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Dated 31 October 2023: The IDOLM@STER Million Live! anime is finally here

Umi
I recognize this pose from clips I've seen of the game.

As part of the iM@S franchise, Million Live! has been around for more than 10 years. Considering how (relatively) quickly Cinderella Girls received an anime, I had been wondering when an adaptation for Million Live! might drop. There was a PV featuring the characters as superheroes, but that was more than six years ago now. Well, the anime-anime is finally here!

Chizuru, Tomoka, Shiho, Kana, Hibiki, Arisa, and Takane
Despite what fan art may lead you to believe, Takane has a lower BMI than Hibiki.

I am, at best, only a secondary or tertiary fan of the franchise. Meaning, I don't really know anything about the characters or the game, so I can't claim to be particularly invested it. Nevertheless, learning that the anime was going to use 3DCG animation didn't exactly inspire a lot of optimism. True, there have already been quite a few shows I've been okay with even though they were entirely 3DCG, but being "okay" with them isn't the same thing as "preferring." Thankfully, the 3D animation used in the Million Live! anime doesn't look bad at all. Well, I do think Takane's face looks odd, but that has more to do with how her character design changed than it does the animation format. Besides, she's not one of the leads here.

Miki
I didn't need a name thingy for Miki. I recognized her from the couch.

Speaking of which, THERE ARE SO MANY IDOLS. I knew this going in, but it's especially apparent since the series is really trying to give everyone some screen time. In fact, the anime provides onscreen name placards as characters appear, and it seems it will continue to do so for the entire show. [Update: They stopped appearing for established characters after episode four.] Even I already knew the characters well enough to recognize them on sight and not get them confused with each other, but displaying the names is still probably the right decision. I could do without the constant emphasis about each idol's characteristic quirks, though. I feel like those sorts of cues are generally unhelpful. Rather than flushing out their personalities, I think it's reductive.

Shizuka, Mirai, Producer, and Tsubasa
These are the four main characters.

Still, the Million Live! anime is not off to bad start. However, I do hope it gets more than one cours, if only to provide more time to better realize the characters who are most critical to the anime's plot. Both the original iM@S anime and main Cinderella Girls adaptation ran for two cours, so it would be a shame if Million Live! joined U149 in only getting one, particularly with such a large cast. Maybe it should have adopted the Love Live! Superstar!! approach by starting with only a core group and expanding during subsequent seasons. Or maybe I'm just being greedy now.

Dated 29 August 2023: The Summer 2023 Anime Season So Far

Mie and Komura
Enjoy this apple. Or else.

Somehow, Suki na Ko ga Megane wo Wasureta (The Girl I Like Forgot Her Glasses) is my top show this season. I say "somehow," but I know why: It's because the girl Potato-kun likes squints when she doesn't have her glasses (which is often), and it makes her look angry as fuck all the time. This is a dumb gimmick, but I love it. The juxtaposition between her appearance and her demeanor is so good. More surprisingly, outside of the trailer and first episode that made everyone (including me) assume GoHands was going to commit anime crimes all season long, the visuals have been fine. If anything, I'm sort of disappointed it looks as normal as it does. Maybe Sukimega would be a bottom-tier show during most quarters, but you go to Seasonal Anime War with the shows you have, not the shows you wish you had.

Ageha
Carcinization.

Hirogaru Sky! Precure is only sort of average as far as Pretty Cure seasons go, but it's such a step up from Delicious Party♡Precure that it seems wonderful in comparison. God, they really fucked that one up. Anyway, Hirogaru Sky! has made notable changes to the existing Pretty Cure formula. It has a "blue" lead instead of a "pink" one, it has an adult Cure, and it has the franchise's first male Cure. Nevertheless, despite these departures, the series as a whole seems really...normal.

Misha and Anos
Not even bothering to make a magic umbrella.

Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy: History’s Strongest Demon King Reincarnates and Goes to School with His Descendants Season 2) re-started after a mid-season interruption that forced a delay for the remaining episodes of the cours. It's a lot of magic bullshit, none of which seems as interesting to me as the first season's Misha and Sasha content, but I haven't gotten tired of the constant ass pulls yet.

Yohane, Lailaps, and Dia
Dia still sucks, though.

Genjitsu no Yohane: SUNSHINE in the MIRROR (YOHANE THE PARHELION -SUNSHINE in the MIRROR-) needs more music. And where the Hell is SAINT SNOW? C'mon. I mostly like what it's doing anyway. It's had a few twists that are sort of interesting. I'm not sure I'm entirely on board with what the series has planned for what I presume will be a big finish, but I'm willing to give it the benefit of the doubt. The Yohane focus has rehabilitated my opinion of Love Live! Sunshine!! to some degree, but I still think Nijigasaki and Superstar are superior installments overall.

Dated 15 August 2023: I should probably re-watch Hibike! Euphonium

Reina
Softcream Summer.

I was mostly ambivalent about Hibike! Euphonium (clumsily localized as Sound! Euphonium) when it first came out, despite being Internet-adjacent to school-band veterans and fans of Kyoto Animation. I basically thought it looked great, but was otherwise mostly merely fine. It's why I've mentioned it so little on this blog. However, in hindsight and with its movies behind me (albeit also sort of a long time ago now), my opinion of the series has improved in retrospect. Meaning, I think I like it more now? Or at least I like what I remember of the series more now.

Mirei and Kumiko
Tall newbie is tall.

However, I don't know if I would actually like it more if I re-watched it. Seeing as how I'm watching relatively few shows during the current season, I could probably just binge watch it all and find out for sure. Other people did. There's a good excuse for it now: A new OVA is already out, and there's even more Euphonium on the way soon.

Kumiko
Does this qualify as an Asuka cameo?.

Actually, I did re-watch Hibike! Euphonium Movie 3: Chikai no Finale (Sound! Euphonium: Our Promise: A Brand New Day), and now I'm going to spoil the Bejesus out of something that has been bugging me since I first watched it years ago. (This is your last warning: I'm gonna do it even though Kumiko probably doesn't even believe in Bejesus.) Asuka shows up. She almost certainly used the arrival of Kaori and Haruka as a distraction so she could flank Kumiko and fluff her defenseless poofy hair from behind.

Asuka's postcard
Слава Україні!

And then she disappears in seconds despite (or because of) Kumiko's very obvious desire to reconnect with her. It's how Asuka do. But I gotta ask, "What was on that postcard Asuka gave to her before leaving?" I don't think the movie explains this at all, but I presume the books do. My guess is I'm way overthinking it, and probably it's simply a postcard that Asuka had received and happened to have with her. But by giving it to Kumiko, she indirectly passes along her current address, thereby offering Kumiko a way to reach her in the future. It didn't seem like they had exchanged contact information previously. Anyway, this is a rhetorical question. I'm happy to wait for future Euphonium installments to elaborate on the exchange in due time (or never explain it), even if it means waiting years more.

Dated 25 July 2023: The Girl I Like Forgot Her Glasses is not a GoHands atrocity

Kaede
The girl you like is a mental case, Potato-kun.

I am going to go ahead and claim Suki na Ko ga Megane wo Wasureta is good, actually. Or rather, it's good for sufficiently unclear definitions of good. I probably can't reasonably claim that The Girl I Like Forgot Her Glasses is objectively good, but it is the Summer 2023 series that I am looking forward to the most each week. Notably, the jarring visual flair associated with GoHands in recent years is toned down considerably compared to something like 2017's Hand Shakers, for example. In fact, I'm going to claim the visuals are my favorite part of Sukimega.

Maho, Ai, and Asuka
Look at how pissed off she looks while casually greeting her friends. This is the best.

Specifically, I thoroughly enjoy how Potato-kun's love interest spends nearly all of her screen time squinting. It makes her appear constantly cross. (This is an actual plot point.) That's it. That's the entire reason and 100-percent of the show's appeal to me. (It's good squinting, Brent!) I do wish the series had more going for it. At least Potato-kun doesn't actively irritate me all the time anymore. Ai being helplessly blind without her glasses is a repetitive joke that mostly makes her appear, ah, not very smart, unfortunately. The romance angle is fine, I guess. It's neither good nor bad in my view. The wall-to-wall angry squinting, however, is world class. Good job, GoHands.

Dated 14 February 2023: I'm still watching season two of Maou-kun Goes to Maou High School

Sasha
Of course she has mystic eyes.

I don't have a compelling reason to still be watching Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II (The Misfit of Demon King Academy 2nd Season), but I also don't have a reason to stop. There's not exactly a shortage of shows about overpowered characters easily crushing those who oppose them, but I don't feel as though I watch a lot of those, and I'm pretty sure I watch even fewer where the lead is so smug about it. (Overlord fits the former, but Momonga's anxiety rules out the latter.)

Eleanor, Sasha, and Anos
Eleanor and Sasha both have good hair.

I liked the first season well enough. There were a number of twists I enjoyed, and the story focused on developing a manageable number of characters in interesting ways. Here in the second season, a lot of episodes seem to include strap hangers who are mostly just serving as an entourage following Anos (Maou-kun) around as he continues untangling the various mysteries surrounding the two thousand years he's been out of action, but it's still okay. I would personally prefer more Sasha stories, or an arc or two centered around Maou-kun's parents, but it's fine either way.

[Update: I forgot to mention Anos was re-cast between seasons.]

Dated 24 January 2023: I've already dropped Spy Classroom and Revenger

Raizou and Yuuen
He can't be that hurt. His bandages aren't even bloody.

I decided to watch REVENGER because it was characterized as a Urobuchi Gen anime. The stereotypes and baggage associated with Urobuchi-type anime is frequently negative, but I generally find those complaints either overblown or incorrectly attributed. I don't like everything that has his name attached, but REVENGER seemed like a safe bet. Well, it's not great. I didn't care about any of the lead characters, and I wasn't exactly moved by the plights of their clients. Even the prospect of watching deadbeats getting assassinated in unnecessarily complicated ways each week didn't seem interesting enough for me to continue watching, alas.

Lily
Nice chair.

I did not have high expectation for Spy Kyoushitsu (Spy Classroom). However, I did like the promotional art, and the cast includes a lot of seiyuu who I enjoy, so I thought it would at least be worth a chance, even if it turned out to be a forgettable, mediocre affair. Well, the first episode wasn't awful, but it did make me dread watching more. That's a pretty quick drop for a season in which I'm following relatively few shows, but maybe I'll give it another try if I encounter reliable reports later about the anime turning itself around.

Dated 25 October 2022: Akiba Maid War was maid for me

Nagomi and Ranko
Nagomi is the main character, right?

Akiba Maid Sensou (Akiba Maid War) is fantastic. I initially had some reservations, but I gave it a try because it's an original anime and because I like the character designer. Maybe I didn't investigate the available information closely enough, or maybe the series was somewhat secretive about its content. Either way, I was mostly unprepared for what the show was actually going to be like.

Maids
I thought the show would be more like this most of the time.

As it turns out, Akiba Maid War is wild. Familiarity with the various stereotypes being smashed together probably would help to some degree, but it's likely not strictly necessary for one's enjoyment. It does seem this type of show is not for everyone, though, but at least curious viewers will probably be reasonably certain fairly quickly whether or not they are one of these people. At a minimum, any doubt will disappear by the end of the first episode.

Ranko
This is a spoiler, but it's probably only a spoiler if I tell you it's a spoiler.
P.S. Spoilers.

Through three episodes, Akiba Maid Sensou has easily exceeded any expectations I may have had for it. It will be absolutely incredible if the series can continue doing all the things it has been doing right so far. This is turning out to be an excellent anime season with a lot of good shows. Amazingly, they are also all entertaining for unrelated reasons.

Dated 18 October 2022: I can't tell who Urusei Yatsura is for

Lum and Ataru
Lum, you have no one but yourself to blame.

Despite how long I've been at least sort of aware of Urusei Yatsura as a property that exists, I've never really known anything about it. I knew it well enough to recognize Lum, but remained ignorant about essentially every other part of it.

Lum
Service.

In fact, I'm inclined to believe anything of substance that I did know about it came from a small mention in this blog post that SDS wrote a decade ago. Consequently, I didn't really know what to make of the news that the anime was returning for 2022, with Uesaka Sumire voicing Lum, no less.

Shinobu
The first time I saw this gag was in Love Hina, but I guess this must have come earlier.

Having watched the first episode now, the series seems sort of anachronistic. I don't mean that it's dated, but it does very much feel like a product of a different time. This is hardly surprising, considering the original manga began in 1978 and ended in 1987. The whole thing predates Heisei, let alone Reiwa. I don't know if the new anime is remaining true to the source material, but it feels as if it is, at least based on my aforementioned impressions that it's from a different time.

Lum and Ataru
Y'know, your two species probably can't procreate together.

Thus, it's not clear to me who is actually watching the new Urusei Yatsura. Is it aimed at new fans who are unfamiliar with the original? Or is it for older fans who loved the original manga and/or the 1981 anime and are eager to recapture some of that ol' Showa magic? When it comes to nostalgia, I tend to believe fans are often better off not revisiting things they loved in their youth—at least without being emotionally prepared to confront the reality that can often sour the experience.

Ataru
Land lines! Rotary phones!

It's not at all uncommon to discover that cartoons we loved as children were, in fact, really not all that good. This is not to say that Urusei Yatsura 2022 will produce the same sort of reactions. Hell, maybe it's better than ever. I haven't seen a lot of impressions of the first episode—good or bad—but probably that's just because I'm not adjacent to the sort of audiences that will either enthusiastically embrace (or violently reject) the new Urusei Yatsura anime.