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Dated 7 September 2021: Kanojo mo Kanojo is a great show because it is preposterous

Nagisa, Naoya, and Saki
It's a pragmatic solution. Don't just dismiss it out of hand.

Not having a whole lot else to watch from the Summer 2021 anime season, I decided to give Kanojo mo Kanojo (Girlfriend, Girlfriend) a try on a goof. It turns out it's sort of fantastic. I initially assumed it was going to another one of those dreary harem comedies with a loathsome male protagonist surrounded by multiple girls who are entirely out of his league and yet inexplicably attracted to him. Or that it was going to be on of those dreary harem comedies where Potato-kun is actually sort of an all right dude, but is inexplicably incapable of noticing that every girl he comes into contact with keeps throwing her panties at him. It turns out Kanojo mo Kanojo is neither of those things. Rather, it's got some manner of Möbius strip horseshoe theory thing going on where all the environmental factors and character decisions that should be working to the show's detriment end up making it better.

Naoya and Nagisa
Busted.

It's no accident Kanojo mo Kanojo is working out this way. The recurring focus of the show's various dilemmas is on an unending series of incorruptibly honest decisions to pursue uncompromising choices that should result in self-destructive consequences by any reasonable objective standard. And yet it all continues to work out. I can't vouch for the manga source material, but the anime embraces the absurdity of its premise and absolutely succeeds in its execution.

Naoya and Saki
Never gonna happen.

Significantly, there is no hint of melodrama. That is something Girlfriend, Girlfriend really cannot afford. If Kanojo mo Kanojo ever decides to examine the consequences and societal frictions associated with polyamorous relationships, or attempts to position the various love interests against each other from hostile postures of envy or jealousy, it will do so at its peril. There had also better not be any of that typical harem comedy bullshit where a series gets its viewers to root for one of the girls to "win." (If it does, the erstwhile winner will probably be First Girl Childhood Friend, even though she has nothing in her favor compared to her rivals except for her hair.)

Rika, Naoya, Nagisa, and Saki
Busted.

Even though I only started watching Girlfriend, Girlfriend a short while ago, it did not take long before I caught up. There are currently 10 episodes out so far and only two to go. Since the source manga still seems to be running (I think eight volumes are out), a non-ending ending to the anime is probably basically guaranteed. I don't know how far Kanojo mo Kanojo can take its premise without getting derailed, but I would be in favor of additional seasons if it can keep up the show's high-intensity, relentless pace episode after episode without running out of steam.

Dated 24 August 2021: My hopes for Fena: Pirate Princess (Kaizoku Oujo) sank

Fena
I can tell she's a pirate because of how she's dressed.

Fena: Pirate Princess (Kaizoku Oujo) is a Crunchyroll and Adult Swim co-production that did not begin until mid-August. It's a simulcast with the subtitled episodes releasing on the Crunchyroll while the English dub airs on Adult Swim. I don't know if this late start (relative to other Summer 2021 anime) is to align its schedule with the rest of the Adult Swim lineup, but it seems the Japanese broadcast will not begin until October.

Yukimaru
Ain't this guy, like, 16?

It's not a bad show, even though I'm dropping it after three episodes during a season when I'm already not watching nearly as much as I typically do. I wouldn't call it a good show, either, though. I genuinely can't tell if Fena: Pirate Princess actually does seem more like a Western cartoon instead of a Japanese anime, or if I'm just biased into feeling that way because I know it's a co-production between the Crunchyroll and Adult Swim. After all, I haven't even bothered to investigate who is working on the show. It's just an impression I can't shake.

Karin and Fena
These ninja pirates could use a better barber.

Ultimately, it doesn't really matter if the reason why I'm less into Kaizoku Oujo is because it is "not anime enough" or some other reason, since I just don't find the show engaging enough to keep watching either way. I'm not at all invested in Fena, or the ninja pirates (ninja pirates!) she's hanging out with now, nor am I interested in the antagonists pursuing her, even though some of them clearly benefit from character-design-based plot armor. I guess I do like the ninja pirate voiced by Yuuki Aoi okay, but that's possibly only because of her fucked-up bangs.

Hanna
Hanna could probably benefit from a rear sight or two on that gun.

The show's tone is also unusually light, despite (mostly obscured) violence and bloodletting. I wouldn't call it tonal whiplash, because there haven't been any moments in the first three episodes that I would characterize as deeply dramatic. The bigger problem is the jokes and whimsy aren't working for me. Some of the visual gags might work in a full-on wacky ninja-pirate adventure show. In any case, I'm out, but it's probably still worth investigating for yourself to see if it's your sort of thing.

Dated 2 March 2021: Yuru Camp△ SEASON 2 is the best anime of Winter 2021 not featuring self-harm

Nadeshiko
I appreciate Nadeshiko's apparent immunity to fatigue.

Surprising no one who watched the first season, Yuru Camp△ SEASON 2 remains fantastic. I don't actually watch a lot of shows that I would expect to be similar in terms of tone and content, such as Yama no Susume (Encouragement of Climb), or Non Non Biyori, but perhaps I should, considering how much I enjoy Yuru Camp△. Then again, the majority of my interest in the show unmistakably centers around Rin specifically, and her various camping-related efforts. I mean, I like all the other characters too, but significantly less so, and I'm fairly sure this perspective is nearly universal among fans of the show.

Rin
So what happens if you do the suspension bridge thing alone?

Actually, there is one other character I know some Yuru Camp△ fans seem to like a lot: Nadeshiko's older sister, Sakura. For years now, Yuru Camp△ fan art has featured a lot of Rin x Sakura 'shipping. (Admittedly, it is one prolific artist who dominates this scene.) I found this pairing a little peculiar, since the two characters interacted basically not at all in the first season. Best I could figure, it was either in reference to something that developed later on in the source material, or ardent fans fabricated it whole cloth.

Sakura and Rin
You know, people would have lost their minds if Sakura
had been Nadeshiko's older brother instead.

Presuming the anime is adapting the original manga (as opposed to inventing stories to bolster the anime-tourism economy), it seems we've at least reached the genesis of this particular movement. I don't actually expect Yuru Camp△ to expand this meeting into a genuine romance, though. Fan enthusiasm aside, I really don't think it's that sort of show. Sorry, 'shippers, I'm pretty sure Sakura and Rin aren't going to be tearing each other's clothes off in a tent anytime soon. Besides, Rin wears a million layers even when she's napping by a space heater while she's ostensibly working in a library; she's probably wearing two million layers when she's camping in the winter.

Dated 2 February 2021: I probably would have dropped Tenchi Souzou Design-bu by now if it weren't so informative

Shimoda
The design of the collar is a neat touch.

Tenchi Souzou Design-bu (Heaven’s Design Team) is mildly amusing, but it comes out on Thursday. I'm still following entirely too many shows this season, and Thursday has the biggest lineup. Naturally, the sensible thing to do is...just not watch it on Thursday. After all, I don't expect this to be a show where spoilers are going to matter much. Nevertheless, what's probably going to happen is I'm going to put off watching its future episodes until later, and then I'll forget or just not get around to them and it'll be effectively dropped.

Tsuchiya and Higuchi
See. Informative.

I could just drop it outright, but each week there's some nugget of information or a gag that's just good enough to convince me to watch more. To be honest, Tenchi Souzou Design-bu is not as entertaining as the "True Facts" videos by zefrank1, but these episodes are still sort of educational. I also like Hara Yumi, whose character appears to have gotten herself into a bit of trouble at the end of the last episode, so I'm assured to stick around for at least one more. Hey, cliffhangers work, okay.

Dated 29 December 2020: The war on pants will go on a long as it has to

Yoshika and Shizuka
I don't dislike Miyafuji anymore, but these two still aren't exactly favorites.

It's been a while since I've watched the first two Strike Witches seasons, but I felt this third season seemed better overall than those previous installments. I also liked it better than the Brave Witches spinoff. Despite this, I'm still not at all prepared to call Strike Witches: Road to Berlin the best season yet even though it sort of has to be by definition. The problem is Road to Berlin still relied on the Neuroi as the primary advesary. This is an unavoidable component of the World Witches canon, but these alien invaders have never been compelling enemies. The witches need to fight somebody, but the battles still feel hollow and the stakes haven't grown as the war has progressed, despite a fair amount of dialogue trying to convince viewers that they have.

World Witches Take Off!
That sure is a lot of witches.

Thankfully, Strike Witches 3 at least avoided some of the even less convincing drama that dragged down parts of the first two seasons. Frankly, I rather enjoy the characters more when they're doing silly things in garrison such as in the Strike Witches: 501 Butai Hasshin Shimasu! (Strike Witches: 501st JOINT FIGHTER WING Take Off!) gag anime. This bodes well for next season's World Witches Hasshin Shimasu! (World Witches Take Off!) installment, although I think I would still prefer it use the standard superlovely character designs than the simpler comedy-friendly ones.

Dated 12 May 2020: Log Horizon isn't funny

Minori and Akatsuki
Minori and Akatsuki realize they are rivals.

I finished my re-watch of Log Horizon. It did not go as well as I was expecting. I remembered liking the series more in the past. Objectively, this is still true. I know this because I keep track of my ratings for individual anime episodes on a spreadsheet. (This was originally a joke, but then I kept doing it. See this, for example.) So I can technically quantify numerically specifically how much liked the series more in the past, even though I didn't score the second season very high to begin with. In any case, I liked the series less overall the second time around. That's not doing the upcoming third season any favors. There are two basic problems I have with the anime.

Lenessia and Crusty
You know you like it.

First, none of the jokes work for me. This includes the recurring gags involving Naotsugu and Akatsuki. There wasn't a reason to repeat them beyond the first episode. Then Tetora shows up in the second season. And fuuuck, Tetora is not amusing. None of those jokes work either. The other problem is the inverse relationship between the characters' reported ages and the maturity levels of their behavior. Well, at least that's the way it seems for the girls.

Nyanta and Serara
I seriously thought Serara was 12.

The worst offenders are Marielle (28), Henrietta (28), and Serara (16). Marielle is whiny and petulant, constantly throwing literal tantrums about the work she has to do. (She's sort of in charge.) Henrietta is obsessed with molesting Akatsuki and does so at every opportunity. Serara is the nekosexual girl who really, really, really likes Nyanta. All of these characters and their behavior are played for laughs. None of it is funny. On the other hand, Minori is only 14, and the princess who ends up saving her kingdom when the men in charge couldn't get their shit together is only 15. Presumably they'll be older during season three, though. Maybe they'll become less mature in keeping with the rest of the show.

Dated 27 August 2019: I'm still rooting for the mahou shoujo in Machikado Mazoku, you know

Momo and Yuuko
Yuuko is pretty lucky that Momo goes so easy on her.

One of the best surprises of the Summer 2019 anime season is how good Machikado Mazoku (The Demon Girl Next Door) turned out to be. Shadow Mistress Yuuko is the hapless opponent of Chiyoda Momo, a veteran magikal girl who grossly outclasses "Shamiko" in basically every way imaginable. In the grand tradition of overpowered pink mahou shoujo, Momo quickly subdues Yuuko with the power of friendship, which works out pretty well in Yuuko's favor, since I'm guessing the only other option is a humiliating and pointless death. Viewers who liked Gabriel DropOut will probably find a lot to enjoy here as well, in that both shows regard the struggle between good and evil as a bit of a farce.

Yuuko and Lilith
You're only flying because you're short, aren't you?

I instantly took a liking to Momo, because she's freakishly strong and constantly droll. She's not an emotionless kuudere stereotype, but rather apparently just not easily excited. I think that's understandable for a veteran mahou shoujo who has probably seen some shit in her day and just does what she wants now. I haven't read the original Machikado Mazoku 4-koma comic, but the anime adaptation is consistently funny and peppered with amusing gags. After seven episodes, The Demon Girl Next Door is right up there with an Okada sex disaster and a fantastic fifth season of Symphogear in a three-way tie as this season's top three shows.

Dated 17 June 2019: Midara na Ao-chan wa Benkyou ga Dekinai is no B Gata H Kei

Ao
What does it mean if her pupils turn into hearts?

As I wrote earlier, I started watching Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) by accident. I've dropped Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN), but I'm still watching Ao-chan. It's all right, but not great. Although the episodes are half-length, the story has advanced far enough that its titular character has fully accepted that she very much wants her crush to put the wood to her. Naturally, he's too much of a pure-pure boy to do anything about it, despite the wildly off-base reputation Ao-chan had associated with him, and despite her increasingly open advances. I don't know what happens in the manga, but it seems all but assured that anime-type Ao will fail in her attempts at having the sex.

Ao
Wait, then what does it mean if her pupils turn into Debian?

B Gata H Kei (Yamada's First Time) similarly features a sexually frustrated girl who can't seem to get laid despite her best efforts. There are important differences between B Gata H Kei and Midara na Ao-chan wa Benkyou ga Dekinai, though. Notably, actual chemistry develops between Yamada and Kosuda; I'm not really buying Ao's relationship with Takumi. Kosuda and Takumi both seem like reasonably fine fellows, and Ao does seem several degrees less insane than Yamada, but I like Yamada and Kosuda quite a bit more than Ao and Takumi, both as individuals and as couples. B Gata H Kei also has a supporting cast that adds to the story. Usually I find that if a show is going to go wrong with its supporting characters, it fails by adding too many of them. Ao-chan Can't Study! somehow doesn't have enough of them, or at least doesn't have any that improve the series at all. They're basically dead weight.

Kosuda and Yamada
Does it mean she's open for sourcing?

I guess B Gata H Kei has the advantage of having twice the run time, relative to Ao-chan's half-length episodes. Oddly, it's the former that's based on a 4-koma comic strip, while the latter is sourced from a regular manga series. The Ao-chan anime does still have the opportunity to turn things around, depending on how its ending goes. The, uh, climax to B Gata H Kei anime does not, um, perform quite as well as the comic's. It probably could use an OVA, although I suspect this is going to end up being true of both shows.