Version 5.3.2 ~ Haruhi gave rock and roll to you.
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24 April 2017: I've already dropped 10 shows from Spring 2017

Nono and Fudou
This is not Re:Zero.

There are a lot more shows each season these days than there used to be. I'm willing to give a lot of them a try, but I'm not quite as willing to slog through something in hopes it gets more interesting later. Lest you think I'm being too negative because I dropped 10 shows before the fourth week, bear in mind I'm still watching 17. Cripes, that is a lot. No wonder I never make any progress through my sizable backlog of anime I'd like to re-watch someday.

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17 April 2017: An outsider's perspective on Granblue Fantasy the Animation

Katalina, Lyria, Gran, and Vyrn
Most of that will buff right out.

I learned everything I know about the Granblue Fantasy game from an IRC and the Twitter. It seems like it would be a moderately amusing way to waste time, but I'm mystified at how dedicated some of the players are, particularly those who probably would not self-identify as especially hardcore or committed. It seems as if there is an addictive quality to the gameplay, because when people talk about how they are doing, the representations always seem to be about quantifiable achievements and metrics, instead of how much fun they are having. This (admittedly small) circle of fans seems disinterested in the anime. They are either critical of its quality, or they ignore it entirely because it stars Gran (the male player character) instead of Djeeta (the female player character alternative).

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10 April 2017: Re:CREATORS evolved from light novels

Souta
Looks like 2016, going by the calendar.

From what I've been able to gather based on the first episode, the basic premise of Re:CREATORS involves the arrival of various characters from contemporary popular fiction to the land of their authors: Japan. That is, rather than Potato-kun getting hit by a truck and reincarnating in a fantasy world, characters from these fantasy light novel, video game, and/or anime worlds are transported to Japan instead. There have been shows with similar premises (e.g., Hataraku Maou-sama!), but this twist is still fresh enough to give Re:CREATORS the edge in capturing my attention this season.

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3 April 2017: Hand Shakers CHECK

Tazuna and Koyori
Front view.

It has been more than seven years since the last Karmaburn.com CHECK, but inspired but the upcoming return of more Cardcaptor Sakura, I hereby present Formerly Mute Doll's battle costume from Hand Shakers. (Again, with apologies to Kero-chan and Paiway.)

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27 March 2017: Sudden urge to bicycle around Kamakura

Hiromi
Definitely not Hane. Definitely not Haruka, either.

Minami Kamakura Koukou Joshi Jitensha-bu (Minami Kamakura High School Girls Cycling Club) is a blatant attempt to promote tourism in Kamakura as well as encourage more people to ride bicycles (read: buy bicycles and bicycle-type accessories). The show caught my attention because it stars Ueda Reina in the lead role, effectively making it Bakuon!! except with bicycles instead of motorcycles. Minami Kamakura Koukou Joshi Jitensha-bu is not nearly as good as Bakuon!!, but it does have some real charm as an introduction to bicycling and to the Kamakura area.

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20 March 2017: The waiting begins for Konosuba season three

Kazuma, Aqua, Megumin, and Darkness.
They should put Megumin in charge of naming all the weapons.

The second season of Kono Subarashii Sekai ni Shukufuku wo! ended after 10 all-too-short episodes, just as the first season did. Unfortunately, unlike the first season, the second season finale did not conclude with the announcement of a sequel. Given that Konosuba S2 sits comfortably on top of my list of winter 2017's best shows, above even Little Witch Academia TV and Shōwa Genroku Rakugo Shinjū: Sukeroku Futatabi-hen, I'm certainly hopeful for a third season someday.

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13 March 2017: BanG Dream! dropped

Kasumi
This is a good season for hair horns.

I never actually did any research to verify these impressions, but I gathered BanG Dream! was another salvo fired in the idol war in support of the sort of full-spectrum operations adopted by the Wake Up, Girls! project. That is, it's an anime about a girl band which corresponds with a real life girl band presumably comprised of the seiyuu who will do crossover events and whatnot. The anime part at least started out sort of amusing, with high genki determination and amusing moments peppered with actual gags. I particularly liked Arisa's American approach to trespassers. Kasumi best not try that shit in Texas.

Arisa
"Live Alive" this ain't.

Unfortunately, the more recent episodes took a more serious turn involving a mother on the verge of dying from Key AIDS and people feeling guilty about not being good enough martyrs. I can understand why the show might want to introduce some drama in an effort to get viewers more invested in the outcome, but it's not at all successful for me, at least. The tonal shift is not jarring exactly, but I think it's still unnecessary. And then the show added another twist which I guess will be the final obstacle they'll all have to overcome. Even a show as good as Hibike! Euphonium did not pull off all of its bits of band drama flawlessly; BanG Dream! is having a much rougher time of it. This is not something I want to continue watching, anyway. It's not bad, exactly. I've just lost all interest.


6 March 2017: Demi-chan wa Kataritai is a cool show


I wonder where they got the water.

SDS of Ogiue Maniax fame recently remarked that his circle of friends and co-workers "automatically gravitate towards pairings" and that they were skewing his perception of anime fandom. This struck me as somewhat odd, but the more I thought about it, the more I had to admit the practice is much more commonplace on, say, the Twitter, than I had noticed. Because I am not a 'shipper, I guess I never appreciated how prevalent 'shipping happens to be, and that fans who reflexively 'ship characters of shows they watch might respond with greater aversion to implications that I might ignore.

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