The girl you like is a mental case, Potato-kun.

I am going to go ahead and claim Suki na Ko ga Megane wo Wasureta is good, actually. Or rather, it's good for sufficiently unclear definitions of good. I probably can't reasonably claim that The Girl I Like Forgot Her Glasses is objectively good, but it is the Summer 2023 series that I am looking forward to the most each week. Notably, the jarring visual flair associated with GoHands in recent years is toned down considerably compared to something like 2017's Hand Shakers, for example. In fact, I'm going to claim the visuals are my favorite part of Sukimega.

Look at how pissed off she looks while casually greeting her friends. This is the best.

Specifically, I thoroughly enjoy how Potato-kun's love interest spends nearly all of her screen time squinting. It makes her appear constantly cross. (This is an actual plot point.) That's it. That's the entire reason and 100-percent of the show's appeal to me. (It's good squinting, Brent!) I do wish the series had more going for it. At least Potato-kun doesn't actively irritate me all the time anymore. Ai being helplessly blind without her glasses is a repetitive joke that mostly makes her appear, ah, not very smart, unfortunately. The romance angle is fine, I guess. It's neither good nor bad in my view. The wall-to-wall angry squinting, however, is world class. Good job, GoHands.

That's some nice shootin', Rock.

I sure have watched a lot of Black Rock Shooter for someone who claims not to care about Black Rock Shooter at all. I'm not even confident my understanding about Black Rock Shooter in general is even accurate. As far as I know, it is a Hatsune Miku song that was turned into a sort of popular music video, then an OVA, then a 2012 anime written by Okada Mari, and now Black★★Rock Shooter: DAWN FALL. I don't even know if Dawn Fall shares continuity with anything that came prior.

It would have been better if the human characters didn't wear these masks all the time.

What I do know is that Black★★Rock Shooter: DAWN FALL was 12 episodes of a grimdark future where there is only war. Well, war and rape. I don't mean this in a metaphorical sense, and I can see why you might think that considering a lot of what happens in the 2012 Black Rock Shooter was allegorical. No, I'm letting you know that a significant plotline in the 2022 anime involves young girls being raped literally to death.

Is it better or worse that the rapist is a big freaky robot with limited emotional range?

So, is Black★★Rock Shooter: DAWN FALL actually good? Well, mostly not? I don't know if it's better for people who have strong attachments to the franchise. I can't claim I do, although I recognize Dead Master and Strength as characters who were present in previous Black Rock Shooter installments—that sort of thing. And I'm not fundamentally opposed to a series introducing characters, trying to make us care about them, and then having something terrible happen to them. I don't think I'm in favor of sadism, but I can appreciate that a show like this can still exist, and even be associated with an IP people presumably still value. Also, learning this was licensed by Disney was wild.

One of the rare scenes not set in the dark.

I never felt Blade Runner needed to expand into a franchise. Consequently, I had a lot of reservations about the 2017 sequel. That it turned out to be good (and arguably better than the original film) is something of a miracle. Unfortunately, the Blade Runner: Black Lotus 3DCG anime doesn't come close to reaching this bar. Not that it would be at all reasonable to expect it to, of course, and I'm not suggesting Black Lotus is a bad series necessarily. However, I am suggesting it didn't need to be made, or that it at least doesn't need to be a part of the Blade Runner world.

These umbrellas are so fresh.

Admittedly, being a Blade Runner property is the only reason I gave Black Lotus a chance, and it was sort of neat recognizing the callbacks in the setting and general atmosphere of the show. Catering to fans of an existing property will only carry a series so far, though, and there just wasn't enough in Black Lotus to keep me engaged. Maybe it got a lot better after I stopped watching, but its first four episodes were merely all right. How about next time, instead of setting something in the Blade Runner world, y'all set it in the world of Do Androids Dream of Electric Sheep? How about that?

I heard you like puppets.

Admittedly, I have not watched very many puppet shows, but the list of puppet shows that I have watched does include seasons one and two of Thunderbolt Fantasy, so I think I am at least somewhat entitled to characterize its third season as being more complex than its predecessors. At a minimum, I feel it takes focused concentration to ensure I am not missing critical plot developments or under-appreciating character decisions. This is not to say Thunderbolt Fantasy: Tōriken Yūki 3 is a daunting show to follow in principle—just that there are some factors making it a surprisingly demanding watch considering I initially got on board strictly for puppet-fu.

If you're going to spend the rest of your life as a sword, you may as well look fabulous.

For one thing, the names of the characters are spoken in Japanese, but the subtitles display their Chinese (or sometimes English) variants. This practice is not unique to the third season, but has made names more difficult to remember as the cast list grows. And then every character seems to have their own thing going on, so there are more plot threads to track. Additionally, most of the scenes this season have been somewhat dimly lit. This doesn't help when characters are routinely changing locations by literally teleporting through magic portals. Sometimes it's difficult to determine if I'm supposed to recognize locations. Still, these are not strong complaints, and Thunderbolt Fantasy continues to serve up awesome Taiwanese puppet fights, so I'm pretty stoked this third season exists at all.

Mei stares a lot in this show.

I don't actually know that much about the Godzilla franchise, but I'm under the impression that the movies typically start with people noticing something unusual, and then something really unsettling happens, and then everyone gets their shit wrecked, sometimes by Godzilla, sometimes by whatever Godzilla is fighting. This at least holds true of the few Godzilla properties I have seen, and it seems to hold true in the Godzilla Singular Point anime.

Have harpoon gun. Will travel.

Godzilla doesn't appear in the first six episodes of Godzilla S.P, but there is a nerdy grad student who wears birth control glasses that are constantly on the verge of sliding off her face. There's also an AI that's probably technically malware, and an old man with a bitchin' car and a totally sweet garage-built robot, and some regular dudes who don't have the greatest survival instincts, but are getting by so far nevertheless.

You have to be the size of a child to fit in this robot.

As an anime, Godzilla Singular Point is pretty good so far, and is probably worth your time once it hits the U.S. Netflix at, I dunno, some later date. Or at least it's worth your time providing you have any sort of interest in either Godzilla or nerdy girls who wear birth control glasses. At a minimum, it's better than the three-movie 3DCG thing that's already on the Netflix. That one just wasn't very compelling. I did feature Ueda Reina, though.

"I can see my house from here."

There are plenty of other shows I'm watching that I should probably write about instead, but y'all getting an IDOLY PRIDE update instead. Deal with it. Okay, so after six episodes, I don't know why there is a ghost. Mana gives Makino someone to talk to, but there's no reason why she needs to be dead. She could have just retired, or started her own production company instead, or any number of other options. Or she could still have died, but not returned as a ghost. So far, Mana returning as a ghost has had no meaningful impact on the story.

I wonder if Mana can change her outfit.

And we do have confirmation that she's an actual ghost (as opposed to a hallucination). One of the other idols can see her, although they haven't continued interacting after the episode with the initial revelation. If we're racking and stacking idols in the show, I do like Mana best, so I appreciate having her around, but I was sort of expecting her whole phantasmness to have a bigger role in shaping the IDOLY PRIDE lore. As far as I can tell, there aren't even any other ghosts in IDOLY PRIDE—former idols or otherwise.

He had it coming.

Some of the shows I covered in previous posts (1st, 2nd, 3rd) included remakes and sequels or continuations. Well, there are more. Golden Kamuy also resumed this season. It's described as the third season, but really it's just the third cours of series. The anime remains as good as ever, thanks to the strength of the source material. In fact, the anime has improved by thus far avoiding the 3DCG pitfalls that unfortunately distracted from the first cours.

Daigo is short.

Major 2nd S2 remains consistently good as anyone who has ever followed the franchise would expect. The current arc again revisits events from the first season of Major 2nd, but it should still be accessible to new viewers. Well, they can be new to Major, but it probably helps to know at least a little about baseball. At a minimum, it will reinforce how relatively lucky the new girl has been so far despite making a lot of basic mistakes.

This is not actually a room.

One Room is also back for a third season. It's first-person-anime gimmick seems a bit lewder this time around than I remember from the previous installments. However, it's still fairly tame even though the first girl found an excuse to whip off her clothes by the second episode. I guess since the characters only gets three episodes for each arc they have to make the best of their opportunities.

Strike Witches is still Miyafuji's show.

Going the other way, Strike Witches: Dai-501 Tougou Sentou Koukuudan ROAD to BERLIN (the third "proper" season of Strike Witches) is definitely less lewd now compared to how it started out. The first season of Strike Witches featured uncensored casual nudity on a fairly regular basis. This season started with an appearance by Sakamoto Mio wearing pants, of all things. PANTS!

Short-sleeved sweatshirts are pretty great otherwise, though.

The first episode of Healin' Good ♡ Precure covers a lot of familiar ground for anyone who has seen a fair share of Pretty Cure; this is the franchise's 15th generation since 2004. Cure Grace herself is off to a good start. Her very first attack consisted of an overly complicated kick, and I'm generally in favor of Cures who understand the value of extraneous style points. I joked in my previous post about Cure Grace being "joined by Cure Fartlek and Cure Pain Is Just Weakness Leaving the Body." Well, we do briefly meet the other girls who will become the next Cures, and Chiyu does appear to be an avid runner, so maybe we will get a Cure Fartlek this season. Never mind that she's dressed in attire only non-runners would expect actual runners to wear, at least in that weather. Sorry, if you're not wearing the least amount of clothing you can get away with without getting stared at by spinsters and police officers, I'm going to assume you're a casual jogger or a someone getting a slow start on her New Year's resolution—doubly so if you're wearing some sort of matching ensemble instead of ratty old clothes that look like shit.

This was 100-percent your fault.

The first episode of Healin' Good ♡ Precure also briefly introduces Hinata. Based on the OP, it seems she's going to be the yellow Cure. She's done a fair amount of mugging already, so she's out in front so far as this Precure generation's Best Girl. There are a lot of stereotypes about how each "color" of Cure is supposed to behave, but I'm hoping this will evolve so that yellow represents less defensive bullshit and more...Cure Twinkle-type behavior. It is too early to tell, though, since I'm literally making tenuous predictions from a few seconds of screen time and cuts from the OP. Speaking of which, the OP is as good as you've heard from the Twitter, and the ED continues to advance the all-singing, all-dancing 3DCG agenda. It's come a long way from the Fresh Pretty Cure ED.