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Dated 20 April 2021: Koikimo is better than Higehiro even though both are missing the same thing

Ichika and Ryo
Stalker distancing.

News that the Spring 2021 anime season would feature TWO shows about adult men paired with high school girls created ripples across the Twitter, but even this mild outrage waned after viewers discovered neither show was as torrid as anticipated. Descriptions of Koi to Yobu ni wa Kimochi Warui (It's Disgusting to Call This Love, A.K.A. Koikimo) in particular concentrated on elements that ranged from misleading (characterizing its male lead as "a womanizer") to outright untruthful (e.g., calling him "sex-crazed...with a wandering eye for women"). At the risk of stereotyping too much, I suspect more attention should have been paid to the fact that the Koikimo manga is described as josei (i.e., for adult women) instead of seinen (i.e., for adult men who miss fucking teenage girls).

Sayu and Yoshida
I was too bothered by Sayu's lack of luggage to make a Fate/stay night joke.

Curiously, Hige wo Soru. Soshite Joshikousei wo Hirou. (Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway) seemed to attract less pre-season attention than Koikimo, but perhaps its original novels and manga adaption were already known well enough to deflect unwarranted speculation that it was going to be a smutty romp. This, despite its synopsis outright stating that its characters meet when the titular teenage girl, Sayu, offers sex in exchange for a place to stay. Instead, Higehiro is about a man, Yoshida, who insists he is not attracted to the JK crashing at his place. The series begins with Yoshida being rejected by his long-term crush (his boss at work, no less) who claims she is already seeing someone. He is so devastated that he seemingly does not even notice she was CLEARLY LYING.

Gotou
Dude, you're staring.

Higehiro also draws attention to Yoshida's insistence that he is not a "nice guy" for letting Sayu live with him without strings attached (unlike everyone else she has stayed with during her previous six months as a runaway), but rather that the other men she has known are despicable people. Yoshida also repeatedly insists he is not attracted to Sayu because he only likes women with large breasts, but then the show promptly undercuts him by immediately alerting (and repeatedly reminding) the viewer that Sayu's boobs are also comfortably big.

Sayu
Higehiro even quantifies the comparison.

This is where I lose the ability to predict the path Higehiro will take. There is enough fan service and "male gaze" to the anime that we are obviously supposed to see Sayu as a legitimate love interest of Yoshida's, despite (or perhaps because of) his loud denials. But the show also retains the harem elements by keeping the CLEARLY LYING boss lady and deliberately slapdash co-worker near as potential romantic rivals. If I had to guess how this story ends, I would expect Yoshida's support to put Sayu on a path to success before re-uniting the two after a multi-year timeskip apart that has given Sayu time to become a self-sufficient adult with even bigger boobs than ever. Alternatively, we'll get a cop-out non-ending ending, potentially with all four of them living together for contrived reasons.

Ryo
You can tell he's sincere because of the sparkles.

While Higehiro is about a man who denies being attracted to the teenage girl living with him, Koikimo is about a man openly and aggressively wooing a high school girl 10 years his junior. At this point, I think it is necessary to acknowledge the tropes that govern this story's boundaries. Ryo and Ichika meet by chance and a suspension bridge moment sparks his sudden obsession with Ichika, who is coincidentally classmates with Ryo's kid sister, Rio. Fortunately for Ryo, his sister not only approves of his infatuation with her friend, but even volunteers as his wingman to provide opportunities for him to get closer with Ichika.

Ruri, Rio, Ichika, and Satsuki
Rio's anime bed is made of concrete.

Moreover, Ichika's own mother approves of Ryo's courtship, despite Ichika's clear displeasure. It is probably worth pointing out that Ryo has apparently never had to pursue a love interest before. He is not a pick-up artist chasing after fresh prey. Instead, girls and women have thrown themselves at him his entire life (Ichika's and Rio's classmates all unanimously agree Ryo is exceptionally handsome), so this is an entirely new experience for him.

Sayu and Yoshida
Dude, you're staring.

So what are Koikimo and Higehiro both missing? Lust. In the case of Koikimo, Ryo is clearly, genuinely smitten with Ichika, but he is arguably more drawn to her disinterest in him than he is to her physical appearance. Ichika is presented as being fairly unremarkable among her peers, and her own best friend describes her as "normal" (although at least one boy at her school has taken a liking to her). In the case of Higehiro, it takes three episodes of the show loudly signalling that Sayu is comely and sexually available before Yoshida finally admit he finds her attractive. However, his refusal to sleep with her is predicated on a critical, foundational cornerstone to the narrative's integrity, so I don't expect the story can too easily reverse this stance even if the audience comes to think he protests too much.

Ichika and Rio
She is upset because she is pleased.

After four episodes of Koi to Yobu ni wa Kimochi Warui and three episodes of Hige wo Soru. Soshite Joshikousei wo Hirou., I enjoy Koikimo more than Higehiro. Neither series is especially realistic (although I could believe Higehiro, despite the melodrama, were it not for the CLEARLY LYING Christmas-cake boss lady and the co-worker who deliberately fucks up her work for Yoshida's attention), but I find Koikimo more amusing. I can't rule out the possibility that I'm simply more enamored of Ichika's seemingly endless barrage of disgusted faces than I am with Sayu's "pretty big for a high school girl" bosom, though.

Dated 1 September 2020: Maou Gakuin no Futekigousha (The Misfit of Demon King Academy) is okay

Anos and Sasha
If you keep making eye contact like that, she's gonna do the thing.

I started watching Maou Gakuin no Futekigousha (The Misfit of Demon King Academy) because I like the way its character designer draws eyes. True story. (This is also why I watched Toji no Miko (Katana Maidens. But I digress.) As it turns out, the Maou Academy anime has stayed reasonably entertaining through its first nine episodes, and about in line with what I hoped for after the first two episodes.

Eleanor
It took nine episodes to introduces this twin-braided character from the promo art.

One key to its success is having enough lore to keep the viewer guessing as to what's happened in the world during the two thousands years Anos was busy staying dead. Or rather, enough lore to make it interesting, but not so much lore that it becomes oppressingly sonorous. (Fate/stay night, I am looking in your direction.) I don't think anyone is going into Maou-kun Goes to Maou-kun School expecting the best thing ever, but anyone in the mood for casually lopsided fights and a fair amount of tsundere yammering has come to the right place.

Momoka
I don't know why they censored this. She's wearing panties.

Since I first introduced Maou Gakuin together with Dokyuu Hentai HxEros (SUPER HXEROS), I guess I should also include that I dropped HXEROS after five episodes. It is what it is, but there were other things I preferred to spend my time on instead.

Dated 7 July 2020: Dokyuu Hentai HxEros and Maou Gakuin no Futekigousha demonstrate it can be better to be first than good

Retto
I bet this watch doesn't even keep time.

The Summer 2020 anime season is upon us, and the first shows I watched were Dokyuu Hentai HxEros (SUPER HXEROS) and Maou Gakuin no Futekigousha (The Misfit of Demon King Academy). These were not exactly shows I was looking forward to seeing, but they were among the ones first out the gate, so why not? As it turns out, neither are as bad as I might have feared, although I can't exactly call them good either.

Retto and Kirara
Ol' Red here is literally powered by this blonde girl's indefatigable libido.

In the case of Dokyuu Hentai HxEros, there have been multiple anime in the past that involved teenagers harnessing the power of their youth to battle various evildoers. Dakara Boku wa, Ecchi ga Dekinai. (So, I Can't Play H!) comes to mind, as does Hybrid × Heart Magias Academy Ataraxia (i.e., the other HxH anime—the one that is not Hunter x Hunter). SUPER HXEROS was actually sort of amusing thanks to its embrace of tokusatsu live-action tropes. The show is self-aware, but not to a negative extent.

Anos and Misha
Picking up The Precious Thing is apparently a big deal in Misha's eyes.

I'm expecting Maou Gakuin no Futekigousha to be light-novel rubbish, but I genuinely appreciate that the first episode skipped the backstory and setup entirely, dropping the reader straight into the reincarnated demon king's first day at Evil Hogswarth. (Okay, fine, at a slightly eviler Hogswarth.) The characters at school are entirely forgettable so far, and exist mostly so the "misfit demon king" has various assholes he can easily defeat. (They totally have it coming.) His parents seem really dumb, but in a good-natured sort of way, so I'm willing to watch more. Overall, not a great start to the Summer 2020 anime season, but good enough for its first week.

Dated 5 May 2020: It turns out there is more to Gleipnir than exquisitely detailed brassieres

Clair
Not a whole lot of anime characters with freckles.

I would not call Gleipnir lewd even though its lead girl has spent most of the first five episodes with her clothes off. (The rest of the time, she's usually in the process of removing her clothes.) The show is lurid, though. Frankly, I'm finding this sort of extremely overt fan service rather refreshing. It's a nice contrast to some of the inflexible attitudes I seem to encounter on the Twitter occasionally. In any case, it's starting to look like Gleipnir actually has a lot going on. In fact, probably too much going on to wrap up in a single cours considering five episodes have already passed, and the show is only just now getting started with a plot of any sort.

Clair and Shuichi
This is good way to get a lot of bug bites, Clair.

From the looks of it, the Gleipnir anime is also about to add a bunch of new characters (who won't necessarily live long). Seeing as how the original manga appears to still be ongoing, I'm guessing the anime is going to conclude with a non-ending ending unless it proves popular enough to get successive seasons. I don't know if I'm going to care about any of these new characters, but I'm hoping they'll bring more to the series than Potato-kun has so far. At least Clair is interesting. After all, she has gotten less suicidal and her brassieres are exquisitely detailed.

Dated 24 March 2020: Four thoughts about Fate/Grand Order: Absolute Demonic Front Babylonia; the third one will shock you

Ana
Ana is a good girl.

Firstly, I fully expected to find Fate/Grand Order: Zettai Majuu Sensen Babylonia (Fate/Grand Order: Absolute Demonic Front Babylonia) mostly incomprehensible, since I was basically ignorant about its lore aside from what I managed to glean via the Twitter and from the copious amounts of fan art devoted to the franchise. This did, indeed, turn out to be the case. It certainly does not help that Fate/Baby was episode seven within its underlying Fate GO game's narrative.

Leonardo and Romani
Leonardo never pulled up a chair of her own.

Secondly, none of that mattered, since the animation in Fate/Grand Order: Absolute Demonic Front Babylonia was frickin' amazing. It was literally so good that the story was inconsequential. It's worth watching just because it looks so good. I know in a post-Shirobako world we're not supposed to mention the B-word, but the anime adaptation of a franchise that prints money clearly had resources available to it, that, say, Cop Craft did not. The animation in Cop Craft gave me the impression people were doing the best they could in the face of adversity they did not control. The animation in Babylonia made me think animators were showing off and trying to outdo each other week after week.

Ishtar
Believe it, baby.

Thirdly, these conditions serendipitously produced the best variant of Tohsaka Rin (Toosaka, whatever) of all time. Even better than Kaleido Ruby. I don't actually know why Ishtar looks like Rin from Fate/stay night. I literally could not break it down for you even though the show explicitly addressed it, and I've read the various summaries found in wikis for the game and whatnot. I find these explanations unsatisfactory. In any event, it doesn't matter. All you need to know is that Ishtar is a game-breaking home run. Oh, and Ereshkigal is okay, too.

Gilgamesh
It turns out Gilgamesh was a lot more chill back in the day.

Finally, Fate/Grand Order: Zettai Majuu Sensen Babylonia was a really loud show. I don't think the show streamed with a discrete LFE channel (I didn't check), but it was at least mixed in such a way that every episode got considerable use out of my subwoofer. Planet With was sort of like this too, but it was sort of unpleasant during Planet With. On the other hand the deep impacts and 'splosions in Fate/Baby were really satisfying. I keep telling people not to skimp on the audio portion when setting up their preferred viewing space, whether it be a television or a computer. Hopefully, fans of Babylonia followed this practice as well. Totally worth it.

Dated 15 October 2019: I'm pretending to watch Fate/Grand Order: Zettai Majuu Sensen Babylonia for reasons other than Ishtar

Ishtar, Mash, Fou, and Ritsuka
Potato-kun, are you wearing capri pants on this expedition?

The actual story and lore associated with Fate/Grand Order is incomprehensible to me because everything I know about it comes from secondary or tertiary sources such as people on the Twitter talking about the game, or from its fan art, or from people on the Twitter talking about the game's fan art. And while I have a semi-coherent understanding of the original Fate/stay night game, the currently airing Fate/Grand Order: Zettai Majuu Sensen Babylonia (Fate/Grand Order: Absolute Demonic Front Babylonia) anime is so removed from those origins that what I do know doesn't help at all. Compounding the problem, the anime seems to be adapting the seventh major arc of the FGO game, so there's an implied understanding that viewers should be familiar with the equivalent of six previous seasons. After the prologue and two proper episodes (plus the Fate/Grand Order -First Order- OVA), I'm still sort of lost.

Ishtar
I can't rule out the possibility Marisa stole Ishtar's shit.

Thankfully, it seems recognizing references or knowing all the lore is not strictly necessary to enjoying the Fate/Grand Order: Zettai Majuu Sensen Babylonia anime. For one thing, it looks fantastic, and is probably the first solid example of a show where I can clearly identify 3DCG elements without having any of it bother me at all. (Okay, the lions bother me a little bit.) For example, flowing water actually looks as if it belongs in the same world. Additionally, the action scenes are entertaining, albeit rather busy. There is a lot of shit going on and a lot of cuts that seem designed to impress via fancy animation. Well, they are fancy, and I am impressed, but I think I'd prefer a less frantic style. Really, though, these are minor complaints on my part at best (even the stuff about the incomprehensible lore). As a matter of general principle, I'll almost certainly continue to watch Fate/Grand Order: Absolute Demonic Front Babylonia for as long as it runs, providing it periodically features Ishtar doing Ishtar-type things.

Dated 10 September 2019: Y'all should read JK Haru Is a Sex Worker in Another World

Front cover: JK Haru is a Sex Worker in Another World
Despite being a light novel, JK Haru is not illustrated.

JK Haru wa Isekai de Shoufu ni Natta (JK Haru Is a Sex Worker in Another World) gained some notoriety last year when a licensed version became digitally available. Hard copies are now in print as well. Being an isekai light novel, the book is somewhat tongue-in-cheek despite the subject matter. However, I believe the tone it adopts appropriately approximates the sort of setup readers might expect in an isekai light novel about prostitution, thereby facilitating its ability to get them interested in the story before confronting them with the uncomfortable realities that correspond with sex work in general and the vulnerability of prostitutes specifically.

That said, JK Haru Is a Sex Worker in Another World is not a grim book, despite a number of unsettling scenes and events. Moreover, the misogyny and violence encountered in the fantasy world setting are not exactly out of line with the sorts of hazards women face in many sectors of our real world. It's a difficult balancing act for the text, contrasting amusing adventures with these threats. And while there is plenty of sex in JK Haru—as you might expect—the scenes are typically presented matter-of-factly and not written to titilate. Sex work in JK Haru is not glamorous, and the book keeps the attention on the work part, not the sex part.

Notably, I never felt as if JK Haru Is a Sex Worker in Another World was deliberately prurient the way that, frankly, so many light novels seems justifiably accused of being. I've seen enough comments on the Twitter to know many readers will disagree with me on this point, but I think this may have to do with one's initial expectations of the book and what sort of demands are placed on it. JK Haru is presented from Haru's first-person point of view, which I think makes it more effective at conveying the bleakness of her world and the impact of the events around her. Likewise, it also better communicates the joy she finds when she pursues various recreational diversions or actually has sex she enjoys. It also avoids presenting the violence in her world or the sadism she encounters as elements the reader is expected to like (unlike the corresponding scenes in some other light novels I might name). There are surely readers who do prefer that sort of content and wish JK Haru had more of it, but I'm inclined to regard that as an indictment against those readers themselves and not the text for obstensibly failing to omit it.

Incidentally, the various twists and reveals in JK Haru Is a Sex Worker in Another World are good enough that I recommend a spoiler-avoidance posture if you expect to read it.

Dated 17 June 2019: Midara na Ao-chan wa Benkyou ga Dekinai is no B Gata H Kei

Ao
What does it mean if her pupils turn into hearts?

As I wrote earlier, I started watching Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) by accident. I've dropped Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN), but I'm still watching Ao-chan. It's all right, but not great. Although the episodes are half-length, the story has advanced far enough that its titular character has fully accepted that she very much wants her crush to put the wood to her. Naturally, he's too much of a pure-pure boy to do anything about it, despite the wildly off-base reputation Ao-chan had associated with him, and despite her increasingly open advances. I don't know what happens in the manga, but it seems all but assured that anime-type Ao will fail in her attempts at having the sex.

Ao
Wait, then what does it mean if her pupils turn into Debian?

B Gata H Kei (Yamada's First Time) similarly features a sexually frustrated girl who can't seem to get laid despite her best efforts. There are important differences between B Gata H Kei and Midara na Ao-chan wa Benkyou ga Dekinai, though. Notably, actual chemistry develops between Yamada and Kosuda; I'm not really buying Ao's relationship with Takumi. Kosuda and Takumi both seem like reasonably fine fellows, and Ao does seem several degrees less insane than Yamada, but I like Yamada and Kosuda quite a bit more than Ao and Takumi, both as individuals and as couples. B Gata H Kei also has a supporting cast that adds to the story. Usually I find that if a show is going to go wrong with its supporting characters, it fails by adding too many of them. Ao-chan Can't Study! somehow doesn't have enough of them, or at least doesn't have any that improve the series at all. They're basically dead weight.

Kosuda and Yamada
Does it mean she's open for sourcing?

I guess B Gata H Kei has the advantage of having twice the run time, relative to Ao-chan's half-length episodes. Oddly, it's the former that's based on a 4-koma comic strip, while the latter is sourced from a regular manga series. The Ao-chan anime does still have the opportunity to turn things around, depending on how its ending goes. The, uh, climax to B Gata H Kei anime does not, um, perform quite as well as the comic's. It probably could use an OVA, although I suspect this is going to end up being true of both shows.