Maybe Seiren will just be about Hikari sitting on things.

Remembered mostly for its Battle of the Best Girls, Amagami SS was an all right 2010 harem comedy with an omnibus gimmick. That is, the series as a whole consisted of multiple short parallel-universe story arcs reflecting the Amagami game's different routes. This was a structure also used by, uh, Yosuga no Sora. I guess I liked Amagami SS and its sequel Amagami SS+ Plus all right, despite containing some high-level bullshit. They at least had reasonably charming girls. Potato-kun, though, was a pretty unremarkable putz, and it was not at all clear why any of the girls (aside from Rihoko, I suppose) were into him. I can only assume every other dude in that school was a cretin like Potato-kun's pervy friend.

Dude has really long fingers.

No, not the teacher who is a succubus. She's just another Christmas cake virgin, same as practically all female teachers in anime. (P.S. Spoilers.) I'm referring to the male teacher, who is perhaps the rarest of anime creatures: The adult male lead in a harem comedy. Or, more specifically, he is an adult male anime character who behaves like a goddamn grown-up despite being the lead in a harem comedy.

Well, at least he can keep it together when people are watching.

Demi-chan wa Kataritai (Demi-chan Wants to Speak, localized as Interview with Monster Girls) certainly is a harem comedy. After only three episodes, one character has already openly expressed her affection for Tetsuo (a biology teacher in his early thirties), a second character stated the same privately, a third character just isn't being up-front about it, and the fourth simply hasn't been properly introduced yet. Nevertheless, he's sincere when he claims his interest in his non-human students and co-worker is purely academic, and calmly interacts with them without any of the usual carrying on you get in harem comedies. This is a sharp contrast to, say, Potato-kun in Seiren who is insufferably spastic as he struggles with his adherence to the Otaku Virtues. (It turns out Seiren is...not a good show.)

Please don't name your snow daughters Yuki.

Nevertheless, Demi-chan is still a harem comedy, and it's pretty clear the teenage vampire, dullahan, and "snow woman," as well as the adult succubus all (or eventually will) pursue Mr. Takahashi as a romantic love interest. This has caused some viewers to express (at least on the Twitter) a bit of discomfort and/or displeasure with the direction the show is taking, even though it's all but assured there will be zero development on any of these routes. C'mon, it ain't that sort of show, okay. Nobody is going to bend Kyouko over a kotatsu while her head is in a different room.

This is not the Koi Dance.

There is one additional thing: It seems some viewers feel inspired to critique the show from a considerably more "woke" perspective than I use, but I think this tendency also results in the adoption of a perversely opposite position from what was perhaps intended. In particular, I've seen a few people discuss Kyouko, the dullahan, as a disabled character. To me, it is openly racist to presume dullahans are presumptively inadequate or compromised compared to humans. Treating dullahans as dullahans instead of as "disabled" humans is the difference between treating ajin as minorities instead of treating them as "abnormals," in my book, even if you're using the politically correct term "demi" instead.

Dude sure loves gears.

I started using The Cosmopolitan Prayers more than 10 years ago as a metric to measure the lower limits of tolerably bad anime. Long-time readers will recognize the familiar invective, "WORSE THAN COSPRAYERS" which started out somewhat facetiously, but evolved to become a standard I've applied regularly where appropriate, albeit usually for shows I've quit watching. Through the first third or so of the current season, I'm somehow still watching the following three shows which fall below the Cosprayers Line of dubious quality: Masamune-kun no Revenge, Seiren, and Hand Shakers.

A challenger appears.

The first arc of Seiren was a stunning disappointment. It was inept in almost wholly unoriginal ways, which made it doubly worse because this meant it should have been able to avoid all its missteps. The first episode of its second arc, however, gets the next route off to a good start by revisiting some of the elements that made Seiren's Amagami SS predecessor at least memorable, even if it was not exactly capital-G Good.

Best Girl.

Shuumatsu Nani Shitemasu ka? Isogashii desu ka? Sukutte Moratte Ii desu ka? continues to surpass all expectations. That an anime adaptation of a light novel with a ridiculous title (WorldEnd: What do you do at the end of the world? Are you busy? Will you save us?) could turn out to be one of the best shows of the year is somewhat absurd, yet here we are. With 10 episodes in and two to go, I'm looking forward to the ending which was telegraphed in the first episode's 60-second prologue, but I'll also be sad to reach the end of the series, given that successful anime romances are so rare.

Ithea Seal of Approval

Since the most basic criterion for a successful romance is a pair of characters that the audience wants to see achieve happiness together, you'd think at least this minimum bit would be more common. Unfortunately, anime can't quite rid itself of the worthless dipshits who seem to be the male leads more often than not. They lend a real dubious quality to the frequent arguments about which love interest should "win." Is it really winning when her counterpart is odious? We saw this problem last season in Seiren, for example. When I last wrote about it, I suggested it was getting better. Yeah, it turns out I was way wrong.

Mini-Kashima Double Seal of Approval

Willem, thankfully, joins the vanishingly slim ranks of decent fellows in the pantheon of anime male leads. Moreover, he and Chtholly have genuine chemistry together. It helps that the other characters see it as well. This is not a harem comedy, and there are no real competitors for either character's affections. SukaSuka is very much about Willem and Chtholly falling in love, and the show is a lot better off this way.

Definitely not symbolism.

If that's all it takes to have an effective anime romance, then why are they so rare? I suppose it probably comes down to the primary consumers of anime having different standards and expectations than I do. Airing this season, for example, I presume some viewers might argue Eromanga-sensei is a "good" romance, even though it is very much a harem comedy where the Best Girl almost certainly won't "win." Additionally, I think you also have to be a bit fucked in the head to sincerely root for Potato-kun and the girl who we all know he will choose at the end of the light novel's run. Thankfully, this season also features Tsuki ga Kirei (The Moon Is Beautiful), which I stopped watching at episode three, but hope to finish eventually because it seems to be another Actually Good anime about romance, albeit of the junior high school variety.