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Dated 1 October 2019: I wish Cop Craft looked as good as Demon Slayer: Kimetsu no Yaiba

Tilarna
Literally a still frame with a voice over.

Cop Craft and Kimetsu no Yaiba (Demon Slayer) didn't really have much in common aside from airing during the same season. As far as their respective stories went, I was more interested in Cop Craft than in Kimetsu no Yaiba, but there is no question the latter was a better show. This despite the fact that Zenitsu (that panicky orange-haired fucker who shouted all his lines) was annoying as all Hell. Frankly, overcoming that is a testament to how good ufotable can be. Kimetsu no Yaiba looked amazing. It's hard to believe some of its sequences were even possible in a TV anime. Conversely, Cop Craft very much looked like television anime, and one that was constantly pressured to meet timelines. Nearly all of its action sequences had an unfinished quality to them pretty much all season long, and there was a recap episode inserted between episodes nine and 10. Based on how these scenes actually played out—with various shortcuts to substitute for missing animation—you get the sense that Millepensee at least had high ambitions, initially. (See also Wake Up, Girls! New Chapter.)

Nezuko
Pretty much anything I tell you about this would be a spoiler.

Would Cop Craft be better than Kimetsu no Yaiba if its animation looked as good? I don't think I can claim that, but I suppose potentially in the eyes of viewers who enjoy police stories with odd-couple crimefighters forced to work together. As far as the Demon Slayer story goes, I'm certainly not intrigued enough to seek out the manga now that the series has ended (although there will be a movie to cover the next arc). The fact I enjoyed it as much as I did is another testament to ufotable's anime adaptation which remained consistently good during its 26-episode run. At a minimum, episode 20 contained probably the best sequence I've seen all year. (I'm referring to the scene that basically everyone else who was watching the show went nuts about.) Unfortunately, the following episode did diminish the impact a bit with what I like to call "bullshit shounen jive," but I'm blaming the source material for that one. ufotable at least kept us astounded for the week.

Dated 10 September 2019: Y'all should read JK Haru Is a Sex Worker in Another World

Front cover: JK Haru is a Sex Worker in Another World
Despite being a light novel, JK Haru is not illustrated.

JK Haru wa Isekai de Shoufu ni Natta (JK Haru Is a Sex Worker in Another World) gained some notoriety last year when a licensed version became digitally available. Hard copies are now in print as well. Being an isekai light novel, the book is somewhat tongue-in-cheek despite the subject matter. However, I believe the tone it adopts appropriately approximates the sort of setup readers might expect in an isekai light novel about prostitution, thereby facilitating its ability to get them interested in the story before confronting them with the uncomfortable realities that correspond with sex work in general and the vulnerability of prostitutes specifically.

That said, JK Haru Is a Sex Worker in Another World is not a grim book, despite a number of unsettling scenes and events. Moreover, the misogyny and violence encountered in the fantasy world setting are not exactly out of line with the sorts of hazards women face in many sectors of our real world. It's a difficult balancing act for the text, contrasting amusing adventures with these threats. And while there is plenty of sex in JK Haru—as you might expect—the scenes are typically presented matter-of-factly and not written to titilate. Sex work in JK Haru is not glamorous, and the book keeps the attention on the work part, not the sex part.

Notably, I never felt as if JK Haru Is a Sex Worker in Another World was deliberately prurient the way that, frankly, so many light novels seems justifiably accused of being. I've seen enough comments on the Twitter to know many readers will disagree with me on this point, but I think this may have to do with one's initial expectations of the book and what sort of demands are placed on it. JK Haru is presented from Haru's first-person point of view, which I think makes it more effective at conveying the bleakness of her world and the impact of the events around her. Likewise, it also better communicates the joy she finds when she pursues various recreational diversions or actually has sex she enjoys. It also avoids presenting the violence in her world or the sadism she encounters as elements the reader is expected to like (unlike the corresponding scenes in some other light novels I might name). There are surely readers who do prefer that sort of content and wish JK Haru had more of it, but I'm inclined to regard that as an indictment against those readers themselves and not the text for obstensibly failing to omit it.

Incidentally, the various twists and reveals in JK Haru Is a Sex Worker in Another World are good enough that I recommend a spoiler-avoidance posture if you expect to read it.

Dated 1 July 2019: I'm watching Re:Zero because of Isekai Quartet

Emilia and Subaru
This is some compositing.

I tried watching Re:Zero kara Hajimeru Isekai Seikatsu (Re:ZERO -Starting Life in Another World-) when it aired during the Spring 2016 anime season. I made it five episodes before dropping it because I found the show rather irritating. Fast forward to the Spring 2019 anime season, and somehow Isekai Quartet finished at the top of my rankings, edging out Kono Oto Tomare! I did, in fact, expect this to happen. (The watching part, not the ranking part, that is.) I've made it through the first cours of Re:Zero so far, and do have to admit it improves quite a bit after the initial episodes.

Emilia
Partial eclipse.

I'm a little surprised how few spoilers I knew, and how many I had forgotten. That probably helped, by preserving the sense of mystery that pervades the second half of the first cours. I do 100-percent still remember the Rem and Emilia spoiler which is still to come, though. However, since I don't actually 'ship any of the characters, knowing this probably isn't going to matter much one way or another. In any case, my renewed curiosity in Re:Zero is probably a testament to the success of Isekai Quartet as a marketing ploy. Seeing as how Isekai Quartet is getting a second season, with the promise of unspecified newcomers, I suppose it's possible the premise will expand to include more than just four Kadokawa-affiliated isekai properties, although then maybe they'll need to call the sequel something like Isekai Octet or whatever. I think I'd be okay with that.

Dated 13 May 2019: Isekai Quartet is a ploy to get us to watch more isekai anime

Ainz
It's because Ainz can't close his eyes. He has no eyelids.

As far as gimmicks go, I find Isekai Quartet fairly effective because I'm a sucker for crossovers. Plus, I was already a fan of the Ple Ple Pleiades shorts accompanying the Overlord anime. Isekai Quartet essentially expands Ple Ple Pleiades by adding characters from Re:Zero kara Hajimeru Isekai Seikatsu, Kono Subarashii Sekai ni Shukufuku wo!, and Youjo Senki for additionally high-wacky antics. I have watched all of these shows, and although I dropped Re:Zero after five episodes, I'm at least familiar enough with the franchise to understand the basic references and character dynamics.

Ram
Ram seems okay.

As far as the show itself goes, Isekai Quartet has half-length episodes and is not particularly ambitious. It seems to mostly trust that viewers will enjoy seeing the interactions among characters from different shows they already like. Nobody strays too far from their idiom, and the series is entertaining enough for what it is. Isekai Quartet is surely also an effort to encourage viewers to explore these shows further if they didn't catch them the first time around. Youjo Senki and Konosuba both have movies I want to watch, and Re:Zero recently announced a sequel. I have to admit that I'm amused enough by Ram's mistreatment of Subaru during each episode of Isekai Quartet that I'm considering giving the first season of Re:Zero another chance. If I do, maybe I'll be caught up before the sequel begins. Just as planned, I'm sure, eh, Kadokawa.

Dated 18 March 2019: I'm starting to think Slave Hero might be a douchebag

Melty and Filo
There sure are a lot of kids in this show.

It's been 10 episodes and the titular protagonist of Tate no Yuusha no Nariagari (The Rising of the Shield Hero) has leveled up a bunch of his video game attributes, but doesn't seem to have improved at all as a person. Bear in mind the show is now quite a few episodes past its "big moment" with someone finally sticking up for Naofumi while he's balled up on the floor retreating from the world. It's almost as if Naofumi isn't really a very nice person even though he's kind enough to feed his slaves every day.

Filo and Raphtalia
Raphtalia is, like, 10.

Regardless of how a viewer might feel about Naofumi initially (and I can appreciate that there may be those who commiserate with him on at least some level and genuinely believe he got a raw deal, even if I don't personally hold that perspective), it seems even the most sympathetic fan must surely by now also be tired of his arrested emotional state. After all this time he's STILL suffering from a crippling inability to trust anyone? You know, maybe the problem is you, dude.

Dated 11 February 2019: I'm still watching Sword Art Online: Alicization

Cardinal, Kirito, and Eugeo
A mid-fight flashback so Cardinal can explain Eugeo's attack.

Claims that the Alicization arc of Sword Art Online is the "good one" may have been exaggerated. It's different enough from the previous SAO arc that it at least seems to be the result of writing styles and priorities changing, but whether it's necessarily better is debatable. From an SAO-tolerant non-fan's perspective, its biggest problem to me is that it's not very engaging. I'm basically only watching the show now out of general principle, and not because I care about the outcomes or the characters.

Asuna
Fuck your deban, Asuna.

Frankly, the show sort of drags. That's probably my biggest problem with it. I suppose other viewers might argue that the sexual assaults are a much bigger problem, but those aren't unique to Sword Art Online: Alicization. They're about par for the course when you consider the previous times the subject has appeared in the franchise. (For what it's worth, Kawahara claims he's moving beyond this sort of thing henceforth, but I presume that won't impact future episodes of Alicization, which I believe is based on already completed light novels.)

Alice and Kirito
This ledge keeps changing size.

Alicization strikes me as a series that contains too many elements that might work as text, but bogs down the viewing experience in anime form. Not having read the books, I can't authoritatively claim that's really the case, but it at least seems all the explanations and details that constantly interrupt the anime's narrative must originate from the light novels. I'm starting to see indications there may be a break before Alicization's final two cours. I can't see that being good for the show's pacing, but I guess I'll find out once that third cours starts, whenever that is.

Dated 21 January 2019: Eh, I guess I'm watching Tate no Yuusha no Nariagari for the next six months

Naofumi
At least he's not in high school.

So far, the reactions to Tate no Yuusha no Nariagari (The Rising of the Shield Hero) don't seem to be as intense as the Goblin Slayer! initial reactions were. Then again, Goblin Slayer! came out of the gate with rape and murder, while I hear Shield Hero works in its more controversial content over time. I'm ignorant enough of the franchise that it's unclear to me what is specifically so distasteful about the show to some people, but I have seen some of the more generalized accusations levied against it. Based on the first two episodes (and the first episode was double-length too), it does seem Shield Hero leans heavily on using themes of betrayal and unfair accusations in order to make its protagonist more appealing. Ostensibly, the viewers most likely to appreciate this setup are those who feel the world unfairly demonizes them as well. (Hence the associated criticism about Shield Hero courting "incels.")

Raphtalia
At least the weather's nice.

I'm unsure this reasoning necessarily follows, mostly because I've not seen any indication that the Tate no Yuusha no Nariagari protagonist is particularly popular with anyone, regardless of how they like the show. I suppose this might be because he's been pretty much a grumpy sourpuss for most of the show so far. With a week-long break between the first and second episode, I did feel less inclined to appreciate why he might be in such a foul mood. Maybe someone who marathons the series in the future will be more sympathetic. Thankfully, the animation has been surprisingly good, at least for moments that need it, such as while showing Raphtalia's terrified expressions turning to relief during early interactions between Slave Hero and his bargain bin acquisition. Oh yeah, apparently there are going to be a lot of slaves in this show? I'm not sure if that's true, but I did read that somewhere. He's only got the one, for now, but Shield Hero is set to run for two cours, so there will be plenty of opportunities to buy more, especially considering how cheap they are on the seemingly unregulated open market.

Dated 12 November 2018: I've started watching the most popular anime in the world: Goblin Slayer!

Elf and Priestess
This is the highlight of Goblin Slayer! thus far.

I watched the first episode of Goblin Slayer! when it first aired, found it to be a straightforward adaptation of the manga (it was toned down a bit, honestly), and decided not to watch more. After all, I had only read about a volume or so of the manga before losing interest. (I've never read any of the original light novel.) Somewhat predictably, that episode's content generated a lot of discussion on the Information Superhighway about Goblin Slayer! and its relative merits (or lack thereof). The reactions I saw on the Twitter, at least, were almost uniformly negative.

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