I'm dismayed I know so little about Secretoru even after 38 episodes.

Typically, when I lose interest in a series, I'll still say that it's fine and it's just that the show doesn't align with what I want to watch at the moment. Well, Delicious Party♡Precure is not fine. I don't really want to say that it's "bad," but I've watched a lot of children's anime, and this installment of Pretty Cure is uninspired, even for (especially for?) a kids' show. There's just not really a reason to watch it, I'm afraid.

Adults in Pretty Cure should be adversaries or appear only sparingly.

Delicious Party♡Precure doesn't do anything really objectionable, but perhaps that's its problem. The no-stakes way it handled Amane's Cure Finale arc is indicative of the show's broader problems. It doesn't really provide any reason for me to think anything that happens matters at all, and there's an unavoidable sense of arbitrariness and randomness to the storylines that make me wonder if writers are just punting any time there's a potential conflict and treating any obvious questions as unimportant nitpicks. I, at least, feel this contributes to my sense nothing matters, even within the narrow confines of a Pretty Cure series.

At least two things wrong with the series are visible in this screenshot.

I suppose I'm compelled to make at least one food-based reference, so I guess I'll say Delicious Party♡Precure is neither a hearty meal nor a junk food snack. It's mostly just sort of bland and thin without any genuine substance or taste. There are still enough episodes remaining for the series to potentially pull off a strong finish, but it's looking almost certain now it will displace HappinessCharge Precure! as my least favorite installment of the franchise.

Lum, you have no one but yourself to blame.

Despite how long I've been at least sort of aware of Urusei Yatsura as a property that exists, I've never really known anything about it. I knew it well enough to recognize Lum, but remained ignorant about essentially every other part of it.

Service.

In fact, I'm inclined to believe anything of substance that I did know about it came from a small mention in this blog post that SDS wrote a decade ago. Consequently, I didn't really know what to make of the news that the anime was returning for 2022, with Uesaka Sumire voicing Lum, no less.

The first time I saw this gag was in Love Hina, but I guess this must have come earlier.

Having watched the first episode now, the series seems sort of anachronistic. I don't mean that it's dated, but it does very much feel like a product of a different time. This is hardly surprising, considering the original manga began in 1978 and ended in 1987. The whole thing predates Heisei, let alone Reiwa. I don't know if the new anime is remaining true to the source material, but it feels as if it is, at least based on my aforementioned impressions that it's from a different time.

Y'know, your two species probably can't procreate together.

Thus, it's not clear to me who is actually watching the new Urusei Yatsura. Is it aimed at new fans who are unfamiliar with the original? Or is it for older fans who loved the original manga and/or the 1981 anime and are eager to recapture some of that ol' Showa magic? When it comes to nostalgia, I tend to believe fans are often better off not revisiting things they loved in their youth—at least without being emotionally prepared to confront the reality that can often sour the experience.

Land lines! Rotary phones!

It's not at all uncommon to discover that cartoons we loved as children were, in fact, really not all that good. This is not to say that Urusei Yatsura 2022 will produce the same sort of reactions. Hell, maybe it's better than ever. I haven't seen a lot of impressions of the first episode—good or bad—but probably that's just because I'm not adjacent to the sort of audiences that will either enthusiastically embrace (or violently reject) the new Urusei Yatsura anime.

If you were really pulling on her arms, those gloves would slip off and she would escape.

First of all, I don't even know if anyone is actually referring to Akuyaku Reijou nano de Last Boss wo Kattemimashita (I'm the Villainess so I'm Taming the Final Boss) as Akulas. Hell, probably as many viewers thought of Otome Game no Hametsu Flag Shika Nai Akuyaku Reijō ni Tensei Shiteshimatta... (My Next Life as a Villainess: All Routes Lead to Doom!) as either Hamehura or Hamefura as they did Bakarina. These light novel titles are an absolute nightmare.

Lilia seems really boring and irrelevant, so I'm expecting some huge twist later.

ANYWAY, Akulas, like Bakarina, is an isekai about a girl who reincarnates as a villainess character from a video game that she's been playing. The series is about her efforts to avoid the unfortunate fate that she remembers her character ultimately suffering in the game. Then something-something "the friends we made along the way."

You can tell he's supposed to be the evil one because of the way he's dressed.

Consequently, comparisons between Akulas and Bakarina are natural, although the two series don't appear to have much else in common, at least not through the first three episodes of Akuyaku Reijou nano de Last Boss wo Kattemimashita. As far as differences go, the Akulas lead is trying to team up with the game world's end boss (who inadvertently kills her character in the game), whereas Bakarina herself concentrates primarily on reversing her inherited character's reputation for being a cunt.

Way to fuck it up, you stupid asshole. Now you're left with nothing. Nothing!
Nothing except for your wealth, power, and the girl who you wanted to marry.

Notably, Aileen from I'm the Villainess so I'm Taming the Final Boss seems much more intelligent than Catarina from My Next Life as a Villainess: All Routes Lead to Doom! who—bless her heart—is dumb as all Hell. As far as the shows themselves go, I watched two seasons of Bakarina, and still like it enough that I guess I would still watch more. Thanks to its early start, I'm already a quarter of the way through Akulas. It seems all right, but I'm not especially interested in it. I don't really have any complaints about the series; it's just not my thing. But maybe Lilia will stab someone in the neck later.

He'll be fine.

I haven't seen much discussion of Summertime Render during its two-cours run. This is understandable due to, ah, let's just say, "a variety of reasons," but it is sort of a shame because it's one of the better anime I've watched during 2022 so far. It's not the best one, but it's at least in good company, even if I can't quite figure out whether it's supposed to be Summertime Render, Summer Time Render, Summertime Rendering, or Summer Time Rendering. What a mess.

Ushio spends much of the show only wearing a swimsuit, but she gets by.

I started watching it because I figured it was going to be an anime about a ghost girlfriend haunting Potato-kun. It turns out it's more about time loops and the challenges faced when confronted by an adversary who is also able to exploit time loops. The events and where they fit in the timeline start to get somewhat complex, and does require a fair amount of attention if the viewer hopes to keep track of who knows what at each particular point in time. Fortunately, the characters have ways of copying and transfering memories quickly, so the show doesn't get bogged down with constant exposition to bewildered accomplices.

I like Mio's SAKANA shirt.

There is still one episode left in the Summertime Render anime, and I have no idea whether this will be mostly an epilogue, or whether it's going to be a high-intensity scramble to wring out the best-possible outcome from one last opportunity. Hell, I haven't even ruled out the chance that it's going to conclude the series on a cliffhanger. This is a cliffhanger-heavy show in general, so it would be in keeping with the tone of many of the previous episodes. Expect some griping on my part if that happens, though. Still, the source manga has concluded, so things will probably be fine for the final episode. Probably. Maybe.

Oh my God. These two are so good.

It turns out Isekai Ojisan (Uncle from Another World) is a lot funnier than I would have expected of an isekai parody. Actually, I guess it's not really even necessarily a parody. It just happens to subvert expectations by tackling all the stereotypical tropes the wrong way. There have only been five episodes so far due to a Covid-related two-week delay after the fourth episode, but every installment has been solid.

I want to know how her armor does that.

I've only read a few chapters of the manga, but this anime adaptation is outstanding. In particular, Koyasu Takehito as the Sega-obsessed uncle and Haruka DeTomaso Pantera as the elf girl from the other world are perfect. The anime also has a somewhat crude appearance to it (as does the original manga) that fits well with the gags, and the comic timing is right on. Seeing as how there are eight volumes of the ongoing manga so far, I have to assume there's more to the series than just non-stop anecdotes of the uncle's isekai misadventures, but I'd honestly be okay with it either way.

You can tell she's serious because she changed clothes.

I have to concede Engage Kiss is "bad" by the standards I'm probably supposed to apply when evaluating anime. It embodies a number of qualities I associate with juvenile shows that cater to teenage boys. For one thing, the protagonist is a schlub who starts the series with two women (well, one woman, and one high school girl who is actually a demon, so she's probably hundreds of years old, if conventions hold) who are interested in him romantically for no clear reason.

It's like Fruits Basket Face, except less sane.

However, the first two episodes do embrace a refreshingly carefree approach to old tropes that's sort of nostalgic in this modern era dominated instead by newer (but no less inane) clichés, and governed by sensibilities that are limiting without necessarily making things better. It's in this environment that Engage Kiss manages to shine, with some surprisingly satisfying gags that work well because the setting and premise are both absurd.

Durable dress.

It's the little things, like hiding Tupperware® under a dress, or perfecting just-in-time delivery without resorting to drones, or broke shitbags shamelessly bumming cigarettes that really sell me on this series. Or maybe I just like the idea of a yandere demon employee because I haven't actually watched very many shows featuring yandere characters, so the stereotype still feels fresh to me.

She seems nice.

Whatever the reason is, and I admit I'm not trying very hard to justify my affection for this bad (it's only mildly bad, okay!) show, I am rather enjoying it so far. It manages to feel both familiar and new at the same time, and it doesn't drag. I can't promise it will turn out to be capital-G Good at any point, but I've watched a lot worse.

Eat more carbs.

Through 17 episodes, Delicious Party♡Precure is fine, thanks to a well-understood formula that such a long-running franchise can reliable draw upon, but there's not much else going for it. It's starting to look like Delicious Party is going to end up closer to the HappinessCharge side of the scale than its predecessor, Tropical-Rouge! Precure, for example.

Take this job and shove it.

Still, 17 episodes isn't particularly far for a weekly series that runs all year, so perhaps the show will turn things around. There are a few aspects that reduce my optimism in this regard, though. Significantly, it turns out the adversary who eventually switches sides to become a Cure herself has been under some sort of mind control the whole time, so she never really did anything wrong. How they fucked this up, I have no idea.

Gentle's outfit is so good.

Enemies becoming friends has been a Pretty Cure staple from the beginning. But the cliché continues to work because viewers still care about character growth and redemption arcs. Taking this agency out of Amane's actions reduces her motivation for joining the Cures to one mostly predicated on undeserved guilt. It's not her fault she was stealing recipes. She wasn't even any good at it!

I don't know if it's better or worse that Black Pepper's battle costume looks silly.

I'm also not a huge fan of the male characters in Delicious Party♡Precure. This is an area where the franchise has not excelled. I'm sure there are viewers who enjoy Rosemary and Takumi and find their contributions to be important and satisfying, but I sure don't. It's not uncommon for Pretty Cure to include prominent male protagonists in various guises, but nothing about these two make me think they are necessary or valuable so far.

I would later watch Toji no Miko because of the character designer.

I guess I never wrote a proper blog entry for Zero kara Hajimeru Mahou no Sho (Grimoire of Zero) from the Spring 2017 anime season. It was all right. I liked Miss Not Shimakaze, and I was able to pad my list of anime about loving books. Consequently, when I learned this season's Mahoutsukai Reimeiki (The Dawn of the Witch) was a spin-off with sequel-type continuity, I figured it was worth giving a try.

She's standing on a chair because she's short.

Well, it's not great. I can't even blame it all on Potato-kun, even though the series made him as dull as possible. The show is just not very good, and I'm not interested in any of the characters—not even the returning ones who I liked in Grimoire of Zero. I'm already 10 episodes into it, so I'll still finish it out. Somehow, I'm still disappointed despite never having high hopes in the first place.