Version 5.4 ~ Haruhi gave rock and roll to you.
karmaburn.com karmaburn.com

Dated 7 December 2021: Neither Getsuyoubi no Tawawa 2 nor Ganbare Douki-chan need a blog entry, but they're getting one anyway

Maegami-chan
I know it's her (other) gimmick, but these are some fucked-up bangs.

Getsuyōbi no Tawawa 2 (Tawawa on Monday 2) is a follow-up to an Autumn 2016 adaption of Himura Kiseki's weekly illustrations that publish on the Twitter every Monday. There's continuity and regular characters whose lives intersect with otherwise unrelated story arcs. But really it's just an exercise in randy situation comedies involving enormous breasts. The anime episodes are short and faithfully follow the various stories, but it still looks weird to me without the blue-ink monochrome of the source material.

Douki-chan
Never gonna happen.

Ganbare Dōki-chan (You Can Do It Dōki-chan) is another anime short and was paired with the Tawawa sequel for its debut because the Douki-chan artist and the Getsuyōbi no Tawawa artist collaborate on occasion. Unlike the Tawawa illustrations, Douki-chan follows a single story arc. Its titular heroine is a lovesick office lady who lacks the confidence to express her feelings to the co-worker she admires. Complicating the effort are myriad assertive rivals who always seem to appear at inopportune moments. Both Getsuyōbi no Tawawa 2 and Ganbare Dōki-chan have already concluded their 12-episode runs because they started toward the end of the Summer 2021 anime season. As anime adaptations go, they were all right, but it's good their episodes were short. I don't think either would have worked with full-length episodes.

Dated 30 November 2021: Love Live! Superstar!! is the best Love Live! anime

Kanon
Despite appearances, Kanon is good at waking up in the morning.

Love Live! Superstar!! only had 12 episodes, but they spanned both the Summer 2021 and Autumn 2021 anime seasons in order to accommodate the Tokyo Olympics. It was also the best Love Live! anime of the franchise, for basically all the reasons SDS already covered at Ogiue Maniax. I presume others have also expressed the same view for similar reasons, and maybe I'd even know about them if anime blogging weren't dead.

Kanon and Kanon
This child is full of lies.

Notably, its lead, Shibuya Kanon, felt most like a genuine person among all the various characters of the Love Live! cinematic universe galaxy. I understand there are Honoka fans with a great deal of fondness for that character's development, but I've always regarded her as a casualty of a franchise that I find (as a whole) sort of off-putting in myriad minor ways that clearly don't bother real fans. Still, this is why I can't consider myself an actual Love Live! fan, and it's why I'm ambivalent about the show most of the time.

Kanon, Chisato, Sumire, Keke, and Ren
The all-singing, all-dancing 3DCG has come a long way.

However, Love Live! Superstar!! really got it right by keeping its cast of idols smaller than those of its predecessors. Devoting more time to them individually gave me, as a viewer, more opportunities to find reasons to care about them. True, Keke and Sumiere seem more like "wacky characters" than "actual characters." Likewise, Ren and Chisato seem more like capital-S, capital-C Supporting Characters to me than members of an ensemble cast.

Kanon
I still like Kanon best even though she has fucked-up hair.

In that sense, Kanon is the only True Character of the series, which I guess is why I regard Love Live! Superstar!! as being her show. Consequently, I guess she's also the titular superstar by default. I mean, she's not a superstar in the way that Sheryl Fuckin' Nome is a God damn superstar, but I've got no problem naming her as the overall Love Live! BEST GIRL. That she achieves this by tackling relatable problems and without the benefit (benefit?) of high-tension melodrama is a testament to what the franchise finally got right.

Dated 31 August 2021: I sure watch a lot of Love Live! for someone who claims not to care about Love Live! at all

Rina and Setsuna
It probably tastes fine with enough hot sauce.

Thanks to a fairly light season, I went back and undropped Love Live! Nijigasaki Gakuen School Idol Doukoukai (Love Live! Nijigasaki High School Idol Club) from the Autumn 2020 anime season. Initially, I was going to watch it concurrently with this season's Love Live! Superstar!!, but I only had seven episodes left in Nijigasaki, and Superstar!! episodes have been delayed twice for the Olympics already.

Kasumi
It's not easy being Love Live!'s Queen of Faces.

As it turns out, Love Live! Nijigasaki Gakuen School Idol Doukoukai is just all right. The series does seem more episodic than its predecessors, but that's probably because it is only one cours1 and its idols are soloists, unlike the ones forming μ's and Aqours in previous Love Live! iterations. As individual characters, I enjoy Setsuna's double life and her unsafe use of pyrotechnics. I enjoy Rina's gimmick even though it's objectively stupid and I suspect her illustrated expressions are insincere much of the time. And I enjoy Kasumi, Love Live!'s reigning Queen of Faces, even though she's sort of a shit idol. Eh, I guess I'm technically looking forward to the second cours next year.

Kanon and Sumire
Kanon is very bendy and occasionally doesn't wear pants.

Through the first five episodes, Love Live! Superstar!! is mostly notable for my positive impressions of Kanon, the ostensible main character. I typically have a low opinion of the lead girl in these sorts of things. For example, I was not a fan of Honoka, not a fan of Chika, and definitely not a fan of Ayumu. This phenomenon isn't only limited to Love Live! either. Miyafuji from Strike Witches was on my shit list for a while. However, my opinions regarding Kanon are uniformly positive, and I don't have any special reason why. Conversely, the show's efforts to make Keke more interesting by making her a huge nutjob aren't working for me at all, even though I typically love me some nutjobs.

Keke
How long has Sunny Passion been around again?

As the series goes, Love Live! Superstar!! has also been fine. It does share a significant shortcoming with Love Live! Nijigasaki, though. Neither of those shows had interesting rivals such as A-RISE or Saint Snow like First Love Live! and Love Live! Sunshine!! did. Aside from looking like Aikatsu! transfer students, Sunny Passion hasn't had a lot going for them, never mind Keke's efforts to convince us otherwise. Someone is going to have to really step up if one of the characters hopes to be the titular superstar of the series.


Note 1: It's actually split-cours, with a sequel expected in 2022

Dated 22 December 2020: Majo no Tabitabi was interesting, but I haven't decided if I thought it was good

Sheila
Majo no Tabitabi needed more Sheila.

Majo no Tabitabi (Wandering Witch: The Journey of Elaina) turned out to be a lot different from what I was expecting. I thought it was going to be more laid back, like Flying Witch, but instead the series is more about Elaina observing the fucked-up world around her in a mostly non-committal sort of way. In this respect, I've seen it compared to Kino's Journey (which I haven't seen). I don't know if this is the case for Kino, but Elaina's detachment (and narcissism, honestly) makes her sort of dull, although the strange encounters she has during her travels are interesting.

Saya
Poor Saya missed out on the final episode's all-you-can-eat buffet.

I'm not suggesting there are major flaws to Wandering Witch that needs improving, but I do think it would be better if Elaina had more charisma. I found myself enjoying Saya's appearances much more than I thought I would, considering she mostly comes across as a turbo-lesbian gag character. Guest appearances by various other witches also helped out the show a lot. The best elements of the show and its finest moments all involve characters other than Elaina. I don't think this is by design, but rather it's because I just didn't find Elaina herself particularly interesting. Ultimately, I did enjoy the show overall, and I would watch more of it, but I'd rather have future episodes told from a different character's point of view if Elaina is going to remain the same.

Dated 3 November 2020: Something Senyoku no Sigrdrifa and Assault Lily: BOUQUET have in common (no, not that)

Azuzu
That hair is bad, though.

Since I only update on a weekly basis now, the Autumn 2020 anime season hit its midpoint before I got around to commenting on all the shows I've followed this cours. I've already dropped Assault Lily: BOUQUET, for example. Additionally, I've probably also dropped Senyoku no Sigrdrifa (Warlords of Sigrdrifa). Both shows did things I liked, too. But in the case of Sigrdrifa, I still have not made time to watch the second episode, and I'm not sure when I actually will. It didn't seem bad, so I guess my excuse for dropping it will be how that one pilot's bangs hang in front of her right eye.

Yuyu and Riri
I can't believe y'all adopted the Sœur System.

In the case of Assault Lily: BOUQUET, it took me weeks to get around to watching the second episode, and I just wasn't very interested. I did find it amusing that this was Lillian Girls Academy from Marimite except with wild anime fights. Also, I was genuinely impressed by the animation. I would very likely be watching it still had this come out during a normal season, but there are just too many other shows to watch right now.

Dated 24 June 2019: Strike Witches 501 Butai Hasshin-shimasu! takes us behind the lines of the War on Pants

Mio
Sakamoto is more of a nutjob than I remember.

It's been more than 12 years since the first Strike Witches OVA. Since that time, we've gotten a proper television series, a sequel series, a spinoff series, a movie, more OVAs, and this season's Strike Witches 501 Butai Hasshin-shimasu! (Strike Witches: 501st JOINT FIGHTER WING Take Off!) comedy series with half-length episodes. Additionally, I understand there are more sequels and spinoffs in the works, so it seems we'll continue to wage the War on Pants for some time to come. The weakest aspect of the Strike Witches universe (now actually the World Witches universe) has always been the Neuroi—the boring, vaguely threatening opponents with no personalities that our stalwart witches must fight. Fortunately, Strike Witches 501 Butai Hasshin-shimasu! is entirely Neuroi-free, as the show is strictly about the 501st Joint Fighter Wing fucking around in garrison.

Barkhorn and Hartmann
Go on, Barkhorn, curse the bitch out.

Surprisingly, this setting worked quite favorably for Erica Hartmann and Miyafuji Yoshika as characters. I wasn't fans of either of them going in, but I like them both a lot better now. I'm glad Hartmann in particular got more to do than merely be a lazy slob. I wasn't expecting her to be the focus of so many of the show's best gags. In Miyafuji's case, I think being free of her Main Character baggage made her scenes a lot better. Miyafuji stopped being on my shitlist after the Strike Witches movie, but she's still better off in a supporting role.

Yoshika
This style probably takes less time to draw, I'd imagine.

I would be remiss if I didn't mention the character design changes. I'm not a huge fan of this style. I can understand why they're different for this sort of show, but the effect isn't as successful as, say, the changes for Isekai Quartet. Also, I do wish Strike Witches 501 Butai Hasshin-shimasu! had brought back casual nudity, which used to be a staple of the franchise. Sure, these character designs are not quite as...aerodynamic as the normal ones, but I think it would have made for some amusing gags. Casual nudity has been missing from the World Witches universe for quite some time now, so bringing it back unexpectedly in this guise would have been quite the bombshell in the War on Pants.

Dated 6 August 2018: This is Shoujo☆Kageki Revue Starlight

Hikari
This was a blatant effort to encourage anime tourism.

I starting watching Shoujo☆Kageki Revue Starlight thinking it was going to be an idol anime that would contrast nicely when watched back-to-back with Ongaku Shoujo. Yeah, that turned out to be wrong. It's not an "idol anime" at all, or at least it's less so an idol anime than it is a "wack ass giraffe fight club" anime, as I've seen it characterized on the IRC. To tell you the truth, I'm not entirely sure what to call it.

Claudine
Très bien!

Not that there's any compelling need to slot Shoujo☆Kageki Revue Starlight into some sort of category. All the really matters to me is that the audition portion of the first episode blew my mind. The fact that we got three straight episodes of "auditions" is rather astounding, although I don't imagine this is something we can reasonably expect an animation studio to keep up week after week. I'm calling them auditions, but you should bear in mind that these segments in Revue Starlight are auditions the way tank battles in GIRLS und PANZER are school sports.

Kaoruko and Futaba
I'm looking forward to these two becoming bitter rivals.

Naturally, since Shoujo☆Kageki Revue Starlight is about nine girls vying for the top spot, I've already picked sides and chosen favorites. There is also some expectation that various pairs will be forced to turn on each other as the competition heats up (it is right there in the OP, okay), but at least we're not likely to see loved ones dematerialize into green sparkles. I mean, they do still need people to put on the show.

Junna
Junna here setting totally unrealistic bed head expectations.

After four episodes, Shoujo☆Kageki Revue Starlight holds the top position in my Summer 2018 anime rankings, ahead of even Hanebado! even though Hanebado! has a lot more bitches being bitches. Naturally, I like the Revue Starlight supporting characters more than the leads, but that's pretty much how these sort of things go for me. In fact, I don't see anyone displacing the current top four, incidentally.

Dated 4 June 2018: I think I like the idea of Cutie Honey Universe more than I enjoy the show

Honey
Have sword, will travel.

I do appreciate that Cutie Honey Universe exists at all. It's been a good year with regard to the return of old (way old) classics. I'm not particularly familiar with the Cutie Honey franchise, but I've seen enough of the original 1973 Cutie Honey anime and Gainax's Re: Cutie Honey OVAs from 2004 to appreciate that Cutie Honey Universe is a faithful re-introduction of the show to modern anime fans. However, although I enjoy it, I suspect that the return of Cutie Honey might work better in theory than it does in practice for general audiences. I don't feel that Cutie Honey Universe is dated, but it does seem anachronistic. That does contribute to its charm, but I can't help but think I should at least finish watching the 1973 series first.

Tarantula Panther
Tarantula Panther, best tarantula, best panther.

The parts that are probably the most jarring to modern viewers are the occasional fan service gags involving Junpei (the little boy) and Danbei (the dirty old man) as they aggressively pursue perverted opportunities to ogle and grope Honey whenever possible. I hesitate to call them gags because they're not presented as if they're supposed to be comedic moments necessarily, but I can't quite call it fan service either because I'm not sure anyone considers the bits titillating. It's probably more accurate to call them tropes or callbacks to the original Go Nagai manga and anime series. Now, I'm not suggesting '70s fan service staples have no place in our upstanding world of the current generation, but I think I would appreciate an effort to present these blatantly gratuitous scenes in creative new ways instead, despite the risk of alienating those fans who insist on preserving original aspects as a matter of general principle.