What does it mean if her pupils turn into hearts?

As I wrote earlier, I started watching Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) by accident. I've dropped Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN), but I'm still watching Ao-chan. It's all right, but not great. Although the episodes are half-length, the story has advanced far enough that its titular character has fully accepted that she very much wants her crush to put the wood to her. Naturally, he's too much of a pure-pure boy to do anything about it, despite the wildly off-base reputation Ao-chan had associated with him, and despite her increasingly open advances. I don't know what happens in the manga, but it seems all but assured that anime-type Ao will fail in her attempts at having the sex.

Wait, then what does it mean if her pupils turn into Debian?

B Gata H Kei (Yamada's First Time) similarly features a sexually frustrated girl who can't seem to get laid despite her best efforts. There are important differences between B Gata H Kei and Midara na Ao-chan wa Benkyou ga Dekinai, though. Notably, actual chemistry develops between Yamada and Kosuda; I'm not really buying Ao's relationship with Takumi. Kosuda and Takumi both seem like reasonably fine fellows, and Ao does seem several degrees less insane than Yamada, but I like Yamada and Kosuda quite a bit more than Ao and Takumi, both as individuals and as couples. B Gata H Kei also has a supporting cast that adds to the story. Usually I find that if a show is going to go wrong with its supporting characters, it fails by adding too many of them. Ao-chan Can't Study! somehow doesn't have enough of them, or at least doesn't have any that improve the series at all. They're basically dead weight.

Does it mean she's open for sourcing?

I guess B Gata H Kei has the advantage of having twice the run time, relative to Ao-chan's half-length episodes. Oddly, it's the former that's based on a 4-koma comic strip, while the latter is sourced from a regular manga series. The Ao-chan anime does still have the opportunity to turn things around, depending on how its ending goes. The, uh, climax to B Gata H Kei anime does not, um, perform quite as well as the comic's. It probably could use an OVA, although I suspect this is going to end up being true of both shows.

I can appreciate a girl who looks down on people.

Somewhat surprisingly, I am enjoying Kono Oto Tomare! Sounds of Life the most out of the shows I'm watching this season. Although my initial impressions were positive, I was still somewhat dubious until Hozuki's appearance in the second episode sealed the deal for me. I suppose if you wanted to distill her appeal down to standard anime cliches, you could chalk it up to the power of gap moé or tsundere conventions, but I do appreciate that she's the only member of this koto club who can play the instrument worth a damn. I'm also glad that her putative love interest in the show appears to be the angry delinquent kid and not Potato-kun.

Yaoi hand.

It also helps that the conflicts between Angry Delinquent and Potato-kun in the first episode feel more like something out of a shoujo manga than a shounen one. (The source material is described as shounen and runs in Jump SQ.) There were some borderline scenes in the first episode that involved clichés I hate, though. Notably, the anime convention where the first person at the scene of a crime is seen by the second person at the scene and immediately assumed to be the perpetrator. (See, for example, Boku dake ga Inai Machi (ERASED).) However, the way this plays out in Kono Oto Tomare! is at least related to preconceptions people have about others and not just the the dumb cliché in its raw form. Luckily, my own preconceptions for Kono Oto Tomare! itself did not bear out and I'll get to watch Hozuki shred for two cours.

Lucky for Potato-kun, Uruka is tsundere, not yandere.

I guess I did know ahead of time that there were two shows with Benkyou ga Dekinai in the title, but managed to forget when the season started. In any event, I had decided to watch Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN) and skip Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) based on their descriptions, and because Bokuben at least had some people on the Twitter mildly looking forward to it. Well, I ended up watching the first episode of Ao-chan by accident (it aired first) and decided to stick with it.

Dude is literally sniffing his hand after groping Ao's thighs.

After three episodes of each, I'm going to continue watching Midara na Ao-chan wa Benkyou ga Dekinai and I'm dropping Boku-tachi wa Benkyou ga Dekinai. I was concerned Ao-chan's little goblin father was going to ruin the show for me, particularly after his antics in the first episode, but I'm relieved to discover the show itself is pretty much a straightforward sex comedy about misunderstandings. One key that allows the show to work for me is that both Ao and her love interest are actually already into each other, and probably should be engaging in activities that might inadvertently help address Japan's declining birth rates, but they're both pretty dense. This is a small (but appreciated) departure from the usual formula where both parties are 100-percent pure. Ao-chan Can't Study! might end up being that way too, since—let's face it—anime is fucking chickenshit, but the show is okay for now. It also helps that the episodes are only half-length.

I guess now she can't get married.

Boku-tachi wa Benkyou ga Dekinai, on the other hand, drags. I get the feeling that I would probably be okay with some of its cliches in manga form, because a reader can just blow through at his own pace. But the anime spends entirely too much time on antics I've seen plenty of times before and don't feel compelled to revisit. Most of the show's fans seem to have been fans of the manga first, but I'm not sure how they regard the adaptation specifically. I, for one, could do with less Postmodern Tsundere bullshit. I'm actually even okay with all the characters. I guess even Potato-kun has his own positive qualities, but the show absolutely does not work for me. Frankly, I stopped caring whether these BOKUBEN bonklers manage to study or not. I can't guarantee I won't also tire of Midara na Ao-chan wa Benkyou ga Dekinai too, but for the time being I hope she goes all season not being able to study.

A mid-fight flashback so Cardinal can explain Eugeo's attack.

Claims that the Alicization arc of Sword Art Online is the "good one" may have been exaggerated. It's different enough from the previous SAO arc that it at least seems to be the result of writing styles and priorities changing, but whether it's necessarily better is debatable. From an SAO-tolerant non-fan's perspective, its biggest problem to me is that it's not very engaging. I'm basically only watching the show now out of general principle, and not because I care about the outcomes or the characters.

Fuck your deban, Asuna.

Frankly, the show sort of drags. That's probably my biggest problem with it. I suppose other viewers might argue that the sexual assaults are a much bigger problem, but those aren't unique to Sword Art Online: Alicization. They're about par for the course when you consider the previous times the subject has appeared in the franchise. (For what it's worth, Kawahara claims he's moving beyond this sort of thing henceforth, but I presume that won't impact future episodes of Alicization, which I believe is based on already completed light novels.)

This ledge keeps changing size.

Alicization strikes me as a series that contains too many elements that might work as text, but bogs down the viewing experience in anime form. Not having read the books, I can't authoritatively claim that's really the case, but it at least seems all the explanations and details that constantly interrupt the anime's narrative must originate from the light novels. I'm starting to see indications there may be a break before Alicization's final two cours. I can't see that being good for the show's pacing, but I guess I'll find out once that third cours starts, whenever that is.

Neither of these two have binocular vision.

I saw an announcement about the next GeGeGe no Kitarou ED planned for January. I guess this means the show will be continuing through at least the Winter 2019 anime season, giving it a yearlong run. More, if it continues after that uninterrupted. I'm mostly content to continue watching it as long as there are new episodes. It's been a reliably good family show through the 35 episodes I've seen, and I can appreciate it for its decades-spanning impact.

Hey, she's wearing a different outfit.

For a show with so much history, it's unexpectedly eager to challenge certain subjects I'm not accustomed to encountering in anime. Notably, there was an episode concerning World War II that spoke directly to an apparent failure in the current education system to adequately cover Japan's roles in the war. Then there's the current major arc involving foreign yokai (some of whom were outright refugees) and the different receptions they face, from sympathy to outright hostility as both xenophobia as well as some understandably unwelcome foreign yokai behavior created flashpoints not unlike contemporary real-world events and concerns. Or perhaps it's because GeGeGe no Kitarou has so much history and is such an established part of the anime landscape that it has greater latitude to address these topics.

Hope you like tanlines.

Considering how many episodes of JoJo's Bizarre Adventure I've seen so far (i.e., all of the anime series currently available), you'd think I'd appreciate it more. Instead, I'm not at all invested in the current season, JoJo no Kimyou na Bouken: Ougon no Kaze (JoJo's Bizarre Adventure Part 5: Golden Wind). Rather, I'm basically watching it on general principle because I recognize how signficant the property is to the manga and anime landscape as a whole.

To be fair, lunch is pretty important.

This is not to say that I don't enjoy any of it, as the current season retains the show's trademark creativity and stylish nature. However, having a larger divide between it and the characters from the previous seaasons (at least so far) probably keeps me from being as enthused with the current cast. Possibly this is also one of those cases where it helps to have read the manga first, but I think my general aversion to shounen jive also applies here. I do intend to keep watching, but I'm hoping Golden Wind gets more interesting to me sooner than later.

This counts as chemistry, right?

I started watching ISLAND basically for the same reason as Anime War Crime Tribunal. I.e., hoping it would be entertainingly bad. I guess not entirely for the same reason. I'm also partially in it for the Yukarin lead and, uh, I guess maybe that's it. Unfortunately, ISLAND has been mostly unremarkable. It does have some wacky twists and unexpected revelations, but they are the sort that mostly just don't make much sense and not the variety that might stun you with disbelief. I guess I'm complaining that it is not sufficiently schlock.

I guess you need to watch The Second Raid
to know who the person on the right is.

There has been a running gag for years about Full Metal Panic! fans in anguish about Kyoto Animation working on other projects instead of animating another sequel to follow Full Metal Panic! The Second Raid. To some extent, I fit that category of disgruntled fans in the sense that I did want another FMP season, although it's not accurate to claim I harbored Kyoani any ill will, if only because I had long ago concluded no such sequel would ever be forthcoming. Surprisingly, there is going to be a fourth season after all: Full Metal Panic! Invisible Victory. (Get it? Full Metal Panic! IV. Anyway....) Xebec is making this one, and it starts on 13 April. Do you need to watch the first three seasons before watching FMP IV? I dunno. Probably?