Sakurano Kazusa

After seeing it mentioned in the Animeslice blog, I grew curious about Ginban Kaleidoscope. This show is the very model of the AYAKO DOCTRINE at work. Mamiko Noto, Chiwa Saito, and the voice of Hibiki from VanDread also contribute to Ginban Kaleidoscope, if you need additional reasons to watch it.

The show seems to be a shoujo sports anime, but is heavy on neither shoujo nor sports anime idioms or cliches. Kawasumi Ayako plays the lead character, Sakurano Kazusa, an aspiring figure skater trying to make the Winter Olympics. She becomes possessed by the ghost of Pete Pumps, a Canadian stunt pilot who died in a plane crash.

Pete and Kazusa

I'm no fan of figure skating, even though I thought the Tanya Harding v. Nancy Kerrigan drama of yore was great entertainment of the highest order. Despite my ambivalence to figure skating, I found Ginban Kaleidoscope pretty interesting, if more for the verbal gymnastics than anything else. Hearing Ayako's English outburst in the first episode sold me on the show, and her brief conversation with Mamiko Noto in English was icing on the cake. I should note that Mamiko speaks in Russian in Ginban Kaleidoscope, although she doesn't have nearly enough lines.

Thanks to the ever-welcome Ayako Kawasumi, I didn't miss Mamiko's presence much. Ginban Kaleidoscope is a surprisingly dialogue-heavy show, featuring lots of banter between Kazusa and Pete. I can't exactly claim this is Ayako's best work, but it is a good part in that it affords her the opportunity to do quite a bit of ranting, which I can't get enough of. Ayako Doctrine adherents can't afford to overlook Ginban Kaleidoscope. Seriously, it has Ayako bitching people out in English, Mamiko speaking Russian, and peculiar mix of background characters regularly speaking thickly-accented semi-Engrish and fluent English. What's not to love?

Sakurano Kazusa

Ginban Kaleidoscope is a short 12-episode series with a heartful, realistic ending. Well, as realistic as you could hope for a show about an Olympic-level Japanese figure skater possessed by the ghost of a Canadian pilot. I didn't have any objections to the ending (significant in that the majority of anime series seem to falter with regard to their endings), and I found the series to be an enjoyable and engaging diversion from more heavy-handed, serious fare. For example, the "waitress" episode was cute (although I would have liked a "maid" episode as well as a nod to Ayako Kawasumi's automatic maiden sweetness in Mahoromatic), and seeing Kazusa grow to accept Pete's presence over the course of 12 episodes was satisfying. Perhaps as one final compliment—I would have liked more episodes; Ginban Kaleidoscope left me wanting more.

Sara.

AYAKO DOCTRINE invoked.

Soukou no Strain came at me entirely under the radar. I had never even heard of it, but after discovering two episodes on the loose and finding that the series boasted an Ayako Kawasumi-voiced mecha pilot as its lead character, I was sold.

Young Sara.

Soukou no Strain opens with some backstory on its lead, Sara, and a little information about the persistent war at the heart of the series. From there it leaps forward and races relentlessly. The first episode is pitched with battle and action, and does not dwell long on the character elements. This pace works well and keeps the story engaging coming out of the gate, saving the character-driven moments for the second episode. (Also, damn, those bitches better back the Hell off of Sara.)

A Strain.

Some have favorably compared the C.G. mecha battles to VanDread. I think this is fairly accurate. The style of fighting is very reminiscent of VanDread, indeed, with quick, darting attacks and lunges.

The fan service is nowhere near as high as in VanDread, though. However, we do discover that Sara's snug flight suit lacks sufficient space to permit a brassiere. (Well, there's also some creepy nudity in the OP.)

Not-quite-so-young Sara.

I don't care for the mecha cockpits. These entirely encase the pilots up to their necks, Captain Christoper Pike-style. This reduces most of the in-cockpit battle cuts to stills of motionless heads screaming senselessly. I must conclude that this is grossly inferior to the favored practice of allowing full freedom of movement so that a mecha pilot can shove a lever forward at full force while bellowing the colorful name of the intended attack.

Sara in the heat of battle.

In addition to doing a fair amount of hollering and screaming in Soukou no Strain, Ayako Kawasumi also does the next-episode previews and the sponsor messages. Oh, and Tanaka Rie and Yukana are both also in Soukou no Strain if you care about that sort of thing.

Allegedly, Soukou no Strain is loosely based on Frances Hodgson Burnett's A Little Princess and The Secret Garden. Wait, what?

Kawasumi Ayako.

Origins of the Ayako Doctrine: Circa 2002, with J.C. Staff riding its recent successes of Tiny Snow Fairy Sugar and the Azumanga Daioh anime, members of the Something Awful anime forum developed the J.C. Staff Clause (i.e., an anime produced by J.C. Staff should be watched), and invoked it when speculating about the quality of unreleased shows.

Ginban Kaleidoscope.

As an aside, "J.C. Staff Clause" itself likely benefited from its name's similarity to the "J.C. Crew," a band of Internet miscreants with ties to Something Awful's forums. But I digress.

Princess Nine.

Later (likely 2003) a member (probably ricequeen) of the channel #raspberryheaven or its offshoots applied the J.C. Staff Clause reasoning (an anime by J.C. Staff will be good) to his fervent devotion to the seiyuu Kawasumi Ayako, bringing the "Ayako Clause" to the #raspberryheaven vernacular (and effectively adding the clause itself to the Raspberry Heaven common law).

Piano.

In 2004, a participant in #marimite, Evirus (yes, that's right), unilaterally determined that the principles defined by the existing variants of the Ayako Clause, as practiced, constituted dogma: THE AYAKO DOCTRINE.

Kannazuki no Miko.

The Ayako Doctrine simply dictates the following axiom:

Any anime featuring Kawasumi Ayako should be watched.

Note that the Ayako Doctrine does not claim every anime featuring Ayako Kawasumi will be good, nor does it dictate that these anime must be watched to completion. The Ayako Doctrine merely compels the viewer's consideration, reasoning that her presence can only be positive. Ergo, ceteris paribus, Ayako anime should be prioritized over other shows.

Samurai Champloo.

So ordered.

I noticed you didn't mention the AYAKO DOCTRINE for Scrapped Princess, I must say even though Winia was a secondary character, it deserves mention.
-Epi

Ah, quite right.