The girl you like is a mental case, Potato-kun.

I am going to go ahead and claim Suki na Ko ga Megane wo Wasureta is good, actually. Or rather, it's good for sufficiently unclear definitions of good. I probably can't reasonably claim that The Girl I Like Forgot Her Glasses is objectively good, but it is the Summer 2023 series that I am looking forward to the most each week. Notably, the jarring visual flair associated with GoHands in recent years is toned down considerably compared to something like 2017's Hand Shakers, for example. In fact, I'm going to claim the visuals are my favorite part of Sukimega.

Look at how pissed off she looks while casually greeting her friends. This is the best.

Specifically, I thoroughly enjoy how Potato-kun's love interest spends nearly all of her screen time squinting. It makes her appear constantly cross. (This is an actual plot point.) That's it. That's the entire reason and 100-percent of the show's appeal to me. (It's good squinting, Brent!) I do wish the series had more going for it. At least Potato-kun doesn't actively irritate me all the time anymore. Ai being helplessly blind without her glasses is a repetitive joke that mostly makes her appear, ah, not very smart, unfortunately. The romance angle is fine, I guess. It's neither good nor bad in my view. The wall-to-wall angry squinting, however, is world class. Good job, GoHands.

Enjoy this apple. Or else.

Somehow, Suki na Ko ga Megane wo Wasureta (The Girl I Like Forgot Her Glasses) is my top show this season. I say "somehow," but I know why: It's because the girl Potato-kun likes squints when she doesn't have her glasses (which is often), and it makes her look angry as fuck all the time. This is a dumb gimmick, but I love it. The juxtaposition between her appearance and her demeanor is so good. More surprisingly, outside of the trailer and first episode that made everyone (including me) assume GoHands was going to commit anime crimes all season long, the visuals have been fine. If anything, I'm sort of disappointed it looks as normal as it does. Maybe Sukimega would be a bottom-tier show during most quarters, but you go to Seasonal Anime War with the shows you have, not the shows you wish you had.

Carcinization.

Hirogaru Sky! Precure is only sort of average as far as Pretty Cure seasons go, but it's such a step up from Delicious Party♡Precure that it seems wonderful in comparison. God, they really fucked that one up. Anyway, Hirogaru Sky! has made notable changes to the existing Pretty Cure formula. It has a "blue" lead instead of a "pink" one, it has an adult Cure, and it has the franchise's first male Cure. Nevertheless, despite these departures, the series as a whole seems really...normal.

Not even bothering to make a magic umbrella.

Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy: History’s Strongest Demon King Reincarnates and Goes to School with His Descendants Season 2) re-started after a mid-season interruption that forced a delay for the remaining episodes of the cours. It's a lot of magic bullshit, none of which seems as interesting to me as the first season's Misha and Sasha content, but I haven't gotten tired of the constant ass pulls yet.

Dia still sucks, though.

Genjitsu no Yohane: SUNSHINE in the MIRROR (YOHANE THE PARHELION -SUNSHINE in the MIRROR-) needs more music. And where the Hell is SAINT SNOW? C'mon. I mostly like what it's doing anyway. It's had a few twists that are sort of interesting. I'm not sure I'm entirely on board with what the series has planned for what I presume will be a big finish, but I'm willing to give it the benefit of the doubt. The Yohane focus has rehabilitated my opinion of Love Live! Sunshine!! to some degree, but I still think Nijigasaki and Superstar are superior installments overall.