This counts as chemistry, right?

I started watching ISLAND basically for the same reason as Anime War Crime Tribunal. I.e., hoping it would be entertainingly bad. I guess not entirely for the same reason. I'm also partially in it for the Yukarin lead and, uh, I guess maybe that's it. Unfortunately, ISLAND has been mostly unremarkable. It does have some wacky twists and unexpected revelations, but they are the sort that mostly just don't make much sense and not the variety that might stun you with disbelief. I guess I'm complaining that it is not sufficiently schlock.

I guess you need to watch The Second Raid
to know who the person on the right is.

There has been a running gag for years about Full Metal Panic! fans in anguish about Kyoto Animation working on other projects instead of animating another sequel to follow Full Metal Panic! The Second Raid. To some extent, I fit that category of disgruntled fans in the sense that I did want another FMP season, although it's not accurate to claim I harbored Kyoani any ill will, if only because I had long ago concluded no such sequel would ever be forthcoming. Surprisingly, there is going to be a fourth season after all: Full Metal Panic! Invisible Victory. (Get it? Full Metal Panic! IV. Anyway....) Xebec is making this one, and it starts on 13 April. Do you need to watch the first three seasons before watching FMP IV? I dunno. Probably?

The robots are named after flowers, but I don't know if there is any meaning to it.

Studio Trigger's Gainax heritage basically guarantees I'll give any of its shows a try. They haven't all been hits, but I'll generally find at least something to enjoy. DARLING in the FRANXX is Studio Trigger's two-cours science fiction partnership with A-1 Pictures featuring giant robots and lots of sexual allegories. The show is not at all subtle, with wall-to-wall metaphors about marriage, intercourse, orgasm, infidelity, and polyandry. And that's just the first three episodes. Unfortunately, it also stars an exceptionally dull teenage boy (because of course it does). At least he isn't a whiny brat, I guess. (That role was already taken by one of the supporting cast.)

Emi has an epiphany.

Infini-T Force is my surprise of the season, not because it was necessarily better than I was expecting, but rather because it got me to understand the appeal of its related superhero series and sentai-type antics in general. I typically have a very low tolerance for nonsense which I characterize as shounen jive. In particular, characters described as having "a strong sense of justice" irritate the Bejesus out of me and I usually avoid any such shows if at all possible out of general principle.

Best couple.

Tsuredure Children started out as an online comic that turned into a published 4-koma before getting an anime adaptation. It consists mostly of relationship gags involving the students who go to the same high school, thus showcasing a variety of different attitudes and personalities among would-be lovebirds who generally know each other. I say "would-be" because it seems the majority of these couples are of the "he likes her, she likes, him, and both are too chickenshit to tell each other" variety. This is not to say they are all like this; there's a whole range of folks in this spectrum. On one end, we have the aggressive student body president whose forward approach seems to bother quite a few people on the Twitter, and on the other end we have Potato-kun, the spastic otaku who irritates the shit out of me. The main focus of the various stories concerns the difficulty of expressing feelings honestly, and depicts the various consequences of each approach

Girlfriend 1, Imouto 0.

The show as a whole is pretty amusing, and a mostly straightforward adaptation of the comic, albeit in a truncated fashion because there are a whole mess of different couples in the comics. With only a single cours of half-length episodes to work with, a lot of my favorite characters only appear as cameos, if at all. Notably, the anime is sorely lacking in Patricia, whose running gags spill over into the stories of a number of other couples, including the (also missing) teacher-student pair. The anime also omits the musician who hides her secret identity (poorly) behind a mask that she refuses to remove. Thankfully, the anime does properly retain the visual gags involving the couples it does feature, and the timing for the gags are impeccable. I would be in favor of Tsuredure Children getting another season, but chances are it will remain in the single-cours pit along with other good romantic comedies that feature intersecting narratives such as Nijiiro Days and Hatsukoi Limited, alas.

I wanted to like Kuromukuro. It didn't work out.

Spreadsheets killed anime blogging. At least that's my excuse for not even having a Kuromukuro category until now. I wanted to like this show, but it turned out to be too irritating to watch. I mostly bitched about it on the IRC and probably also the Twitter when it aired in spring 2016. (I dropped it before the second cours began summer 2016.) Anyway, here is a tardy, low-effort collection of gripes for y'all to skim over.

The face of a Best Girl trapped in a harem comedy with a loathsome protagonist.

Despite some very questionable components, I liked the first season of Saekano a decent amount. Unfortunately, its Saenai Heroine no Sodate-kata♭ sequel (How to Raise a Boring Girlfriend Flat) isn't working for me. All of the problems I have with the show were present during the first season, but either the execution was better or I was simply more willing to accept its shortcomings, something I acknowledged when I blogged about it. Ultimately, it's Potato-kun being a shitbag and the show's proselytization of the Otaku Virtues that kill my enthusiasm for Saekano Flat. These are the sort of bits that can sort of work from a meta perspective when lightly used, but the heavier a show relies on these tropes, the less meta it feels and the more bona fide it becomes. And then you just end up with regular ol' tsundere bullshit and a harem comedy gravity well which pulls inversely proportional to its hold on reality.

I bet those boxes are empty.

What I'm left with is loathing for Potato-kun and open disdain for every other character on the show with the sole exception of Megumi, who has rocketed so far ahead in the show's Best Girl standings that she can almost assuredly boat race the rest of the competition from here on out. And this is nearly entirely a consequence of her (thus far, through six episodes and one pool-romp prologue) refusal to go along with Tomoya's high-intensity idiocy. That said, I'm still not quite as hostile to the show as these couple of paragraphs might suggest, so it's not as if I intend to drop it. I'm just disappointed Saekano Flat keeps tumbling into avoidable pitfalls. The show is unworthy of its animation and its Misaki Kurehito superlovely character designs. I guess it does deserve the glare of displeased long-hair Megumi, though.

Masou Gakuen HxH leads off the first episode with the Japanese girl in a cold open.

Although trashy fan service shows aren't exactly rare, the full-on, uncensored, blatantly gratuitous ones aren't particularly common either. In recent memory, there was Valkyrie Drive: Mermaid (which I haven't seen yet), and the ever-popular High School DxD series (which is relatively tame as far as these sorts of things go). This season, we have Masou Gakuen HxH (Hybrid x Heart Magias Academy Ataraxia) which is sort of like IS: Infinite Stratos except that in Masou Gakuen, Potato-kun's purpose is to recharge the girls' fighting ability through the power of arousal rather than just standing around wondering why they're all angry with him.