Neither of these two have binocular vision.

I saw an announcement about the next GeGeGe no Kitarou ED planned for January. I guess this means the show will be continuing through at least the Winter 2019 anime season, giving it a yearlong run. More, if it continues after that uninterrupted. I'm mostly content to continue watching it as long as there are new episodes. It's been a reliably good family show through the 35 episodes I've seen, and I can appreciate it for its decades-spanning impact.

Hey, she's wearing a different outfit.

For a show with so much history, it's unexpectedly eager to challenge certain subjects I'm not accustomed to encountering in anime. Notably, there was an episode concerning World War II that spoke directly to an apparent failure in the current education system to adequately cover Japan's roles in the war. Then there's the current major arc involving foreign yokai (some of whom were outright refugees) and the different receptions they face, from sympathy to outright hostility as both xenophobia as well as some understandably unwelcome foreign yokai behavior created flashpoints not unlike contemporary real-world events and concerns. Or perhaps it's because GeGeGe no Kitarou has so much history and is such an established part of the anime landscape that it has greater latitude to address these topics.

Well, she did poison him.

Oh. Have I not previously blogged about watching Thunderbolt Fantasy? So yeah, Urobuchi Gen of Puella Magi Madoka Magica, Fate/Zero, and Psycho-Pass fame apparently got interested in Taiwanese puppet shows one day and got the ball rolling on the first season of Thunderbolt Fantasy in 2016. It turns out Taiwanese puppet shows are awesome and wuxia puppetry was a genre I didn't realized I was interested in. I also found the production values unexpectedly good. Are Taiwanese puppets shows always like this? As an additional bonus, Sawano Hiroyuki's music supports a solid cast.

These are some fancy puppets.

The second season of Thunderbolt Fantasy is currently airing. (Yes, you should watch the first season before starting this one.) Not all the surviving characters from the first season have yet reappeared in the second season. I'm actually a little surprised at the relatively small number of characters thus far in the sequel. I'm much more accustomed to ballooning cast lists as shows run longer. This has also prevented the sequel from following a "sword-of-the-week" formula like I had originally feared. And while the highs are yet not quite as good as those of the first season, I am enjoying the sequel and am basically prepared to watch more Taiwanese puppet shows as they become available.

Inkarmat is Best Girl.

I'm pretty far behind in the Golden Kamuy manga. As in, I can't remember how many volumes I've purchased and not yet read, and I have no idea how many fan-translated chapters are currently available. However, I am caught up on the anime. From the looks of it, there is a conspicuous absence of the sort of animals that had been rendered in 3DCG during the first season. I don't know if this is a coincidence, or if the anime is actually cutting scenes that feature bears and wolves in order to avoid the sort of distractions that widespread criticism of 3DCG animals generated during the first cours.

Suck it, Asirpa.

I have been informed, however, that the anime has been truncating some arcs or skipping them entirely. The prevailing theory seems to be that it's an effort to accelerate the events in order to reach a notable climax at the end of this season. So it might actually be also cutting scenes that would have otherwise featured 3DCG animals, albeit just sort of fortuitously and not as a primary goal. I can definitely tell some events have been left out or condensed, but I don't think it has hurt the anime too much. After all, Golden Kamuy is still comfortably in my top three shows for the current season. Maybe I'll feel differently after I finally catch up with the manga, but I don't have any serious complaints for now.

Hope you like tanlines.

Considering how many episodes of JoJo's Bizarre Adventure I've seen so far (i.e., all of the anime series currently available), you'd think I'd appreciate it more. Instead, I'm not at all invested in the current season, JoJo no Kimyou na Bouken: Ougon no Kaze (JoJo's Bizarre Adventure Part 5: Golden Wind). Rather, I'm basically watching it on general principle because I recognize how signficant the property is to the manga and anime landscape as a whole.

To be fair, lunch is pretty important.

This is not to say that I don't enjoy any of it, as the current season retains the show's trademark creativity and stylish nature. However, having a larger divide between it and the characters from the previous seaasons (at least so far) probably keeps me from being as enthused with the current cast. Possibly this is also one of those cases where it helps to have read the manga first, but I think my general aversion to shounen jive also applies here. I do intend to keep watching, but I'm hoping Golden Wind gets more interesting to me sooner than later.

This is the highlight of Goblin Slayer! thus far.

I watched the first episode of Goblin Slayer! when it first aired, found it to be a straightforward adaptation of the manga (it was toned down a bit, honestly), and decided not to watch more. After all, I had only read about a volume or so of the manga before losing interest. (I've never read any of the original light novel.) Somewhat predictably, that episode's content generated a lot of discussion on the Information Superhighway about Goblin Slayer! and its relative merits (or lack thereof). The reactions I saw on the Twitter, at least, were almost uniformly negative.

Relax, he's fine.

I don't regard myself as part of the Sword Art Online fandom, a demographic I associate with "newer" anime fans (newer than me, okay), but at the same time I think I'm much less critical of the franchise than most "old ass" anime fans. Pretty much all of the major criticisms of the anime and its source material are accurate, but I also take the position—somewhat—that it doesn't really matter. Not exactly high praise, indeed, but perhaps sufficient to establish that I am happy to watch Sword Art Online: Alicization, yet not particularly enthused that it is reportedly going to be about 50 episodes long.

Asuna is the best-dressed guest at this hosptial.

I think I've already been spoiled on most of the major Alicization plot developments. At least nothing in first five scene-setting episodes seemed unexpected. This does make me wonder what it is about the show that I'm even anticipating, though. Potentially, I'm only watching because Sword Art Online is a big property and I'm motivated to stay up to date since I've seen all of the anime thus far already. That could be it, but there are plenty of big shows that I've simply abandoned or ignored completely.

If you didn't watch the SAO: Ordinal Scale movie, you may be confused why Yui is here.

I can't even claim to be watching it for the characters, since I'm only modestly fond of Asuna and Yui and basically ambivalent about everyone else, at best. All those jokes about MORE DEBAN? Yeah, I don't really care if y'all get more deban or not. Oh, I also like the character who died of AIDS, but I'm not expecting her to make an appearance in SAO: Alicization. You know, because she already died of AIDS. At least I think Kajiura Yuki is still doing the music, so there you go; that'll be my motivation for dragging myself through this show for the next year.

She'll make point five past lightspeed.

If you've been paying attention to the anime Twitter, you've probably noticed the flood of Takarada Rikka pictures. Rikka is a character from SSSS.GRIDMAN who is notable for having unusually large thighs for a tiny anime girl, and also for wearing a long sweater that makes it appear as if she is not wearing any pants. It seems The Fandom deemed this to be a noteworthy combination, and fan artists took note. P.S. Fuck pants.

You know, I should probably get some blue-light-filtering glasses.

With regard to SSSS.GRIDMAN itself, there is also a bit of buzz about the show since it is a Studio Trigger production that adapts the '90s television series Denkou Choujin Gridman (Gridman the Hyper Agent). I'm not familiar with this series, but I am familiar with Studio Trigger staff's penchant for moments of occasional greatness. (Likewise, I'm also familiar with their penchant for disappointing overly optimistic fans.) Through four episodes, I am enjoying it more than I liked DARLING in the FRANXX from spring and summer 2018, at least.

This railroad apartment was the perfect place.

The highlight of SSSS.GRIDMAN for me, as you might expect, is the Ueda Reina-voiced Shinjo Akane. I am 100% Team Akane, although she does occasionally kill innocent anime girls. Even more concerning, she's a bit of a slob and inexplicably seems to never take out her garbage. I guess at least it's all bagged, but sheesh. To tell you the truth, I'm not entirely certain whether I find Akane appealing because she's voiced by Ueda Reina or if it's because she's a psychopath, but I suppose there isn't any reason why it can't be both.

Man, what is it with anime girls and libraries?

I started watching Seishun Buta Yarō wa Bunny Girl-senpai no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a Bunny Girl Upperclassman or Rascal Does Not Dream of Bunny Girl Senpai) because it had a bunny girl. True story. Also because its description sounded chuuni as fuck. It turns out it does have a bunny girl and it is, in fact, chuuni as fuck. There are also straightfaced explanations about Schrödinger's cat early on in the show, but I guess that's all right, since everyone heard about it for the first time in some venue or another. I suppose there's no harm in young viewers learning about it for the first time through this anime.