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Dated 31 March 2020: I watched GeGeGe no Kitarou for two years

Kitarou
I liked the way Sawashiro Miyuki voiced Kitarou.

I knew basically nothing about GeGeGe no Kitarou before I started watching it two years ago. From the promotional material and initial surge of fan art, I at least determined that it was originally a manga from the 1960s that had five previous anime adaptions. It already had hundreds of episodes and numerous updates to its character designs. I decided to give it a chance based solely on this information, even though the NekoMusume character now had legs that went up to her neck. What I found was a modern family show with traditional ties in an anime that frequently featured thoughtful—yet entertaining—episodes.

Monroe, Pii, and NekoMusume
You would not believe how sick NekoMusume is of your shit.

I can't claim the show taught me a lot about yokai and their associated myths, but I'm at least a lot more familiar with them now. This is a sharp contrast to my first encounter with yokai, in Azumanga Daioh. They seemed perplexing and bizarre back then. I suspect this sort of familiarization was also intended for the younger viewers of GeGeGe no Kitarou. I don't know how often yokai feature in children's stories told to contemporary Japanese kids, but watching cartoons about them probably at least reinforces their understanding about old-timey lore. For little kids, it was sort of a violent and grisly show by American standards, though—about on par with what they'd see in Detective Conan.

Agnes
At least the first Backbeard arc gave us Agnes.
P.S. EINS, ZWEI, GUTEN MORGEN.

Ultimately, was it really worth watching 97 episodes of GeGeGe no Kitarou just to say I've seen it? It's not the sort of show I'd recommend for people to plow through if it doesn't immediately capture their attention (to say nothing of the hundreds of episodes that ran prior to the latest iteration), but watching it week-to-week was all right. There wasn't much of a cohesive narrative, discounting some of the longer arcs. Thankfully, the second "Backbeard" arc turned out to be much shorter than the first one, as Backbeard was not much of an antagonist. It turns out the true villains are the evils we bring forth from within ourselves. P.S. Spoilers.

Dated 24 March 2020: Four thoughts about Fate/Grand Order: Absolute Demonic Front Babylonia; the third one will shock you

Ana
Ana is a good girl.

Firstly, I fully expected to find Fate/Grand Order: Zettai Majuu Sensen Babylonia (Fate/Grand Order: Absolute Demonic Front Babylonia) mostly incomprehensible, since I was basically ignorant about its lore aside from what I managed to glean via the Twitter and from the copious amounts of fan art devoted to the franchise. This did, indeed, turn out to be the case. It certainly does not help that Fate/Baby was episode seven within its underlying Fate GO game's narrative.

Leonardo and Romani
Leonardo never pulled up a chair of her own.

Secondly, none of that mattered, since the animation in Fate/Grand Order: Absolute Demonic Front Babylonia was frickin' amazing. It was literally so good that the story was inconsequential. It's worth watching just because it looks so good. I know in a post-Shirobako world we're not supposed to mention the B-word, but the anime adaptation of a franchise that prints money clearly had resources available to it, that, say, Cop Craft did not. The animation in Cop Craft gave me the impression people were doing the best they could in the face of adversity they did not control. The animation in Babylonia made me think animators were showing off and trying to outdo each other week after week.

Ishtar
Believe it, baby.

Thirdly, these conditions serendipitously produced the best variant of Tohsaka Rin (Toosaka, whatever) of all time. Even better than Kaleido Ruby. I don't actually know why Ishtar looks like Rin from Fate/stay night. I literally could not break it down for you even though the show explicitly addressed it, and I've read the various summaries found in wikis for the game and whatnot. I find these explanations unsatisfactory. In any event, it doesn't matter. All you need to know is that Ishtar is a game-breaking home run. Oh, and Ereshkigal is okay, too.

Gilgamesh
It turns out Gilgamesh was a lot more chill back in the day.

Finally, Fate/Grand Order: Zettai Majuu Sensen Babylonia was a really loud show. I don't think the show streamed with a discrete LFE channel (I didn't check), but it was at least mixed in such a way that every episode got considerable use out of my subwoofer. Planet With was sort of like this too, but it was sort of unpleasant during Planet With. On the other hand the deep impacts and 'splosions in Fate/Baby were really satisfying. I keep telling people not to skimp on the audio portion when setting up their preferred viewing space, whether it be a television or a computer. Hopefully, fans of Babylonia followed this practice as well. Totally worth it.

Dated 28 January 2020: Star☆Twinkle Precure hands the torch to Healin' Good ♡ Precure

Hikaru
There's also an epilogue again with the characters grown up.

I liked Star☆Twinkle Precure well enough, but never got particularly enthused about it. This might be a sign of general Pretty Cure burnout, since I feel this way about each Pretty Cure iteration now more often than not, but standouts like Go! Princess Precure and Hugtto! Precure still recapture my attention, so I don't think I'm necessarily tired of the franchise as a whole. In any case, Star☆Twinkle Precure was "fine" and had good parts, but overall will end up towards the bottom if I'm pressed to rank every Pretty Cure season from most-to-least favorite, alas.

Nodoka and Latte
The new Cure seems very normal.

The final episode of Star☆Twinkle Precure introduced Cure Grace, the lead Cure of its successor season, Healin' Good ♡ Precure, as the series is now wont to do. I don't actually know much about Healin' Good ♡ Precure, because I haven't been following the reports about its development or seeking out the usual buzz that precedes upcoming seasons of Pretty Cure. I don't even know what the Healin' Good ♡ part of the name references, although I'm sort of hoping it's about improving cardiovascular fitness. Maybe Cure Grace will be joined by Cure Fartlek and Cure Pain Is Just Weakness Leaving the Body. Well, I guess I do know that Cure Grace is voiced by Yuuki Aoi, but it seems she's not using her Youjo Senki voice. It's a huge missed opportunity, honestly.

Dated 7 January 2020: Rifle Is Beautiful misses the mark

Maho
I wonder how well those sights hold zero.

Ordinarily, you would expect me to be pretty positive about Rifle Is Beautiful (Chidori RSC). I mean, I do have a Firearms category for this blog. Unfortunately, the show fails both as a niche anime about guns and more generally as a sports anime. Regarding the first part, well, the "beam rifle" thing is just a little too niche. There are brief references in the show to air rifles, but I guess getting into that sport in Japan is barely a step removed from getting into Sensha-do.

Hikari and Izumi
Have gun. Will travel.

Failing as a sports anime is the biggest flaw in Rifle Is Beautiful, though. Specifically, none of the competitions have any tension, and I never felt invested in the outcome. Part of this is the short length of the show hampering development, but there's also no clear distinction between the good shooters and the exceptional ones. You just sort of have to take the show's word for it. Ultimately, I don't have any idea how to fix Chidori RSC. The show is not actually over yet. It seems the final episode is delayed. Ergo, there's still a chance it can turn itself around with a big finish, but I get the feeling that's something of a, uh, long shot.

Dated 31 December 2019: Ascendance of a Bookworm is good, but I've lost all interest in watching more

Main and Gunther
Did fist bumps already exists in this community or did Main introduce them?

I find the individual episodes of Honzuki no Gekokujō - Shisho ni Naru Tame niwa Shudan o Erandeiramasen (Ascendance of a Bookworm) reasonably well done, but there's something about the show as a whole that I find rather unappealing. I've never been able to precisely identify what the issue was, but now I guess I don't have to. Honzuki is getting a (split-cours) second season which starts in April, but I think I'm done with this franchise.

Main
You're not Alice. Why are you so yellow now?

So, spoilers for the first season's grand finale, but Honzuki somewhat abruptly switched from "Main's disease will eventually kill her" to "we found a solution to Main's disease, but this social class we've entirely ignored up until this very moment will capriciously kill you and your entirely family and there's nothing you can do about it unless you're strong in The Force." I don't have any problem with including these sorts of elements in a fantasy show, but the way Ascendance of a Bookworm is putting all its pieces together is not at all compelling. I'd much rather watch more chuuni magic school battle nonsense like Assassin's Pride than more Honzuki, to tell you the truth.

Dated 8 October 2019: Araburu Kisetsu no Otomedomo yo。 was the best show of the Summer 2019 anime season

Sugawara
Lewd.

I suppose I need to set aside my anti-Okada bias now that I've enjoyed one of her melodramas so much. As far as sex disasters go, Araburu Kisetsu no Otomedomo yo。 was honestly a little light on the sex and not as traumatic in the disaster department as I would have liked, but O Maidens in Your Savage Season did have the courage to do a lot of things that I don't think an Okada-free show would have attempted. Framed in the sense that tragedies end in murder while comedies end in marriage. I was optimistically hoping Araoto would turn out to be a tragedy, but I still liked it quite a bit even though it turned out to be a comedy.

Sonezaki
Relax, it's only lust.

Not that there wasn't tragic stuff in it, but we're talking emotional-trauma tragic, not murder-suicide tragic. I do wish Araburu Kisetsu no Otomedomo yo。 had not gone quite so easy on the arcs that had the best opportunities for going really poorly for everyone involved, but I acknowledge this is a sadistic perspective. Besides, fully exploring some of the paths that its characters could have taken would have changed the tone of the show dramatically. Probably I still would have been entertained, but I appreciate that many viewers would not have been as accepting. Still, I don't think it's entirely unreasonable to hope an Okada Mari sex disaster would end with a murder instead of a marriage. I'm just sayin'.

Dated 1 October 2019: I wish Cop Craft looked as good as Demon Slayer: Kimetsu no Yaiba

Tilarna
Literally a still frame with a voice over.

Cop Craft and Kimetsu no Yaiba (Demon Slayer) didn't really have much in common aside from airing during the same season. As far as their respective stories went, I was more interested in Cop Craft than in Kimetsu no Yaiba, but there is no question the latter was a better show. This despite the fact that Zenitsu (that panicky orange-haired fucker who shouted all his lines) was annoying as all Hell. Frankly, overcoming that is a testament to how good ufotable can be. Kimetsu no Yaiba looked amazing. It's hard to believe some of its sequences were even possible in a TV anime. Conversely, Cop Craft very much looked like television anime, and one that was constantly pressured to meet timelines. Nearly all of its action sequences had an unfinished quality to them pretty much all season long, and there was a recap episode inserted between episodes nine and 10. Based on how these scenes actually played out—with various shortcuts to substitute for missing animation—you get the sense that Millepensee at least had high ambitions, initially. (See also Wake Up, Girls! New Chapter.)

Nezuko
Pretty much anything I tell you about this would be a spoiler.

Would Cop Craft be better than Kimetsu no Yaiba if its animation looked as good? I don't think I can claim that, but I suppose potentially in the eyes of viewers who enjoy police stories with odd-couple crimefighters forced to work together. As far as the Demon Slayer story goes, I'm certainly not intrigued enough to seek out the manga now that the series has ended (although there will be a movie to cover the next arc). The fact I enjoyed it as much as I did is another testament to ufotable's anime adaptation which remained consistently good during its 26-episode run. At a minimum, episode 20 contained probably the best sequence I've seen all year. (I'm referring to the scene that basically everyone else who was watching the show went nuts about.) Unfortunately, the following episode did diminish the impact a bit with what I like to call "bullshit shounen jive," but I'm blaming the source material for that one. ufotable at least kept us astounded for the week.

Dated 17 September 2019: Senki Zesshou Symphogear is an anime miracle

Maria
I like this power-up, but I admit I was hoping for another Gungnir jacking.

I'm going to start out by insisting it's not just preschool girls who enjoy shows about mahou shoujo punching things. It's okay for boys to like them too. I've been on board with this concept since at least 2004 with My-HiME, First Pretty Cure, and their subsequent sequels. In 2012, Senki Zesshou Symphogear took this idea, expanded it to include singing while punching things, and raised both the intensity and absurdity levels. From my seat in the stands, this was an anime game-breaking home run. Amazingly, the popularity of Symphogear has proven sufficient enough that we gotten five seasons of it, all five of which are currently streaming on the Crunchyroll. Moreover, Discotek has even licensed it for a U.S. Blu-ray release next year.

Hibiki and Chris
Somehow, despite all the shit they've seen, it's still
possible for them to stare at something in disbelief.

Urgings on the Twitter for followers to "watch Symphogear" has turned into a meme of sorts, but I assure you the sentiment behind these admonitions is genuine. Granted, the appeal of magikal girls singing while punching things isn't always immediately apparent to every anime fan, but there's an old graph that accurately captures the trajectory of impressions by initially skeptical viewers. It's not easy ramping up the stakes continuously, but Symphogear has kept its intensity up through all five seasons. Now on the verge of its series finale, expectations are pretty high, but Symphogear has never let me down before.