Maybe Budoko gets more pleasant as the show progresses.

I started watched Akikan! (Empty Can!) as it aired during the Winter 2009 anime season, but I quit because I thought it was WORSE THAN COSPRAYERS. However, the irritating voice of a character introduced in the third episode did influence my decision to drop it then. As it turns out, this character's seiyuu was Yuuki Aoi, who has since gone on to have a successful career. She's rather popular, and I enjoy her work too, so I started second-guessing my 2009 self's opinions. Could it have really been that bad?

I admit Budoko's character design is amusing when she doesn't talk.

As it turns out, yes, it really was that bad. Budoko is a bratty, child-sized grape soda who speaks in a deliberately annoying voice. I think Yuuki Aoi was only 16 years old herself when she recorded the role, but I don't think being less experienced necessarily impaired her voice acting ability. If anything, she was probably too good at bringing a loathsome soda can to, err, life.

This scene is about erections.

I did actually try to watch further this time around, but I still only made it to episode four. Noto Mamiko voices a new can (a sports drink), but it's just not worth it. I don't know if the type of humor and tropes that saturate Akikan! are especially dated now. It's not as if I enjoyed humor of this variety in 2009 either. However, it also doesn't seem like the comedy styles found here are common in anime anymore. Possibly this is because I simply don't watch as many shows like this now, or maybe they're less common in general now that anime lineups are all isekai all the time. In any case, I suspect nobody besides boys discovering anime for the first time ever found the jokes in Akikan! funny either.

The stepsister is such a cunt that I'm starting to like her.

I started watching Watashi no Shiawase na Kekkon (My Happy Marriage) because it features Ueda Reina in the lead role. The premise involves a girl who has been mistreated by her family ever since her mother died. She is arranged to be married to an infamously cold man who has reportedly frightened multiple previous fiancées into running away. Naturally, it turns out he's actually a good person who cares about her. She also thinks he's hot. Oh, and he has magic powers.

Dude's actually in the military. He's not LARPing.

Maybe this element of the setting was deliberately concealed, or maybe my casual perusal of the show's promotional material caused me to miss this detail, but yeah, people in this world have magic powers. Notably, the My Happy Marriage heroine lacks any supernatural powers (or at least appears to lack them), despite being part of a bloodline renown for magic ability. This is ostensibly the reason why everyone has been so cruel to her, but really it's just because they're all sadists. I dunno what to tell you. Sometimes people are assholes.

She's so happy to see him.

I don't think I would normally watch Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san (Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte), but here we are. It's all right. Through four episodes, I would not exactly call it a must-watch anime, but I appreciate it at least features an original idea. Well, original enough that I don't recall having encountered anything quite like it before. The basic premise involves a couple of classmates who discover that a character in a video game is able to hear and respond to their voices. Instead of examining this phenomenon to better understand the scientific, theological, psychological, or mystical implications, they use this ability to shape the video game's story in hopes of preventing a beloved character's death.

These two spend a lot of time alone together.

The titular Endou and Kobayashi from Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san do so well by the second episode that it seems all but certain some crazy plot twists must await me. Indeed, the fourth episode ends on a cliffhanger, and there's at least one likely antagonist who has made only occasional brief cryptic cameos thus far. I'm not really expecting much from this series, but I presume there will be some light romance that doesn't advance very far between the two players as they try to maneuver the video game prince into position to bend his betrothed over a, well, not a kotatsu—that would be an anachronism, but perhaps over some suitably fancy and exorbitantly expensive piece of antique furniture, thereby unlocking a sex scene the incorporates at least one desu wa during Lieselotte's throes of passion. It could happen.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

Of course she has mystic eyes.

I don't have a compelling reason to still be watching Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy 2nd Season), but I also don't have a reason to stop. There's not exactly a shortage of shows about overpowered characters easily crushing those who oppose them, but I don't feel as though I watch a lot of those, and I'm pretty sure I watch even fewer where the lead is so smug about it. (Overlord fits the former, but Momonga's anxiety rules out the latter.)

Eleanor and Sasha both have good hair.

I liked the first season well enough. There were a number of twists I enjoyed, and the story focused on developing a manageable number of characters in interesting ways. Here in the second season, a lot of episodes seem to include strap hangers who are mostly just serving as an entourage following Anos (Maou-kun) around as he continues untangling the various mysteries surrounding the two thousand years he's been out of action, but it's still okay. I would personally prefer more Sasha stories, or an arc or two centered around Maou-kun's parents, but it's fine either way.

[Update: I forgot to mention Anos was re-cast between seasons.]

The nephew's childhood friend is also great.

Originally a Summer 2022 show, Isekai Ojisan (Uncle from Another World) went on hiatus after its seventh episode due to, well, let's just say, "Circumstances," since I'm not confident the reasons I've seen expressed are necessarily complete. There may be some nuances or complexities on the production side that haven't been properly communicated to random-ass people like me.

I like the elf even though she doesn't bathe.

ANYWAY, Isekai Ojisan has returned for the remainder of the Autumn 2022 season, resuming where it left off. That's not a lot of content (I think the anime is going to be 13 episodes total), but I'll take what I can get. In any case, the gags remain fresh and funny, and expanding the cast of characters (read: increasing the harem's membership) has not diluted the purest fount of tsundere that I've encountered since basically ever. Haruka De Tomaso Pantera is SO GOOD in this show.

She's honestly taking this pretty well.

Have I not mentioned either Sekai no Owari ni Shiba Inu to (Doomsday with My Dog) or Yoru wa Neko to Issho (Nights with a Cat) yet? Both anime have been running since the Summer 2022 season and I have no idea when they're expected to end. They're both shorts, so the episodes are only a few minutes long at the most, and that includes the credits.

Is cat.

Doomsday with My Dog is about the last human on earth rolling around with her devoted dog. She's the last human, but at least she can talk to animals and there are various aliens and yokai who show up once in a while. Nights with a Cat is just a bunch of vignettes about a cat doing cat-type things that will feel familiar and relatable for anyone who has spent any amount of time around house cats at all.

Is cat.

There's not really anything outstanding about either series, but all the episodes are pleasant, and some of the gags are clever and funny. There are already more than two dozen Yoru wa Neko to Issho episodes, and more than 50 Sekai no Owari ni Shiba Inu episodes. I don't know how many cours these shows are going to run, but I am still interested in watching more.

Lum, you have no one but yourself to blame.

Despite how long I've been at least sort of aware of Urusei Yatsura as a property that exists, I've never really known anything about it. I knew it well enough to recognize Lum, but remained ignorant about essentially every other part of it.

Service.

In fact, I'm inclined to believe anything of substance that I did know about it came from a small mention in this blog post that SDS wrote a decade ago. Consequently, I didn't really know what to make of the news that the anime was returning for 2022, with Uesaka Sumire voicing Lum, no less.

The first time I saw this gag was in Love Hina, but I guess this must have come earlier.

Having watched the first episode now, the series seems sort of anachronistic. I don't mean that it's dated, but it does very much feel like a product of a different time. This is hardly surprising, considering the original manga began in 1978 and ended in 1987. The whole thing predates Heisei, let alone Reiwa. I don't know if the new anime is remaining true to the source material, but it feels as if it is, at least based on my aforementioned impressions that it's from a different time.

Y'know, your two species probably can't procreate together.

Thus, it's not clear to me who is actually watching the new Urusei Yatsura. Is it aimed at new fans who are unfamiliar with the original? Or is it for older fans who loved the original manga and/or the 1981 anime and are eager to recapture some of that ol' Showa magic? When it comes to nostalgia, I tend to believe fans are often better off not revisiting things they loved in their youth—at least without being emotionally prepared to confront the reality that can often sour the experience.

Land lines! Rotary phones!

It's not at all uncommon to discover that cartoons we loved as children were, in fact, really not all that good. This is not to say that Urusei Yatsura 2022 will produce the same sort of reactions. Hell, maybe it's better than ever. I haven't seen a lot of impressions of the first episode—good or bad—but probably that's just because I'm not adjacent to the sort of audiences that will either enthusiastically embrace (or violently reject) the new Urusei Yatsura anime.