Airborne mahou shoujo, airborne mahou shoujo, where have you been?

Unfortunately, Mahou Shoujo Tokushusen Asuka (Magical Girl Spec-Ops Asuka) is not a great anime, and quite a bit less interesting than it probably ought to be. Part of the problem is "magikal girls except adult and/or dark!" is by no means a novel idea anymore. However, I think a substantial part of the issues affecting Spec-Ops Asuka are probably intrinsic to its core concept to begin with. The anime (which I'm only assuming is at least reasonably faithful to its source manga—I've not read it) makes an effort to imagine how armed forces might integrate mahou shoujo (and dour, sadistic mages, for that matter) into their combined arms doctrine and what sorts of missions they might perform. It sort of works, but it also sort of invites more questions. When the core concept is not especially grounded in reality, maybe it's best to simply handwave away practical problems and adopt the approach used by mecha anime.

War Nurse is a great codename, though.

My other issue with Mahou Shoujo Tokushusen Asuka is that I don't find it especially engaging. There hasn't been any particular hook to the show that grabs me, and I'm sort of simply watching it perfunctorily. It doesn't help that the animation has a somewhat unenthusiastic look to it, and I'm not a fan of the character designs either. I'm not even sure what the issue is. Perhaps everything looks too normal? I'm glad the show at least does not have a "grimdark" visual appearance, but I wonder if making it look more like an actual mahou shoujo anime might have been better. The music works at least. Digressing a bit, I don't have a good place to mention this, but Magical Girl Spec-Ops Asuka does have more actual torture in the show than I'm used to seeing in anime. For comparison, the torture in Overlord occurs off-screen. I'm not suggesting you should count that as a positive necessarily, but it is noteworthy, at least. P.S. Spoilers.

You really should have researched your opponents at least a little bit first.

I'm pretty stoked Kakegurui received a second cours. Like the anime's first season, it's a fairly straightforward adaptation of the manga. As you might expect, the visuals are not quite as detailed as in the manga, but the show does benefit from a good deal of scenery chewing by the voice cast. Although the manga is a tough act to follow, the anime is still quite striking. Naturally, regardless of the medium, the absurd gambling-obsessed school and the ridiculous stakes at risk remain quite entertaining.

Tone it down just a little bit, Yumeko.

There are eight volumes of the English-language licensed manga out so far. The printed volumes themselves are a little larger than usual, as with the Golden Kamuy and the Tales of Wedding Rings books. Accordingly, they are a little more expensive, but still worth it to me. The Mary-centric spin-off manga is also licensed, incidentally. I haven't been reading that one, but I'll probably start. After all, Mary is Best Girl.

A mid-fight flashback so Cardinal can explain Eugeo's attack.

Claims that the Alicization arc of Sword Art Online is the "good one" may have been exaggerated. It's different enough from the previous SAO arc that it at least seems to be the result of writing styles and priorities changing, but whether it's necessarily better is debatable. From an SAO-tolerant non-fan's perspective, its biggest problem to me is that it's not very engaging. I'm basically only watching the show now out of general principle, and not because I care about the outcomes or the characters.

Fuck your deban, Asuna.

Frankly, the show sort of drags. That's probably my biggest problem with it. I suppose other viewers might argue that the sexual assaults are a much bigger problem, but those aren't unique to Sword Art Online: Alicization. They're about par for the course when you consider the previous times the subject has appeared in the franchise. (For what it's worth, Kawahara claims he's moving beyond this sort of thing henceforth, but I presume that won't impact future episodes of Alicization, which I believe is based on already completed light novels.)

This ledge keeps changing size.

Alicization strikes me as a series that contains too many elements that might work as text, but bogs down the viewing experience in anime form. Not having read the books, I can't authoritatively claim that's really the case, but it at least seems all the explanations and details that constantly interrupt the anime's narrative must originate from the light novels. I'm starting to see indications there may be a break before Alicization's final two cours. I can't see that being good for the show's pacing, but I guess I'll find out once that third cours starts, whenever that is.

Emma has some hair.

I wasn't planning on watching Yakusoku no Neverland (The Promised Neverland), but the Anime War Crimes Tribunal guy thought it was good, and it does have that noitaminA credibility (such as it is) attached to it, so I figured I'd give it a try. Through four episodes, it's all right, and benefits from its mostly serious subject matter and mysterious setting. Neverland is based on an ongoing manga that already has 12 volumes, though, so spoilers are plenty available, and it's just a matter of time before I stumble upon one accidentally, I'm sure. I assume this also means the anime will end without any real conclusion, unless the manga happens to have discrete stopping points.

Oh, I like her.

Honestly, I don't think Yakusoku no Neverland is quite as clever as I think it wants to be, but it is at least refreshing to see non-idiot anime children think their way out of a jam. All the older kids with prominent roles are fairly precocious, and while we're not talking Ender's Game levels of genius, there is some thoughtful planning to tackle the constraints facing their plan. There is also a lot of running in this show, and it's all been animated in a satisfying sort of way. Running is one of those activities that loses me if animated in some sort of "uncanny valley" wrong way, so I'm pleased at the way the characters convincingly haul ass. In a relatively weak season (compared to, say, Winter 2018 for example), The Promised Neverland is an interesting and serious enough departure from typical generic anime that it's worth your time to chase it down.

This queen's bed looks smaller than queen-sized.

Egao no Daika (The Price of Smiles) caught my attention because it is an original anime featuring mecha. But then the initial responses to the first episode suggested it was more about a silly country's 12-year-old monarch trying her best with the assistance of her loyal childhood friend, Potato-kun. Based on those reports alone, I wrote the show off. But then I heard about what happens in episode two and decided to give it a try out of curiosity. Yeah, I am totally on board. Yes, the show still stars a naïve awkward-age girl, but it's actually about a war that Smilestan's Deep State kept hidden from her. Moreover, it's clear from the OP and the ED that Egao no Daika also stars a soldier fighting for the opposing side. Indeed, Ittōheisō Shining has had a more prominent role in the show through its first four episodes than Queen Princess Yuuki.

I like Hayami Saori in this role, but I'd rather have Dark Mamiko.

Thankfully, Egao no Daika is also not one of those shows where Potato-kun spends half the series wiping out enemy mecha on easy mode before suddenly realizing people die when they are killed. I can at least guarantee this is not going to happen in The Price of Smiles. Rather, soldiers in this show display no hesitation killing their opponents even when they can see the whites of their eyes. There is still some question as to how Yuuki is going to react to the war now that she's getting a crash course in reality. It's more likely than not that she'll continue to oppose it, but other possibilities remain on the table since this is an original anime. Personally, I'm hoping for at least two cours of gripping war melodrama, but we're probably only going to get the 12 episodes scheduled thus far, alas.

At least he's not in high school.

So far, the reactions to Tate no Yuusha no Nariagari (The Rising of the Shield Hero) don't seem to be as intense as the Goblin Slayer! initial reactions were. Then again, Goblin Slayer! came out of the gate with rape and murder, while I hear Shield Hero works in its more controversial content over time. I'm ignorant enough of the franchise that it's unclear to me what is specifically so distasteful about the show to some people, but I have seen some of the more generalized accusations levied against it. Based on the first two episodes (and the first episode was double-length too), it does seem Shield Hero leans heavily on using themes of betrayal and unfair accusations in order to make its protagonist more appealing. Ostensibly, the viewers most likely to appreciate this setup are those who feel the world unfairly demonizes them as well. (Hence the associated criticism about Shield Hero courting "incels.")

At least the weather's nice.

I'm unsure this reasoning necessarily follows, mostly because I've not seen any indication that the Tate no Yuusha no Nariagari protagonist is particularly popular with anyone, regardless of how they like the show. I suppose this might be because he's been pretty much a grumpy sourpuss for most of the show so far. With a week-long break between the first and second episode, I did feel less inclined to appreciate why he might be in such a foul mood. Maybe someone who marathons the series in the future will be more sympathetic. Thankfully, the animation has been surprisingly good, at least for moments that need it, such as while showing Raphtalia's terrified expressions turning to relief during early interactions between Slave Hero and his bargain bin acquisition. Oh yeah, apparently there are going to be a lot of slaves in this show? I'm not sure if that's true, but I did read that somewhere. He's only got the one, for now, but Shield Hero is set to run for two cours, so there will be plenty of opportunities to buy more, especially considering how cheap they are on the seemingly unregulated open market.

No, this is not a Meet Cute.

Technically, I guess there's only one show about girls with planes: Kouya no Kotobuki Hikoutai (The Magnificent KOTOBUKI), since Girly Air Force seems to be about girls who are planes. Both shows have only one episode out so far, but Kouya no Kotobuki Hikoutai seems to be far and away the better show. For one thing, the planes in Girly Air Force are strictly 3DCG sentient artificial intelligence jobbies based on contemporary jet fighters. For other, Potato-kun is in Girly Air Force. He's not too bad, actually, but the cranky Chinese girl he's partnered with is going to get annoying if she doesn't get any actual character development. Probably the real weakness of the show will be the so-called "Xi" menace which is responsible for war in China and all the refugees from the mainland fleeing to Japan. Bogus opponents hurt Strike Witches and Sky Girls and will probably hurt Girly Air Force for all the same reasons.

The googles do nothing.

Thankfully, enemy aircraft in Kouya no Kotobuki Hikoutai appear to have human pilots (although none were clearly shown in the first episode). At a minimum, they certainly have more personality than the Xi or the Neuroi or WORMs, even if it's only revealed in little displays such as the dipped wings at the conclusion of an air battle. Kotobuki also benefits from direction by Mizushima Tsutomu who looks ready to combine ideas from his work on GIRLS und PANZER and The Third Girls Aerial Squad of Shirobako fame. Curiously, the female characters are all 3DCG (but look good for basically the same reason 3DCG characters worked in Bubuki Buranki, as opposed to Ajin). I don't know how realistic the air battles are in Kotobuki, but they look and sound great, and the anime goes out of its way to show details of the controls. Overall, the dogfighting depicted with The Magnificient KOTOBUKI's propeller-driven planes is much more compelling than the super high-G BFM (read: bullshit fighter maneuvers) demonstrated by the AI jets of Girly Air Force.

He probably also has a video about the Hayabusa.

Incidentally, if you're interested in the practical elements of World War II fighter aircraft and the associated engineering aspects that influence performance and combat effectiveness, "Greg's Airplanes and Automobiles" on the YouTube is fascinating.

<&Seem> Oof. My overburdened media shelf decided to finally collapse and it took with it all the remaining Macross/Gundam models I'd kept intact and displayed since the early 2000s
<&Seem> Just look at these shattered things and thinking all I can do is toss them in the garbage ( ._.)

Learning of Seem's misfortune reminds me that recovering my own anime merchandise from the inevitable future SoCal earthquake is going to be troublesome. Viewed from the perspective that the things you own end up owning you, there is something perversely attractive about the prospect of going through life with fewer material possessions. I do know people who favor that lifestyle, but fewer still who both favor it and actually embrace it. I, on the other hand, like having things, even though each acquisition incrementally increases the burden and complexity of storing it all and finding new spaces for additional hoarding.

Meanwhile, I imported more Japanese BDs.

I'm not prepared to take the position that losing everything in a catastrophe should be viewed as liberating, but hearing about events such as the above does remind me that I don't really have any sort of plan for the Blu-rays I buy and never watch, nor do I have any idea what I'm going to do with my growing collection of anime tchotchkes. I do occasionally see people selling off their stuff on the Twitter, but it sort of seems as if those efforts are intended to ensure the items at least go to people who will appreciate them, rather than to recoup financial value. Probably that's the best case scenario, long term.