just kill them all later.

In my case, I'm pleased simply to get more Overlord anime at all, even if years of memes may have colored my expectations as to how certain scenes ought to transpire. I'm also relieved that the use of 3DCG has (at least so far), not suffered as it did during the third season. Man, some of that was dire. I'm also pretty stoked there's a movie in the works that will cover one of the best arcs from the books. If you've seen people going on and on about some pope, that will make sense after the movie. It's gonna rule.

WHAT MAKES THE GREEN GRASS GROW?

I don't have a huge appetite for lore, and often find it enervating (Fate/Grand Order, I'm looking in your direction), but the setting and backstory for Shokei Shoujo no Virgin Road (The Executioner and Her Way of Life) strikes the right balance of being both silly enough and sensible enough for me to appreciate. For example, I'm totally okay with the explanation as to why everyone in this isekai destination speaks modern Japanese.

This was a pretty transparent attempt to tee-up some make-up sex later.

I'm also enjoying the casual duplicity that surely taints probably every character's interaction with every other character, even their allies. I have seen some indications on the Twitter that there were some (presumably juvenile) viewers who took the first-episode betrayal rather poorly, but I'm willing to assume those reactions are in the minority, and only came to my attention at all because their outrage amused more seasoned anime fans. Besides, knowing even the bare minimum about the show from the synopsis or the PVs, or potentially even from the title should have provided sufficient notice that the first episode of the series might be somewhat misleading.

It helps that Momo has nice hair.

In any case, I'm enjoying basically every part of The Executioner and Her Way of Life even though I don't typically pursue anime that correspond with many of its more prominent themes. The light-novel bullshit is fine with me so far, and even the very anime antics of a Kuroko-esque turbo lesbian being used as gags aren't off-putting. Momo is sufficiently exasperated by various hassles frequently enough to round out her character, so I'm mildly pro-Momo at this point. She's quite a step down from the Spring 2022 anime season's other Momo, of course, but that's a really high bar, so don't view it as a strike against the Shokei Shoujo Momo, necessarily.

Congratulations on not being dead.
P.S. Spoilers.

To tell you the truth, I sort of forgot 86 Eighty Six season 2 two had delayed its final 2 two episodes to March 2022 Two Thousand Twenty Two. I mean, things were sort of tense when we last saw our characters, but it totally could have just ended the season where it was. I would have accepted a cliffhanger-ish ending and an indefinite wait until the next cours, whenever that happens to be. I mean, I think it's reasonable to expect there will be another cours at some point. The anime seems pretty well-regarded, and I've warmed up to it as well, despite some initial misgivings.

Congratulations on not being dead.
P.S. Spoilers.

86 is at its best when it's exploring how its characters relate to each other and to their shared experiences with war. These aspects of the series are much more compelling than how it depicts the war itself or the dynamics of the societies involved. This is not necessarily because I find many of those elements unrealistic, but rather more because I'm not invested in their outcomes. I'm not particularly invested in most of the characters either, but the series has devoted enough time to developing them that I can at least appreciate their emotional resonance.

I would not have known she was a mummy if the series hadn't said so.

I wasn't planning on watching Saihate no Paladin (The Faraway Paladin) this season, but the first episode was better than I was expecting, and it turns out Hocchan is in this. When I say it was "better than I was expecting," I'm not suggesting it blew me away. Rather, I was just relieved it avoided most of the dumb isekai x JRPG nonsense I expected. Also, the storytelling was deliberate and did not rush through its setup, and I appreciated that.

There were no horny-baby jokes in this show.

That said, the pacing does seem sort of slow for an anime. Or, I guess I should clarify, it seems slow for a single-cours anime. I'm four episodes through its 12-episode run, and I have no idea what its plot or main story is going to be. This would be fine if subsequent seasons are planned, but it does seem as if a read-the-books non-ending ending is the most likely outcome. I have heard the books are good, so maybe that is the way to go. Then again, I've heard "the books are good" said about a whole lot of stuff which only turned out to be good for sufficiently broad definitions of good, so why should this be any different?

An isekai protagonist and his three undead parents can be a family.

Well, the isekai aspect is relatively muted so far. Where it has appeared, it mostly relates to William's dissatisfaction with his old life and his commitment to becoming a better person now that he's been given a second chance. Notably, he seems committed to following the less traveled path of becoming a better person by, you know, being a better person instead of coasting down the "becoming a better person by exploiting a fortuitous cheat power and basking in the adoration of comely, nubile companions who are attached to him" sluice. So yeah, it's at least plausible the books are actually good.

Aletta is pleasant.

There's honestly not all that much to Isekai Shokudou (Restaurant to Another World), but I enjoyed the first season enough to watch its sequel. Isekai Shokudou 2 continues its first season's parade of enthusiastic patrons whose displays of excitement are not entirely over the top, unlike some other food-reaction-shot anime. I at least don't remember any guests literally orgasming from their meals.

Kuro is pleasant on the inside.

There's also not really very much tension or drama. There are a number of side plots related to the customers and how they happened to find the magic door to the restaurant, but these are also secondary to showing off the various dishes and encouraging viewers to try them. In that respect, Restaurant to Another World is fairly successful. At a minimum, it's a reminder that I have available to me an incredible assortment of different cuisines and the means to sample them (even if they do cost more than a few coppers, typically). I should probably do so more often. I don't even need to travel to another world to do it.

Nice hat.

Cold War PseudoSoviets sending a vampire into space is an interesting enough premise that I would give Tsuki to Laika to Nosferatu (localized as either Moon, Laika, and the Bloodsucking Princess or Irina: The Vampire Cosmonaut) a chance on general principle. Having Hayashibara Megumi voice the lead role seals it. (She's had plenty of lead roles, but this is much less common these days.) Giving it an OP by ALI PROJECT is also a bonus.

The tubes contain cosmonaut food. I wonder if there is also CMYK cosmonaut food.

I like that Tsuki to Laika to Nosferatu rejects most of the typical vampire lore. Irina is also not physically superior to the human candidates by some unreachable degree. She is better, since she can nearly keep up—despite an utter lack of any prior training—with the human candidate who had been working for some time toward becoming the first cosmonaut before becoming her trainer.

Anya measured Irina's blood pressure, and she can bleed, so I guess she's not undead.

I originally assumed the NotSoviets wanted a vampire cosmonaut because of their inherent survivability or reduced need for life-support systems, but it turns out it has more to do with how vampires are regarded in that world as a sub-human race. Therefore, they are test subjects treated as expendable and useful to a nascent space program sort of the way dogs and monkeys are.

She's wearing the muzzle because of racism.

There are some light-novel elements in the series that hold it back to some degree (minor tsundere dishonesty, some jerkface assholes, stuff like that), but nothing that significantly detracts from my overall enjoyment of the show so far. I'm hoping we can avoid a vampires-are-people-too arc, but that's probably inevitable considering our vampire cosmonaut is a 43-kilogram girl who hides vulnerable emotions and not, y'know, Alucard from Hellsing.

That's still in regs, right?

I'm going to go ahead and say that 86 Eighty Six manages to avoid being bad by being good. There is certainly a "people die when they are killed" logic to this statement, but I guess what I really mean is the series continues to overachieve in comparison with my expectations for it. Much of this is pessimism on my part, because I've heard from the beginning that the source material is good. However, those sorts of claims aren't very reassuring since "good" light novels typically seem to only be good for sufficiently generous definitions of good.

Ain't you Shinichi's dad from Detective Conan?

Fortunately, the execution in the case of 86 Eighty Six actually is good. There's basically always something in every episode that's done well enough to be noteworthy, and the story is also sound. The various twists remain unexpected (but are also not total ass pulls) and do keep the series interesting even though much of it sounds pretty cheesy if you're just describing it to someone. Notably, I was already spoiled about a resolution to the previous season's ending because I saw the cover to one of the later light novels, but even knowing that did not ruin the effect provided by the 1st First episode of the 2nd Second cours. I'm looking 4 forward 2 to watching more.

I don't know what these are called either.

I enjoyed the first season of Otome Game no Hametsu Flag Shika Nai Akuyaku Reijō ni Tensei Shiteshimatta... (My Next Life as a Villainess: All Routes Lead to Doom!) a fair amount, and I enjoy its +X sequel as well, but I'm definitely not as motivated to jump on new episodes when they come out. I'm still caught up, but this season has basically just been okay. Maybe it's because of excessive kidnapping?

I'm starting to think Maria might be a lesbian.

Really, it's probably because Bakarina is a gimmick-focused show that has basically already accomplished everything I was expecting from it, and now it's just looking for additional reasons to keep going. I like Catarina as a character, but I don't really need the rest of her posse at this point. (There are a lot of characters.) Some of them are basically straphangers.

I don't actually have anything to say about Atsuko.

I get the feeling there is going to be a third season announced at the conclusion of Otome Game no Hametsu Flag Shika Nai Akuyaku Reijō ni Tensei Shiteshimatta... X. I mean, we got a callback to Catarina's old life at the end of the 11th episode of a presumably 12-episode show. I assume there's going to be something involved with that. Something that's not another kidnapping. I'm not implying Hamehura is on the wrong path. There's not really anything I actively dislike about the series, and I'll probably watch a third season if one ends up being announced. If there is a third season, it had better also bring back angela, though.