Version 5.4 ~ Haruhi gave rock and roll to you.
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Dated 22 October 2018: This is a blog post about Seishun Buta Yarō wa Bunny Girl-senpai no Yume wo Minai with the #SeiButa and #青ブタ hashtags in the title

Mai
Man, what is it with anime girls and libraries?

I started watching Seishun Buta Yarō wa Bunny Girl-senpai no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a Bunny Girl Upperclassman or Rascal Does Not Dream of Bunny Girl Senpai) because it had a bunny girl. True story. Also because its description sounded chuuni as fuck. It turns out it does have a bunny girl and it is, in fact, chuuni as fuck. There are also straightfaced explanations about Schrödinger's cat early on in the show, but I guess that's all right, since everyone heard about it for the first time in some venue or another. I suppose there's no harm in young viewers learning about it for the first time through this anime.

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Dated 17 September 2018: I dropped two ghost-girlfriend shows in Summer 2018

Yuuna and Kogarashi
A ghost with legs? Inconceivable.

The main reason why I started watching Shichisei no Subaru (Seven Senses of the Re'Union) and Yuragi-sou no Yuuna-san (Yuuna and the Haunted Hot Springs) was because both shows featured ghost girlfriends and thus gave me an excuse to pad the Ghost Girlfriends tag on my blog. Besides, Tasogare Otome x Amnesia and Nanana's Buried Treasure were both good, even if Rokujouma no Shinryakusha!? was, uh, not.

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Dated 27 August 2018: This Hand Maid May blog entry is not about May or maids

May and Kazuya
At least the apartment she's cleaning is also small.

I think it's been more than 10 years since I last re-watched Hand Maid May. I probably have a disproportionately positive perspective on what is ultimately a 20th century fan-service-laden harem comedy. I can't guarantee I would still hold it in high regard if I were to watch it for the first time now, but I do still remember it fondly. (The impetus for bringing Hand Maid May up again comes from the latest episode of Hataraku Saibou.)

Kazuya and Kasumi
That ladder bridge looks less and less safe as the years go by.

If anything, re-watching Hand Maid May now might help me clarify one aspect that I've always been sort of uncertain about. Namely, how old is Kasumi? Her current English Wikipedia entry describes her as an 18-year-old college student (with no citation), and the current Japanese Wikipedia entry claims she is a student at Kazuya's university (also with no citation). I don't remember this ever being established within the anime itself.

Kasumi and Kazuya
Further proof that Kasumi is right-handed..

It is pretty likely that she is at least out of high school, because there is a flashback in episode eight to Kasumi's graduation, and we never see her in a school uniform outside of those flashbacks. But since (as I understand it), compulsory education in Japan ends with middle school (after completing 9th grade, by U.S. reckoning), it's not impossible (albeit unlikely) that she dropped out to run the apartment complex, coach baseball, and flirt with Kazuya full-time.

Dated 2 July 2018: Continuing shows and sequels of Summer 2018

Emiru and RUR-9500
The matching guitars are actually magic beam rifles. This is not a joke.
P.S. Spoilers.

Seven or eight of the shows I plan to watch during the Summer 2018 anime season are shows continuing from Spring 2018 or sequels. Specifically, Overlord III, One Room 2, and Cinderella Girls Gekijou 3rd Season are sequels, and the shows continuing from last season are Detective Conan, GeGeGe no Kitarou, Major 2nd, Hugtto! Precure, and possibly Piano no Mori.

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Dated 12 June 2018: In defense of DARLING in the FRANXX

Mitsuru
Look, it ain't that bad, okay.

Depending on which corner of the anime fandom you find yourself, I imagine you're either on the side that doesn't believe DARLING in the FRANXX needs defending, or in the camp that doesn't believe it deserves defending. My basic perspective on the show is that it is not capital-G Good, nor is it part of the "bad but has good parts in it" category, but rather that it is a flawed result of some efforts that I genuinely appreciate.

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Dated 4 June 2018: I think I like the idea of Cutie Honey Universe more than I enjoy the show

Honey
Have sword, will travel.

I do appreciate that Cutie Honey Universe exists at all. It's been a good year with regard to the return of old (way old) classics. I'm not particularly familiar with the Cutie Honey franchise, but I've seen enough of the original 1973 Cutie Honey anime and Gainax's Re: Cutie Honey OVAs from 2004 to appreciate that Cutie Honey Universe is a faithful re-introduction of the show to modern anime fans. However, although I enjoy it, I suspect that the return of Cutie Honey might work better in theory than it does in practice for general audiences. I don't feel that Cutie Honey Universe is dated, but it does seem anachronistic. That does contribute to its charm, but I can't help but think I should at least finish watching the 1973 series first.

Tarantula Panther
Tarantula Panther, best tarantula, best panther.

The parts that are probably the most jarring to modern viewers are the occasional fan service gags involving Junpei (the little boy) and Danbei (the dirty old man) as they aggressively pursue perverted opportunities to ogle and grope Honey whenever possible. I hesitate to call them gags because they're not presented as if they're supposed to be comedic moments necessarily, but I can't quite call it fan service either because I'm not sure anyone considers the bits titillating. It's probably more accurate to call them tropes or callbacks to the original Go Nagai manga and anime series. Now, I'm not suggesting '70s fan service staples have no place in our upstanding world of the current generation, but I think I would appreciate an effort to present these blatantly gratuitous scenes in creative new ways instead, despite the risk of alienating those fans who insist on preserving original aspects as a matter of general principle.

Dated 14 February 2018: iDOLM@STER XENOGLOSSIA is a classic story about a teenage girl and her giant robot finding true love together

Haruka and Imber
Shameless flirting.

I was a stranger to the iDOLM@STER franchise the first time I watched iDOLM@STER XENOGLOSSIA. I mentioned this before, but perhaps I should have noted I was also mystified by the amount of hostility displayed by some fans of the original games (arcade and Japanese Xbox 360 exclusive) toward Xenoglossia when the anime came out in 2007. Although I understood in principle the objections fans would have concerning the different character designs and replaced voices, I was not personally invested in any of the characters, so some of the more venomous attacks seemed excessive. Moreover, the character designs looked fine to me, at least relative to other anime of the period and Sunrise shows in particular. I finally watched my DVDs over the past few months, and actually enjoyed Xenoglossia a lot more on re-watch than I did during its initial broadcast, despite having a better understanding now of THE iDOLM@STER as a whole. Or maybe I like Xenoglossia more because I've watched several cours of bona fide iDOLM@STER anime now, not "despite" watching them.

Iori
Yukarin Iori with purple hair is good too.

Still, I'm not quite sure how I would characterize iDOLM@STER XENOGLOSSIA. It's not really much of a giant robot show for a show about giant robots, and it's not an idol anime despite having (regular-type) idols and iDOLs in it. It's not a "cute girls doing cute things" show, nor is it an early example of the more recent phenomenon where anime girls band together to be really excited about some typically male-dominated activity, like Bakuon!! or Two Car or GIRLS und PANZER. Honestly, it really is a love story about a teenage girl and her much older robot boyfriend. Notably, the affection Haruka develops for Imber is not at all unusual, as all of the other pilots also develop complex feelings toward their robots as well. In fact, jealousy plays a huge role in the plot, as do the inevitable love triangles.

Azusa
Also, Xenoglossia Azusa > regular Azusa.

IDOLM@STER XENOGLOSSIA does not take itself too seriously, but does not devolve into camp either. I buy into the HARUKA X IMBER pairing enough to believe there should be real questions raised about the ED once its setting becomes clear. I also enjoy the romance enough that I think I like the Xenoglossia Haruka more than I like the regular Haruka. Not that there's anything wrong with the regular Haruka necessarily, but I like the Xenoglossia Haruka's attitude better. Perhaps it's because she comes across as more of a main character in her own show, while the "real" Haruka necessarily seems more like a token default protagonist in a franchise with an ensemble cast, must the way I regard Miyafuji in Strike Witches or ol' Bucky in the Kantai Collection anime. I don't know if true fans of THE iDOLM@STER will ever regard Xenoglossia as positively as I do—the different voices must be especially jarring for them—but perhaps they'll come to appreciate the series if they think of it as one of those in-universe television programs the iM@S characters themselves occasionally feature in as actresses.

Dated 29 January 2018: DARLING in the FRANXX is more than a one-way reflection

Delphinium
The robots are named after flowers, but I don't know if there is any meaning to it.

Studio Trigger's Gainax heritage basically guarantees I'll give any of its shows a try. They haven't all been hits, but I'll generally find at least something to enjoy. DARLING in the FRANXX is Studio Trigger's two-cours science fiction partnership with A-1 Pictures featuring giant robots and lots of sexual allegories. The show is not at all subtle, with wall-to-wall metaphors about marriage, intercourse, orgasm, infidelity, and polyandry. And that's just the first three episodes. Unfortunately, it also stars an exceptionally dull teenage boy (because of course it does). At least he isn't a whiny brat, I guess. (That role was already taken by one of the supporting cast.)

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