Lucky for Potato-kun, Uruka is tsundere, not yandere.

I guess I did know ahead of time that there were two shows with Benkyou ga Dekinai in the title, but managed to forget when the season started. In any event, I had decided to watch Boku-tachi wa Benkyou ga Dekinai (We Never Learn: BOKUBEN) and skip Midara na Ao-chan wa Benkyou ga Dekinai (Ao-chan Can't Study!) based on their descriptions, and because Bokuben at least had some people on the Twitter mildly looking forward to it. Well, I ended up watching the first episode of Ao-chan by accident (it aired first) and decided to stick with it.

Dude is literally sniffing his hand after groping Ao's thighs.

After three episodes of each, I'm going to continue watching Midara na Ao-chan wa Benkyou ga Dekinai and I'm dropping Boku-tachi wa Benkyou ga Dekinai. I was concerned Ao-chan's little goblin father was going to ruin the show for me, particularly after his antics in the first episode, but I'm relieved to discover the show itself is pretty much a straightforward sex comedy about misunderstandings. One key that allows the show to work for me is that both Ao and her love interest are actually already into each other, and probably should be engaging in activities that might inadvertently help address Japan's declining birth rates, but they're both pretty dense. This is a small (but appreciated) departure from the usual formula where both parties are 100-percent pure. Ao-chan Can't Study! might end up being that way too, since—let's face it—anime is fucking chickenshit, but the show is okay for now. It also helps that the episodes are only half-length.

I guess now she can't get married.

Boku-tachi wa Benkyou ga Dekinai, on the other hand, drags. I get the feeling that I would probably be okay with some of its cliches in manga form, because a reader can just blow through at his own pace. But the anime spends entirely too much time on antics I've seen plenty of times before and don't feel compelled to revisit. Most of the show's fans seem to have been fans of the manga first, but I'm not sure how they regard the adaptation specifically. I, for one, could do with less Postmodern Tsundere bullshit. I'm actually even okay with all the characters. I guess even Potato-kun has his own positive qualities, but the show absolutely does not work for me. Frankly, I stopped caring whether these BOKUBEN bonklers manage to study or not. I can't guarantee I won't also tire of Midara na Ao-chan wa Benkyou ga Dekinai too, but for the time being I hope she goes all season not being able to study.

Touma is shorter and has messier hair.

The Spring 2019 anime season features Mix: Meisei Story and Hachigatsu no Cinderella Nine, two fairly different baseball anime. The former is an adaptation of a still-running Adachi Mitsuru manga and an apparent sequel set 30 years after one of his classics, Touch. Although I've only read the first few chapters of Mix, I have read Touch as well as a number of other Adachi titles. I also watched Cross Game, so I'm reasonably confident that Mix is basically guaranteed to be good, although I imagine newcomers to Adachi's work may wonder why everyone has the same face. I'm also counting on at least one tragic character death. Hey, baseball is a cruel sport, okay. I don't know how long the Mix anime is expected to run, but I wouldn't be surprised if it ends up lasting all year.

TWO HANDS!

Unlike Mix, where baseball has been a part of the characters' lives for a long time, Hachigatsu no Cinderella Nine features mostly neophytes, at least in terms of skill level. It also features a meek, somewhat clumsy girl in an animal-ears hoodie whose initial defining characteristic was anxiety. I was prepared to loathe her on general principle, but I suppose it's a credit to Cinderella Nine that I pretty much regard her as at least "okay" now after two episodes. The show does feel like yet another show where a bunch of girls are all really into something that girls stereotypically don't care so much about, but there are quite a few shows in that vein that still turn out to be very good, so I'm willing to give Cinderella Nine the benefit of the doubt. I'm not expecting it to be anywhere near as good as Taisho Yakyuu Musume or Princess Nine, but I'm hopeful the baseball itself will be better in Cinderella Nine than it was in Princess Nine. (See this earlier post for more on that.)

It's because its blocky shape makes it easier to embrace than other guns.

I guess this is a follow up to my recent post, "In praise of the oldest star in Gunslinger Girl." There, I linked to a couple pictures of anime characters hugging their FN P90 submachine guns (Iriya from Iriya no Sora, UFO no Natsu, and LLENN from Sword Art Online Alternative: Gun Gale Online). Naturally, Henrietta also does this in the first episode of Gunslinger Girl, as depicted above, after going aggro with it against some chumps who totally had it coming, probably.

Rounds in the translucent magazine make a 90-degree turn before entering the chamber.

I believe Henrietta's P90 is the most modern firearm to appear in Gunslinger Girl. It was only about 10 years old when the manga began in 2002, and is quite a contrast to Triela's 19th-century shotgun. Its distinctive appearance probably also accounts for its popularity in various anime, Sword Art Online Alternative Gun Gale Online being a notable example. I can't rule out the possibility that some LLENN fan bought herself an FN PS90, cut down the barrel after getting an NFA tax stamp, and painted it pink for questionable cosplay purposes.

This was a pretty good deal for both parties.

Incidentally, I was somewhat surprised a minor character in SAO GGO carried an AR57, which is basically an AR-15 upper designed to accept P90 magazines on top and eject out what is usually the magazine well of the lower receiver. But I'm most impressed that Kirito never showed up in GGO for some bullshit ammo exchange contrivance, since Kirito's FN Five-seveN is pretty much the only other firearm that shares ammo with LLENN's dear P-chan. Kirito's total absence definitely improved Gun Gale Online as an anime.

Yeah, it's pretty red.

Before I get into it, I need to provide a bit of background. The lock screens of all my computers and mobile devices are pictures of whatever they happened to be named. For example, the lock screen of my old Android phone that I designated MIYU had a picture of its namesake from My-HiME. The laptop named Kaede has a picture of the corresponding Cinderella Girl on its lock screen. So, anyway, I recently bought a red Vaio laptop (probably because of Evangelion, to be honest). Vaio, if you haven't heard, isn't a Sony property anymore, although their computers are still made in Japan. And I can certainly see the lineage connecting this Vaio SX14 to the Sony Vaio Z2 (VPCZ2390X Model PCG-41313L) which I got in 2012.

Doesn't even bother using a mouse.

Anyway, you're probably here because of the post's clickbait title and wondering where the fuck the obscenity is. Well, I'm getting to that. If you've watched Saenai Heroine no Sodatekata, you may recall that Kasumigaoka Utaha bangs out her work on a red laptop (which survives quite a bit of abuse that no Vaio I've ever owned could possibly withstand, incidentally). Naturally, I've named my new red laptop Utaha. However, it's got a 4K display, and the lack of sufficiently satisfactory Utaha pictures at that resolution has led me to use a picture of her rival, Eriri, on its lock screen instead for the time being. I can understand if you're feeling sort of judgmental about this, but at least I'm willing to cop to it, okay.

Go on, Kylie, curse the bitch out.

The air battles in Kouya no Kotobuki Hikoutai (The Magnificent KOTOBUKI) are consistently fantastic. Those alone managed to keep the show at the top of my Winter 2019 list all season long. However, I never got particularly invested in the story or the characters, perhaps with the exception of the flashback-heavy one with Kylie before she became a pilot. In contrast, Mizushima Tsutomu was much more successful with GIRLS und PANZER (admittedly a very tough act to follow), which has much more engaging characters complemented by the excellent tank battles.

Somehow, Kylie wasn't a hellion as a kid.

With 11 episodes down and presumably only one to go, KOTOBUKI seems poised to hit its big finish. This would have greater significance if I cared more about the characters or the things they had at stake, but at least I'm confident the dogfights will be awesome. Incidentally, since my initial post included comparisons with Girly Air Force, I suppose I should note that my interest in Girly Air Force crashed and burned within four episodes. I don't think I've seen anyone else mention it on the Twitter in all that time either, so I guess it probably didn't have enough going for it even if Eagle was very American.

There sure are a lot of kids in this show.

It's been 10 episodes and the titular protagonist of Tate no Yuusha no Nariagari (The Rising of the Shield Hero) has leveled up a bunch of his video game attributes, but doesn't seem to have improved at all as a person. Bear in mind the show is now quite a few episodes past its "big moment" with someone finally sticking up for Naofumi while he's balled up on the floor retreating from the world. It's almost as if Naofumi isn't really a very nice person even though he's kind enough to feed his slaves every day.

Raphtalia is, like, 10.

Regardless of how a viewer might feel about Naofumi initially (and I can appreciate that there may be those who commiserate with him on at least some level and genuinely believe he got a raw deal, even if I don't personally hold that perspective), it seems even the most sympathetic fan must surely by now also be tired of his arrested emotional state. After all this time he's STILL suffering from a crippling inability to trust anyone? You know, maybe the problem is you, dude.

I'm impressed Triela didn't get any blood on her.

I've written a fair amount about Gunslinger Girl, but haven't mentioned much about the firearms themselves. The first gun to appear in the show (outside of the OP) is Triela's shotgun, a Winchester Model 1897 Trench Gun with its big ass 17-inch M1917 bayonet fixed. I believe this is also the oldest firearm to appear in the anime. As its name suggests, this is literally a 19th-century design which Winchester started selling in 1897 (although it remained in production until 1957). In contrast, the primary weapon of the show's ostensible lead, Henrietta, is an ever popular FN P90, which was barely more than 10 years old when the manga began publication in 2002. Triela's M1897 is also the only shotgun in the first cours, but I don't remember it featuring in particularly many scenes. The old Winchester gets a lot more attention in the sequel, Gunslinger Girl -Il Teatrino-. (And occasionally appears in fanart.)

The action can git ya if you're careless while racking the slide back.

Prices of the World War I-era M1897 Trench Guns have risen quite a bit as of late, probably at least partially because of The Great War's centennial and maybe because of the shotgun's inclusion in popular media such as Gunslinger Girl itself and the Battlefield video games. For example, a "very fine" Model 1897 sold for $8625 in December 2018. I am somewhat amused that Gunslinger Girl features a firearm from the 19th century when basically every other gun in the series is from the Cold War or newer. I have to assume the original mangaka, Aida Yu, just really liked it. That's totally understandable, at least.

Totally normal background.

To be honest, I'm still not entirely sure I want a Hand Shakers sequel, and I'm already nine episodes into it. In any case, nobody else seemed to know ahead of time that W'z was going to be a sequel until after the first episode aired. Even now, it's unclear to me whether GoHands specifically hid this information or were just really bad at promoting the show. I suppose I could have guessed, since W'z shares the extremely garish 3DCG style found in Hand Shakers, although I find it much less visually jarring now than I did in winter of 2017. Whether this is because the franchise's aesthetic has improved or whether I've just developed a tolerance for it, I have no idea. The way the show looks is pretty much the only reason why I'm watching it, incidentally. I certainly don't care for the setting or the plot or the characters.

You are way overreacting, Haruka.

In fact, there's not even much of a cohesive plot to speak of through nine episode. There are some unifying themes, and a number of points that the show continues to re-emphasize, but nothing I consider engaging. The characters are about what you ought to expect, if you remember how they were in Hand Shakers, although there are some semi-amusing changes to a few of them that occurred during the timeskip between the two shows. As far as the new characters go, well, Haruka is doing nothing to make herself endearing. The dumb side plot about her unspoken feelings for Potato-kun is crap and does W'z no favors. She's been entirely dead weight. I'm watching W'z so you don't have to, but if you're at all curious about what this, uh, visually arresting show is like, absolutely start by watching Hand Shakers first. It might be WORSE THAN COSPRAYERS but at least it doesn't have Haruka.