This is a good season for hair horns.

I never actually did any research to verify these impressions, but I gathered BanG Dream! was another salvo fired in the idol war in support of the sort of full-spectrum operations adopted by the Wake Up, Girls! project. That is, it's an anime about a girl band which corresponds with a real life girl band presumably comprised of the seiyuu who will do crossover events and whatnot. The anime part at least started out sort of amusing, with high genki determination and amusing moments peppered with actual gags. I particularly liked Arisa's American approach to trespassers. Kasumi best not try that shit in Texas.

"Live Alive" this ain't.

Unfortunately, the more recent episodes took a more serious turn involving a mother on the verge of dying from Key AIDS and people feeling guilty about not being good enough martyrs. I can understand why the show might want to introduce some drama in an effort to get viewers more invested in the outcome, but it's not at all successful for me, at least. The tonal shift is not jarring exactly, but I think it's still unnecessary. And then the show added another twist which I guess will be the final obstacle they'll all have to overcome. Even a show as good as Hibike! Euphonium did not pull off all of its bits of band drama flawlessly; BanG Dream! is having a much rougher time of it. This is not something I want to continue watching, anyway. It's not bad, exactly. I've just lost all interest.

Who's ready for more BBK/BRNK faces?

There are a surprising number of shows I'm interested in scheduled for autumn 2016. Most of these are sequels of some sort, but there are a few new properties that have caught my eye. Notably, I've yet to do any concerted investigating into the upcoming season, so the following only include titles that I noticed at some point and deemed worthy of preemptively annotating in my anime spreadsheet.

Ah! Ghost glasses!

Despite having no sympathy for its lead, a pathetic middle school boy with deep-seated emotional problems, I find Shigatsu wa Kimi no Uso (Your Lie in April) exceptional thus far. It's a two-cour adaptation of an award-winning manga that's already ended, so I'm optimistic the anime will have a real conclusion after a solid run instead of meandering aimlessly before trailing off like I might expect from some crappy harem comedy. (Read: A one-cour advertisement for some sorry light novel series.) Nevertheless, Shigatsu wa Kimi no Uso does teeter on the brink every episode, mostly because the lead character is an incredibly vulnerable boy and practically every other character in the show (men, women, boys, and girls) is obsessed with him. It technically is a harem comedy if you think about it, so letting a schmuck (albeit a talented one) drive the story turns the entire vehicle into a train wreck waiting to happen if A-1 Pictures should falter even a little bit.

Williams Rotation.

In a way, this is appropriate for a show about musical prodigies. The episodes and the characters are excellent when they are on their games, but even a single minor mistake could cascade into catastrophe. Thankfully, A-1 Pictures has been spot-on so far, serving up beautiful visuals and captivating music during the performances. The supporting characters are also charismatic, even the childhood friend who unfortunately turns into a Childhood Friend. Even the erstwhile womanizing ladies' man who has displayed no actual evidence of such proclivities and appears to be hiding a sensitive side. Hell, I'm even interested in the mopey shell-shocked lead's wheelchair-bound Tiger Mom's specter, albeit to a much lesser extent than, say, the blond dervish (who is probably secretly dying despite her vivacious, constantly churning limbs), or the stiletto in a red dress. Especially the stiletto in a red dress.

Minori tearing through the school with real conviction.

Basically every time I listen to Honey Jet!!, when I get to "Silky Heart," I recall Minori ripping through the school with real verve. Those few seconds in the second OP provide convincing credibility affirming Minori's reputation for athleticism. That is some good anime-type running right there. Kind of a rare thing, now that I think about it.

Aoi lap-pillows the shit out of Kaoru.

I finished re-watching Ai Yori Aoshi even though that meant going outside the one-episode-per-week framework I previously decided upon in my attempt to mimic its initial broadcast schedule from 10 years ago. This was not because Ai Yori Aoshi is so great I couldn't help myself, but rather because I was re-watching it via my old Pioneer DVDs, so it was easier to burn through a block of five episodes in a row than to fuss with disc swaps every week. I don't mean this as another sign physical media are dead, since I do still value the tangible qualities they impart, but there are certainly inconveniences associated with optical media that seem anachronistic in an ever-increasingly instant-gratification age.

Nadia is pouting in this scene because
Jean never visits her bunk. True story.

I don't remember Nadia being such a harpy. That girl just will not stop bitching. Frankly, I am amazed Jean manages to put up with her unrelenting complaining and her hippie bullshit. Then again, maybe it's a good thing that she's so disagreeable all the time. Were it not for her acerbic personality, Jean probably wouldn't be able to keep his mind on science and aeronautics. He's at that age, y'know. And they're stuck on a boat together (and/or island sometimes). And she doesn't seem to like wearing a lot of clothes. And she's a very bendy and athletic circus acrobat. I'm just sayin'.

I love Madoka even though she is not a cunt all the time.

Full Moon wo Sagashite? Still the best anime of all time, although I guess you wouldn't necessarily realize it at this point (episode 22). After 10 years, Full Moon wo Sagashite still remains somewhat of a difficult sell, particularly now that in many respects it not only is "old" but it sort of looks old, too. I'm not sure what it is...perhaps the lack of shiny skin? Since Full Moon wo Sagashite aired in 2002, myco (Mitsuki and Fullmoon's voice actress and singer) has released a solo album, my collage, and another album as the lead vocalist for the band Quintillion Quiz. I was able to purchase a my collage CD, but Quintillion Quiz's Mement Mori appears to only be available on iTunes. Both albums are good, but Mement Mori in particular is a steal at only eight bucks or so for the entire album. It rocks quite a bit more than myco's earlier work with the band Changin' My Life. I'm afraid I have no idea what Kana is up to these days, though....

Chihara Minori sure knows how to make an entrance.

I've finally gotten around to checking out these Animelo concert videos I've heard so much about. Most of it is about what I expected, including performances by a number of singers I suspect were lip syncing. However, I also discovered Chihara Minori; I previously only knew her from Yuki Nagato fame and that one water bottle incident.

Ali Project is so weird.

Chihara Minori followed Ali Project on the first day of Animelo 2009. Ali Project was vintage Ali Project. I.e. SO WEIRD. I've heard Ali Project's music described as atonal warbling. I guess that's accurate. I, for one, enjoy songs by Ali Project, but they're so strange. I can see how many people might only tolerate Ali Project. The Animelo 2009 audience was interested, but I can't say they were enthusiastic.

Chihara Minori at full boost.

But then Chihara Minori strutted out in her space disco outfit with titanium fuck-me boots channeling the ghost of Olivia Newton-John (don't ask) and positively blew the roof off the dump. THIS is Yuki Nagato? You've got to be kidding me! Chihara Minori was awesome at Animelo 2009, electrifying the crowd out of its lull. I think she was even better than Banana Mizuki who was awesome herself. Chihara Minori's contrast with her Yuki persona could not have been greater. I also didn't know she sang the Ga-Rei Zero OP. "Paradise Lost" rules.

This is not a Danbooru breast-comparison chart.

I'm re-watching Azumanga Daioh again. This time I'm leaving my ADV DVDs on the shelf, and just watching the Triad fansubs—partially because of ADV's "MISS SAKAKI" faggotry, but also because I find it entirely too inconvenient at the moment to swap DVDs and cycle through pointless menus, etc.

Tomo, Yomi, and Chiyo.

E/N Warning: I originally watched Azumanga Daioh during an especially demanding time. I didn't really have time for, well, anything...but I sacrificed sleep to watch episodes of Azumanga Daioh because the show always made me laugh my ass off.

Sayaka from Oku-sama wa Mahou Shoujo.

As an aside, those of you who really enjoy the music in Azumanga Daioh are encouraged to give another J.C. Staff series a try: Oku-sama wa Mahou Shoujo. It's a vastly underrated series, which suffers because it didn't capture the attention of a better-known fansubbing group, and because its initial episodes are a little overt with the fan service levels. Oku-sama wa Mahou Shoujo is no Azumanga Daioh to be sure, but it is amusing enough, and the background music is very similar.

Osaka, Chiyo, and Sakaki.

Actually, I ended up marathoning Azumanga Daioh before I finished writing this entry. My original review still stands. I don't think I even have much to add, except perhaps this:

In light of this year's fervor over Suzumiya Haruhi no Yuuutsu, it is important to remember the tremendous fanbase devoted to Azumanga Daioh during its prime. That Bandai enjoyed great success with its The Melancholy of Haruhi Suzumiya launch compared to ADV's Azumanga Daioh failure is at least partially attributable to the degree to which ADV fucked it up.

Haruhi.

Certainly the timing of the sales and the expansion in the market itself over the years contributed to the differences in the two North American releases, but it should be obvious to fans of both shows that ADV's stumbles marketing Azumanga Daioh coupled with the MISS SAKAKI-type curiosities seriously cost ADV a tremendous opportunity. I'm not going to break down the differences point by point, but a large one to consider is Bandai's (at least tacit) willingness to embrace (and market directly to) fans of the show who had already seen it via downloading fansubs or streaming YouTube—a sharp contrast to ADV's doctrines.

Yukari and Nyamo.

Think of it as the triumph of Web 2.0 mumbo jumbo versus the old and busted obstinate way of doing things. ADV, like everyone else, knows fansub-watchers buy DVDs. Think of it this way: Every series offered with a "collector's box" edition of the set's first DVD is obviously geared towards people who have already watched and enjoyed the show. Who else would buy the collector's box edition of a show they had never seen? Wouldn't it make more sense to offer the collector's box with the last DVD? And yet, although ADV will grudgingly acknowledge the inspired-by-fansubs market exists, it won't (or at least didn't) embrace it.

Tsuruya.

Osaka is actually a genius. I swear.

For neophyte anime fans who are only still reading this because I mentioned The Melancholy of Haruhi Suzumiya, you should also watch Azumanga Daioh because Tsuruya's seiyuu, the megas-talented Matsuoka Yuki, also voiced (the vastly different) Osaka.

I somehow neglected to mention that the music in Porco Rosso is impeccable. It is rich, romantic, enthusiastic, and quite beautiful. I suppose I failed to comment on it earlier simply because I've almost come to take Joe Hisaishi's always beautiful scores for granted.