Power is great.

Chainsaw Man (the manga) first caught my attention via a flood of Reze fan art years ago. I didn't know who that was, so I Googled the character and crashed straight into spoilers. I didn't really care, because I don't generally read shounen manga. Consequently, my first real exposure to the title came from its anime. I enjoyed it, but I lacked context for the complaints I kept seeing about it. I wasn't even able to determine if those anime complaints from manga fans were widespread, or if they were due to an overly vocal but ultimately small segment of readers.

She's not wrong.

After watching the anime (which didn't even get far enough to introduce Reze, by the way), I uncharacteristically went back and read all of the manga and now I'm caught up with weekly-ish releases. The manga now ("part two") feels a lot different compared to the manga before, and I'm once again seeing a variety of complaints from fans who want it to be more like how it was before. I can't tell this time either if I'm only encountering the gripes of a loud minority, but at least I have context for it now. As far as how I view the manga, I suppose it departs from the stereotypes that I typically associate with shounen manga? Maybe that's why I still enjoy it and the new characters. All you Reze fanatics are mental cases, though. She's not that good.

Asirpa is short.

The fourth season of Golden Kamuy was supposed to finish at the end of 2022. A staff member's death delayed production, and the cours restarted as a Spring 2023 show. As with other long-running anime (well, longer-running, relatively speaking), there's not much I can tell you about this series if you're not watching it already. Read the manga. It's great. I would tell you to start watching the anime, but that's probably a harder sell now that there are nearly 50 episodes (more, if you count the OVAs). You should have started already.

Don't stare. It's impolite.

This is one of those series that does everything well. There's comedy, there's drama, it's wacky, and it's serious. There are a lot of characters, and most of them are mental cases, but you'll also spend enough time with them (well, the ones who don't suddenly die) to appreciate what they've got going on and what motivates them. We already know the anime will cover the entire manga, so it's at least something newcomers can start without worrying about it being incomplete. There are honestly still some rough parts where the scenes or action are clearly difficult to animate, but we're at least well past the immersion-breaking 3DCG bears and fire from the first season.

I can't see a green chav suit without thinking of Squid Game.

I can't identify anything I think the Mahoutsukai no Yome (The Ancient Magus Bride) anime is doing wrong necessarily, but I don't enjoy it as much as I like the manga. On the surface at least, the anime is great. It looks beautiful. The casting and voice acting are both spot on. The production values in general are high. And yet I mostly only find the overall experience simply okay. Does that mean the direction is at fault for not optimizing the presentation of all these elements? I dunno. I still like watching it, but it doesn't astound me, and maybe I'm just griping because I feel as if it ought to.

This is not Yuru Camp△.

As far as the currently airing second season goes, I suppose I'm naturally disinclined to be interested in its subject matter. Specifically, it is about Chise going to magic school. Aside from a few notable exceptions, I'm generally not enthused about magic schools as a setting. And taking someone out of an environment that was already interesting as a starting point, and then placing her in a magic school—well, that is objectively a step down. Nevertheless, I still find myself enjoying the corresponding manga arc despite my misgivings. In any case, the magic school setting is not exclusively why I'm never in a huge hurry to watch the latest episode of Mahoutsukai no Yome Season 2, but I can't rule it out as a contributing factor.

It helps that I like all the characters.

I enjoy the [Oshi No Ko] manga (localized as My Star, or My Favorite Idol, among other titles), so I'm pleased the anime adaptation is also going well. The manga is one of those stories that I happen to think is really good, but is constantly teetering on the verge of potentially going really poorly if it takes a couple of missteps. If anything, an anime adaptation for something like this is even more precarious, with additional opportunities to straight fuck it up.

Akane is a later arrival to the show, but also excellent.

Thankfully, it's getting everything right so far. It even took the unusual step of making its first episode 90 minutes long so that it could conclude with The Thing No One Will Talk About. It seems an odd spoiler to dance around, seeing as how important it is to shaping the rest of the (still ongoing) story, but I guess I'm doing it too, albeit mostly because everyone else has thus far. It's a conspiracy of silence!

It's not easy being a superstar.

Anyway, [Oshi No Ko] is about contemporary show business dynamics. I don't know how accurately it is depicting the production and public interactions side of things, but I at least enjoy feeling as if I'm getting an insider's perspective. It's the same sort of reason why I liked Shiorobako and Otaku no Video. Don't get me wrong—I'm also in it for the revenge plot that I guess I'm not talking about. I do love me some revenge.

You sure seem pleased about your incredibly ineffective attempt at hiding.

I don't remember how I first encountered Boku no Kokoro no Yabai Yatsu (The Dangers in My Heart), but summaries of the manga set it up for failure. First of all, it's a middle school romance depicted from the male protagonist's point of view, and he seems obsessed with murder fantasies? That ought to be three strikes right there. Nevertheless, I'm really glad I gave it a chance and trusted in the strength of its reputation. Appropriately, the series is about subverting expectations and not rushing to judgment based on one's superficial impressions of others. There's no small irony here that the anime may fall victim to this very practice among potential viewers who might turn away too quickly.

This turned to be a lot funnier than I was expecting.

BokuYaba is also about not letting insecurity limit one's own potential. As it turns out, the male lead is not some Potato-kun. Nor is he some sort of mental case. Rather, Kyoutarou pumps up his chuuni levels and tries to role play as a psycho. However, he does this internally. He tells himself these things as a defense mechanism to explain why he's a pariah at school. But he's not outwardly different enough to actually be an outcast. His classmates haven't rejected him; he's merely withdrawn from them. He's not an edgelord; he's a cringelord who's too self-critical. Anna's inadvertent intrusion into his self-described sanctuary away from other people is the catalyst for the changes in how he perceives himself and others.

I like how Yamada popped into this scene seemingly out of nowhere like an actual ghost.

Here, too, is where I was afraid Boku no Kokoro no Yabai Yatsu would stumble. There is no shortage of anime and manga involving some TOP FUEL GENKI beauty who, for no clear reason, takes an aggressive liking to a painfully introverted and cowardly schmuck who ends up being an incredibly irritating point-of-view character. Thankfully, The Dangers in My Heart is not one of this lot. The friendship that develops between Kyoutarou and Anna feels natural and relies heavily on interactions that are shown rather than described. The characters in this series are insightful and often intuit that what those around them say (or are unable to say) and what they mean don't always align. The series refreshingly avoids plots based on stupid misunderstandings.

Tiny pictures are the way of love.

I'm not sure how far the BokuYaba anime will advance, but I expect it would require a two-cours run to catch up to with the manga. After all, there are more than 100 chapters already. The first two episodes of the anime covered the first 11 of these, so maybe the anime will adapt about half or two-thirds of what's out so far? I suppose that's not a bad amount. It certainly includes a number of highlights where characters have revelations about things they suddenly see with more clarity. I'm consistently impressed by how good the manga is at depicting these types of moments. I also like the anime adaptation so far, so I'm hopeful it will prove adept in these specific areas as well.

The Touyama Nao character sounds extremely Touyama Nao.

I like the basic premise of Benriya Saitou-san, Isekai ni Iku (Handyman Saitou In Another World). The series starts off well, but the anime suffers from the same problem as the manga: It develops a plot. As a gag anime with uncomplicated jokes about a normal schmuck who uses his unique skillset to assist a stereotypical RPG party of adventurers, the series is successful. It's consistently amusing, and it's rewarding to see the contrast between the appreciation Saitou receives in the fantasy world compared to how his blue-collar skills were taken for granted in modern Japan.

Those cowards didn't animate Lychee's sex scene.

Because the Handyman Saitou anime is a faithful adaptation of the original manga, it doesn't take long for it to exhaust the more whimsical standalone chapters and reach the part with continuity and interwoven character backstories. At that point, it becomes more of a normal fantasy show, albeit still with comedy and parody bits. It never gets actually bad (or at least it didn't before I dropped it), but I lost all interest in watching more. Maybe it returns to the original flavor of the series, but I'm not motivated to push through—hoping for the best—to find out for myself. Someone else is gonna have to tell me.

All things considered, he's taking this well.

I liked the first season of In/Spectre enough to start buying the manga. 16 English-language volumes later, the second season has finally started. As far as the name of the series goes, Kyokou Suiri (Invented Inference) is what the author titled it back when there was only going to be one book (covering the "Steel Lady Nanase" story). After writing more, he lamented the original title isn't as apt as it was originally. (See the author's notes in volume nine of the manga.) Eh, it happens. "Karmaburn" doesn't really sound like the name of an anime blog, for that matter.

He has gratitude and money, and she needs need cash to buy ice cream.

Anyway, Kyokou Suiri—Invented Inference—In/Spectre Season 2 is great, although I can see how it might be a mixed bag for anime-only viewers. It's not really paced for seasonal anime, and long monologues are not uncommon. I, for one, find the mysteries interesting, the stories clever, and the characters enjoyable. I don't know how long the author, Shirodaira Kyo (城平京), intends to continue writing this series, but I hope it's for a long time.

The nephew's childhood friend is also great.

Originally a Summer 2022 show, Isekai Ojisan (Uncle from Another World) went on hiatus after its seventh episode due to, well, let's just say, "Circumstances," since I'm not confident the reasons I've seen expressed are necessarily complete. There may be some nuances or complexities on the production side that haven't been properly communicated to random-ass people like me.

I like the elf even though she doesn't bathe.

ANYWAY, Isekai Ojisan has returned for the remainder of the Autumn 2022 season, resuming where it left off. That's not a lot of content (I think the anime is going to be 13 episodes total), but I'll take what I can get. In any case, the gags remain fresh and funny, and expanding the cast of characters (read: increasing the harem's membership) has not diluted the purest fount of tsundere that I've encountered since basically ever. Haruka De Tomaso Pantera is SO GOOD in this show.