Not yet, Kita Kita!

Bocchi the Rock! is great. It's way better than I was expecting. A huge part of this comes down to execution, though. This is not a slight against its source material (which I haven't read), but rather a reflection of how much I enjoyed the creative choices the anime used to communicate Hitori's discomfort and personal struggles. I also liked seeing "Bocchi" advance as a character, although a significant part of this progress was thanks to new friends dragging her forward. This does mean high school Hitori probably would have stayed in the same place as middle school Hitori were it not for some fortuitous encounters creating these opportunities for her, though.

She's doing it again.

This brings me to the subject central to the title of this post. (Alternate title: "The End of Bocchi the Rock! ~Air/My Purest Love for Kita Kita~." Do people even still get that reference?) For a while after her introduction, I was afraid Kita Ikuyo Kita Kita would be one-note character whose scenes mostly involved gags about adoring Ryou. Thankfully, it turned out she had a much more important role to play, even if her "Kit-Aura" may be a little too fearsome. Ikuyo is a good foil for Hitori, and I enjoy the contrasts provided by their characters. There's no shortage of amazing Bocchi scenes where her anxiety warps time and space or glitches reality, but I also like the gags involving Kita Kita's mabushii being sort of excessive.

This is not Mental Out. At least I don't think it is.

Possibly I just enjoy characters with high genki levels in general. In any case, I don't have a lot of complex reasons for explaining why Ikuyo is great. I guess I will add that—depending on how you feel about Kessoku Band's music—her position as its only vocalist also seems like the sort of thing that deserves more attention. As an aside, even though I said, "only vocalist," I do harbor suspicions Bocchi will be unexpectedly pressed into service to take Kita Kita's place during an unplanned contingency in some theoretical future installment. Maybe Hitori wouldn't feel up to it yet, but I'm confident her seiyuu could tackle this all day, any day. Aoyama Yoshino was a WUG!

What are you thinking about?

You might see Lycoris Recoil and Engage Kiss compared every so often (and I guess that's what I'm doing now), but they don't share much in common. Well, I guess they both have Aniplex and A1-Pictures behind them, and both anime air on Saturdays, but the shows themselves aren't similar. Also, both are headed towards a big finish this weekend, although I can see how Lycoris Recoil might earn itself a sequel, depending on how things go.

Look, there aren't even any bullet holes!

To be clear, Lycoris Recoil is a significantly better show than Engage Kiss. I like both, although for different reasons, but there's a good reason why fans of Lycoris Recoil are so enthused. It features a well-balanced mix of serious drama with genuine stakes, wacky high jinks, and significant amounts of entertaining (albeit unrealistic) gun play.

My opinions about SHARON HOLYGRAIL are wholly positive.

On the other hand, Engage Kiss has a combat nun sensibly named SHARON HOLYGRAIL who only takes off her habit's headpiece during sex. It also features a high school demon girl whose motivation for being so devoted to Potato-kun is somewhat unclear. She at least seems willing to accept she must have had a good reason. Maybe she found instructions scrawled on her hand telling her to be, and just assumed there was a good reason that she merely forgot.

The Million Live! anime sure is taking its sweet time.

I don't know that Center Axis Relock is the best stance to adopt
while leaping in the air, but I also don't know that it's not.

I wasn't planning on watching Lycoris Recoil because I thought it was another show about girls running a cafe. It turns out it's about girls shooting people. And sometimes running a cafe. I suppose I might have guessed firearms could factor into the series, considering the word recoil is right in the title, but I was surprised at the attention to detail given to its gun-handling scenes. I'm much more used to anime characters who can't even be bothered to use the sights. In contrast, the characters in Lycoris Recoil handle their weapons in convincing ways that reveal the production team clearly did their research, presumably modeling scenes after real-world examples.

I guess Takina's washing her hair tonight.

This is not to say the gunplay in Lycoris Recoil is entirely authentic, but rather that it looks really good in ways that most anime don't bother with, so I appreciate the extra effort. This is just one factor in the show's favor though. So far, this series has been pretty fun to watch. The story has also kept the viewer in the dark about some obviously significant events that have influenced the setting. It has been doling out information, but in chunks, which is quite an improvement over the more typical practice of just dumping it all out in the first episode.

It's not Chisato's fault she's better.

The dynamic between the two leads is also engaging. If I had to provide a complaint about Lycoris Recoil, I suppose Chisato's wall-to-wall genki boisterousness is sort of a lot to handle sometimes. Nevertheless, this fits the rest of her personality well, and I enjoy the confidence and casual ease with which she approaches her tasks. Anzai Chika, who played Reina in Hibike! Euphonium, is in this, but she's voicing Chisato. This is sort of surprising since Reina (at least superficially) seems a lot more like Chisato's no-nonsense partner, Takina.

Somehow, this is Chisato's fault. Allegedly.

Much of the imagery surrounding Lycoris Recoil hints as more ominous developments in the coming episodes. As an original anime, chances are good there will be an actual ending of some sort, or at least not some manner of non-ending ending such as those plaguing shows constrained by external source material. Consequently, I'm looking forward to the rest of the series, particularly considering how often it has pleasantly surprised me so far. Lycoris Recoil has done a lot of things well, so I'm eager to see what it will do next.

She may be dead, but she still has feet.

I mostly started watching Kami Kuzu☆Idol (Phantom of the Idol) as an excuse to pad my Ghost Girlfriends tag. The series is about an unmotivated (read: total deadbeat) male idol who gets possessed by the ghost of a recently deceased female idol. Combined, they—I dunno—do idol-type things better, I guess. I enjoyed Ginban Kaleidoscope, which also involved being possessed by a ghost, so I figured I could make space for Kami Kuzu☆Idol in my Summer 2022 anime queue.

I like how she hijacked his body without consent to indulge in physical pleasure.

Through three episodes, it's fine. So far, it's about what I expected. I don't have any complaints about Kami Kuzu☆Idol, but it also hasn't done anything particularly remarkable or memorable yet. Touyama Nao as the ghost is doing a very Touyama Nao voice, if you like that sort of thing. Honestly, I think the show would be more interesting with the premise reversed. Like, instead, make it about highly motivated TOP FUEL GENKI idol who gets possessed by the ghost of a disgruntled dead idol who is a constant downer. I'd watch that too.

It's already been five years.

Close enough, eh.

Well, it's been another year.