Maybe tomatoes count as a Miorine surrogate.

Continuing from my previous post about Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2), I'm gonna go ahead and voice my primary beef with the way the show depicted Suletta's & Miorine's relationship. The short version is the series simply did not have enough episodes to adequately develop it. Or rather, it did, but it would have had to do so at the expense of something else. I suspect this is true of most of the areas that lacked sufficient elaboration for many viewers. (For example, anyone clamoring for more details about Miorine's mother, or about what tomatoes had to do with her Quiet Zero plans.)

It's an act, but can you imagine Suletta doing something like this?

With regard to Suletta and Miorine specifically, nearly all of the slow, getting-closer parts that 'shippers might want occur almost entirely off-screen. Instead, we're treated to multiple instances of Miorine being distant, or cold, or outright cruel, and subsequent cathartic moments when she's realized she has fucked up and makes herself vulnerable to Suletta. All the less flashy (but still critical) incremental bond building occurs during time skips. It relies on the viewer to already be on board with the pairing, and willing to fill in the gaps with "head canon." Actually, not all of it was off-screen. A lot of it occurred during anachronistic dates across contemporary Japan shared on the Twitter.

I guess this counts as a date.

I don't intend to belabor the point about these short vignettes that the @G_Witch_M account posted between cours, but I am serious about how these Suletta and Miorine Japan-tour snapshots are the clearest examples we have of the two actually going on dates or acting like a couple. This doesn't change the groundbreaking importance of their prime-time teenage lesbian marriage, but it is unfortunate that including regular romance material would have crowded out all the other Gundam-critical-type stuff that G Witch barely managed to include.

I heard you liked helmets.

Now that Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2) has finished, I should probably capture my concluding thoughts on the series while they remain somewhat fresh. However, I get the feeling that would result in a long blog post, so maybe I ought to break things up into multiple entries despite the risk I might simply lose interest in writing more before completion. Anyway, the first post in this series (?) is about Elnora. If you've been following me on the Twitter, this should surprise you not at all.

Notably, I never stopped seeing Elnora as the girl she used to be.

Many viewers (if not most viewers) seemed to regard Prospera as the main villain of the series. This is not an incorrect perspective, but I think it's incomplete. I take the position that she is both an antagonist and a protagonist. This is not to say that I thought of her as the protagonist—that's clearly Suletta—but I do see her as a protagonist. (Fuck your deuteragonist and tritagonist nonsense. You're reading an anime blog, not a fan wiki.) That's not a controversial position for me to take, is it?

Maybe she'll start calling you Mom without sounding sarcastic.

I'll need to put more thought into this, but my initial impulse is to suggest Elnora embraced the forgiveness aspect reflected in (or constrained by) The Tempest a lot more readily than I expected. Like, she had already forgiven Delling during the scene where she's fucking with Miorine's head to get her to aspire for the Benerit leadership role, right?

I wonder how soon Elnora realized she was going to end up in this chair.

I also found Prospera's Quiet Zero plot to be a lot less sinister than what most people were assuming. (Never mind that I still have no idea what Notrette's original Quiet Zero plan—or Delling's intentions for the project, for that matter—were meant to be.) Now, I'm not part of the "Prospera Did Nothing Wrong" faction, but I do view her actions from a position that is decidedly more favorable to her than most seem willing to adopt. Let's just say I'm grading on a curve.

Asirpa is short.

The fourth season of Golden Kamuy was supposed to finish at the end of 2022. A staff member's death delayed production, and the cours restarted as a Spring 2023 show. As with other long-running anime (well, longer-running, relatively speaking), there's not much I can tell you about this series if you're not watching it already. Read the manga. It's great. I would tell you to start watching the anime, but that's probably a harder sell now that there are nearly 50 episodes (more, if you count the OVAs). You should have started already.

Don't stare. It's impolite.

This is one of those series that does everything well. There's comedy, there's drama, it's wacky, and it's serious. There are a lot of characters, and most of them are mental cases, but you'll also spend enough time with them (well, the ones who don't suddenly die) to appreciate what they've got going on and what motivates them. We already know the anime will cover the entire manga, so it's at least something newcomers can start without worrying about it being incomplete. There are honestly still some rough parts where the scenes or action are clearly difficult to animate, but we're at least well past the immersion-breaking 3DCG bears and fire from the first season.

I appreciate the focus on photography.

I decided to watch Kimi wa Houkago Insomnia (Insomniacs After School) on a whim this season purely because its anichart/anilist synopsis described the series as being about two insomniacs who secretly sleep together in their school's abandoned observatory. [Note: Sleeping together as in both literally napping, not sleeping together as in sleeping together, okay?]

Maybe I'm just nostalgic for life without light polution.

As it turns out, there's not very much napping in the show. I guess that would make for a boring series if the leads are conked out all the time. Although it occurs to me there is at least one anime that's literally just a girl sleeping, ain't there? Anyway, what Insomniacs After School is really about is two people who are clearly into each other taking their sweet ass time figuring it out. It's a pleasant show despite the typical arms-length romance. I find the leads engaging, and the characters in the supporting cast are personable.

Failing to plan is planning to fail.

I do think Kimi wa Houkago Insomnia focuses too much on the male lead's point of view. Ganta has significant hangups that shape his path through the story, but Isaki is a more interesting character. Initially, it appeared she might be one of those tragic love interests who dies of some sad anime disease, but this prospect seems less and less likely the more we learn about her. I mean, she still could drop dead, I suppose—I don't know how the manga is playing out so far—but it's not as if this is a Key visual novel, so I think she'll be fine.

Figure it out, you two.

Isaki and Ganta totally should be sleeping together more, though. Even if it's purely platonic, Insomniacs After School has them literally acknowledge that crashing together gave the two of them some of the best sleep they've ever had. I guess the series needs to stall to prevent the story from turning into documentary about making star babies in the observatory.

It's a good thing you made it to the shuttle on time.

The manga is currently 13 volumes long and still ongoing, so maybe this is one of those shows that really needs a second cours in order to really get going. I don't encounter a lot of discussion about the series, though, so I'm not exactly optimistic about the likelihood of getting more later. I definitely do want more, though.

Being confident helps.

No one who has been following the previous installments of Dr.STONE NEW WORLD (Dr. Stone 3rd Season) should be surprised it's still entertaining for basically all the same reasons. If there are criticisms to levy against it, they'll probably relate to how fast science is advancing. Or, I suppose more accurately, how fast production is advancing. There are no quality control problems or time constraints in the story that prevent the characters from designing and constructing whatever marvel is necessary to overcome the latest predicament. Everything just works. And that's okay! This is not a series about the 99-percent perspiration part. It's also consistent with the other feats regularly displayed.

Kohaku knows what she's doing.

Frequent readers of this blog (and of my grousing on the Twitter) may recall I regularly complain about tropes and storytelling conventions that I broadly describe using the pejorative "shounen jive." I don't have strong opinions about this from a taxonomic perspective, but my general sense is I'm perfectly fine with it (if what Dr.STONE does even qualifies as being shounen jive) providing that it's done in this way. I guess what I'm saying is I'm unsure if I regard Dr. Stone as the exception to a style of anime that I typically don't like, or if I like it because it does not adopt the elements I disfavor. In any case, the anime is still good, and the story seems to moving along well, and you should start watching it (from the beginning!) if you ain't started already.

Relax, it's only water.

If you don't count Cure Grandma or the various "other" Cures, and ignore whatever the deal was with Cure Earth, then Cure Butterfly is the oldest mainline Pretty Cure. She's only 18, but she's out of school and has a job, drives a car, and spends every waking moment on the verge of despair. Wait, not that last part. Actually, she's super genki and sort of doesn't seem like an adult at all. Do adults like her really exist? Maybe I'm asking too much of my made-for-children magikal girl show.

I wonder if Tsubasa and Syrup will get along.

There's also a boy Cure now: Cure Wing. He's fine. He's the youngest of the group, and he's technically a tubby bird who spends most of his time quietly doing tubby bird things instead of being a loud brat or something. He's WAY better than any of the dudes from Delicious Party♡Precure. I know the natural thing to do is compare Cure Wing with Black Pepper (spoilers: Cure Wing is better), but you have to remember there were a whole mess of other male characters in Delicious Party♡Precure who were way worse than Black Pepper.

I like your luggage.

Anyway, I'm getting off track. Ageha is an old friend of Mashiro (Cure Prism) despite their four-year age difference. Until now, she has just sort of been hanging around minding the magic baby while the Cures were busy. She finally became Cure Butterfly in episode 18, but there wasn't really any build-up to this, nor any indication there was anything necessarily preventing her from becoming a Cure much earlier. The deciding factor seemed to be she just wasn't needed as a Cure until now.

Ma'am, your slip is showing.

Still, she's a welcome addition, even if the novelty of having a (barely adult) adult Cure will quickly get overshadowed by actual-adult Nozomi's return when Kibō no Chikara ~Otona Precure 23~ begins in October. I'm sort of hoping ol' Dream and Bunbee ended up as co-workers in some fresh corporate hellscape. Maybe they spend a lot of time getting plastered together while bitching about their jobs.

I can't see a green chav suit without thinking of Squid Game.

I can't identify anything I think the Mahoutsukai no Yome (The Ancient Magus Bride) anime is doing wrong necessarily, but I don't enjoy it as much as I like the manga. On the surface at least, the anime is great. It looks beautiful. The casting and voice acting are both spot on. The production values in general are high. And yet I mostly only find the overall experience simply okay. Does that mean the direction is at fault for not optimizing the presentation of all these elements? I dunno. I still like watching it, but it doesn't astound me, and maybe I'm just griping because I feel as if it ought to.

This is not Yuru Camp△.

As far as the currently airing second season goes, I suppose I'm naturally disinclined to be interested in its subject matter. Specifically, it is about Chise going to magic school. Aside from a few notable exceptions, I'm generally not enthused about magic schools as a setting. And taking someone out of an environment that was already interesting as a starting point, and then placing her in a magic school—well, that is objectively a step down. Nevertheless, I still find myself enjoying the corresponding manga arc despite my misgivings. In any case, the magic school setting is not exclusively why I'm never in a huge hurry to watch the latest episode of Mahoutsukai no Yome Season 2, but I can't rule it out as a contributing factor.

It helps that I like all the characters.

I enjoy the [Oshi No Ko] manga (localized as My Star, or My Favorite Idol, among other titles), so I'm pleased the anime adaptation is also going well. The manga is one of those stories that I happen to think is really good, but is constantly teetering on the verge of potentially going really poorly if it takes a couple of missteps. If anything, an anime adaptation for something like this is even more precarious, with additional opportunities to straight fuck it up.

Akane is a later arrival to the show, but also excellent.

Thankfully, it's getting everything right so far. It even took the unusual step of making its first episode 90 minutes long so that it could conclude with The Thing No One Will Talk About. It seems an odd spoiler to dance around, seeing as how important it is to shaping the rest of the (still ongoing) story, but I guess I'm doing it too, albeit mostly because everyone else has thus far. It's a conspiracy of silence!

It's not easy being a superstar.

Anyway, [Oshi No Ko] is about contemporary show business dynamics. I don't know how accurately it is depicting the production and public interactions side of things, but I at least enjoy feeling as if I'm getting an insider's perspective. It's the same sort of reason why I liked Shiorobako and Otaku no Video. Don't get me wrong—I'm also in it for the revenge plot that I guess I'm not talking about. I do love me some revenge.