Maybe tomatoes count as a Miorine surrogate.

Continuing from my previous post about Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2), I'm gonna go ahead and voice my primary beef with the way the show depicted Suletta's & Miorine's relationship. The short version is the series simply did not have enough episodes to adequately develop it. Or rather, it did, but it would have had to do so at the expense of something else. I suspect this is true of most of the areas that lacked sufficient elaboration for many viewers. (For example, anyone clamoring for more details about Miorine's mother, or about what tomatoes had to do with her Quiet Zero plans.)

It's an act, but can you imagine Suletta doing something like this?

With regard to Suletta and Miorine specifically, nearly all of the slow, getting-closer parts that 'shippers might want occur almost entirely off-screen. Instead, we're treated to multiple instances of Miorine being distant, or cold, or outright cruel, and subsequent cathartic moments when she's realized she has fucked up and makes herself vulnerable to Suletta. All the less flashy (but still critical) incremental bond building occurs during time skips. It relies on the viewer to already be on board with the pairing, and willing to fill in the gaps with "head canon." Actually, not all of it was off-screen. A lot of it occurred during anachronistic dates across contemporary Japan shared on the Twitter.

I guess this counts as a date.

I don't intend to belabor the point about these short vignettes that the @G_Witch_M account posted between cours, but I am serious about how these Suletta and Miorine Japan-tour snapshots are the clearest examples we have of the two actually going on dates or acting like a couple. This doesn't change the groundbreaking importance of their prime-time teenage lesbian marriage, but it is unfortunate that including regular romance material would have crowded out all the other Gundam-critical-type stuff that G Witch barely managed to include.

I heard you liked helmets.

Now that Kidou Senshi Gundam: Suisei no Majo Season 2 (Mobile Suit Gundam: The Witch from Mercury Season 2) has finished, I should probably capture my concluding thoughts on the series while they remain somewhat fresh. However, I get the feeling that would result in a long blog post, so maybe I ought to break things up into multiple entries despite the risk I might simply lose interest in writing more before completion. Anyway, the first post in this series (?) is about Elnora. If you've been following me on the Twitter, this should surprise you not at all.

Notably, I never stopped seeing Elnora as the girl she used to be.

Many viewers (if not most viewers) seemed to regard Prospera as the main villain of the series. This is not an incorrect perspective, but I think it's incomplete. I take the position that she is both an antagonist and a protagonist. This is not to say that I thought of her as the protagonist—that's clearly Suletta—but I do see her as a protagonist. (Fuck your deuteragonist and tritagonist nonsense. You're reading an anime blog, not a fan wiki.) That's not a controversial position for me to take, is it?

Maybe she'll start calling you Mom without sounding sarcastic.

I'll need to put more thought into this, but my initial impulse is to suggest Elnora embraced the forgiveness aspect reflected in (or constrained by) The Tempest a lot more readily than I expected. Like, she had already forgiven Delling during the scene where she's fucking with Miorine's head to get her to aspire for the Benerit leadership role, right?

I wonder how soon Elnora realized she was going to end up in this chair.

I also found Prospera's Quiet Zero plot to be a lot less sinister than what most people were assuming. (Never mind that I still have no idea what Notrette's original Quiet Zero plan—or Delling's intentions for the project, for that matter—were meant to be.) Now, I'm not part of the "Prospera Did Nothing Wrong" faction, but I do view her actions from a position that is decidedly more favorable to her than most seem willing to adopt. Let's just say I'm grading on a curve.

Asirpa is short.

The fourth season of Golden Kamuy was supposed to finish at the end of 2022. A staff member's death delayed production, and the cours restarted as a Spring 2023 show. As with other long-running anime (well, longer-running, relatively speaking), there's not much I can tell you about this series if you're not watching it already. Read the manga. It's great. I would tell you to start watching the anime, but that's probably a harder sell now that there are nearly 50 episodes (more, if you count the OVAs). You should have started already.

Don't stare. It's impolite.

This is one of those series that does everything well. There's comedy, there's drama, it's wacky, and it's serious. There are a lot of characters, and most of them are mental cases, but you'll also spend enough time with them (well, the ones who don't suddenly die) to appreciate what they've got going on and what motivates them. We already know the anime will cover the entire manga, so it's at least something newcomers can start without worrying about it being incomplete. There are honestly still some rough parts where the scenes or action are clearly difficult to animate, but we're at least well past the immersion-breaking 3DCG bears and fire from the first season.

Kusunoki Tomori welcomes her successor.

31 March 2023 marked Kusunoki Tomori's final day voicing Yuuki Setsuna in the Love Live! franchise. Hayashi Coco (alt: Koko) assumed the role beginning April 1st. This is hardly the first time anime characters have been recast, and this particular handover seems to have been handled well, but part of me wonders how necessary it really was. As far as I know, Kusunoki Tomori is still doing voice work and has only stepped down as the voice for Setsuna because health issues make the physical requirements of the live performances too demanding.

The handover between Hayashi Coco and Kusunoki Tomori was posted on the YouTube.

Despite still claiming—even now—not to be a Love Live! fan, I consider Setsuna to be the franchise's best idol. (Shibuya Kanon is "only" its Best Girl and best character.) Of all the different Love Live! iterations, I regard Love Live! Nijigasaki Gakuen School Idol Doukoukai (Love Live! Nijigasaki High School Idol Club) as having the best music. This is in no small part due to how much I enjoy all of the Setsuna songs. Would I like them as much with someone else in the role? That remains to be seen, but I do know the Kasumi version of "CHASE!" from the Shuffle Festival album isn't quite as good as the original Setsuna one.

Nijiyon Animation was okay.

Personally, I think simply not having Setsuna appear during the live events ought to have been a viable solution, but this likely reflects a lack of appreciation on my part as to just how important those live events are to the franchise and its real fans. The production powers-that-be (not to be confused with the School Idol Deep State) surely fully explored every possible option and concluded that re-casting the role was the right decision.

Second-Generation Setsuna appears briefly in the Next Sky PV.

I don't know how many Nijigasaki-type things there will even be going forward, but I know there's one OVA already announced (Love Live! Nijigasaki Gakuen School Idol Doukoukai: Next Sky). I presume there are a lot of live events planned too. Thankfully, the reception to "Setsuna 二代目" appears to be very positive, so the newest Love Live! member at least shouldn't be facing an uphill battle for our hearts and minds.

Ship girls as a concept still seems weird if I think about it.

After multiple production delays, the eighth and final episode of KanColle: Itsuka Ano Umi de (KanColle: Someday in that Sea, alternatively, KanColle: Let's Meet at Sea) aired on 25 March 2023. Being an outsider who is unfamiliar with the game, the second season of the Kantai Collection anime made me wonder whether its tone is reflected in the gameplay. It's been a while since I watched the first season and the movie, but I don't remember either of them being so consistently serious throughout. It would be easy to say the tonal shift is because so many ships "die," but at the same time it feels as if the series tries to soften the loss the way a parent might lie to small children by saying beloved pets have gone off to live happily on a faraway farm. Unless they really did go to a farm?

Ship girls sure age well.

Ultimately, I can't claim the second season of Kantai Collection was a good anime for anyone other than viewers who really wanted lingering shots of Shigure doing Shigure-type things. I don't mean to imply that the show is full of cheesecake and fan service. It's not—not at all. Rather, I mean that this short series felt like I was flipping through a photo album that captured memories of her experiences during the war.

Shigure DIES. P.S. Spoilers.

Incidentally, I suppose I should acknowledge Kancolle's ties to World War II. Naturally, since the adversaries in its world are fictional "Abyssals" instead of the Allied powers, key events were re-imagined so that certain outcomes differed from their real-world counterparts. (It also allowed for the sort of cameos you might expect under these conditions.) Does this make the montages at the end of the final episode more or less poignant? Once again, as an outsider, it's not clear to me at all. Nevertheless, I appreciate the franchise for what it is, and I'm curious what the future has in store for it.

This is not Yuru Camp △.

Sekai no Owari ni Shiba Inu to (Doomsday with My Dog) ended after 72 episodes. These are pretty short episodes to begin with, and they also barely qualify as anime. Think of them more as voiced comics or illustrated radio dramas. Nevertheless, I found the series entertaining, probably in no small part thanks to Uchida Maaya voicing the dog's unnamed master. She at least makes "Goshujin-sama" seem like a cool person to be roaming around with after the fall of humanity.

Coffee is pretty great.

It appears there are only four volumes of the source material (a 4-koma comic), so the anime could have run out of strips to adapt, but at least it's listed as still running. Maybe if I wait five years there will be another 72 episodes. In the past, that would have seemed like a long time, but five years basically goes by in a flash now. To tell you the truth, it's starting to feel as if time passes at an alarming rate even after being converted to dog years.

Keep your feet and knees together. Aside from that, you're on your own.

The first episode of each new Pretty Cure iteration tends to be good. Even by that metric, the first episode of Hirogaru Sky! Precure is very promising. It also confirms the franchise is exploring uncharted territory in its 20th year. First of all, its lead character is not a Japanese girl. For another thing, Sora's battle costume corresponding with her mahou shoujo form has a blue theme. Promotional materials for the series have also confirmed Hirogaru Sky! Precure will include a male Cure (a 12-year-old boy) and an "adult" Cure (she's 18), although there have technically been older Cures—and numerous Cures only a year younger—in the past.

Don't let her land on your head, Mashiro.

Taxonomy disputes as to who is entitled to be an According to Hoyle Pretty Cure are not new. Viewers who have followed Pretty Cure from the beginning will recall Shiny Luminous, Kaoru, Michiru, and Milky Rose were effectively Cures in all but name, but lacked the official moniker presumably because they were not Japanese girls. Cure Passion broke this barrier at the midpoint of Fresh Pretty Cure! in 2009. Questions as to when there would be a male Cure have dogged the franchise for years. After all, a robot, two space aliens, and a mermaid were all allowed to become Cures. They weren't even human!

Unfortunately, Sky does actually smile a lot during her transformation.

As far as the whole pink Cure thing goes, I feel as if that was only established starting from the fourth year of Pretty Cure. However, it became important enough for some fans that they will retroactively insist Shiny Luminous is a "Yellow" (because of her hair and predominantly defensive role) despite being the only member of the Max Heart trio with an unquestionably pink-themed battle costume. Assuming Cure Prism does not usurp the lead role from Cure Sky, this would be rejection of a convention that has become regarded as traditional.

"I want you to hit me as hard as you can."

It's too early yet for me to claim Hirogaru Sky! Precure will be good, but I am optimistic about its chances. At a minimum the determination and bravery Sora displayed during the first episode points the series in the right direction. My enduring convictions about Pretty Cure as a franchise are predicated on the themes established during its nascent beginnings. Namely, that the series should concentrate on youths embracing Hope and Courage. Consequently, I was baffled that Delicious Party♡Precure devoted so many of its episodes (including the show's climactic arc!) to the exchange of grievances between various adult male characters. Let's not do that again.

Space Oomfie.

As you may have noticed, I really enjoyed the first cours of Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury). I've watched so little from the Gundam franchise that I'm hazy on a lot of its common, recurring themes. Nevertheless, I at least know the depiction of death and the consequences of war are integral companions (in some way) to the cool-robot plastic-model-sales aspects.

Nika realizing how much extra work killing that guy is going to create for her.

However, I'm not well versed in terms of how Gundam presents these elements or how it communicates its perspectives about them. My assumption is that it adopts a "killing is bad" approach, but I'm willing to trust it at least has a more nuanced view than something like Sword Art Online II:

2016-01-08-18:16< Evirus> The robber had already killed one person and was about to shoot the mom, the teller, basically everyone. But sniper girl, who was like five at the time, managed to get the gun and shot the robber dead. And she was a pariah ever since, even to her mother.

ANYWAY, I don't know if this ultra-pacifist view crudely depicted in SAO II in any way accurately reflects a mainstream Japanese view, nor do I know if Gundam has anything similar. For the purpose of this blog post, I'm going go assume neither are true. That said, episode 12 of Kidou Senshi Gundam: Suisei no Majo ends with a violent death that leaves one of its leads shocked and deeply troubled.

At a minimum, Prospera is way better than Sinon's mother.

Now, the most important aspect of this character's reaction is her disbelief the person responsible for the killing could appear untroubled by the act. That is the critical focus of the scene, but the implication "all killing is bad" still looms. We'll have to wait until the second cours begins in April 2023 for more clarity on these points, but anything other than unambiguously concentrating on the mental-state aspect of the scene will appear alien to me.

I think this qualifies as an imminent threat to life or bodily harm even if he's not using the sights.

The distinction derives from my inculcation in a common American belief that using deadly force is justified in the defense of others. The legality and scope of this doctrine varies by region and jurisdiction (as do American self-defense doctrines and perspectives as a whole, for that matter), but I presume it's at least much more common in the United States than it is in Japan. I just don't know how it's portrayed in Gundam.