Ship girls as a concept still seems weird if I think about it.

After multiple production delays, the eighth and final episode of KanColle: Itsuka Ano Umi de (KanColle: Someday in that Sea, alternatively, KanColle: Let's Meet at Sea) aired on 25 March 2023. Being an outsider who is unfamiliar with the game, the second season of the Kantai Collection anime made me wonder whether its tone is reflected in the gameplay. It's been a while since I watched the first season and the movie, but I don't remember either of them being so consistently serious throughout. It would be easy to say the tonal shift is because so many ships "die," but at the same time it feels as if the series tries to soften the loss the way a parent might lie to small children by saying beloved pets have gone off to live happily on a faraway farm. Unless they really did go to a farm?

Ship girls sure age well.

Ultimately, I can't claim the second season of Kantai Collection was a good anime for anyone other than viewers who really wanted lingering shots of Shigure doing Shigure-type things. I don't mean to imply that the show is full of cheesecake and fan service. It's not—not at all. Rather, I mean that this short series felt like I was flipping through a photo album that captured memories of her experiences during the war.

Shigure DIES. P.S. Spoilers.

Incidentally, I suppose I should acknowledge Kancolle's ties to World War II. Naturally, since the adversaries in its world are fictional "Abyssals" instead of the Allied powers, key events were re-imagined so that certain outcomes differed from their real-world counterparts. (It also allowed for the sort of cameos you might expect under these conditions.) Does this make the montages at the end of the final episode more or less poignant? Once again, as an outsider, it's not clear to me at all. Nevertheless, I appreciate the franchise for what it is, and I'm curious what the future has in store for it.

There are a lot of reaction shots in MagiRevo.

Before the season started, Tensei Oujo to Tensai Reijou no Mahou Kakumei (The Magical Revolution of the Reincarnated Princess and the Genius Young Lady) looked like it would be okay, but not something I was motivated to start watching as soon as possible. I was content to see what the initial reactions to the anime were like first. As if turned out, those impressions I saw seemed overwhelmingly positive, so I decided to give the series a try after I had dropped some of the other shows that I had been watching instead.

So many reaction shots.

Through six episodes, I would describe Tenten Kakumei as being basically fine, but it's still not something that particularly appeals to me. From the looks of it, a lot of the fans of the series are mostly in it for the relationship between the two leads. However, I still don't believe the chemistry between them is as compelling as it ought to be. I feel mostly the same way about everything else, too, such as the setting and the stakes. I'm simply not invested in anything that happens, which is a bit of a surprise considering how favorable the other sentiments I've seen have been. I don't have any major complaints, but I'm starting to think I'd have more fun watching it if I did.

This is not Yuru Camp △.

Sekai no Owari ni Shiba Inu to (Doomsday with My Dog) ended after 72 episodes. These are pretty short episodes to begin with, and they also barely qualify as anime. Think of them more as voiced comics or illustrated radio dramas. Nevertheless, I found the series entertaining, probably in no small part thanks to Uchida Maaya voicing the dog's unnamed master. She at least makes "Goshujin-sama" seem like a cool person to be roaming around with after the fall of humanity.

Coffee is pretty great.

It appears there are only four volumes of the source material (a 4-koma comic), so the anime could have run out of strips to adapt, but at least it's listed as still running. Maybe if I wait five years there will be another 72 episodes. In the past, that would have seemed like a long time, but five years basically goes by in a flash now. To tell you the truth, it's starting to feel as if time passes at an alarming rate even after being converted to dog years.

She's so happy to see him.

I don't think I would normally watch Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san (Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte), but here we are. It's all right. Through four episodes, I would not exactly call it a must-watch anime, but I appreciate it at least features an original idea. Well, original enough that I don't recall having encountered anything quite like it before. The basic premise involves a couple of classmates who discover that a character in a video game is able to hear and respond to their voices. Instead of examining this phenomenon to better understand the scientific, theological, psychological, or mystical implications, they use this ability to shape the video game's story in hopes of preventing a beloved character's death.

These two spend a lot of time alone together.

The titular Endou and Kobayashi from Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san do so well by the second episode that it seems all but certain some crazy plot twists must await me. Indeed, the fourth episode ends on a cliffhanger, and there's at least one likely antagonist who has made only occasional brief cryptic cameos thus far. I'm not really expecting much from this series, but I presume there will be some light romance that doesn't advance very far between the two players as they try to maneuver the video game prince into position to bend his betrothed over a, well, not a kotatsu—that would be an anachronism, but perhaps over some suitably fancy and exorbitantly expensive piece of antique furniture, thereby unlocking a sex scene the incorporates at least one desu wa during Lieselotte's throes of passion. It could happen.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

He's fine. Your dad has been knocked unconscious probably a thousand times by now.

The Meitantei Conan anime (localized as Detective Conan and Case Closed) has been running since January 1996. I didn't start watching it until much later than that, but I have been following it for something like 13 years. I did start from the first episode, but I ended up I skipped hundreds of episodes in what was at the time the middle of its run. Still, I've basically seen all of the episodes from the past decade at least, including a number of spinoffs. It's getting to be entirely too many because I'm tired of the anime-original episodes.

On the plus side, Ran will probably kick some guy in the neck next episode.

I've complained about this before, but now I've decided to stop watching the series aside from the episodes that draw from the source material. Thankfully, the Japanese-language Wikipedia entry gets updated in a timely fashion, making it easy to identify which episodes to pass up. It's not that there aren't good anime-original episodes, but there are entirely too many that don't seem worth watching when a show has run as long as Detective Conan. Incidentally, the plot episodes based on the manga do suggest the main story is getting somewhere, but I have no idea if that means a conclusion is looming, or if we'll still be in basically the same place a decade from now.

Of course she has mystic eyes.

I don't have a compelling reason to still be watching Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy 2nd Season), but I also don't have a reason to stop. There's not exactly a shortage of shows about overpowered characters easily crushing those who oppose them, but I don't feel as though I watch a lot of those, and I'm pretty sure I watch even fewer where the lead is so smug about it. (Overlord fits the former, but Momonga's anxiety rules out the latter.)

Eleanor and Sasha both have good hair.

I liked the first season well enough. There were a number of twists I enjoyed, and the story focused on developing a manageable number of characters in interesting ways. Here in the second season, a lot of episodes seem to include strap hangers who are mostly just serving as an entourage following Anos (Maou-kun) around as he continues untangling the various mysteries surrounding the two thousand years he's been out of action, but it's still okay. I would personally prefer more Sasha stories, or an arc or two centered around Maou-kun's parents, but it's fine either way.

[Update: I forgot to mention Anos was re-cast between seasons.]

Keep your feet and knees together. Aside from that, you're on your own.

The first episode of each new Pretty Cure iteration tends to be good. Even by that metric, the first episode of Hirogaru Sky! Precure is very promising. It also confirms the franchise is exploring uncharted territory in its 20th year. First of all, its lead character is not a Japanese girl. For another thing, Sora's battle costume corresponding with her mahou shoujo form has a blue theme. Promotional materials for the series have also confirmed Hirogaru Sky! Precure will include a male Cure (a 12-year-old boy) and an "adult" Cure (she's 18), although there have technically been older Cures—and numerous Cures only a year younger—in the past.

Don't let her land on your head, Mashiro.

Taxonomy disputes as to who is entitled to be an According to Hoyle Pretty Cure are not new. Viewers who have followed Pretty Cure from the beginning will recall Shiny Luminous, Kaoru, Michiru, and Milky Rose were effectively Cures in all but name, but lacked the official moniker presumably because they were not Japanese girls. Cure Passion broke this barrier at the midpoint of Fresh Pretty Cure! in 2009. Questions as to when there would be a male Cure have dogged the franchise for years. After all, a robot, two space aliens, and a mermaid were all allowed to become Cures. They weren't even human!

Unfortunately, Sky does actually smile a lot during her transformation.

As far as the whole pink Cure thing goes, I feel as if that was only established starting from the fourth year of Pretty Cure. However, it became important enough for some fans that they will retroactively insist Shiny Luminous is a "Yellow" (because of her hair and predominantly defensive role) despite being the only member of the Max Heart trio with an unquestionably pink-themed battle costume. Assuming Cure Prism does not usurp the lead role from Cure Sky, this would be rejection of a convention that has become regarded as traditional.

"I want you to hit me as hard as you can."

It's too early yet for me to claim Hirogaru Sky! Precure will be good, but I am optimistic about its chances. At a minimum the determination and bravery Sora displayed during the first episode points the series in the right direction. My enduring convictions about Pretty Cure as a franchise are predicated on the themes established during its nascent beginnings. Namely, that the series should concentrate on youths embracing Hope and Courage. Consequently, I was baffled that Delicious Party♡Precure devoted so many of its episodes (including the show's climactic arc!) to the exchange of grievances between various adult male characters. Let's not do that again.