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Dated 17 March 2020: In re Spring 2020 anime delays

Subaru
Subaru has seen some shit.

The COVID-19 pandemic is already responsible for bumping next season's Re:Zero sequel and Maou Gakuin no Futekigousha (The Misfit of Demon King Academy) to the Summer 2020 anime season instead. If conditions do not improve, there will presumably be more. There are a few shows I'm looking forward to next season, but I'd actually prefer to have the entire season delayed if production values might otherwise be rather spotty or suspect. Naturally, the above hypothetical does not consider the individual or industry-wide impacts such an occurrence might entail. There are some obvious financial burdens related to the secondary and tertiary effects this would generate, particularly given the already infamous hardships suffered by those in the animation trenches.

Subaru
On the plus side, it's a really nice day out.

From the strictly narrow perspective of a viewer who has nothing to personally lose other than delayed enjoyment of anticipated anime, this would present an opportunity to reduce a backlog or re-watch old favorites. I, for one, have got a long list of shows I've been meaning to watch "someday" and an almost impossibly deep pool of potential re-watches. And this is to say nothing of all the other non-anime-related options I've been putting off because there's typically so much new anime to try out each quarter. Naturally, I do hope things get better sooner rather than later. After all, COVID-19 does, you know, kill people. I could do without that.

Dated 3 March 2020: Heya Camp△ needs more Rin and more △

Nadeshiko
Nadeshiko is okay even though she maintains boundless optimism in the face of adversity.

I enjoy Yuru Camp△ and its mini-sequel Heya Camp△ quite a bit, but really I'm in it for Rin doing Rin things. This is not to say that I don't appreciate the other characters or the show's antics as a whole, but I definitely have a substantial bias in favor of the One True Camper. Because of this, my viewing experience so far for the Heya Camp△ shorts consists of solidly favorable reactions punctuated with the occasional, "Where in Hell is Rin, God damn it?" outbursts.

Aoi
Aoi fills a gaijin tourist's head with lies.

Rin actually is in Heya Camp△, just sort of infrequently. I don't know that this is enough to tie me over until the proper second season actually starts (whenever that is), but it will have to do. In the meantime, I suppose I had better start warming up to the rest of the cast. I could also go for some more scenes of their alcoholic teacher, but I have the feeling the few seconds we've gotten so far are all we're gonna get. She is a bad influence on impressionable campers, even when they are not camping.

Dated 21 January 2020: I'm committed to watching Railgun Tango even though I'll probably hate a lot of it

SATEN
SATEN constantly looks as if she needs a haircut, but she apparently never gets one.

There is no end to the amount of bitching I could do about Toaru Kagaku no Railgun T (A Certain Scientific Railgun T) and the Index universe as a whole. Seriously, though, it is mostly bad. Like, wall-to-wall bad. Nevertheless, I fully intend to watch both cours of Railgun 3 even though Railgun 2 was not nearly as good as Railgun 1, and it's been so long since I've seen Railgun 1 that I have to question if I would even like it as much now as I did then. (I bought the Blu-rays anyway. Still unopened.)

Kuroko and SATEN
I'm also not 100-percent sure I remember why Kuroko is in a wheelchair.

What I do know is that I still really like SATEN even though my reasons for liking her are entirely superficial. Here is a numbered list:

  1. SATEN has excellent hair. Like, for real. This is straight-up one of the biggest reasons.
  2. She's voiced by Itō Kanae, who typically uses a much more normal-sounding voice than you usually find in anime. Or at least it sounds normal to me.
  3. I get to continue writing SATEN Ruiko's surname in all capital letters (you know, like, on the Twitter) even though I've entirely forgotten why I started doing that in the first place. In any case, I've done it too long now to stop.
  4. As the only character in the main Railgun cast without superpowers, the distinction makes her the special one, I guess. I'm at least under the impression this is a big part of the reason why other SATEN fans like her—especially other SATEN fans who probably don't care about my first three reasons.

That's it. That's my list. You thought there would be five reasons, right? Because five is an honorary round number, eh. Fuck you, no it's not. Four reasons are all I need. And really I only needed the first two. SATEN's hair and Ito Kanae are wonderful.

Dated 24 December 2019: I didn't plan to write back-to-back Sword Art Online: Alicization - War of Underworld entries

Yui
Go on, Yui, curse the bitches out.

Sword Art Online: Alicization - War of Underworld has a mind of its own. Or at least, Sword Art Online: Alicization - War of Underworld is about AIs having minds of their own. Specifically, Alice Synthesis Thirty MacGuffin is the prize AI the bad men are trying to seize because she is a real girl. Never mind that Sword Art Online has had a Real Girl AI almost from the start in the form of Yui, Kirito's and Asuna's adopted daughter. Yui isn't even a secret!

Pope
It's not easy being pope.

For that matter, I'm not sure there's any meaningful distinction between the Underworld AI yahoos and the "real world" regular-ass people. I certainly regard Alice as being every bit as much as a real character as I do, say, Asuna, even though Alice is very yellow. I definitely regarded the pope as being more of a real person than nearly every other Sword Art Online villain (including the current ones). Ultimately, this has a lot less to do with Alice and the pope being AIs than it does with Sword Art Online having lots of terribly written characters—especially when it comes to its villains.

Alice
This reminds me I need to get a new video card.

I'm inclined to believe Sword Art Online: Alicization - War of Underworld theoretically could actually have something intelligent to say about artificial intelligence and what makes someone a real person, but any chance it had got undermined by the really awful writing that has plagued the franchise from the beginning. I still find it entertaining, even though Alice is very yellow, but I do wish the franchise would move past its more egregious tropes. The Ordinal Scale movie accomplished this with some success, but it seems to be the exception, not the norm.

Dated 19 November 2019: It's probably a little hypocritical for me to be so stoked about Aikatsu! On Parade

Raki
Idol activities are no joke.

One of my pet peeves is people who insist on watching sequels without catching up on previous seasons first, just so they can feel like they're part of a current wave of hype. I'm expecting to see examples of this in January when the second season of that Quintuplets show starts (5-Toubun no Hanayome 2). Likewise, Magia Record: Mahou Shoujo Madoka☆Magica Gaiden may generate enough attention that newer fans who haven't seen the original anime (from nine years ago already!) and/or its movies might want to jump straight in without catching up first. Naturally, I'll discourage that practice. However, at the same time, I'm enjoying Aikatsu! On Parade even though there are literally hundreds of older Aikatsu! episodes that I haven't seen, to include the entirety of Aikatsu! Stars and Aikatsu! Friends.

Sumire, Akari, and Hinaki
As nightmares go, this don't seem so bad.

However, I am a sucker for crossovers, so the prospect of seeing Ichigo, Aoi, Ran, Akari, et al. return is a gimmick I can't ignore. Unfortunately, it does mean that the Aikatsu! On Parade episodes that feature idols from Stars or Friends go underappreciated, since I'm entirely unfamiliar with their characters. I do find this validates my stance against skipping ahead to watch sequels without being caught up, despite the hypocrisy of disregarding the principle when it suits me. And I guess to be fair, I absolutely do not expect anyone interested in watching Toaru Kagaku no Railgun T next season to watch all the Index and Accelerator seasons first too. Additionally, I also don't know if the upcoming Madoka anime even shares continuity with the original. Being caught up is potentially not really necessary there either. Just don't try and tell yourself it's okay to watch Heya Camp△ without watching Yuru Camp△ first, fuckers.

Dated 22 October 2019: I am legit stoked about Sword Art Online: Alicization - War of Underworld

Alice
The most powerful swords are the ones without blades.

I am counting on reports from the Twitter that the War of Underworld arc of Sword Art Online: Alicization will be mostly Kirito-free for all of the next cours and a third of the final one. Based on how the AIDS "Mother's Rosario" arc and the Gun Gale Online spin-off panned out, I'm expecting to enjoy this quite a bit. For one thing, I already view Alice Synthesis Thirty pretty favorably, even though it's mostly because she sounds like an old sourpuss instead of a teenage girl when she talks, and because I think her armor's yellow and blue color scheme works really well—never mind that I sort of dislike UCLA.

Alice
I wanted to see unattended Coma Kirito fall off Alice's dragon.

After a perfunctory recap episode and two proper episodes of Sword Art Online: Alicization - War of Underworld, the anime seems to be off to a good start. True to SAO form, there sure are a lot of sneering assholes among the various unimportant characters. I'm okay with it, because Lalatina is entirely too resilient for any of these scrubs to fuck with, and I don't really care if random schmucks are dicks to Kirito for no reason. Honestly, I don't even know what War on Underpants War of Underworld is even about (so far it is about playing a Goblin Slayer simulator on easy mode), but it sort of doesn't matter as long as it's at least indirectly about Alice being very yellow. She sure ditched that eye patch rather fast, though.

Dated 24 September 2019: The Sig Sauer P230SL, another gun of Gunslinger Girl

Sig Sauer P230SL pistol and magazine
See also Part I and Part II.

I wasn't actually planning on writing a series of blog entries on the guns of Gunslinger Girl, but here we are. I've joked on occasion that Triela is one of the best characters because she once shot a dude because of her PMS (true story). Well, the firearm Triela uses to shoot that guy was her Sig Sauer P230SL, a sidearm she carries to accompany her Winchester M1897 shotgun. This pistol also features prominently in Gunslinger Girl: Il Teatrino, the anime's sequel which covers the Pinnochio arc from the original manga.

Triela
Cyborgs with serious menstural cramps do not fuck around.

The Sig P230SL itself is a compact double-action/single-action blowback-operated semi-automatic pistol with a fixed-barrel chambered in .380 ACP (also known as 9mm Kurz, among other names). Physically, it resembles the Walther PPK of James Bond fame, but there are notable mechanical differences. For example the P230's decocker for bringing it to double-action from single-action is located on the frame instead of slide. The P230 also has a disassembly lever, while taking down a PPK involves tugging on the trigger guard.

Gunslinger Girl: Il Teatrino Blu-ray cover and Sig Sauer P230SL pistol
It's not heavy because it's full of mercy.
It's heavy because it's made of steel.

Neither the Sig Sauer P230 nor its successor, the P232 (which also appears in Gunslinger Girl), are in production any longer, and this decades-old pistol (this sample depicted carries a "Made in W. Germany" designation) is quite a bit heavier than the myriad striker-fired polymer-framed .380 ACP pocket pistols popular in the contemporary marketplace. Still, it certainly gets the job done, even if the job happens to involve shooting a deadbeat because of your PMS. And let's face it, he totally had it coming. Triela did nothing wrong.

Dated 17 September 2019: Senki Zesshou Symphogear is an anime miracle

Maria
I like this power-up, but I admit I was hoping for another Gungnir jacking.

I'm going to start out by insisting it's not just preschool girls who enjoy shows about mahou shoujo punching things. It's okay for boys to like them too. I've been on board with this concept since at least 2004 with My-HiME, First Pretty Cure, and their subsequent sequels. In 2012, Senki Zesshou Symphogear took this idea, expanded it to include singing while punching things, and raised both the intensity and absurdity levels. From my seat in the stands, this was an anime game-breaking home run. Amazingly, the popularity of Symphogear has proven sufficient enough that we gotten five seasons of it, all five of which are currently streaming on the Crunchyroll. Moreover, Discotek has even licensed it for a U.S. Blu-ray release next year.

Hibiki and Chris
Somehow, despite all the shit they've seen, it's still
possible for them to stare at something in disbelief.

Urgings on the Twitter for followers to "watch Symphogear" has turned into a meme of sorts, but I assure you the sentiment behind these admonitions is genuine. Granted, the appeal of magikal girls singing while punching things isn't always immediately apparent to every anime fan, but there's an old graph that accurately captures the trajectory of impressions by initially skeptical viewers. It's not easy ramping up the stakes continuously, but Symphogear has kept its intensity up through all five seasons. Now on the verge of its series finale, expectations are pretty high, but Symphogear has never let me down before.