Hizuru just does this sometimes.

Summertime Render (alternatively, Summer Time Rendering or other variations) is a two-cours adaptation of a 13-volume manga. Really, I only started watching it as an excuse to expand my collection of posts containing the Ghost Girlfriends tag, even though the ghost girlfriend in question seems to be stuck wearing a swimsuit forever in the afterlife.

I originally thought Mio was a lot younger.

I'm not a huge fan of Potato-kun, but he's at least not ruining the show for me. Nevertheless, I did get a lot more interested in the series once the point of view in the latest episode shifted to the mysterious lady who was initially notable mostly for her prominent breasts. I'm going to claim it's because her perspective provided clarity and focus to some of the mysteries presented during the previous five episodes, but I can't rule out the possibility it's actually because I like her birth control glasses and Hikasa Youko coolness.

"My glasses are up here."

So is Summertime Render actually a good anime? Sort of? Maybe for sufficiently flexible definitions of good? Reactions to the series seem somewhat divided, and I've seen some unfavorable comparisons to Higurashi (which itself is a mixed bag as far as I'm concerned), but the underlying secrets are somewhat interesting and I've been enjoying the series so far.

I find it odd Ushio's funeral was so soon after her death.

The increased importance of Hizuru within the story should offer better insights as the characters navigate the island's mysteries. Ideally, the series will also henceforth minimize the frequency of animeisms that it has occasionally been indulging in to its detriment. (Translation: It would be better if there were fewer scenes of Potato-kun faceplanting into Hizuru's cleavage or grilling Mio about her panties.)

Congratulations on not being dead.
P.S. Spoilers.

To tell you the truth, I sort of forgot 86 Eighty Six season 2 two had delayed its final 2 two episodes to March 2022 Two Thousand Twenty Two. I mean, things were sort of tense when we last saw our characters, but it totally could have just ended the season where it was. I would have accepted a cliffhanger-ish ending and an indefinite wait until the next cours, whenever that happens to be. I mean, I think it's reasonable to expect there will be another cours at some point. The anime seems pretty well-regarded, and I've warmed up to it as well, despite some initial misgivings.

Congratulations on not being dead.
P.S. Spoilers.

86 is at its best when it's exploring how its characters relate to each other and to their shared experiences with war. These aspects of the series are much more compelling than how it depicts the war itself or the dynamics of the societies involved. This is not necessarily because I find many of those elements unrealistic, but rather more because I'm not invested in their outcomes. I'm not particularly invested in most of the characters either, but the series has devoted enough time to developing them that I can at least appreciate their emotional resonance.

I do love me some Yukarin.

Having an interest in firearms did not enhance my interest in the Girls' Frontline anime. My unfamiliarity with the video game was probably also a significant limiting factor. From an outsider's perspective, the first two episodes of Girls' Frontline (also known as Dolls' Frontline because of...reasons) featured tedious, protracted gun battles during which an endless stream of gunfire was exchanged until one side was sufficient attrited enough for the episode to concentrate on something else. It didn't make for great storytelling.

I didn't watch long enough to figure out if people are constantly slapping MP5.

Girls' Frontline is hardly the first "girls with guns" anime to have this problem. It's not even the first "girls who are guns" show to suffer in this way. Enjoying this anime requires either having pre-formed opinions about the characters (such as from already enjoying the video game) or dismissing things such as development and motivation as less important than appearance.

I appreciate that M16A1 shoots left-handed.

In any case, I had no interest in watching anime versions of what I assume are battles based on game events. It seems weird to admit, but I would have had more interest in Girls' Frontline if there were no fights at all. Cute Guns Doing Cute Things probably isn't exactly the sort of gimmick most people wanted to watch, but I would have been more interested in that than in what we actually got.

Is this a meet cute?

The only reason I gave Koroshi Ai (Love of Kill) a chance at all was because one of its leads is named Chateau Dankworth which, obviously, is an incredible name. Aside from that, though, it didn't seem to have a whole lot else going for it that sounded interesting to me. Still, there have been times when shows I am skeptical about surprise me, sometimes just from execution alone. Well, I can't be certain CHATEAU DANWORTH ~THE ANIMATION~ wasn't going to do that eventually, but it didn't inspire much confidence during its first episode, and I wasn't going to stick around any longer to find out for sure.

It's not a date.

I don't expect I have many readers left who might feel irked by my negative views on Koroshi Ai, so I'm not really motivated to provide details about what I didn't like about it or why I think it's a lousy anime. Besides, there was a lot. So maybe it will be more productive to identify some things that I did enjoy about Love of Kill: It has mid-episode eyecatches. Not all shows do anymore. Also, CHATEAU DANKWORTH seems like a sourpuss. At least she has that going for her.

To a Musicart with a hammer, everything looks like a nail.

I'm adding braces and styling the title of {tákt: op. Destiny} this way because doing so approximates how it appears in the anime. It also seems appropriate because the series itself is also very stylish, possibly to its detriment. It is a neat looking show, but I don't know if I can call it good. Nevertheless, at a minimum, the idea of using eccentric superpowered girls to fight off the monsters that attack whenever they detect music is sort of interesting. It's not exactly the sort of anime that everyone will like, though.

Walküre should definitely be singing while fighting.

It would probably benefit {tákt: op. Destiny} to feature more music. Since the focus is on classical music, I guess it's not realistic to expect the Musicarts to sing while fighting, Symphogear style. I would absolutely enjoy an aria or two, but Takagaki Ayahi is not in the cast, and I don't expect there are many other seiyuu who would theoretically be up to the task.

I find it odd that no one is riding shotgun.

This is also a road trip anime. I appreciate those because they're sort of rare. (I get the feeling Japan's extensive rail infrastructure contributes to the relative scarcity of road trip anime.) It works here because {tákt: op. Destiny} is set in the United States. I guess it's not technically a road trip anime, but there is a road trip in it. Close enough, eh.

That's still in regs, right?

I'm going to go ahead and say that 86 Eighty Six manages to avoid being bad by being good. There is certainly a "people die when they are killed" logic to this statement, but I guess what I really mean is the series continues to overachieve in comparison with my expectations for it. Much of this is pessimism on my part, because I've heard from the beginning that the source material is good. However, those sorts of claims aren't very reassuring since "good" light novels typically seem to only be good for sufficiently generous definitions of good.

Ain't you Shinichi's dad from Detective Conan?

Fortunately, the execution in the case of 86 Eighty Six actually is good. There's basically always something in every episode that's done well enough to be noteworthy, and the story is also sound. The various twists remain unexpected (but are also not total ass pulls) and do keep the series interesting even though much of it sounds pretty cheesy if you're just describing it to someone. Notably, I was already spoiled about a resolution to the previous season's ending because I saw the cover to one of the later light novels, but even knowing that did not ruin the effect provided by the 1st First episode of the 2nd Second cours. I'm looking 4 forward 2 to watching more.

I like how Yukarin occasionally breaks out Rika's adult voice and nobody seems to notice.

There's one episode remaining in Higurashi no Naku Koro ni Sotsu (Higurashi: When They Cry - SOTSU), making the new anime that started last year with Higurashi no Naku Koro ni Gou 39 episodes long. I still don't know how different the current anime is from all the previous iterations. I guess I could just look it up, but I suppose I am technically avoiding potential spoilers even though the likelihood I might go back and watch all the anime that came before is vanishingly small.

Well, sometimes people notice.

On a related note, I am not sure it is even possible to examine Higurashi SOTSU without crashing straight into spoilers. Do the spoilers even matter? From my perspective, as someone who knew very little about the franchise before starting Higurashi GOU, it probably would have helped to have been spoiled on at least some of the major aspects of the series from the start. In my case, knowing the series would eventually concentrate almost entirely on Rika and Satoko while basically ignoring Keiichi and Rena would have provided valuable encouragement during the parts when I questioned why I was still watching Higurashi at all.

This was a good punch.

Struggling to put up with Keiichi (initially, the show's apparent protagonist) and Rena was the reason I quickly dropped the first anime, and the reason why I nearly dropped Gou numerous times. Knowing the show would pivot its focus to two much more interesting characters definitely would have helped. Looking at this from a different perspective, what about the viewers who liked those Keiichi x Rena antics? Would they be disappointed to learn the series is actually about Rika and Satoko?

She did the thing.

In any case, Higurashi SOTSU seems headed for a big finish now, which is itself an accomplishment of sorts considering how bewildered I was just a couple weeks ago how SOTSU might wrap anything up by the 15th episode. From the looks of it, Satoko will not compromise. It's quite a testament to the absurd lengths she will go to simply to avoid having to play the role of a phony bitch for a few years. It must have also occurred to her that she could keep her aversion to schoolwork by simply working out techniques for cheating her way though Fancy Cunts Academy. That she never did really is a testament to how hostile she was toward school in general and that school specifically as a matter of principle.

I can tell she's a pirate because of how she's dressed.

Fena: Pirate Princess (Kaizoku Oujo) is a Crunchyroll and Adult Swim co-production that did not begin until mid-August. It's a simulcast with the subtitled episodes releasing on the Crunchyroll while the English dub airs on Adult Swim. I don't know if this late start (relative to other Summer 2021 anime) is to align its schedule with the rest of the Adult Swim lineup, but it seems the Japanese broadcast will not begin until October.

Ain't this guy, like, 16?

It's not a bad show, even though I'm dropping it after three episodes during a season when I'm already not watching nearly as much as I typically do. I wouldn't call it a good show, either, though. I genuinely can't tell if Fena: Pirate Princess actually does seem more like a Western cartoon instead of a Japanese anime, or if I'm just biased into feeling that way because I know it's a co-production between the Crunchyroll and Adult Swim. After all, I haven't even bothered to investigate who is working on the show. It's just an impression I can't shake.

These ninja pirates could use a better barber.

Ultimately, it doesn't really matter if the reason why I'm less into Kaizoku Oujo is because it is "not anime enough" or some other reason, since I just don't find the show engaging enough to keep watching either way. I'm not at all invested in Fena, or the ninja pirates (ninja pirates!) she's hanging out with now, nor am I interested in the antagonists pursuing her, even though some of them clearly benefit from character-design-based plot armor. I guess I do like the ninja pirate voiced by Yuuki Aoi okay, but that's possibly only because of her fucked-up bangs.

Hanna could probably benefit from a rear sight or two on that gun.

The show's tone is also unusually light, despite (mostly obscured) violence and bloodletting. I wouldn't call it tonal whiplash, because there haven't been any moments in the first three episodes that I would characterize as deeply dramatic. The bigger problem is the jokes and whimsy aren't working for me. Some of the visual gags might work in a full-on wacky ninja-pirate adventure show. In any case, I'm out, but it's probably still worth investigating for yourself to see if it's your sort of thing.