Is cat.

I am watching two shows this season about cats. The second season of Yoru wa Neko to Issho (Nights with a Cat) is basically the same as the first season. Some dude and his kid sister make unremarkable observations about a house cat's behavior. The episodes are only a minute or two long, but it's a pleasant little show about a cat doing cat-type things. I've watched 39 episodes so far, and it could probably run indefinitely because the source material (i.e., cats doing cat-type things) is essentially inexhaustible. I like it.

Defeated.

On the other hand Kawaisugi Crisis (Too Cute Crisis) is sort of intense. The premise of this show involves alien invaders coming to Earth and discovering it is the only planet in the known universe that contains cute animals. Like, the cutest creature previously known to this spacefaring race is some doofy-looking thing that gets instantly blown out the competition by Earth's seemingly endless supply of cute animals. The series sort of only has one joke, but I haven't tired of it yet. It's basically the same sort of reaction gags that are more typical of food-related setups common to anime, only here it's aliens losing their minds about cats doing cat-type things. I dunno what to tell you, aliens. Brace yourselves. Cats are cute as fuck.

This is not Yuru Camp △.

Sekai no Owari ni Shiba Inu to (Doomsday with My Dog) ended after 72 episodes. These are pretty short episodes to begin with, and they also barely qualify as anime. Think of them more as voiced comics or illustrated radio dramas. Nevertheless, I found the series entertaining, probably in no small part thanks to Uchida Maaya voicing the dog's unnamed master. She at least makes "Goshujin-sama" seem like a cool person to be roaming around with after the fall of humanity.

Coffee is pretty great.

It appears there are only four volumes of the source material (a 4-koma comic), so the anime could have run out of strips to adapt, but at least it's listed as still running. Maybe if I wait five years there will be another 72 episodes. In the past, that would have seemed like a long time, but five years basically goes by in a flash now. To tell you the truth, it's starting to feel as if time passes at an alarming rate even after being converted to dog years.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

Not yet, Kita Kita!

Bocchi the Rock! is great. It's way better than I was expecting. A huge part of this comes down to execution, though. This is not a slight against its source material (which I haven't read), but rather a reflection of how much I enjoyed the creative choices the anime used to communicate Hitori's discomfort and personal struggles. I also liked seeing "Bocchi" advance as a character, although a significant part of this progress was thanks to new friends dragging her forward. This does mean high school Hitori probably would have stayed in the same place as middle school Hitori were it not for some fortuitous encounters creating these opportunities for her, though.

She's doing it again.

This brings me to the subject central to the title of this post. (Alternate title: "The End of Bocchi the Rock! ~Air/My Purest Love for Kita Kita~." Do people even still get that reference?) For a while after her introduction, I was afraid Kita Ikuyo Kita Kita would be one-note character whose scenes mostly involved gags about adoring Ryou. Thankfully, it turned out she had a much more important role to play, even if her "Kit-Aura" may be a little too fearsome. Ikuyo is a good foil for Hitori, and I enjoy the contrasts provided by their characters. There's no shortage of amazing Bocchi scenes where her anxiety warps time and space or glitches reality, but I also like the gags involving Kita Kita's mabushii being sort of excessive.

This is not Mental Out. At least I don't think it is.

Possibly I just enjoy characters with high genki levels in general. In any case, I don't have a lot of complex reasons for explaining why Ikuyo is great. I guess I will add that—depending on how you feel about Kessoku Band's music—her position as its only vocalist also seems like the sort of thing that deserves more attention. As an aside, even though I said, "only vocalist," I do harbor suspicions Bocchi will be unexpectedly pressed into service to take Kita Kita's place during an unplanned contingency in some theoretical future installment. Maybe Hitori wouldn't feel up to it yet, but I'm confident her seiyuu could tackle this all day, any day. Aoyama Yoshino was a WUG!

The nephew's childhood friend is also great.

Originally a Summer 2022 show, Isekai Ojisan (Uncle from Another World) went on hiatus after its seventh episode due to, well, let's just say, "Circumstances," since I'm not confident the reasons I've seen expressed are necessarily complete. There may be some nuances or complexities on the production side that haven't been properly communicated to random-ass people like me.

I like the elf even though she doesn't bathe.

ANYWAY, Isekai Ojisan has returned for the remainder of the Autumn 2022 season, resuming where it left off. That's not a lot of content (I think the anime is going to be 13 episodes total), but I'll take what I can get. In any case, the gags remain fresh and funny, and expanding the cast of characters (read: increasing the harem's membership) has not diluted the purest fount of tsundere that I've encountered since basically ever. Haruka De Tomaso Pantera is SO GOOD in this show.

I wonder if she has her eyes open.

I look forward to Bocchi the Rock! each week because it's excellent, not because I'm anticipating big surprises or anxiously awaiting the resolution of cliffhangers. If I thought about it some more, I could probably reasonably chart out how the rest of the season is going to go, but it doesn't matter. The key to Bocchi's tremendous appeal is its impeccable execution. This is a great show, top to bottom, back to front.

Despite what you might think, this gesture is definitely threatening.

I'm not quite prepared to call Kidou Senshi Gundam: Suisei no Majo (Mobile Suit Gundam: The Witch from Mercury) a great show even though it's also doing everything well so far. Nevertheless, I do look forward to each episode even more than I look forward to Bocchi the Rock! each week. I think the biggest contributing factor is that Witch Gundam has greater potential for unpredictable (and unsettling) developments. Even though it's been good so far, basically anything can happen because it's Gundam and because there aren't really any constraints on the possible directions the story may take.

Chu-squared is one of the good people, okay.

In light of this distinction, is it worth pointing out Bocchi the Rock! is about a character with anxiety, whereas Witch Gundam is about generating anxiety in the viewer? I suppose it's not really about generating anxiety, but I don't think I'm alone in experiencing some apprehension as to how the series will play out. I do mean this in a good way, though. Consequently, on some level, this means I look forward to Bocchi the Rock! each week because I'm eager to see good things to happen to good people, while I look forward to Mobile Suit Gundam: The Witch from Mercury because I'm concerned bad things might happen to good people.

Yor doesn't have anything to do in this show.

SPY x FAMILY is one of those well-made shows that I inevitably lose interest in despite not having any major complaints about it. Basically, the same thing happened as I was reading the manga, too. I just stopped one day and didn't really miss it. I suppose the series simply doesn't align that well with the sorts of things that I like despite not having any critical faults of its own.

I said Anya-focused school antics.

Well, I guess I do dislike Yor's brother. He's certainly my least favorite part of the anime thus far. And there's a Loid-obsessed lady who will appear later. She's not great either. Really, I think I would be satisfied with nothing but Anya-focused school antics. Maybe getting kidnapped less often, but still trying to do Anya-type things with her mind-reading abilities despite her efforts not always necessarily going to plan. I'd be okay with a show like that.

Not just "no," but "Hell no."

As it turns out, Bocchi the Rock! doesn't have anything to do with either SHOW BY ROCK!! or Hitoribocchi no Marumaru Seikatsu. Maybe it was obvious to everyone else, but I don't actually know anything about SHOW BY ROCK!! or Hitoribocchi. Anyway, Bocchi the Rock! does star a girl named Hitori, but the Bocchi nickname is something she picks up later after joining a band, which is no mean feat for someone with crippling social anxiety.

You might think she's just wasted one, but there are ways to reuse these.

Notably, that crippling social anxiety is the reason why "Bocchi" joined a band to begin with. You see, she's unsatisfied with her isolation and regards this move as way to change her lot. She is behind schedule, but at least this has provided her with additional time to improve her guitar skills. Through four episodes, it's apparent she's really good, even though her band mates haven't quite noticed yet.

Wait, are you drinking coffee and ice water at the same time?

At some point, her secret identity as a reasonably popular guitar-playing YouTuber is going to pay off, presumably as she overcomes the challenge of playing as a band in sync with the other members (as opposed to entirely alone, the only way she has ever played guitar thus far). She also seems fairly adept at coming up with new songs on the spot as long as she's not thinking about it.

I should have embedded a video clip of this, because a screenshot doesn't do the sequence justice.

I'm probably portraying Bocchi the Rock! as if it's a serious show, but it is actually a comedy. (It's based on a 4-koma.) More importantly, it is also genuinely funny. Moreover, the production values as a whole are excellent and really go a long way towards selling various gags. I suspect, without them, bits related to Hitori's intense insecurity would come across as sad or uncomfortable instead of endearing.