Version 5.4 ~ Haruhi gave rock and roll to you.
  • HOME

Dated 3 June 2009: I dropped Eden of the East and K-On! but I'm still watching Queen's Blade

Reina is always back-to-back with Death.

Queen's Blade is awesome. No, wait. It's horrible. Actually, it's awesome because it's horrible. Or is it horrible because it's awesome? You kinda have to see it for yourself. On the one hand, it is wall-to-wall fan service. And I don't mean soft core Hatsukoi Limited fan service, I mean hard service of the "Look at all the tits! There must be...57 tits!" variety. And also the snake-rape and acid-lactation variety. No, really. And it goes on like that.

I wonder if Tomoe even knows what kind of show she's in.

But it also has A-List seiyuu in nearly every role. Kawasumi Ayako plays the lead girl, an inept middle-child named Reina who manages to lose nearly every single fight. (Really, a victory for Reina is a loss during which she doesn't piss herself.) Ayako isn't in Lafiel mode by any means, but she's taking it a lot more seriously than her He Is My Master role, for example. And it has Noto Mamiko playing an absurd miko character, also dead seriously. I guess it's a chance to get away from her Shimako typecast.

Of course there's a maid character.

And it has Hirano Aya yammering at a thousand words per minute about all sorts of insane crap related to this "Queen's Blade" reality television show she's trying to promote, albeit with only dubious success. That's what Queen's Blade is technically about: a ridiculous contest, but none of the characters seem especially motivated. I can't really blame 'em. Nanael is crazy.

I still think Nanael is making it up as she goes along.

On a whole, Queen's Blade isn't a show you watch for its merits—you watch because it's a curiosity. Still, it's a freak show, not a train wreck. If it were a better show, Queen's Blade would be boring and pointless. If it were any worse it probably wouldn't be any fun. As it is, it's brilliant slack-jawed entertainment and I can't stop watching.

Dated 10 July 2009: Spring 2009 wrap-up

Kusada finally breaks. Better hang on, kid.

With a few exceptions, most of the shows I watched last season bear one thing in common: very few anime fans from my corner of the Internet (the best and worst of whom can be found at #raspberryheaven) would give them a chance. Even Hatsukoi Limited, which I previously mentioned is the best show from the spring 2009 season, attracted relatively few followers. (Most were too busy watching K-On! and searching for Mio fan art.) Those that actually watched Hatsukoi Limited instead of merely asking, "What's so great about another school romance show?" found a combination of light comedy and whimsical tales of first love so deftly executed I have no reservations naming it the top show of the season ahead of the initial (and already controversial) episodes of the second season of Suzumiya Haruhi no Yuuutsu.

Yuki looks bored, even for Yuki.

Haruhi II still secures second, and will presumably do well during the summer 2009 season, even if (or in my view, especially if) there really are eight episodes of "Endless Eight." That would be awesome, particularly if it drives conventional-thinking fans into sending Kyoto Animation furious letters with death threats which they can include in a The End of Haruhi movie that makes little sense but includes a bitchin' fight scene. (I secretly hope there are 15,514 episodes of "Endless Eight," and that the entire ordeal is somehow Yuki's fault and not Haruhi's at all.) I bet all the people who can't stand "Endless Eight" are the same people who skip OPs and EDs.

Cal and Zwei
Natalie Portman from Leon joins the Phantom cast.

Nobody ever believes me, but Phantom ~Requiem for the Phantom is actually really good—good enough to finish third for spring 2009 (and currently lead summer 2009). Bee Train influences are obvious, but this is not El Cazador de la Bruja or Madlax. For one thing, there's a male lead. Moreover, none of the female leads have displayed any signs of lesbianism. In fact, Ein apparently really likes getting oil massages from creepy old guys. Bio Concerto is worth its weight in gold, people. I'm telling you.

Aoba, you're not even trying.

A lot of people won't watch sports anime in general or baseball anime in particular. Cross Game is at its best when it's not about baseball, to tell you the truth. I enjoy it a great deal more than Touch and what I've read of H2, but the actual baseball games in Cross Game are not as compelling as the slice-of-life stories about Kou and Aoba.

You're not exactly facing the Taisho Yakyuu Musume team now, Goro.

Major season five takes the fifth spot. I'm still watching it as there are still unsubbed episodes, but I won't be including it with the summer 2009 lineup. [Update: Advanced to fifth place after episode 120.] Assuming the fifth season is the final season of Major, I have to say this was an excellent series and I really appreciate the epic nature of the show, following Goro from childhood to adulthood. Were I to include all five seasons of Major as one work, it would easily take the top spot. Incidentally, Shimizu Kaoru still leads in the Girl of the Year rankings for 2009. This one is going to be a boat race.

Takako contemplates the future of Kannagi.

The Kannagi episode 14 OVA is every bit as good as the series. That it only places sixth should tell you just how good the competition is this time around. I hope Kannagi gets a second season.

Cure Peach
There's a storm brewing, Peach-han.

Fresh Pretty Cure ranks seventh, but has moved up quite a bit in the summer 2009 rankings due to the fully awesome Cure Passion arc, currently underway. This is another show nobody but Precure fans seem willing to watch, but the Setsuna/Love friendship really is compelling. Every episode recently has had the kind of OH SHIT moments typically attributed to shounen jive or cheesy Gundam switcheroos. Speaking of shounen jive, Fresh Pretty Cure is very light on the "standing around talking instead of fighting" bits, and when Love cuts loose, she starts out in a normal voice but gets exponentially louder and faster (it's awesome, trust me) until you think she's about to ace someone square in the face. There is too much beam spamming, though, but episode 23 is expected to include brutal fisticuffs, so we're back to the basics. Kickass.

Ana Coppola, Black Custom
Needs more Ana Coppola, Black Custom.

Eighth goes to the second OVA episode of Ichigo Mashimaro Encore. This series also really could use another season. It remains entertaining and funny, and definitely does not deserve the extra baggage that keeps many people from watching it.

If Alice isn't happy, no one's happy.

Pandora Hearts is good, but weird, so anyone that might watch it probably is watching it already, and no amount of cajoling will convince anyone else to give it a try, alas. I can understand why it doesn't have broader appeal.

Ed doesn't seem to obsess about his height as much this time.

Fullmetal Alchemist: Brotherhood would have fared better if it hadn't felt like watching a really long clip show. It should also do better in the rankings this summer as it diverges more from the first anime. Curiously, I'll watch countless episodes of "Endless Eight" but the deja vu sensation of the early Fullmetal Alchemist: Brotherhood episodes really turned me off. Or maybe it's because Brotherhood halved Winry's cup size. Could be.

Asahina's daily life.

The Melancholy of Haruhi-chan got a lot better as the season went on, but it's still not as good as Petit Eva or the various Marimite specials, for example.

Junichi and Kotori
No! Keep your damn dirty hands off Kotori's hat!

The second episode of Da Capo: If came out during spring 2009. Pity it wasn't as good as the first installment. Then again, no Kotori arc is ever going to seem satisfying as long as Junichi remains such a putz.

I'm still amazed Mamiko Noto voiced Tomoe as a straight-up serious character.

Queen's Blade is what it is. I think it would have been infinitely better if Tomoe (the miko character) had—for no discernible reason—gone the entire series without getting naked .

Say "cheese."

Asura Cryin' faded a bit, or at least my interest did. I like all the colors, though. [Update: The end of Asura Cryin' got really shounen and kinda stopped being fun at all. Why can't it just be about humping your ghost girlfriend and every once in a while robot fights? I guess I won't be watching the second season, alas.]

Ryoko and Churuya
Say "cheese."

Nyoron Churuya-san started out funny, but got a little tiresome towards the end, whereas its Haruhi-chan counterpart managed to improve and keep me looking forward to Haruhi II.


Good Lord, there were a lot of shows spring season. And I'm not just saying that because I watched a hundred-some episodes of Chi's Sweet Home so I could start Chi's New Address. Even with three-minute episodes, that is a lot of Chi. I could be burned out on all the kittenness, but Chi's New Address doesn't seem as good as Chi's Sweet Home. Needs more bear cat, for one thing. I also keep waiting for Chi to finally age, but for the time being she remains Yotsuba in kitten form.

Needs more Tamaki.

The first episode of To Heart 2 ad plus wasn't very good. It's pretty forgettable, alas.

I would have kept watching K-On! had it replaced Mio with Yomi.

I didn't drop any shows aside from the following series I previously mentioned: Eden of the East (8) > Shin Mazinger Z (3) > Saki (2) > Valkyria Chronicles (3) > K-On! (4) > Higepiyo (3) > Shangri-La (1).

Needs more Perrine-H. Clostermann.

I should probably exclude OVAs from future such lists. I already leave off movies. Besides, it's not possible to "drop" a movie or a one-episode OVA. Well, I guess unless one abandons it midway. I probably should have done that with The Sky Crawlers. That movie should have had a Strike Witches crossover wherein the 501st Joint Fighter Wing wipes them all out in five minutes and the movie ends. Sheesh. The damn thing felt like it was 15,513 fortnights long. (Yes, I know. Yes, I know that too.)

Dated 5 October 2009: Looking forward to Kimi ni Todoke

Weren't you in Hyakko, Sawako?

My interest in Kimi ni Todoke originates entirely from a 95-second preview. Before that, I did not even give it a second glance when perusing the many Autumn 2009 season previews.

Sawako doesn't look that scary.

Moreover, I would not have watched the preview had I not been cued by the fansubbing group's name: Mamiko. Curiosity piqued, I was sold on the show within seconds.

Kazehaya and Sawako
Ringu meets Lovely Complex?

Mamiko Noto voicing the lead character in what appears to be essentially Ringu*Com sounds good enough to me. With Kimi ni Todoke, the second season of Nogizaka Haruka no Himitsu, and the second season of Queen's Blade, Autumn 2009 appears to be shaping up to be a MAMIKORE season.

Dated 1 November 2009: This season is MAMIKORE

That is entirely too many ribbons, Lilicia.

As I expected, this season is basically all Noto Mamiko all the time. Among the shows I am currently watching, she stars in Kimi ni Todoke and Nogizaka Haruka no Himitsu: Purezza, and has roles in Seitokai no Ichizon and Queen's Blade: Gyokuza no Tsugumono. Additionally, she played a late addition to the fifth season of Major, which I recently finished watching. Technically, Major ended a couple seasons ago, but it wasn't fully subbed until now.

Miho learns about the cruelty of baseball.

Thus far, Kimi ni Todoke is as good as I hoped. I am glad they established early on that Sawako is aware of how people view her. I was afraid the show was going to be about wall-to-wall misunderstandings. While there are a lot of misunderstandings, most of them are driven by Sawako's social awkwardness and inability to communicate her feelings.

Despite this innocuous screenshot, Haruka II is downright dirty.

The second season of Nogizaka Haruka no Himitsu is not very good, which should not surprise me since the first season wasn't that great either. I'd much rather have a second season of Narue no Sekai, but I don't think that's ever going to happen. I am not as put-off by the addition of Kugimiya Rie as some people, but I am tired of her particular brand of tsundere. The trope wasn't so bad when it was associated with the Naru and Chidori varieties.

Tomoe is the most serious character in Queen's Blade.

I don't know why Mamiko isn't just phoning in her Queen's Blade role like some of the other voice actresses, but she deserves an award for it. I'm not sure if I've enjoyed her work this much since her completely anti-typecast scenery chewing in Dai Mahou Touge (Magical Witch Punie-chan).

Elise and Punie
Punie leg locks the shit out of Elise.

In fact, I nominated Noto Mamiko for her work as Tomoe in Queen's Blade in the 4th Annual Seiyuu Awards. No, I'm dead serious. Queen's Blade is a ridiculous show, but Mamiko plays Tomoe in a completely serious and eminently professional manner. That in itself is somewhat absurd, but it significantly contributes to my enjoyment of this terrible show. I don't know what I'm going to do if, as episode five suggests, Queen's Blade II actually develops a coherent plot and incorporates character development.

Dated 3 January 2010: Autumn 2009 season wrapup

Ascoeur and Q-Feuille
I dropped Kiddy Girl-and at episode nine for trying to add a plot.

By convention, anime bloggers seem obligated to offer end-of-season summaries breaking down the finer points of the shows they watched and presumably covered (hah!) over each three-month block (or cour). So be it.

The short version is as follows: Kimi ni Todoke (12) > Cross Game (38) > Fullmetal Alchemist: Brotherhood (38) > Miracle Train [13] > Seitokai no Ichizon [12] > The Book of Bantorra (14) > Queen's Blade II [12] > Sunred II (37) > Fresh Pretty Cure (45), where the number in parentheses represents the last episode watched, and numbers in brackets indicate completion of a series and its total number of episodes. No OVAs or movies are included in these rankings.

I'm calling it: Yano is pure evil.

Kimi ni Todoke veers into melodramatic territory frequently and its reception has grown increasingly polarized. Depending on your stomach for such shows, it's either excellent or unwatchable—at least that's the way it seems when comparing various reactions to the series. I find it excellent. Also, those of you who know Mamiko Noto from interviews, behind-the-scenes specials, and commentary tracks will reasonably conclude both her Shimako-variety and DARK MAMIKO personas (more on that later) are purely products of acting. Evil Miyuki Sawashiro, on the other hand, I'm convinced is the real deal. I'll never look at Puchiko the same way again. Anyway, I'm glad Kimi ni Todoke is getting another cour. It has sympathetic leads and villains I don't hate.

This is as close as you'll get to seeing Aoba tearing her clothes off.

Cross Game and its Mitsuru Adachi storytelling remains as compelling as ever, although it's probably a comment on the state of today's anime trends that I find a simple heterosexual romance to be a refreshing departure from the usual feuds among turbo lesbians and loathsome harem comedy leads. However, if you're familiar with Adachi's staples, you may find Cross Game a little too familiar. E.g., there will be no great happiness for the characters (and Aoba and Ko aren't going to start tearing each other's clothes off anytime soon), but at least one moment of tragedy or despair is assured (as is appropriate for baseball). Despite the sports theme, Cross Game is best as a relationship drama and light comedy, and succeeds because it plays to these strengths.

Al and Ed
"Whoa, look at the size of that cat!"

Fullmetal Alchemist: Brotherhood is good shounen/mainstream fare without the odious shounen jive conventions one typically finds attached to shows aimed at such audiences. This anime variant, more faithful to the original manga than the first Fullmetal Alchemist, retains the interesting characters and periodic plot twists that made the first series so popular. Really, at this point, Brotherhood is at least as good as the first anime—if not better—and deserves more attention from the crowd that dismissed it early on as a simple rehash of something they had already seen.

There is no escape from the Miracle Train, sweetie.

Miracle Train turned out to be a lot less gay than I was expecting. In fact, homosexual overtones were almost entirely absent, despite the show's outward appearance. Instead, what Miracle Train really seems like is some manner of train gang rape porn. Basically every episode some girl gets on a train and is immediately surrounded by men who won't let her off until they've "solved her problems." Usually the girl offers token resistance, but eventually relents and actually enjoys "having her problems solved" in the end. It's a ridiculous concept, punctuated by copious amounts of train and train station trivia, a token loli, and a talking dog that sounds suspiciously like Athrun Zala wondering what in Hell he's supposed to do this time about the man in the mask. Still, I'm glad I watched the entire series, and the later episodes contained the right mix of seriousness and sentimentalism.

This is really a girl, isn't it? He has a ribbon.

Seitokai no Ichizon was all right even if it relied too much on reference humor. It had good comic timing, amusing characters, and never aspired to be much more than what it was.

Noloty confronts Zatoh
"I want you to hit me as hard as you can."

The Book of Bantorra is worth watching just because it's different. I liked the way the first arc played out, although Ayako Kawasumi's departure from the show is sorely missed. Well, they did bring her back to narrate the clip show in episode 14. Besides that, Noloty deserves to be on the short list of dark-skinned anime characters, Mirepoc has ridiculous-yet-awesome hair, and the strongest character on the show is the woman who is really good at hucking rocks. How can you not like that shit?

Kayoko fan art is goggled.

Sunred II is basically just more of the same. I like parody, but the jokes are becoming a little one-note. At this point I'd rather they just make the entire thing a bachelor-chow cooking show with Kayoko and Vamp punctuated by occasional household tips.

The horns mean Tomoe is serious. Dead serious.

I realize this is fairly qualified praise, but Queen's Blade II is far and away superior to the first season. For one thing, there's a lot less peeing. But the real gem is discovering why Mamiko Noto has been playing Tomoe so seriously all this time. The return of DARK MAMIKO is a welcome surprise albeit one only familiar to those who realized it was her in Dai Mahou Touge and perhaps those who enjoyed the final scenes of her character in the Kara no Kyoukai movies. (Note: DARK MAMIKO is not to be confused with her Ana Coppola Black Custom variant.) But really, Queen's Blade II develops a plot AND character development which is enough to elevate this ridiculous show to at least non-ironic watchable levels, even if the vast majority of its cast—unusually professional Mamiko Noto aside—completely phoned in their roles. Tanaka Rie, for example, was terrible.

Cure Berry, Cure Passion, Tart, Chiffon, Cure Peach, and Cure Pine
Lay off the meth, girls.

Fresh Pretty Cure is treading water and has been mostly lackluster since the end of the Cure Passion arc. Retconning Setsuna into a 14-year-old girl was not unexpected, but still inexcusable from a storytelling viewpoint. The addition of a fourth Cure diminished the importance of Cure Pine and Cure Berry and Cure Redundant. Wait, I mentioned her already. I maintain that Precure as a franchise works best with two Cures—no more, no less.

What about Nogizaka Haruka no Himitsu: Purezza?
Dropped at episode eight for being piss awful.

Was Autumn 2009 weaker than most seasons? I'd have to say so. Granted, I didn't watch Darker Than Black II or Railgun, both very highly regarded shows (although I suspect Railgun will be another ephemeral flash in the pan everyone disregards when the next shiny thing comes along), but aside from the refreshing Kimi ni Todoke and the briefly euphoric return of DARK MAMIKO in Queen's Blade II, I can't claim there will be much unique to Autumn 2009 alone that I will remember or recommend without reservation, alas.

Dated 8 February 2010: In praise of Aya Hirano

I wish someone would make a Rebuild of Kiddy Grade movie
based on the awesome original promo for the series.

I first noticed Hirano Aya when she dropped her normal voice an octave and gave Lumiere in Kiddy Grade an unexpectedly mature voice. After that, I don't think I noticed her again until Suzumiya Haruhi no Yuuutsu. That's pretty much when everyone else noticed her, too.

Ayu from the Hyakko OP.

Hirano Aya became so popular after voicing Haruhi that the considerable backlash and stalkerish scrutiny to which she's consistently subjected now was inevitable. Her popularity also led to a lot of miscast roles as she became the new hot seiyuu. She was seeming crammed into every show possible whether she was appropriate for the role or not. (See, for example, Ayu in Hyakko.)

Misa from the second Death Note ED.

But when she's right for it, Hirano Aya is dead on. In the first season of Queen's Blade, it appears they gave her a case of Red Bull energy drinks and just told her to ad lib all her lines as fast as she could. It was magic. Kismet, you could say. Likewise, she was perfectly cast as the Kira-fanboy flibbertigibbet Misa in Death Note. It's largely thanks to Hirano Aya that Misa is basically the only character I actually like in the entire show.

Dated 19 April 2012: Initial impressions of the spring 2012 anime season

Fujiko is one of anime's All-Time Babes.

Lupin III: Mine Fujiko to lu Onna is good—refreshingly so. The first two episodes have been solid, and it's such a relief to watch something that's not in the modern moé style. As much as I love Sawashiro Miyuki, I'm still not sure how I feel about her taking over the role of Fujiko. It seems as if Masuyama Eiko still had the role not that long ago, but I see now that the Detective Conan v. Lupin III movie was in 2009. I guess she couldn't do the voice forever. And as much as I love Horie Yui, Sawashiro Miyuki is definitely doing a better job as Fujiko than HOCCHAN did as Honey.

Niiya and Yuuko
Ghost hime-cut.

Tasogare Otome x Amnesia is a pleasant surprise. The RSS feed for the scanlated releases of the manga has actually been in my aggregator for ages, although I couldn't remember why I added it. (I've never read a single chapter.) I've seen a lot of comments about how SHAFT-like the show is, but I didn't get that sense at all. That SHAFT jive usually annoys the Bejeezus out of me, but I didn't notice any pretentious, intrusive direction in the first two episodes. So far Tasogare Otome x Amnesia has been entertaining and funny, and this season's resident ghost girlfriend is quite charming.

Not a zombie hime-cut.

Some people dismissed Sankarea because it's a Studio DEEN production. I'm not nearly as critical of Studio DEEN as contempory anime fans seem to be. Studio DEEN is responsible for the best show of all time, after all. Not that Sankarea is at all in the same league, but it does seem interesting and well done. I'm not sure how I feel about zombie girlfriends, but definitely less favorably than ghost girlfriends, that's for sure.

Rally 'round the flag, boys.

Medaka Box is this season's most underrated show. It's underrated because so many viewers are incredibly critical of it, dismissing it as an unworthy product of a post-exodus Gainax. It's possible I am more lenient because of the Gainax badge, but I don't think Medaka Box is bad at all. On the contrary, the show is amusing with a thankfully all right male lead. Medaka herself is very likable, although possibly I'm mesmerized by that crazy shit she does with her eyes. Also, Medaka reminds me of Haruhi, only benevolent.


I haven't started this season's Detective Conan yet, but if it's as good as it always is, you can expect it to place about here in the early season rankings. [Edit: Followed by the continuing episodes of the Gundam SEED "HD" re-watching project.]

Kaoru and Sentaro
Love at first sight.

Sakamichi no Apollon is one of those "objectively good" shows. I think it's pretty well done, but that doesn't necessarily mean I'll like it. It's pretty obvious the new wimpy kid and the big tough kid are in love with each other, but I have a feeling the show will pretend to be about jazz and Miss Third Wheel instead all season long.

Social Anxiety Poster Boy.

Tsuritama is also "objectively good," but I can't tell if I'll still be interested in the show after a few more episodes of this stuff. I've got books on Byzantine history I've been meaning to read.

Your sword is showing, lady.

Fate/zero from episode 14+ is about as good as where it left off two seasons ago. I expect it to get even better now that it's free to kill off basically everyone. Anyone familiar with Fate/stay night knows how this will end, but I'm curious how ufotable plans to get us there.

Cure March
I like Cure March, but that hair is tragic.

I think I was biased to dislike Smile Precure! on general principle, but it's turning out to be pretty good. It could use more brawling, though. Smile Precure! is basically Fresh Yes! Precure 5 except with less ass kicking and less illicit romance.

Nyarlathotep is Top Fuel Asumin.

Haiyore! Nyarlko is good because it is such high-energy, but I'm not optimistic enough to believe it can sustain these levels successfully over the course of the season. If I had to guess, I'd suspect fickle anime fans will start to disavow the show by next season.

Natsumi and Saki
Needs more pratfalls and less bitching at each other.

Natsuiro Kiseki episode two was a lot better than episode one. It helps that I kinda like Sphere. Nevertheless, I'm not especially enamored with the drama elements. The physical comedy is pretty good, though, as is the characters' almost casual acceptance of magic.

I wonder how M14 feels about M1A?

Upotte!! is pretty bad, but totally watchable. Hey, sometimes I enjoy following a show just because it's anime. And Upotte!! is very anime.

Kuroyukihime and Haru
Hey, they found a way to make Potato-kun worse than usual.

Accel World plummeted in my opinion once I saw episode two and realized the entire show was going to be shounen jive and practically doomed to be wall-to-wall exposition and unnecessarily long, tedious fight scenes.

I wasn't expecting continuity.

Queen's Blade: Rebellion manages to be an abomination in comparison with its first two seasons. I don't like the cast as much, and the entire thing just reeks of terrible. It's a pity, because the plot sounded kinda interesting on paper. However, if the rest of the series isn't much better than the first episode, Queen's Blade: Rebellion will be WORSE THAN COSPRAYERS.

Dated 10 July 2012: Spring 2012 season wrapup

Rin, Yuka, Saki, and Natsumi
Rin, Saki, and Natsumi realize by now that Yuka
with an idea can be a dangerous thing.

I've already explained why Natsuiro Kiseki is my favorite show from spring 2012. However, I didn't mention how shabby the animation looks at times. I'm really surprised to see such lapses from Sunrise, but the show is otherwise so good I'm willing to ignore those faults.