Kaoru is the Best Girl in Major. Ryoko has more game, but Kaoru is a peach.

Kasumi from Hand Maid May is one of anime's All Time Babes,
and only partly because she's a natural right-hander
who takes baseball seriously enough to bat left.

Minori also deserves special mention for batting left and throwing right...

...and for being kinda broken inside.

Chidori vents some aggression.

It's Narue's World. We're just living in it.

Mamini is this post's Mendoza Line.

Sakaki is pretty athletic, but I'm scoring that at bat E-9.

Iizuka also bats left, but she's a natural southpaw.
I doubt she can hit, but her on-base percentage is pretty good.

I guess Daniel isn't technically a bat, but it's kinda academic, since
you can't really let Momo from Shinigami no Ballad play ball.
People would die.

Makina is far and away the Best Girl in Shikabane Hime.

Barring sudden reversals in the last few episodes, Shikabane Hime: Kuro is going to be my pick for the best show of this season. I'm as surprised as you. I only started watching Shikabane Hime in the first place because I will try anything by Gainax—and because of its superlovely character design, but let us set that aside for now.

Saki and Rika are both token characters, but good ones nevertheless.

I almost rejected Shikabane Hime: Aka in its infancy because it wasn't Gainax enough. From the looks of the early episodes, it was just your standard Monster of the Week action series with some silly, over-the-top fighting and a putz for a male protagonist.

I admit it's hard to take Saki seriously sometimes, though.

But I stayed with it, because there wasn't frankly much else to watch, and it thankfully did not have a whole lot of talking for a shounen show. Or at least the characters kept on fighting while they were talking and left the standing around doing nothing parts to a minimum.

Makina is serious, though. Dead serious.

Plus, Makina's voice sounds more "real" and less "anime." I fully expected her to have a much higher-pitched voice from the character design, but Makina actually sounds like her voice actress might smoke. I really like the qualities of Makina's voice, although sometimes I wish Akiyama Nana and Chiba Saeko had switched roles. The acting is not good enough in some of the early episodes to carry a lead role, although this is not a problem limited to Makina's VA. It turns out much of the voice cast consists of models and idols instead of experienced seiyuu; however, I am pleased to report the acting improves throughout the series.

Shikabane Hime also has a lot of fancy Gainax kicks.

But back to Makina. She was the real reason I kept on watching Shikabane Hime: Aka, and I'm glad I did. Once the Monster of the Week episodes in Aka end, each episode is legitimately interesting. Towards the end of the first season, Shikabane Hime wove enough mystery and suspense to ensure I would stick around for the second part: Shikabane Hime: Kuro. In fact, the end to Aka is FULLY AWESOME. Okay, technically the end to Aka is a clip show/epilogue, but getting to that point is FULLY AWESOME.

Itsuki realizes the magnitude of her mistake.

Shikabane Hime: Kuro has the difficult task of asking me to take Ouri seriously, but I am tolerant so far. It is Makina's ties to Keisei that really carry the show for me, to tell you the truth. Despite this uphill battle, Kuro has been solid. It has earned this season's number one ranking, and I expect it to remain that way if reports of Toradora! declining into overblown melodrama are accurate. I had already moved Shikabane Hime: Kuro ahead of Toradora! after the latter's episode 22, but early reports about episode 24 likely seal the deal.

Any show with gag EDs is probably willing to take risks.

With regard to endings, it is important to remember Shikabane Hime remains a Gainax show, even if only in part. Ergo, a Gainax ending is a real possibility. Quite frankly, I'm hoping for one. Shikabane Hime strikes me as the type of show that could pull it off. There are numerous little gags interspersed throughout the series to suggest it does not take itself too seriously: such as Saki's constant snacking, or the fact that every contractor priest appears to be a cretinous otaku at heart, or how none of the shikabane hime seem particularly concerned about making their 108-kill quota to go to heaven. Shikabane Hime should be able to pull off a Gainax ending at least as well as The Melody of Oblivion did. I certainly hope so. It'll be EPIC.

Don't make me get Makina to punch you in the face.
She'll do it, too, and she's damn good at it.

Oh, and if this post has convinced you to start watching Shikabane Hime, don't be an idiot and start with Kuro just because it's newer. What in Hell is wrong with people like that? Start with Aka. Shikabane Hime is one show. Splitting it up into Aka and Kuro was symbolic at best. It would be like starting VanDread with season two instead of at the beginning. In related news, if you're one of those people who watched Diebuster without seeing Gunbuster first just because Diebuster was new and shiny, choke yourself. And when you wake up, watch Gunbuster. Scheiße.

Rebuilt Asuka apparently has legs that go up to her neck.

Seriously, now. There has to be a better quality copy of the Rebuild of Evangelion 2.0 trailer than this. Has to be. Nevertheless, I am fully on board.

Asuka. And how.

Getting warmer. Better than last time, but surely there must be a better copy available.

Eva 01, Kaworu, Asuka, and Rei.

I hope they're not really making Asuka's hair brown for Rebuild 2.0 or Pachinko 2009 or whatever the Hell it is I'm looking at here.

Makina is all about reaction shots. And bare asses. And punches to the face.

It turns out there wasn't a Deus Ex Machina in Shikabane Hime. But it did turn out that Shikabane Hime: Kuro is the best show from the Winter 2009 season. Yes, better than Toradora! (which I ranked fifth among shows I finished that season), and even better than the fifth season of Major. Being a Gainax show (at least in part), there was always the chance the Shikabane Hime ending would zoom in from left field, so I waited until I actually watched the last episode before making this pronouncement. FUNimation's official free subtitled stream beat both fansubbing groups to Kuro 12, so I watched it there.

Makina, Minai, and Ouri.

Some people have called the end of Shikabane Hime: Kuro a Gainax Ending anyway, but I don't consider that accurate at all. It's a little unusual, but it's nothing like the ending to The Melody of Oblivion (which was straight FAR OUT) or the ending to Mahoromatic: Something More Beautiful (which was not only FAR OUT, but also enraged many viewers), for example.

Saki is a token character, but a good one.

Really, the joke's on me, because apparently the final episode of Kuro is actually the penultimate episode. Reportedly, the real last episode will be released with the final DVD. That's something of a relief, because Shikabane Hime: Kuro episode 12 concludes with some unfinished business, leading me to believe it was a "read the manga to find out what happens" ending—a task I was fully prepared to do.

Makina quietly watches over Keisei.

Incidentally, none of these screencaps are from that last episode. In fact, none of them are even from Kuro. I've been re-watching Shikabane Hime: Aka because another group is releasing episodes and I wanted to see if there were meaningful differences. I'm really enjoying these earlier episodes a lot more this time around because I'm picking up a lot of the clues and foreshadowing I missed originally.

Gainax Kick detected.

The biggest surprise of the Winter 2009 season was the rise of Shikabane Hime: Kuro and the fall of Toradora! in the final rankings during the last weeks of the season. As expected, it was a rather weak season overall, but it had its moments.

Makina has a bad day.

I had fully expected to drop Shikabane Hime after four episodes during the Autumn 2008 season, but I was hooked by the characters (except for Ouri) and the mystery. It helped I was spared the loathsome shounen jive conventions I despise so much.

I hereby nominate Shimizu for Best Girl of the Year.

The second-best series from Winter 2009 was the first half of the fifth season of Major. Besides being a solid sports anime, it's also starting to delve into relationship drama, although with its own flair, and thankfully without the typical animeisms that plague relationship stories. Maybe it's because the characters in question are no longer in high school, so they aren't expected to act like twits. Whatever the reason, it's refreshing.

Nobue calls these days "weekdays."

Taking the third spot is the first Ichigo Mashimaro Encore OVA. I should probably not include OVAs in these rankings for numerous reasons, but I'm making these rules up as I go along. As for the first Ichigo Mashimaro Encore OVA itself, it was another solid block of entertainment and charm that make the series so enjoyable. Pity the title unfairly carries with it all that baggage it can't seem to escape. You know what I'm talking about.

This is the weirdest bathroom. Is it at the end of a hallway?

In fourth is the latest offering of Maria-sama ga Miteru. I didn't care for these episodes as much as the previous seasons, but that's probably because of their Touko-centric nature. On the other hand, these episodes also elevated Touko three positions in the Marimite rankings. Congratulations, Touko. I no longer like you least.

Ami is stunned to discover she's the Toradora! Best Girl after all.
And how odd. Minori is usually much more genki.

Everyone else's favorite, Toradora!, only managed to take the fifth spot, despite leading most of the season. As astute readers surely realize, this sudden drop is largely due to the dramatic turn towards the end of the season. Most people who really like Toradora! seem to really like the relationship drama aspects of the final episodes, but I felt they were ham-handed at best. Maybe it's because these are high school relationships in question, but I couldn't help thinking the principals were utter twits. As others have pointed out, this isn't really drama; it's melodrama. And it tastes like high school.

How odd. Shion is usually much more genki.

I'm not a huge fan of Tetsuwan Birdy Decode, but it is pretty good at what it does. Were these rankings based solely on my interest, it would probably place lower in the standings, although at no fault of its own. Then again, if these rankings were driven by my appreciation of Chiba Saeko, it would place higher. So let's just call it a wash, eh.

How odd. Kotori is usually much more genki.

Da Capo If is another OVA ranked entirely on the strength of a single episode. Like with the Ichigo Mashimaro OVA, that's probably not fair, and I should probably exclude it entirely, but I waited a long time for a Kotori route, so I'm going to include it, God damn it. Also, Da Capo If reminds us Horie Yui can really act when she wants to.

Kyon, you know this can't possibly end well.

The Melancholy of Haruhi-chan shorts are genuinely amusing. They pulled away from their Nyoron Churuya-san counterparts with that episode where Asahina Mikuru just starts crying from confusion and never looked back.

Washizu Vision?

Oh God. Asu no Yoichi!. Hey, some of the middle-laterish episodes are all right, and that running gag with Washizu's crony had a great payoff that came completely out of left field. The best part is everyone else dropped this show after episode two, so they have no idea what I'm talking about.

How odd. Love is usually much more genki.

Fresh Pretty Cure is fresh. Love is love. Tart is the least annoying Precure mascot thus far. Kaoru-chan probably wants to get into the girls' pants. Easy is the best Precure villain except for that that one movie where Cure White is tempted by the dark side and beats Hell out of Cure Black. Aside from Buki being a sort of useless religious fanatic, this show is all right.

Quit while you're ahead, Tsuruya.

Nyoron Churuya-san needs more variety in its jokes, nyoron.

I've decided Marisa is my favorite Touhou character. Entirely arbitrarily.

Rounding out the final spot among shows I watched during the Winter 2009 season is the unofficial Touhou doujin anime. Despite all the hype, it was merely adequate, which I guess is pretty good all things considered. I wanted to like it more, but I can't claim it's even as good as the classic Yakumo/Chen bit with the KCY and all.

How odd. Hokuto is usually much more...wait, no she's not.

I also dropped a bunch of shows, but there aren't any additions or changes from the earlier list

Asuka May/June 2009 calendar.

Someone get me this calendar. You have until Friday.