That is the sort of suspicious look reserved for strangers who don't eat brains.

Golden Kamuy is a good anime based on a great manga. The adaptation is fairly straightforward, and the series is now in its fourth season, with more than 40 episodes completed. Anyone still watching it has probably been with the show since the beginning or has at least read the manga. In my case, I believe this is the first time I've been ahead of the anime relative to how much I've read, even though my progress is governed by the release schedule of the English-language version published by VIZ. (The original run completed earlier this year.)

Relax, he gets better.

I suspect knowing what happens has dampened my enthusiasm for the Golden Kamuy anime somewhat. Although it's still good, an important part of the experience in the past has been my constant bewilderment at some of the unpredictable mishaps facing our intrepid (and not so intrepid) menagerie of heroes and misanthropes. In contrast, I don't know jack shit about Chainsaw Man.

She did knock.

Well, I do know that the manga is wildly popular. I also know one of the characters who hasn't appeared in the anime yet dies. I was expecting a lot of fighting and shounen jive, but I was at least informed ahead of time that it does not have tournaments, so that's a plus.

Makima seems like a nice lady.

Through six episodes of the fourth season of Golden Kamuy and five episodes of Chainsaw Man, the former is doing well at all the things I expect it to do well, thanks to the strength of its source material. The latter is intriguing and features people being weird and stupid, but in amusing ways. Not surprisingly, it does have chainsaws, but there also seems to be less shounen jive than I was expecting. I'm still uncertain what the show is actually about, but I am more entertained than I thought I would be. I probably still won't bother reading the Chainsaw Man manga, though.

[Update: Via ANN, "Golden Kamuy Season 4 Delays Remaining Episodes Due to Staff Member's Passing."]

More of this would have been better.

I am going to caveat this by acknowledging first of all that Ousama Ranking (Ranking of Kings) was never actually capital-B Bad. However, I am hard pressed to identify another show with greater distance between how much I enjoyed it at the beginning and how disinterested I was by the end. I'm sort of appalled, to tell you the truth. Anime War Crime Tribunal provides a spoiler-heavy examination that covers basically every issue I had with the series, although I'm more negative about the problems overall.

He's not going to be big enough for her.

I feel as if I must be overlooking shows that genuinely collapsed, but I suspect those examples that escape me at the moment likely showed less initial promise. Ousama Ranking, at a minimum, had a solid start (that admittedly started declining towards the end of its first cours). I did already mention that I was sick of all the fighting. Well, it went on like that during the second cours, but then the monkey's paw curled, the fighting stopped, and it got even worse. As I understand it, the source manga is still running, so maybe the story gets good again. The very end of the final anime episode did open the door for that possibility, but I'm in no hurry to revisit Ranking of Kings in any capacity for the time being.

Can we just keep Zenitsu unconscious the whole time from now on?

There sure is a lot of shouting and crying in Kimetsu no Yaiba. I don't really have much more to add to my last Demon Slayer post except maybe to be sort of incredulous that we got such an extended backstory for the season's extended-episode epilogue. Not that I should have been surprised by that, as these sorts of delayed backstories have always been part of the show's formula.

Don't try and tell me Nezuko ever brushes her teeth.

Judging from the fan reactions this season, the Yuukaku-hen (euphemistically localized as "Entertainment District Arc") portion of the series was very well received. I can understand why, as the animation was amazing, and the fights hit all of the sorts of beats the people who enjoy shounen jive like. I continue to appreciate the show for what it is, and I do intend to watch Kimetsu no Yaiba: Katanakaji no Sato-Hen (the "Swordsmith Village Arc" of Demon Slayer), whenever that comes out. I wonder if Nezuko will still be biting down on that piece of rope by then, or if she'll have a new bamboo harmonica to play. That rope would get so nasty so fast!

Y'all are unconvincing girls.

Now that the second season of the Kimetsu no Yaiba anime is past its Mugen Ressha-hen (Mugen Train movie repurposed as TV episodes) arc and has aired four episodes of the Yuukaku-hen (Entertainment District) arc, I'm afraid my interest in the series remains well below the heights reached during the anime's first two cours. It's fine, but I feel as if I'm the wrong target audience.

I do appreciate Sawashiro Miyuki's addition to the series.

This is not unexpected, since my interest in Demon Slayer has always been something of an outlier for me; I don't typically watch or read popular shounen properties. I presume my disinterest with the current arc is because it is building up to its next big moments and it is complementing its narrative journey with the sort of flourishes and gags that I don't care for. I don't know how many episodes remain in this second season, but I believe it is continuing uninterrupted into the Winter 2022 anime season. I'm definitely still going to watch it, and not just because I don't currently have a lot other Winter 2022 shows on my radar. It's just unfortunate I'm not the right person to fully appreciate the series.

Nezuko gets to do something.

I enjoyed the first season of Kimetsu no Yaiba (Demon Slayer) and also thought its Mugen Train movie was good. I'm hardly alone in having this opinion, as the series proved hugely popular, resulting in enormous sales for the manga on which it is based. Similarly, Gekijouban Kimetsu no Yaiba: Mugen Ressha-hen did extremely well in theaters, surpassing Spirited Away to become Japan's box office champion. The movie follows the events from the first anime season, and there was initially some concern the second TV season would pick up from where the movie left off, thus making it required viewing from a continuity standpoint.

You sure about this?

Instead, the Mugen Train movie is being spread out over the first nine episodes of the second season of Kimetsu no Yaiba. After this arc concludes on Saturday, the entertainment district arc will reportedly begin, although I'm unsure how many episodes that will run. Re-watching the movie as television episodes has not been ideal. It doesn't seem as if there are major edits or changes to the ordering of scenes to accommodate the time constraints of television episodes, but the experience seems flawed.

These are some eyebrows.

As far as I can tell, the reason for this effect is because of the weekly interruptions breaking up the impacts of both the narrative and the action scenes. It's a fairly obvious or at least foreseeable consequence of repackaging the movie into a different format, but more pronounced than I anticipated. Nevertheless, I don't think it would have made sense to re-create the entire arc with the television format in mind, so this probably was the best option. Besides, it's not as if the arc is actually bad this way—it mostly just fails to match its own standard.

I love how unaccommodating the ergonomics are for flying this thing.

As with SSSS.GRIDMAN before it, SSSS.DYNAZENON is not really about either giant robots or kaiju. Rather, it is about the human struggles affecting the characters themselves. After five episodes, the most consequential plot line in the show appears to be Yume's quest to learn more about her older sister and come to grips with her death. Sure, there is that whole kaiju thing and people reappearing from 5000 years ago, but Yume's got a lot going on, okay.

Yume is basically an entirely different person around someone she trusts.

Nevertheless, she still finds time to go to giant-robot practice (I love that they have actual giant-robot practice) and seems to have embraced this whole fighting monsters thing as a reasonable part of her life. Unfortunately, SSSS.DYNAZENON has not yet abandoned Potato-kun as a protagonist. Sidelining Yuuta in favor of Rikka and Akane was one of the best things SSSS.GRIDMAN ever did. I'm not saying Yomogi is entirely worthless, but I really got my hopes up when Chise took an interest in learning how to pilot as well.

The front of Nanao's uniform reminds me of a Heinz bottle.

Adding onto this post about shows airing during the Autumn 2020 cours, my early top show is Munou na Nana (Talentless Nana) which had a surprisingly solid first episode, albeit one that relied on breaking from expectations, so you're better off avoiding spoilers and watching the first episode blind. Unfortunately, it looks as if the source manga isn't rated highly, so potentially the story doesn't fare so well later on. More optimistically, perhaps the low scores are merely due to problems the anime adaptation can fix.

The horror of an anime bed made of concrete.

I'm more pessimistic about Maou-jou de Oyasumi (Sleepy Princess in the Demon Castle) which is one of those shows with a neat idea that runs the risk of wearing out its welcome if it turns out to only offer one basic joke that it repeats ad infinitum. I think the source manga remains well liked, so maybe I should have more faith it its potential for creativity.

I don't even know why Inuyasha himself is a dog except that it's in his name.

Despite being almost entirely ignorant about InuYasha, I'm reasonably sure its sequel (spinoff?) will probably be at least sort of good thanks to having a respectable pedigree. Kyoukai no Rinne is actually the only Takahashi Rumiko thing I've ever seen, but that was pretty good. Her other works are popular, and I remember people being nuts for InuYasha back in the day, so Hanyou no Yashahime (Yashahime: Princess Half-Demon) at least has odds in its favor.

Mi casa es Tsukasa.

Tonikaku Kawaii (TONIKAWA: Over The Moon For You) also has a pedigree, but not one quite as good. It has probably already referenced its creator's other works a few times by now unbeknownst to me, though. The first two episodes were fine, but not outstanding, and I'm already quite tired of Potato-kun's penchant for freaking out. It's one of those "comic" behaviors that isn't as objectionable in manga form, but doesn't translate well to anime. I'm also worried a bunch of wacky cockblockers will move in with the couple. In fact, I can probably think of a whole lot of different ways this could go wrong, even though I think the manga remains popular. There are a lot of shows this season, so I'm not going to be as patient with it as I might have been just a few months ago.

That collar would be so uncomfortable

Log Horizon is much, much better than typical isekai fare. However, as an anime, it's perhaps not as entertaining as people make it out to be. I suspect it's probably better as a book. This is my second time watching the anime, and I like it about the same now as I did originally, but there are definitely parts of it I find less interesting than others. There is a lot of info-dumping, for example, and there are a few arcs that I simply don't care about, such as kids learning the hard way how to be adventurers because nobody will listen to Minori.

I guess he's fine when he doesn't talk.

With regard to that particular arc, Log Horizon deliberately made the boys shounen-type dipshits in order to make Minori a more sympathetic character. I guess it's working, because Minori is the only member of that party I care about. I appreciate that Rudy has an actual character arc, but he was way too annoying in the beginning. It was unrecoverable. It also helped that Shiroe reached out to Minori instead of her brother when the two of them were slaves in an MMORPG sweatshop. I guess he liked her better, too.

Minori getting shit done.

The mentoring Shiroe provides to Minori, her shounen-type dipshit brother, and other characters does make Shiroe more likable. Most fans of the show point to Shiroe's various schemes and plans when identifying his attributes, but I think those are less important than his penchant for helping people. I mean, the craftiness is neat, too, but I think that aspect gets overstated when fans highlight the elements that differentiate Log Horizon from other isekai anime. The problem is you'll run up against a bunch of questions you're meant to ignore if you think too hard about how those plans of his work out. In comparison, despite being simple and straightforward, the mentoring thing remains compelling because other shows often try to prop up their protagonists by focusing on how great they are at everything. (For example, consider Kirito from Sword Art Online.) Conversely, Shiroe's whole shtick is that he makes other people better.

Henrietta's relentless harassment is fine because they're both girls, right?

There are a lot of characters in Log Horizon, and I like most of the ones who are not shounen-type dipshits, but I could do without the jokes some of them are stuck with. For example, every gag involving Akatsuki. It's a shame, because I'd probably like Akatsuki quite a bit without them. She's at least a fan favorite even despite those tired jokes.

They definitely just wanted to dress up the princess in ridiculous clothes.

I do wish Log Horizon explored the NPCs more, though. I'm more interested in how they handle sharing their world with immortal superbeings. The show does address this to some degree, but still think it deserves more attention. Perhaps there is a stronger focus on this in the books, and I'll get my wish when season three starts in October. Well, if it starts in October. Just don't put all the attention on shounen-type dipshit NPCs, okay.