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Dated 24 January 2023: I've already dropped Spy Classroom and Revenger

Raizou and Yuuen
He can't be that hurt. His bandages aren't even bloody.

I decided to watch REVENGER because it was characterized as a Urobuchi Gen anime. The stereotypes and baggage associated with Urobuchi-type anime is frequently negative, but I generally find those complaints either overblown or incorrectly attributed. I don't like everything that has his name attached, but REVENGER seemed like a safe bet. Well, it's not great. I didn't care about any of the lead characters, and I wasn't exactly moved by the plights of their clients. Even the prospect of watching deadbeats getting assassinated in unnecessarily complicated ways each week didn't seem interesting enough for me to continue watching, alas.

Lily
Nice chair.

I did not have high expectation for Spy Kyoushitsu (Spy Classroom). However, I did like the promotional art, and the cast includes a lot of seiyuu who I enjoy, so I thought it would at least be worth a chance, even if it turned out to be a forgettable, mediocre affair. Well, the first episode wasn't awful, but it did make me dread watching more. That's a pretty quick drop for a season in which I'm following relatively few shows, but maybe I'll give it another try if I encounter reliable reports later about the anime turning itself around.

Dated 26 March 2009: I am watching Asu no Yoichi! because it is terrible

Yoichi and Ayame
Sees, gropes, whatever.

Really, I'm just watching to see if the First Girl He Sees Clause will hold true when the girl in question is clearly intended to only be a secondary love interest. This isn't to say that a harem comedy protagonist has never chose someone other than the obviously intended match, but it is rare.

Ibuki
Ibuki is tsundere, but her tsun side is driven by misunderstandings.

Ayame is great because she is a formulaic tsundere with essentially no other redeeming qualities. She's so textbook it's startling.

Ayame and Yoichi
Ayame, on the other hand, is Pure Tsundere. PURE.

Silly misunderstandings are lousy for the most part, but they are mildly amusing when the misunderstandings themselves are animated from the mistaken party's point of view. They make for nice diversions sort of as the Sayuri Legends segments in Tokimeki Memorial ~Only Love~ did.

Dated 6 February 2005: Samurai Champloo

Fuu
Fuu

Jin and Mugen
Jin and Mugen

New episodes of Samurai Champloo are back, with the usual fun mix of easily accessible hip-hop kung-fu anachronisms and quarrellous wry banter. I'm mostly in it for the Ayako Kawasumi sassiness as Fuu, but it's a pretty entertaining show if you're not instantly turned off by mainstream anime with a very western bent.

We also finally get some headway on the Sunflower Samurai story.

Dated 24 May 2004: Samurai Champloo hype machine

Samurai Champloo title screen
Samurai Champloo title screen

After much hype and anticipation, Samurai Champloo finally aired. Generally when expectations are this high, the actual unveiling tends to be somewhat anticlimatic. I am happy to announce that Samurai Champloo does not disappoint.

Corrupt ruling class
A member of the corrupt ruling class

Samurai Champloo takes place in feudal Japan. Petty members of the ruling class arbitrarily order executions and brutal acts of sadism to amuse themselves. However, although only one episode has aired, I do not think that the subjugation of the common man by the ruling class happens to be the focus of Samurai Champloo. That is, this show does not appear to be about class or politics, but is instead a tale about two master swordsmen and their promise to help a tea house waitress in her quest. The politics involved are merely incidental.

Mugen
Mugen

The first of these swordsmen is Mugen, the apparently younger and more hotheaded of the two. He enjoys fighting, and is confident enough in his abilities to challenge perfect strangers to duels to the death. He presumably lives by a code of justice and honor, as he is the one who steps in and protects the waitress character, but seeing as how he offers to dispose of a roomful of loudmouths for some food, I think it is safe to say Mugen probably also kills for fun.

Jin
Jin

The second of these swordsmen is Jin, the bespectacled cool-headed one whose more level-headed wisdom allows him to refrain from brawling, and fight to right injustice. Well, that may be assuming a bit much after only one episode. After all, Jin is a bit of a braggart, and agrees to duel Mugen to the death simply to determine which of them is the better swordsman. Jin is a bit vexed by the fact that Mugen was the first man thus far that he was unable to kill.

Mugen and Jin duel
Mugen and Jin duel

The aforementioned tea shop waitress is Fuu, voiced by the always welcome Kawasumi Ayako. Ayako Kawasumi is in rare form here, and breathes real life into Fuu, our feisty and engaging heroine. Fuu is Ayako at her best. The Ayako Doctrine dictates that you will watch Samurai Champloo, and it will be radical.

Fuu
Fuu

The great anticipation and hype for Samurai Champloo is well deserved. Samurai Champloo is reportedly created by the team that gave us Cowboy Bebop, and is poised to become The Next Big Thing. It is directed by Shinichiro Watanabe, who also directed Cowboy Bebop and Macross Plus. Samurai Champloo also apparently comes pre-funded with American money, and has already been licensed by Geneon Entertainment. This is good news, as Geneon's DVDs are generally very high quality, and no longer appear to suffer from low episode count as they once did years earlier while using the Pioneer label.

Fuu in peril
Fuu in peril

Samurai Champloo is not a perfect show. I really do not like the rap-ish opening credits. As near as I can tell, it is performed by Japanese artists rapping in English, with dubious results. The editing is also somewhat unsettling at first. It's somewhat like watching Pulp Fiction in fast forward. However, these are minor complaints, and are easily offset by the great elements of the show.

Mugen trying to get the drop on Jin
Jin

I particularly like the contrast between Mugen's and Jin's fighting styles. Mugen is constantly in motion, and at times it appears he is either breakdancing or practicing some form of capoeira with a sword. Contrasting Mugen's frenetic style is Jin's more efficient style, which focuses more on economy of movement and sure strokes.

Jin and Mugen duel
Jin and Mugen duel

However, the real joy here is Fuu. Ayako Kawasumi plays her perfectly. And while I would have liked to have had Megumi Hayashibara in Samurai Champloo as a nod to her work as Faye Valentine in Cowboy Bebop, Ayako Kawasumi appears to be as perfect for the part of Fuu as Megumi Hayashibara herself was perfect for the part of Haruka in Love Hina.

Fuu
Fuu

The official website for the show can be found at http://www.samuraichamploo.com/. Given the fact that it's already licensed by Geneon, and considering the amount of English-friendly material on the website and in the show's credits, I think it's pretty safe to assume Samurai Champloo is heavily targeted for western audiences.

Mugen
Mugen

P.S. Yeah, yeah. "Sonditioner."

Fuu
Fuu