I can't see a green chav suit without thinking of Squid Game.

I can't identify anything I think the Mahoutsukai no Yome (The Ancient Magus Bride) anime is doing wrong necessarily, but I don't enjoy it as much as I like the manga. On the surface at least, the anime is great. It looks beautiful. The casting and voice acting are both spot on. The production values in general are high. And yet I mostly only find the overall experience simply okay. Does that mean the direction is at fault for not optimizing the presentation of all these elements? I dunno. I still like watching it, but it doesn't astound me, and maybe I'm just griping because I feel as if it ought to.

This is not Yuru Camp△.

As far as the currently airing second season goes, I suppose I'm naturally disinclined to be interested in its subject matter. Specifically, it is about Chise going to magic school. Aside from a few notable exceptions, I'm generally not enthused about magic schools as a setting. And taking someone out of an environment that was already interesting as a starting point, and then placing her in a magic school—well, that is objectively a step down. Nevertheless, I still find myself enjoying the corresponding manga arc despite my misgivings. In any case, the magic school setting is not exclusively why I'm never in a huge hurry to watch the latest episode of Mahoutsukai no Yome Season 2, but I can't rule it out as a contributing factor.

You sure seem pleased about your incredibly ineffective attempt at hiding.

I don't remember how I first encountered Boku no Kokoro no Yabai Yatsu (The Dangers in My Heart), but summaries of the manga set it up for failure. First of all, it's a middle school romance depicted from the male protagonist's point of view, and he seems obsessed with murder fantasies? That ought to be three strikes right there. Nevertheless, I'm really glad I gave it a chance and trusted in the strength of its reputation. Appropriately, the series is about subverting expectations and not rushing to judgment based on one's superficial impressions of others. There's no small irony here that the anime may fall victim to this very practice among potential viewers who might turn away too quickly.

This turned to be a lot funnier than I was expecting.

BokuYaba is also about not letting insecurity limit one's own potential. As it turns out, the male lead is not some Potato-kun. Nor is he some sort of mental case. Rather, Kyoutarou pumps up his chuuni levels and tries to role play as a psycho. However, he does this internally. He tells himself these things as a defense mechanism to explain why he's a pariah at school. But he's not outwardly different enough to actually be an outcast. His classmates haven't rejected him; he's merely withdrawn from them. He's not an edgelord; he's a cringelord who's too self-critical. Anna's inadvertent intrusion into his self-described sanctuary away from other people is the catalyst for the changes in how he perceives himself and others.

I like how Yamada popped into this scene seemingly out of nowhere like an actual ghost.

Here, too, is where I was afraid Boku no Kokoro no Yabai Yatsu would stumble. There is no shortage of anime and manga involving some TOP FUEL GENKI beauty who, for no clear reason, takes an aggressive liking to a painfully introverted and cowardly schmuck who ends up being an incredibly irritating point-of-view character. Thankfully, The Dangers in My Heart is not one of this lot. The friendship that develops between Kyoutarou and Anna feels natural and relies heavily on interactions that are shown rather than described. The characters in this series are insightful and often intuit that what those around them say (or are unable to say) and what they mean don't always align. The series refreshingly avoids plots based on stupid misunderstandings.

Tiny pictures are the way of love.

I'm not sure how far the BokuYaba anime will advance, but I expect it would require a two-cours run to catch up to with the manga. After all, there are more than 100 chapters already. The first two episodes of the anime covered the first 11 of these, so maybe the anime will adapt about half or two-thirds of what's out so far? I suppose that's not a bad amount. It certainly includes a number of highlights where characters have revelations about things they suddenly see with more clarity. I'm consistently impressed by how good the manga is at depicting these types of moments. I also like the anime adaptation so far, so I'm hopeful it will prove adept in these specific areas as well.

She's so happy to see him.

I don't think I would normally watch Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san (Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte), but here we are. It's all right. Through four episodes, I would not exactly call it a must-watch anime, but I appreciate it at least features an original idea. Well, original enough that I don't recall having encountered anything quite like it before. The basic premise involves a couple of classmates who discover that a character in a video game is able to hear and respond to their voices. Instead of examining this phenomenon to better understand the scientific, theological, psychological, or mystical implications, they use this ability to shape the video game's story in hopes of preventing a beloved character's death.

These two spend a lot of time alone together.

The titular Endou and Kobayashi from Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san do so well by the second episode that it seems all but certain some crazy plot twists must await me. Indeed, the fourth episode ends on a cliffhanger, and there's at least one likely antagonist who has made only occasional brief cryptic cameos thus far. I'm not really expecting much from this series, but I presume there will be some light romance that doesn't advance very far between the two players as they try to maneuver the video game prince into position to bend his betrothed over a, well, not a kotatsu—that would be an anachronism, but perhaps over some suitably fancy and exorbitantly expensive piece of antique furniture, thereby unlocking a sex scene the incorporates at least one desu wa during Lieselotte's throes of passion. It could happen.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

All things considered, he's taking this well.

I liked the first season of In/Spectre enough to start buying the manga. 16 English-language volumes later, the second season has finally started. As far as the name of the series goes, Kyokou Suiri (Invented Inference) is what the author titled it back when there was only going to be one book (covering the "Steel Lady Nanase" story). After writing more, he lamented the original title isn't as apt as it was originally. (See the author's notes in volume nine of the manga.) Eh, it happens. "Karmaburn" doesn't really sound like the name of an anime blog, for that matter.

He has gratitude and money, and she needs need cash to buy ice cream.

Anyway, Kyokou Suiri—Invented Inference—In/Spectre Season 2 is great, although I can see how it might be a mixed bag for anime-only viewers. It's not really paced for seasonal anime, and long monologues are not uncommon. I, for one, find the mysteries interesting, the stories clever, and the characters enjoyable. I don't know how long the author, Shirodaira Kyo (城平京), intends to continue writing this series, but I hope it's for a long time.

If you were really pulling on her arms, those gloves would slip off and she would escape.

First of all, I don't even know if anyone is actually referring to Akuyaku Reijou nano de Last Boss wo Kattemimashita (I'm the Villainess so I'm Taming the Final Boss) as Akulas. Hell, probably as many viewers thought of Otome Game no Hametsu Flag Shika Nai Akuyaku Reijō ni Tensei Shiteshimatta... (My Next Life as a Villainess: All Routes Lead to Doom!) as either Hamehura or Hamefura as they did Bakarina. These light novel titles are an absolute nightmare.

Lilia seems really boring and irrelevant, so I'm expecting some huge twist later.

ANYWAY, Akulas, like Bakarina, is an isekai about a girl who reincarnates as a villainess character from a video game that she's been playing. The series is about her efforts to avoid the unfortunate fate that she remembers her character ultimately suffering in the game. Then something-something "the friends we made along the way."

You can tell he's supposed to be the evil one because of the way he's dressed.

Consequently, comparisons between Akulas and Bakarina are natural, although the two series don't appear to have much else in common, at least not through the first three episodes of Akuyaku Reijou nano de Last Boss wo Kattemimashita. As far as differences go, the Akulas lead is trying to team up with the game world's end boss (who inadvertently kills her character in the game), whereas Bakarina herself concentrates primarily on reversing her inherited character's reputation for being a cunt.

Way to fuck it up, you stupid asshole. Now you're left with nothing. Nothing!
Nothing except for your wealth, power, and the girl who you wanted to marry.

Notably, Aileen from I'm the Villainess so I'm Taming the Final Boss seems much more intelligent than Catarina from My Next Life as a Villainess: All Routes Lead to Doom! who—bless her heart—is dumb as all Hell. As far as the shows themselves go, I watched two seasons of Bakarina, and still like it enough that I guess I would still watch more. Thanks to its early start, I'm already a quarter of the way through Akulas. It seems all right, but I'm not especially interested in it. I don't really have any complaints about the series; it's just not my thing. But maybe Lilia will stab someone in the neck later.

Not sure if gap moé.

I generally expect more from anime airing in the noitaminA block. It's not always a clear indicator of quality, as there have been a fair number of noitaminA shows that seemed "undeserving" of the designation, but they do seem to be better more often than not. In the case of Yofukashi no Uta (Call of the Night), I have read some of the manga because I enjoyed the author's previous work, Dagashi Kashi, but I can't claim to have been a huge fan.

What's a nice girl like you doing in an alley at night?

The Yofukashi no Uta anime adaptation, though, is really well done. The visuals, the music, and Tenchan's characterization of Nazuna are all top-notch. (Haruka DeTomaso Pantera also appears in the anime, and Sawashiro Miyuki is reportedly joining the cast as well.) There's honestly not much about the show's ostensible plot that I especially care about, but each episode continues to impress me with the execution. It's possible I merely failed to fully appreciate the manga, but Call of the Night might also deserve to be one of those examples where an anime adaptation improves upon its source material.

Red Gelato and Shinigami Oujo are slacking off.

The gimmick behind Koi wa Sekai Seifuku no Ato de (Love After World Domination) is that Red Gelato, the main protagonist from a squad of heroes (think Power Rangers or Super Sentai) and Reaper Princess, one of the leaders of the villainous side, are secretly in love. The show is mostly about their struggles with romance while hiding their affair from the public and their respective teammates.

I don't fully understand Desumi's battle costume.

This is not the first "daily lives of heroes and villains" thing I've encountered. Both Dokkoida?! and Sunred come to mind, for example. However, this is the first anime with an overtly Romeo and Juliet-esque spin on the premise that I've seen, although surely similar parodies must exist already in some form. Unfortunately, I'm not expecting the actual romance in KoiSeka to go anywhere. I'm already 10 episodes into the show as of this blog entry, so I'm doubtful there will be anything more to this series than light comedy.

I do like Desumi's cat.

However, Koi wa Sekai Seifuku no Ato de doesn't really need to be much more than light comedy to succeed. The gags are amusing enough, and it seems the anime is reasonably popular this season. Consequently, barring any unexpectedly brilliant developments or an unfortunate collapse of some sort, I'm going to go ahead and suggest Love After World Domination is "fine" with occasionally good moments, but is not particularly remarkable otherwise.