This was awesome even though they gonged Anime-chan.

I had fairly high hopes for both Senki Zesshou Symphogear G: In the Distance, That Day, When the Star Became Music... and Fate/kaleid liner Prisma☆Illya prior to the start of the season. Now—nearly halfway through summer 2013—I'm pleased both are turning out to be quite good. Symphogear G is a sequel to widely panned but wildly entertaining original Senki Zesshou Symphogear: Meteoroid-Falling, Burning, and Disappear, Then... from winter 2012. Fate/kaleid liner Prisma☆Illya is based on the eponymous parody manga riffing on the Fate/stay night universe. It's pretty amazing how adroit it is at drawing out the best Fate/stay night has to offer. I liked the manga so much from the first few chapters that I stopped reading it so that I would not spoil myself on the anime. It does not disappoint. All around, even without including DokiDoki! Precure, this is a pretty good season for magikal girls trashing the joint.

You're going to need to give up more than some lunch money.

Symphogear G introduces the very aerodynamic Maria and her little cohorts, Shirabe and Kirika. As antagonists, they're approximately as sinister as the Velka Knights from Mahou Shoujo Lyrical Nanoha A's and will almost certainly join Hibiki, Tsubasa, and Chris at the end of the season against a common enemy: Post-menopausal Belldandy.

You can tell Maria isn't really evil because her cape is awesome.

There's not much to say about the actual plot or story behind Symphogear G. You're supposed to watch it to see these girls thrash each other with preposterous weapons while singing. Moon debris features prominently in Symphogear G as a reminder that the collateral damage from the first season was quite severe, making it likely this season will also not end quietly. At a minimum, I expect the survivors will need to change schools again.

Don't worry, Illya. It gets worse.

Fate/kaleid liner Prisma☆Illya cynically takes the point of view of a reluctant magikal girl tricked into taking on the role after a recalcitrant magic wand divorces itself from its previous master. The jokes are not quite as frantic as they are in Carnival Phantasm, but Prisma Illya does reinforce suspicions that TYPE-MOON parodies are better than canonical TYPE-MOON properties.

There sure are a lot of armpits in this show.

The character designs in Prisma Illa are quite different from Takeuchi Takashi standard typically associated with TYPE-MOON, but I think they work in this comedic context just as rounder designs served Carnival Phantasm well. I wasn't expecting the action sequences to be so energetic, particularly since I still associate SILVER LINK with the belt tightening it imposed during Tasogare Otome x Amnesia. Hopefully it didn't blow its Prisma Illa budget on the high-flying episode four.

Hibiki preparing to punch more things.

Like its 2012 predecessor, Symphogear G is the closest thing we're likely to get to a mahou shoujo opera unless someone actually talks Kajiura Yuki into composing The End of My-HiME opera I've been wishing for since 2005. Fate/kaleid liner Prisma☆Illya demonstrates how much better a TYPE-MOON property can get if you sideline all the idiotic male characters. I'm certainly not one of those viewers who abhor male anime characters on general principle, but I have to admit a lot of these TYPE-MOON chumps are quite odious, particularly with regard to Fate/stay night which had Shirou AND Shinji, both of whom should have been recast as boat anchors. Things are so much nicer without them, even if Caster is still trying to kill everybody.

I heard Love Line started out basically the same way.

Love Lab is about a student council at a girls' school that secretly dedicates itself on the side to the art of pursuing boys. Genshiken Nidaime harks the return of a college circle dedicated to the artistic pursuits of anime, manga, and video games. Although I thoroughly enjoyed the first anime adaptation of the Genshiken manga when it aired in 2004, I did not say much about it at the time. Since then, the series spawned a number of OVA and a second television season, making Genshiken Nidaime the third or fourth season rather than the second part, depending on how you count it. (A quirk the anime itself acknowledges.) Love Lab is newer on the scene; it's the first anime adaptation of an ongoing manga (Renai Lab) that has run since 2006.

It does not appear as if Riko was prepared for this..

I'm finding Love Lab tough to sell, but easy to enjoy. This is mostly because the series doesn't sound like much from its description, but the execution is excellent. The jokes are funny and the characters are likable. One aspect I haven't quite gotten my head around is casting Numakura Manami as Riko. I associate her voice so much with her character Hibiki from iDOLM@STER that it's hard to accept her as anyone else. The best solution, obviously, would be to re-work Riko's character design to actually look like Hibiki so I could pretend Numakura Manami is voicing Ganaha Hibiki the 765PRO idol in a starring role portraying Riko in a production of a Love Lab television show broadcast within the iDOLM@STER universe. (I'm only partly kidding.)

Drinking alone.

Speaking of seiyuu, Genshiken Nidaime replaced basically every voice actor from the previous anime adaptations. I could sort of understand if the intent was to replace them with brand new talent, but as that doesn't appear to be the case at all, I find the change rather perplexing. It's also quite jarring to hear completely different voices from what I'm accustomed to, even though it's been a few years since I last watched any Genshiken. In particular, replacing Kawasumi Ayako with Yukana has been quite difficult to accept even though I like Yukana quite a bit. Madarame's new deeper voice also takes some getting used to.

Hato not in drag.

Some fans of the original Genshiken anime expressed disappointment with Nidaime because the Genshiken club itself has changed. Previously a boys' club of openly geeky males, it has transformed over the years to one dominated by fujoshi members and their pursuit of male-on-male erotica while the alumni and their interests are presented as more incidental to to the main plot. Naturally, this is because the old members are no longer students, thus no longer part of the club, and likewise occupied by other "grown-up" interests as their original fervor wanes.

It's a boy dressed as a girl pretending to be a boy.

Nevertheless, Genshiken Nidaime appears to be just as much about personal growth and acceptance as it has always been. The first season focused on Sasahara as he grew more comfortable with embracing his otaku side, and on Saki as she discovered she could still love one otaku in particular (Kousaka) while still loathing otaku in general. Later, Genshiken focused on Ogiue as she came to came to grips with her identity and the parts of her life that previously mortified her. Although I have not read ahead in the manga, it appears Genshiken Nidaime will focus on the cross-dressing Hato as he deals with the challenges of being a straight male (allegedly) who masturbates to yaoi (i.e., 2D gay porn).

Being a grown-up is hard.

Notably, it appears this season will also spotlight Madarame. This former club president (now three terms removed from the current head, Ogiue), was previously depicted as the savvy, veteran otaku who was completely comfortable with being who he was. However, he clearly still carries a torch for the Genshiken Best Girl, Saki (previously Yukino Satsuki, now sorely missed despite Satou Rina's talents), and he refuses to publicly acknowledge this most heinous of perversions: Attraction to a three-dimensional woman. In this regard, perhaps Madarame has the most growing up to do.

Good luck, Maki's future boyfriend.

Through five episodes, Love Lab is better than Genshiken Nidaime, but I suspect that the latter will be better remembered years later if both shows continue to progress as they have. I suspect Genshiken resonates more with aging male anime fans, even though this season is mostly comprised of female characters. Incidentally, if you know anything about Genshiken, you should already know Ogiue Maniax is its leading resource 'round these parts.

Nice boat.

Those of you who know where to find my current rankings may notice that I'm discussing these shows out of order. However, I have a reason for grouping these two dissimilar shows: They invoke mysticism and apply fantasy to otherwise normal settings. Uchouten Kazoku (The Eccentric Family) is about a family of tanuki and their dealings with tengu and other mythical creatures in an otherwise human-dominated world. C3-bu (pronounced "See Cubed" in favor of a thickly accented pun rather than the military acronym "See Three") is about an airsoft club at an upscale girls' school. The socially uncomfortable Yura falls in with a group of weirdos who teach her the Way of Airsoft.

I wonder if the First Girl He Sees Clause is in effect?

I started watching too many shows this season to prepare a single comprehensive summary of how they're all shaking out so far; it would take hours. So I'll just divvy out these introductions individually or in chunks. The best show thus far is Gin no Saji, also known as Silver Spoon. It's a comedy about a boy who enters an agricultural high school and discovers farm life is more difficult than he anticipated. It's based on a manga by the author of Fullmetal Alchemist, Arakawa Hiromu, who grew up on a farm herself. The consensus regarding Gin no Saji appears to be generally positive, but it seems you have to think farms are funny to enjoy it as much as I do.

I predict Tamako will be the BEST GIRL in Silver Spoon.

Notably, Gin no Saji lacks any of the high school bullshit (at least through the first two episodes) that plagues other anime set in high school. Because of the hands-on nature of the instruction, it seems more like a trade school and quite alien compared to they typical seat-by-the-window, beautiful-mysterious-transfer-student, oops-I-fell-on-your-boobs, let's-prepare-for-the-culture-festival drudgery that you see in every other school comedy. The anime is already past the few chapters of the manga that I read, so perhaps Silver Spoon will, in fact, get a mysterious transfer student who sits by the window and helps out during the culture festival after a normal boy falls on her boobs, but I'm at least reasonably confident that the execution will be creative and different if that actually happens.

LARGE BEER.

Gatchaman Crowds is ostensibly based on the Kagaku Ninjatai Gatchaman (Science Ninja Team Gatchaman) anime from the '70s, but thus far bears little resemblance to what I know of the original (which admittedly only comes from its two English adaptations, Battle of the Planets and G-Force: Guardians of Space). The biggest difference is the apparent focus on Hajime. I.e., a female lead instead of the familiar male-dominated team of five members: The leader guy, the angry guy, the fat guy, the token kid, and the aerodynamic girl.

A man's romance.

Hajime, I should point out, is making a solid run for the 2013's Girl of the Year crown with her unrelenting TOP FUEL GENKI attitude. Maybe it will be revealed in a shocking twist later that Hajime is actually broken inside, but for now her ebullience appears ready to overcome all challenges, even the bane of social media. Also in her favor is her bizarre love of notebooks and planners, an obsession I sheepishly admit to sharing (although, unlike Hajime, I don't fornicate with my notebooks and planners).

I'm so glad nobody broadcasts in Smell-O-Vision.

For now, Gin no Saji and Gatchaman Crowds are the top two shows of the season, at least according to my tongue-in-cheek ranking system. Whether a comedy about farms and a superhero show arguably about Facebook games can survive the onslaught of a moon-destroying mahou shoujo opera and the return of a college circle of degenerate perverts remains yet to be seen.