There's also a Saekano connection.

When I first saw the announcement for a Miru Tights anime, I assumed it was only going to be an OVA. It turns out it's a series on the YouTube. There are five episodes so far, with about as much continuity as you might reasonably expect from a collection of anime shorts that exist pretty much solely for ogling-type purposes. It's loosely based on the work of this artist (Yom). Surprising no one, I'm sure, hosiery features prominently throughout each four-minute episode.

This is some combination.

With regard to other fetish anime, I suppose Miru Tights shares most in common with Aiura (which arguably is not a fetish anime at all). I'm not sure I've seen very many other fetish shows, for that matter, although I guess Anitore! EX and Anitore! XX count. Miru Tights is also doing that thing where various popular artists provide stylized end cards for the show, although they don't appear with the episodes hosted on the YouTube. You can find them at the usual places and (partially) via the Twitter. I don't have any idea how many episodes Miru Tights is expected to run, but it started late, so probably less than 10? Or maybe they'll just keep making episodes forever, like One Piece. That could happen, right?

It's probably so nasty under there.

Chou Kadou Girl ⅙: Amazing Stranger is about a sentient 1/6th scale anime figurine who lives with a fan of her franchise. Although there are other shows about tiny wives and the people who love them (for example, Nona arguably has more in common with her Frame Arms Girl counterparts), I'm still going to point to Hand Maid May as the best example of this sort of thing. I think it's because I enjoy the two human leads in Hand Maid May (Kazuya and Kasumi), whereas I'm mostly ambivalent about Haruto from Amazing Stranger. His kid sister seems okay, but she's not in the show much. Both Hand Maid May and Amazing Stranger do feature copious amounts of fan service and lots of meta humor, so I guess they also have that in common. I've written about Hand Maid May a fair amount on this site already, so just read those old entries if you're still curious why I seem to like it so much.

The explanation for why Nona sleeps in the refrigerator was not at all convincing.

With regard to Chou Kadou Girl ⅙: Amazing Stranger, it's sort of uneven, but I find some of the gags amusing. I also like the robotic autotuned voice in the OP. More importantly, I appreciate that Nona is not entirely dense, so the show isn't structured around increasingly strained misunderstandings and complex scams. That is a nice change of pace. It also makes her a bit more human. I guess that's technically a sort of racist thing to say about a tiny plastic space...whatever she is, but it is an important part of getting me to care about the events within the show. That was something notable about Hand Maid May—I cared about where the characters were going to end up. Amazing Stranger isn't quite there yet, but hopefully its remaining episodes will provide at least a little more emotional resonance.

Death to those who make Honda Tohru cry.

I am enjoying the new Fruits Basket anime mostly as a matter of general principle. It's well done, and hits all the right marks that I think it ought to, but I'm frankly not especially into it. Somewhat appropriately, this is how I felt about the first Fruits Basket anime as well. I don't even remember exactly when I watched it, but I do know it was several years after it aired and already regarded as a classic. Despite going in without knowing anything about the story, I did enjoy the 2001 Fruits Basket, no small part due to being a Horie Yui fan. In fact, I even bought the DVDs in 2009 (although I haven't re-watched the show). Still, even though I thought the show was quite good, it still wasn't the sort of show I typically watch, so I wasn't quite as invested in it as its more ardent fans tend to be.

Not counting her mom, who is already dead.

This is pretty much how I feel about the 2019 Fruits Basket anime. Iwami Manaka is also very convincing as Honda Tohru, which is pretty important because Tohru is basically one of the all-time sweetest and nicest girls in the world. Nevertheless, I'm not particularly into the show itself, even though I intend to watch both cours (assuming it also runs 20-something episodes like the 2001 anime). Notably, there's a lot I don't remember about Fruits Basket now, so these 2019 episodes feel quite new to me. Since I haven't read the manga, I have no idea if this phenomenon is because one or both of the anime deviated from the original story, or if they're both faithful adaptations and I've simply forgotten nearly everything from the first anime. I mean, I have, but I'd expect some recollections to return by seeing newly adapted scenes of the same thing again now. In any case, both the 2001 and the 2019 Fruits Basket adaptations occupy that curious position where I'm willing to recommend them, despite being neither deeply enthusiastic about either anime nor knowledgeable in any capacity when it comes to the source material.

People would not put up with this if Nanako weren't so nice.

Senryuu Shoujo (Senryuu Girl) is about a girl who doesn't speak. Instead, she communicates with senryuu poems written on little placards. It works out really well for her, since she either writes super fast or is extraordinarily prescient enough to have suitable responses prepared ahead of time. There's nothing physically preventing Nanako from speaking, as far as I can tell. She just has severe anxiety.

Joshikausei consists entirely of schoolgirls fucking off.

Joshikausei (also written as two words, Joshi Kausei), on the other hand, features a cast of girls (and unimportant supporting characters) who can speak but choose not to. This is a short anime with three-minute episodes—even shorter than Senryuu Shoujo which has half-length 13-minute episodes. Neither the Joshikausei anime nor its source manga have any dialogue at all. I haven't read the Senryuu Shoujo manga, but Nanako is voiced in the anime. We're privy to her thoughts and Hanakana reads all of the cards aloud. This makes Senryuu Shoujo less gimmicky, but it also takes a little away from the show's premise. Both Senryuu Shoujo and Joshikausei are all right. They're uniformly pleasant, but I wouldn't regard them as must-watch shows this season.

It's because Ainz can't close his eyes. He has no eyelids.

As far as gimmicks go, I find Isekai Quartet fairly effective because I'm a sucker for crossovers. Plus, I was already a fan of the Ple Ple Pleiades shorts accompanying the Overlord anime. Isekai Quartet essentially expands Ple Ple Pleiades by adding characters from Re:Zero kara Hajimeru Isekai Seikatsu, Kono Subarashii Sekai ni Shukufuku wo!, and Youjo Senki for additionally high-wacky antics. I have watched all of these shows, and although I dropped Re:Zero after five episodes, I'm at least familiar enough with the franchise to understand the basic references and character dynamics.

Ram seems okay.

As far as the show itself goes, Isekai Quartet has half-length episodes and is not particularly ambitious. It seems to mostly trust that viewers will enjoy seeing the interactions among characters from different shows they already like. Nobody strays too far from their idiom, and the series is entertaining enough for what it is. Isekai Quartet is surely also an effort to encourage viewers to explore these shows further if they didn't catch them the first time around. Youjo Senki and Konosuba both have movies I want to watch, and Re:Zero recently announced a sequel. I have to admit that I'm amused enough by Ram's mistreatment of Subaru during each episode of Isekai Quartet that I'm considering giving the first season of Re:Zero another chance. If I do, maybe I'll be caught up before the sequel begins. Just as planned, I'm sure, eh, Kadokawa.

Hey, wait a minute.

I wasn't originally planning on watching Kimetsu no Yaiba, but it is a ufotable show, so I basically needed to at least give it a try out of general principle. Not that Kimetsu no Yaiba bears much resemblance to the sorts of shows ufotable animated before they started doing all Fate all the time. As it turns out, though, Kimetsu no Yaiba is pretty entertaining, despite containing a fair amount of shounen tropes that I generally dislike. I suppose you could regard my enthusiasm for the series despite my typical disdain for such conventions as an indication that Kimetsu no Yaiba has a lot going for it.

They really missed the boat by not using a harmonica for Nezuko's bit.

I do get the feeling Kimetsu no Yaiba is going to run for a really long time. Based on the sort of progress made in the first five episodes, this is going to take a while. Of course, the source manga is still ongoing, so even a two cours anime is probably going to have a non-ending ending. Still, the series is easily in my top three shows of the Spring 2019 anime season so far. Whether it will remain there will probably depend on how much the coming episodes balance scenes of Nezuko booting deadbeats in the head vice how much the show spotlights various irritable boys being angry.

I can appreciate a girl who looks down on people.

Somewhat surprisingly, I am enjoying Kono Oto Tomare! Sounds of Life the most out of the shows I'm watching this season. Although my initial impressions were positive, I was still somewhat dubious until Hozuki's appearance in the second episode sealed the deal for me. I suppose if you wanted to distill her appeal down to standard anime cliches, you could chalk it up to the power of gap moé or tsundere conventions, but I do appreciate that she's the only member of this koto club who can play the instrument worth a damn. I'm also glad that her putative love interest in the show appears to be the angry delinquent kid and not Potato-kun.

Yaoi hand.

It also helps that the conflicts between Angry Delinquent and Potato-kun in the first episode feel more like something out of a shoujo manga than a shounen one. (The source material is described as shounen and runs in Jump SQ.) There were some borderline scenes in the first episode that involved clichés I hate, though. Notably, the anime convention where the first person at the scene of a crime is seen by the second person at the scene and immediately assumed to be the perpetrator. (See, for example, Boku dake ga Inai Machi (ERASED).) However, the way this plays out in Kono Oto Tomare! is at least related to preconceptions people have about others and not just the the dumb cliché in its raw form. Luckily, my own preconceptions for Kono Oto Tomare! itself did not bear out and I'll get to watch Hozuki shred for two cours.

Lucky for Potato-kun, Uruka is tsundere, not yandere.

I guess I did know ahead of time that there were two shows with Benkyou ga Dekinai in the title, but managed to forget when the season started. In any event, I had decided to watch Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN) and skip Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) based on their descriptions, and because Bokuben at least had some people on the Twitter mildly looking forward to it. Well, I ended up watching the first episode of Ao-chan by accident (it aired first) and decided to stick with it.

Dude is literally sniffing his hand after groping Ao's thighs.

After three episodes of each, I'm going to continue watching Midara na Ao-chan wa Benkyou ga Dekinai and I'm dropping Boku-tachi wa Benkyou ga Dekinai. I was concerned Ao-chan's little goblin father was going to ruin the show for me, particularly after his antics in the first episode, but I'm relieved to discover the show itself is pretty much a straightforward sex comedy about misunderstandings. One key that allows the show to work for me is that both Ao and her love interest are actually already into each other, and probably should be engaging in activities that might inadvertently help address Japan's declining birth rates, but they're both pretty dense. This is a small (but appreciated) departure from the usual formula where both parties are 100-percent pure. Ao-chan Can't Study! might end up being that way too, since—let's face it—anime is fucking chickenshit, but the show is okay for now. It also helps that the episodes are only half-length.

I guess now she can't get married.

Boku-tachi wa Benkyou ga Dekinai, on the other hand, drags. I get the feeling that I would probably be okay with some of its cliches in manga form, because a reader can just blow through at his own pace. But the anime spends entirely too much time on antics I've seen plenty of times before and don't feel compelled to revisit. Most of the show's fans seem to have been fans of the manga first, but I'm not sure how they regard the adaptation specifically. I, for one, could do with less Postmodern Tsundere bullshit. I'm actually even okay with all the characters. I guess even Potato-kun has his own positive qualities, but the show absolutely does not work for me. Frankly, I stopped caring whether these BOKUBEN bonklers manage to study or not. I can't guarantee I won't also tire of Midara na Ao-chan wa Benkyou ga Dekinai too, but for the time being I hope she goes all season not being able to study.