This is pretty half-assed choking, Minko.

The best show I'm watching this season is Hanasaku Iroha which basically takes Saten Ruiko from A Certain Scientific Railgun and forces her to work in an inn with some misfits. Theres the MAMIKORE gossipy Tomoe, the bitchy Minko, and the annoyingly meek Nako. There are also a number of adult characters, all with their own problems.

Even the turbo-genki voice is normal.

One thing I've come to enjoy about Ito Kanae is she does a fairly normal voice. Not that I don't enjoy high-fructose Yukana sweetness, for example, but that is a very artificial-sounding voice. Ito Kanae, like Sawashiro Miyuki, uses a more natural voice for her characters. Hanazawa Kana used to have one too back in her Zegapain days, but now she's all about the Hanakana Distortion Field brainwashing viewers.

Ran really should get herself a Surefire flashlight one of these days.

Detective Conan continues this season from episode 610 with a Hattori arc. Where Hattori goes, Kazuha follows, bringing with her a Kansai-ben Miyamura Yuko (Soryu Asuka Langley) that I enjoy far too much. If you didn't know already, Rei and Asuka are both recurring characters in Detective Conan as Ai and Kazuha, respectively. Both need more screentime.

Nice hat.

Moshidora, also known as Drucker in the Dugout or as What If a Female Student Manager of a High School Baseball Team Reads Drucker's Management? (Full title: Moshi Kōkō Yakyū no Joshi Manager ga Drakkā no "Management" o Yondara) is frankly kinda low-budget, but it's refreshing in that it obviously caters towards adults, despite the high school setting.

Minami must be reading an abridged edition. My copy is twice as thick.

As background material, I've actually started reading Peter Drucker's Management: Tasks, Responsibilities, Practices, but I'm only about halfway through the 800-page book. Because Moshidora airs daily and only has 10 episodes, I don't think I'm going to finish reading the book before I finish watching the anime. What I really want to do is read the novel that inspired the anime.

Hibiki works from the stretch, but I didn't see her check the runner first.

Suite Precure is in the process of bringing in more Cures, although the masked Cure Muse seems pretty obviously the sort-of-evil but out of work Siren to me. Personally, I have a feeling Cure Muse will be unmasked soon enough to henceforce be Cure Beat. Whether or not this means we'll see more of Cure Muse after that, I'm not sure, but maybe Suite Precure will handle it like Splash Star managed part-time Cures Cure Bright and Cure Windy.

Suddenly, a magikal girl appears.

Seikon no Qwaser II continues to test the limits of what its viewers can expect and accept. Although off to a "slow" start, there is already a sub-plot about a previously smug bitch who has her soma extracted against her will, turning her quiet and meek while she burns with the subsequent shame and guilt she carries from enjoying the experience. Honestly, though, one thing Seikon no Qwaser has always done well is challenge expectations. There are allegories in the second season that address serious issues in irreverent ways. You don't have to care about those parts to necessarily enjoy Qwaser, but the fact that they're there is one of the reasons why Qwaser is not merely a smutty fan service show its dismissive detractors assume it is. Seikon no Qwaser does for fan service what Shin Seiki Evangelion did for giant robots, what ef ~a tale of memories~ did for moe blobs, and what Mahou Shoujo Madoka Magica did for magikal girls.

So who remembers when Wolverine was canonically five-foot three?

I dropped X-Men after two episodes, but not because it was bad. On the contrary, it was pretty good—way better than the '90s cartoon. Aside from the questionable casting of Hisakawa Aya as Storm, I basically have no issues with the show but I think I'll like it better in its inevitable dubbed incarnation. It's pretty obvious the X-Men anime will probably air dubbed on Cartoon Network or something. Aside from setting the first arc in Japan and, y'know, all the violence, it is very much a western-friendly cartoon. In fact, it's so western that I have to wonder if they set the first arc in Japan because the producers were afraid Japanese viewers wouldn't watch a western property without something they could directly relate to, just as the western producers for the upcoming Akira movie feel compelled to cast caucasian actors in Japanese roles because they're afraid western viewers won't watch something they can't directly relate to.

The real antagonists in Mahou Shoujo Madoka Magica are trolls, not witches.

Despite my disdain for SHAFTXSHINBO, Mahou Shojo Madoka Magica (at least what I've seen of it so far, as the remaining episodes were pre-empted due to the catastrophic earthquake and tsunami—they're expected to air in a few days) is really good. [Update: The final two episodes did have some surprises. The rating remains unchanged.] Whether it's good in spite of SHAFTXSHINBO because of Kajiura Yuki and Urobuchi Gen isn't so much important as the fact that they took something which I had fully expected to be unconventional, made it so, and still managed to impress. Although I did not enjoy Mahou Shoujo Madoka Magica nearly as much as its true fans did, it was still easily the best show I watched from winter 2011, admittedly not a very difficult feat when the runner up probably only placed as high as it did thanks to the Hanakana Distortion Field.

Infinite Stratos needed more Full Frontal Bageena Char.

Infinite Stratos was by no stretch of the imagination a good show, but it was fun to watch. Curiously, it's often the male protagonist that makes or breaks harem comedies, not the bevy of girls themselves. Thankfully, Infinite Stratos does well on both fronts. Potato-kun is mostly unobjectionable, with neither an overpoweringly "strong sense of justice" nor a timid adversion to girls, the two most common flaws of the typical harem comedy putz.

There ain't no way Ichika owns that many books.

Unfortunately, not having those two flaws means Potato-kun needs some other character flaw to be the excuse why he doesn't trophy fuck love all the girls during the course of the show. In Ichika's case, he's a moron. It works out, though, because nearly every girl in his harem is also a moron. This is probably why Charles is so popular, as she's the only girl in the harem who is neither dumb nor crazy. Okay, she did pretend to be a very unconvincing boy for a while, but she gave that up after a few episodes, and the only reason other people bought that act is because the entire school is filled with complete idiots.

What's that fishy odor?

Anyway, Infinite Stratos was an amusing, harmless diversion and was pretty fun until it decided it needed a plot towards the end. Instead of the Final Battle against MacGuffin, they should have devoted the last three episodes to a footrace or an extended game of tag.

This is the best reaction shot of the entire series. [P.S. Spoilers.]

Kimi ni Todoke really took a dive with 2nd Season in my view and dipped below the Detective Conan Line during the middle episodes because it upset the precarious balance of misunderstandings and heartfulness. Basically the entire season dragged out due to terribly painful communication problems. It made me wish the show was about Ume instead, or maybe Yano falling in love with Pin. (It's not a spoiler, okay? It's right there in the OP!) Thankfully, Kimi ni Todoke 2nd Season pulled itself together during the final three episodes. Pity the entire season couldn't be that good. Had it been, then Kimi ni Todoke Second Season would have been as good as, well, Kimi ni Todoke First Season.

Ai Yori Aoshi volumes 17 and 16.

Somewhat unexpectedly, finishing Kimi ni Todoke S2 makes me wish for a third season of Ai Yori Aoshi—one that follows the manga instead of jumping all over Creation. The final volumes of Ai Yori Aoshi really deserve a lot better than the lackluster impression the two inconsistent anime seasons left behind. They may have to animate Aoi's bra in the series climax with CGI, though. (Ha ha. "Climax.")

Take Fractale easy.

Viewers seem fairly divided on Fractale, particularly with regard to its ending. Much as I postulated when describing my early impressions of the show, the way I see it, there are two camps: Those that care about its pedigree and subsequently chose to watch Fractale critically, and those who just wanted to enjoy themselves because anime is still a hobby. That latter group likely enjoyed Nessa's turbo-genki moments quite a lot more, and even if there might be a Hanakana Distortion Field at work, they presumably enjoyed the show more as a whole.

How did they end up in the ending to Heartcatch Precure!?

This is not to say Fractale doesn't suffer from a host of problems. Personally, I felt all of the fighting and battle scenes were comically bad, and a lot of things (especially towards the end) didn't make any sense. I was also somewhat crestfallen to learn Phryne wasn't just acting stupid—she really was an idiot. It's because of these problems that I don't rank Fractale higher among the winter 2011 shows. Nevertheless, it was still pretty good overall, and including an audio cameo by Nausicaä herself towards the end to bookend the visual references from earlier in the season was pretty nice, even if I totally missed it.

If you advance this scene frame by frame you can catch
the exact moment Ran's heart breaks. [P.S. Spoilers.]

Detective Conan is Detective Conan. As I mentioned before, Detective Conan is basically my control group when it comes to ranking shows. Each season of Detective Conan is about the same and typically as good as any of its myriad previous seasons. This remained true during winter 2011, although I would like to point out the "Tear Drops" OP totally messes with the heads of Shinichi + Ran 'shippers.

IN THE FACE!

The end of Heartcatch Precure! was all right, even though Cure Blossom remained mostly useless. Probably the highlight for me was Cure Marine suckerpunching Kumojacky in the face on general principle before he could launch into an idiomatic, vaguely evil speech.

More punching, less baking.

Suite Precure is decent, but nothing really special unless you care about voice actresses. Koshimizu Ami, Orikasa Fumiko, Toyoguchi Megumi, and Mitsuishi Kotono are all on board. In fact, I should probably check Danbooru for what I'm sure must be copious amounts of seiyuu_joke parody/crossover fan art.

---

I dropped Freezing not because it was exploitative, but because it was kinda retarded. I can't wait for the second season of Seikon no Qwaser, though. (No, seriously.)

I was intriqed by Ri♡ -Rainbow Gate!- because it was Highlander with card battles, but I think I lost interest after two episodes beause Rio's hair sucks.

Yumekui Merry didn't suck, but I dropped it after the first episode because I wasn't interested. I heard it gets better later, but I still suspect Merry might actually be a boy.

Cosprayers Line.

I dropped Wolverine after a single episode because it was God awful. Congratulations, Wolverine, you are easily WORSE THAN COSPRAYERS. All you need to know about the show is that in the first episode, a group of people flying around with jetpacks bent on attacking Wolverine with rifles decide to all fly close enough for him to gut them with his claws. Then later on Wolverine breaks one of Sir Isaac Newton's Laws of Motion. Look, I'm okay with his indestructible skeleton and canonical ability to regenerate from a single remaining drop of blood, but c'mon.

Final tally: Mahou Shoujo Madoka Magica > IS: Infinite Stratos > Kimi ni Todoke 2nd Season > Fractale > Detective Conan > Heartcatch Precure! > Suite Precure | Dropped: Freezing > Ri♡ -Rainbow Gate!- > Yumekui Merry | WORSE THAN COSPRAYERS: Wolverine.

These are the worst disguises, ladies.

Remember that part in the movie Beautiful Girls where they talk about tits and asses? Not the scene with the preternaturally precocious Natalie Portman, but the one with Rosie O'Donnell arguing about how God is fair.

Evil is such a strong word.

Yeah, apparently Futaba Aoi never got that memo. Either that or I've discovered where that suit hides its power source.

In other news, I don't understand why Aoi doesn't use that teleportation power of hers to snatch weapons and bomb triggers away from her opponents.

Kyo and Kaminagi.

Joining my list of characters in need of better shows is Kaminagi from Zegapain. This is not to say that Zegapain was a bad show, but Kaminagi was far and away the best part about it, and it's a shame that the rest of the series couldn't measure up to her awesomeness. (For those of you keeping track, some other characters in need of better shows have included Kotori from the Da Capo series and Aoba from Jinki:Extend.)