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Dated 31 August 2021: I sure watch a lot of Love Live! for someone who claims not to care about Love Live! at all

Rina and Setsuna
It probably tastes fine with enough hot sauce.

Thanks to a fairly light season, I went back and undropped Love Live! Nijigasaki Gakuen School Idol Doukoukai (Love Live! Nijigasaki High School Idol Club) from the Autumn 2020 anime season. Initially, I was going to watch it concurrently with this season's Love Live! Superstar!!, but I only had seven episodes left in Nijigasaki, and Superstar!! episodes have been delayed twice for the Olympics already.

Kasumi
It's not easy being Love Live!'s Queen of Faces.

As it turns out, Love Live! Nijigasaki Gakuen School Idol Doukoukai is just all right. The series does seem more episodic than its predecessors, but that's probably because it is only one cours1 and its idols are soloists, unlike the ones forming μ's and Aqours in previous Love Live! iterations. As individual characters, I enjoy Setsuna's double life and her unsafe use of pyrotechnics. I enjoy Rina's gimmick even though it's objectively stupid and I suspect her illustrated expressions are insincere much of the time. And I enjoy Kasumi, Love Live!'s reigning Queen of Faces, even though she's sort of a shit idol. Eh, I guess I'm technically looking forward to the second cours next year.

Kanon and Sumire
Kanon is very bendy and occasionally doesn't wear pants.

Through the first five episodes, Love Live! Superstar!! is mostly notable for my positive impressions of Kanon, the ostensible main character. I typically have a low opinion of the lead girl in these sorts of things. For example, I was not a fan of Honoka, not a fan of Chika, and definitely not a fan of Ayumu. This phenomenon isn't only limited to Love Live! either. Miyafuji from Strike Witches was on my shit list for a while. However, my opinions regarding Kanon are uniformly positive, and I don't have any special reason why. Conversely, the show's efforts to make Keke more interesting by making her a huge nutjob aren't working for me at all, even though I typically love me some nutjobs.

Keke
How long has Sunny Passion been around again?

As the series goes, Love Live! Superstar!! has also been fine. It does share a significant shortcoming with Love Live! Nijigasaki, though. Neither of those shows had interesting rivals such as A-RISE or Saint Snow like First Love Live! and Love Live! Sunshine!! did. Aside from looking like Aikatsu! transfer students, Sunny Passion hasn't had a lot going for them, never mind Keke's efforts to convince us otherwise. Someone is going to have to really step up if one of the characters hopes to be the titular superstar of the series.


Note 1: It's actually split-cours, with a sequel expected in 2022

Dated 22 December 2020: Majo no Tabitabi was interesting, but I haven't decided if I thought it was good

Sheila
Majo no Tabitabi needed more Sheila.

Majo no Tabitabi (Wandering Witch: The Journey of Elaina) turned out to be a lot different from what I was expecting. I thought it was going to be more laid back, like Flying Witch, but instead the series is more about Elaina observing the fucked-up world around her in a mostly non-committal sort of way. In this respect, I've seen it compared to Kino's Journey (which I haven't seen). I don't know if this is the case for Kino, but Elaina's detachment (and narcissism, honestly) makes her sort of dull, although the strange encounters she has during her travels are interesting.

Saya
Poor Saya missed out on the final episode's all-you-can-eat buffet.

I'm not suggesting there are major flaws to Wandering Witch that needs improving, but I do think it would be better if Elaina had more charisma. I found myself enjoying Saya's appearances much more than I thought I would, considering she mostly comes across as a turbo-lesbian gag character. Guest appearances by various other witches also helped out the show a lot. The best elements of the show and its finest moments all involve characters other than Elaina. I don't think this is by design, but rather it's because I just didn't find Elaina herself particularly interesting. Ultimately, I did enjoy the show overall, and I would watch more of it, but I'd rather have future episodes told from a different character's point of view if Elaina is going to remain the same.

Dated 3 November 2020: Something Senyoku no Sigrdrifa and Assault Lily: BOUQUET have in common (no, not that)

Azuzu
That hair is bad, though.

Since I only update on a weekly basis now, the Autumn 2020 anime season hit its midpoint before I got around to commenting on all the shows I've followed this cours. I've already dropped Assault Lily: BOUQUET, for example. Additionally, I've probably also dropped Senyoku no Sigrdrifa (Warlords of Sigrdrifa). Both shows did things I liked, too. But in the case of Sigrdrifa, I still have not made time to watch the second episode, and I'm not sure when I actually will. It didn't seem bad, so I guess my excuse for dropping it will be how that one pilot's bangs hang in front of her right eye.

Yuyu and Riri
I can't believe y'all adopted the Sœur System.

In the case of Assault Lily: BOUQUET, it took me weeks to get around to watching the second episode, and I just wasn't very interested. I did find it amusing that this was Lillian Girls Academy from Marimite except with wild anime fights. Also, I was genuinely impressed by the animation. I would very likely be watching it still had this come out during a normal season, but there are just too many other shows to watch right now.

Dated 24 June 2019: Strike Witches 501 Butai Hasshin-shimasu! takes us behind the lines of the War on Pants

Mio
Sakamoto is more of a nutjob than I remember.

It's been more than 12 years since the first Strike Witches OVA. Since that time, we've gotten a proper television series, a sequel series, a spinoff series, a movie, more OVAs, and this season's Strike Witches 501 Butai Hasshin-shimasu! (Strike Witches: 501st JOINT FIGHTER WING Take Off!) comedy series with half-length episodes. Additionally, I understand there are more sequels and spinoffs in the works, so it seems we'll continue to wage the War on Pants for some time to come. The weakest aspect of the Strike Witches universe (now actually the World Witches universe) has always been the Neuroi—the boring, vaguely threatening opponents with no personalities that our stalwart witches must fight. Fortunately, Strike Witches 501 Butai Hasshin-shimasu! is entirely Neuroi-free, as the show is strictly about the 501st Joint Fighter Wing fucking around in garrison.

Barkhorn and Hartmann
Go on, Barkhorn, curse the bitch out.

Surprisingly, this setting worked quite favorably for Erica Hartmann and Miyafuji Yoshika as characters. I wasn't fans of either of them going in, but I like them both a lot better now. I'm glad Hartmann in particular got more to do than merely be a lazy slob. I wasn't expecting her to be the focus of so many of the show's best gags. In Miyafuji's case, I think being free of her Main Character baggage made her scenes a lot better. Miyafuji stopped being on my shitlist after the Strike Witches movie, but she's still better off in a supporting role.

Yoshika
This style probably takes less time to draw, I'd imagine.

I would be remiss if I didn't mention the character design changes. I'm not a huge fan of this style. I can understand why they're different for this sort of show, but the effect isn't as successful as, say, the changes for Isekai Quartet. Also, I do wish Strike Witches 501 Butai Hasshin-shimasu! had brought back casual nudity, which used to be a staple of the franchise. Sure, these character designs are not quite as...aerodynamic as the normal ones, but I think it would have made for some amusing gags. Casual nudity has been missing from the World Witches universe for quite some time now, so bringing it back unexpectedly in this guise would have been quite the bombshell in the War on Pants.

Dated 6 August 2018: This is Shoujo☆Kageki Revue Starlight

Hikari
This was a blatant effort to encourage anime tourism.

I starting watching Shoujo☆Kageki Revue Starlight thinking it was going to be an idol anime that would contrast nicely when watched back-to-back with Ongaku Shoujo. Yeah, that turned out to be wrong. It's not an "idol anime" at all, or at least it's less so an idol anime than it is a "wack ass giraffe fight club" anime, as I've seen it characterized on the IRC. To tell you the truth, I'm not entirely sure what to call it.

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Dated 4 June 2018: I think I like the idea of Cutie Honey Universe more than I enjoy the show

Honey
Have sword, will travel.

I do appreciate that Cutie Honey Universe exists at all. It's been a good year with regard to the return of old (way old) classics. I'm not particularly familiar with the Cutie Honey franchise, but I've seen enough of the original 1973 Cutie Honey anime and Gainax's Re: Cutie Honey OVAs from 2004 to appreciate that Cutie Honey Universe is a faithful re-introduction of the show to modern anime fans. However, although I enjoy it, I suspect that the return of Cutie Honey might work better in theory than it does in practice for general audiences. I don't feel that Cutie Honey Universe is dated, but it does seem anachronistic. That does contribute to its charm, but I can't help but think I should at least finish watching the 1973 series first.

Tarantula Panther
Tarantula Panther, best tarantula, best panther.

The parts that are probably the most jarring to modern viewers are the occasional fan service gags involving Junpei (the little boy) and Danbei (the dirty old man) as they aggressively pursue perverted opportunities to ogle and grope Honey whenever possible. I hesitate to call them gags because they're not presented as if they're supposed to be comedic moments necessarily, but I can't quite call it fan service either because I'm not sure anyone considers the bits titillating. It's probably more accurate to call them tropes or callbacks to the original Go Nagai manga and anime series. Now, I'm not suggesting '70s fan service staples have no place in our upstanding world of the current generation, but I think I would appreciate an effort to present these blatantly gratuitous scenes in creative new ways instead, despite the risk of alienating those fans who insist on preserving original aspects as a matter of general principle.

Dated 2 October 2017: Symphogear? Still stupendous

Granny and Maria
Something something Maria, something something huge tomatoes.

I don't write about Symphogear as much as I ought to, consider that it's FUCKIN' GREAT. It's basically a miracle that we've gotten four seasons already with a fifth season supposedly on the way. This season, Senki Zesshou Symphogear AXZ ended up my second-favorite show, after Re:CREATORS but ahead of Princess Principal (which is itself way better than I expected). Still, I don't have much to say about Symphogear except that it's Symphogear. You either understand the appeal or you don't. It's definitely not something I expect to have any success in describing though text. Not in any way that does it justice, at least.

Shirabe and Prelati
Something something the appeal of a girl made of saws.

No doubt, there are still dubious readers on the fence about the whole thing. To be honest, the famous Symphogear meme chart pretty accurately describes the typical first-time viewing experience, aside from some outliers (like me) who were totally on board ever since Zwei Wing hit the stage in episode one of the first season. As to what you might expect in Symphogear AXZ? More singing while fighting (fighting while singing?), and more solving problems by punching them. The Hell else do you need?

Dated 16 December 2015: I'd probably like Hidan no Aria AA more if I had watched the original series first

Urara
That stock is just for looks.

Pretty much as a matter of general principle I won't watch a sequel without watching the original first. However, I do make exceptions when I don't expect to enjoy a show, or if I'm fairly confident I wouldn't like the original. In these situations, it's likely the new series has some hook or meaningful changes that distinguish it from the earlier series. This was the case with Futakoi Alternative, a fantastic series which took the basic framework of (I'm told) a dreadful harem comedy and turned it into something interesting. I was hoping this would also be the case with Hidan no Aria AA, but my impressions of the show through 11 episodes are mixed at best.

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