- Archive for Shakugan no Shana.
Shana is a different person when her hair is on fire.
I am on record as saying the first season of Shakugan no Shana is "great." The problem is I can't remember why. To tell you the truth, I hardly remember anything about the show at all. I know Shana I was one of the backlogged shows I marathoned based on Internet-type recommendations after an extended anime sabbatical. It was highly regarded by people whose opinions I trusted, anyway. To be honest, the only things I remember at all about Shana I anymore are my disdain for the insipid antagonist twins, my amusement that Pyoro from VanDread voiced a loudmouthed book, and something about "TADA NO FLAME HAZE." Things I don't remember include why Shana's personality is so awful when her hair is not on fire, why the voices in (on?) Carmel's head offer taciturn color commentary for everything that happens, why J.C. Staff is so god-awful when it comes to fight scenes, what the plot was, and who any of these people are.
Alastor needs more scenes.
Despite my current amnesia over nearly all aspects of the show, I trust that my own positive impressions of Shakugan no Shana were reasonable at the time, despite the series' current baggage. Shana and the abusive small Kugimiya Rie-voiced Modern Tsundere stereotype repeated ad nauseum via Louise, Taiga, Nagi, and assorted similar roles has become a bit of a joke. Moreover, nearly every opinion I've seen regarding Shakugan no Shana Second is profoundly negative. Through 16 episodes of Shana II, I can understand why. These episodes have been mostly rudderless filler with tedious exposition and, quite frankly, a bunch of lame stuff going on for characters I don't care about.
Carmel is actually a terrible maid.
Usually I try to find some positive aspects of even bad shows, or at least identify specific shortcomings in shows I don't enjoy, but the best I can muster for the second season of Shakugan no Shana so far is "it sucks." It's not unwatchably bad, or even below the Worse Than Cosprayers Line, but Lord, it's not good. It's just not very interesting, and it makes me wonder if it really is substantially different from the first season (which I'm sure I liked), or if I just gave season one a pass because I really liked the first ED—the Takahashi Yoko one. Whatever the case may be, I intend to power through the remaining Shakugan no Shana II episodes so I'll be prepared to watch Shakugan no Shana III, which hopefully will contain whatever it was that made me like the first season, and not be a hot mess that's a complete waste of time, fire hair be damned.
Shana scenes suck when her hair isn't on fire.
I generally strongly discourage people from skipping seasons. Typically they do it so they can follow something shiny and new and/or watch something at the same time as their friends so they'll have something to talk about. This can lead to very poor decisions, such as watching Diebuster before watching Gunbuster, or watching Shikabane Hime: Kuro without watching Shikabane Hime: Aka. I have less of an issue with people skipping previous Mobile Suit Gundam seasons (at least for series in different continuities) since there are so damn many of them, or skipping previous Macross iterations, although I do insist on people watching the original Cho Jiku Yosai Macross; do not be tempted to lean on Do You Remember Love? instead. Good movie, but really not a substitute for the original series—not at all.
Carmel's head thingy had the best lines.
But while I feel it is wrong on principle to skip seasons, especially when one's reasons for doing so fall in the "shiny and new" camp, I can make an exception for Shakugan no Shana II. I watched 24 episodes of this second Shana season because I enjoyed the first season and wanted to give the upcoming third season a try. This may have been a mistake. Shana II is every bit as awful as its reputation warned me. Shana II is 24 episodes of tedium occasionally interrupted by insipid fights. It is WORSE THAN COSPRAYERS, I finished Shana II with great reluctance. It was never ever actually BAD in the way Limeiro CROSS or Macademi Wasshoi! were truly bad; it just wasn't ever compelling, or even interesting.
Kazumi has a little trouble with her jeans.
To put things into perspective, the multi-episode climactic battle at the end of Shana II kept giving me flashbacks to the Demonbane anime. Now, Demonbane is by no means good, but I have to say that it was at least more interesting than Shana II. This is especially true of the fights. I've long harped on J.C. Staff and its poor track record when it comes to animating fight scenes (excellent Azumanga Daioh snowball fight notwithstanding), but I remember even the worst Demonbane fights against the shrieking mad scientist to be more engaging than climactic season finale fight scene against the shrieking mad scientist of Shana II. And I'm not just saying that because Mr. Eroge Protagonist from the Demonbane anime had to soul kiss a book every time to make his giant robot go. Well, he didn't have to, probably. He just did. But I digress. Shakugan no Shana II is a horror, and I will be amazed if Shana III requires any foreknowledge of its preceeding season's events. Yeah, I'll still at least start Shakugan no Shana III. It's too late to turn back now. Who knows, maybe the odd-numbered seasons will be good.
Kotori, Ritsuko, Miki, Ami, Yukiho, Mami, and Azusa on top.
So far, The IDOLM@STER TV has been the best show I'm following during autumn 2011. I'm pleased to see the 765 Pro girls' careers advance and I look forward to the inevitable scandal that threatens to destroy them when the evil rival talent agency blows the lid on Miki and her HONEY shacking up. You know it's coming.
Saber sure dresses sharper in Fate/zero than she does in Fate/stay night
Fate/zero is kinda stupid so far, but I can't resist. You could attribute it to the Ayako Doctrine, since I'm pretty stoked about having three (technically four) shows this season featuring her work. Truth be told, as much as I enjoy Kawasumi Ayako's "tough girl" voice, her "comic tough girl" voice is even better. I refer you to the Carnival Phantasm OVAs and Magical Witch Punie-chan.
I hope you weren't expecting a squid-pun caption.
Shinryaku!? Ika Musume is a worthy sequel to the first season, although thus far it seems to be playing it safe. It needs another moment like the umbrella episode to really return it to its former glory.
It turns out Guilty Crown and Dantalian no Shoka are the same show.
Guilty Crown is way better than people give it credit for even if it isn't necessarily good. It's got good stuff in it, okay? That's good enough for me. And I'm not just saying that because that one girl's zero-gravity breasts are obviously some artist's labor of love.
Cure Muse kinda sucks, to tell you the truth.
Suite Precure♪ really benefits from having Koshimizu Ami, Orikasa Fumiko, and Toyoguchi Megumi on the cast, much more than Heartcatch Precure! ever did from having Banana Mizuki or Hisakawa Aya on its cast. All five are very talented voice actresses, but Mizuki Nana was completely wasted as Tsubomi and Hisakawa Aya never impressed me as Cure Moonlight (nor as Sailor Mercury neither, through the first 46 episodes at least). If you listen to their stock footage transformation catchphrases, for example, Koshimizu Ami adds a lot of verve to her role, and Toyoguchi Megumi announces herself with real authority. I totally buy that she's about to beat some ass. Fumiko Orikasa...man, I'm just glad she's working again outside of that Bleach black hole.
Sen's understanding of "half off" differ's from Inori's.
Ben-to probably would have made a good two-episode OVA. I can't see watching more of this, even if Panty is in it eventually.
Needs more Ran service.
Detective Conan is Detective Conan. I expect it will continue to be as good as it always is, discounting the anomalous previous cour.
That's funny, the damage doesn't look as bad from out here.
Boku wa Tomodachi ga Sukunai is about as good as the manga, I suppose, but I'm not a big fan of that either. I've met my goal of watching enough to see the eroge episode, so I think I'm done—both with the anime and the manga. It's just not especially interesting, and the character designs aren't appealing.
This is basically all Shana needs to succeed: fire and grimacing.
Shakugan no Shana Final is kinda poor, but making Yuji a villian is a good move. Oops, spoilers. I was half-wrong when I claimed there was no need to watch Shana II before watching Shana III. You won't know what the Hell is going on if you skip from Shana I to Shana Final, but then again there's a 50/50 chance you'll still be horribly confused by the start of Shana III even if you do watch the second season. Anyway, Shana III is pretty lousy, but sweet Haruhi, it's not nearly as bad as the second season was. Plus more Ayako!
Haruka visits Chihaya's spartan apartment in episode 11.
Leading the way by a large margin in autumn 2011 is The IDOLM@STER TV. I am solidly in the camp that believes Idolmaster exceeded all expectations. It doesn't quite win the coveted No Bad Episodes award (thanks for dragging down the curve, Hibiki), and some of the early summer 2011 episodes stumbled in parts, but taken as a whole Idolm@ster performed very well. As much as I enjoyed Hanasaku Iroha in the spring and summer, iM@S is easily my choice for show of the year. Some may argue Mahou Shoujo Madoka Magica deserves Show of the Year, but I believe its baggage will prevent it from being as fondly remembered in the long run.
Chihaya alone in her apartment, episode 20.
I am both disappointed and relieved Idolm@ster did not use a Miki + Producer scandal as its final plot arc—disappointed because I have a perverse interest in drama and trauma in my -rama, but relieved because the actual final arc was a great way to end the season that fit very well with the tone and progression of the show over its 25 episodes. Thankfully, it also leaves the door ajar for another 25 episodes.
Chihaya's apartment, episode 25.
I'm conflicted as to whether Idolm@ster is a harem comedy or not. I have to conclude that it is, but it's a harem comedy the way the original To Heart anime is a harem comedy, and not in the way the insipid ToHeart2 is a harem comedy. Notably, despite more than a dozen nubile girls commanding his attention, Producer is a serious love interest to none of them. Miki might disagree with me here, and although she gives Producer the green light early and often, there is no real romantic or sexual tension between them. All the girls all fond of Producer, but in wholly appropriate ways. The girls want to be good idols for him, but they also want to succeed for their own sakes. Likewise, the girls of To Heart are fond of Hiroyuki as he serially befriends the Hell out of them, but they have their own goals and aspirations independent of him, unlike standard brainwashed harem comedy heroines inexplicably devoted to Potato-kun. Making Producer a part of his idols' lives, but not the center of their attention prevents Idolm@ster from going down a very bad road.
Inori tries to save Guilty Crown.
It's a long drop from the top spot to the second-best show I watched in autumn 2011: Guilty Crown. No matter how many unique things Guilty Crown may try and no matter what nuances it gives its characters, the package as a whole is wrapped in some of the most juvenile, cliché, and outright ridiculous developments. Still, none of these faults necessarily prevent Guilty Crown from being entertaining. If you have no stomach for a show quite obviously intended for male viewers in their early teens, then you will probably not wish to suffer through another cour of Guilty Crown. I, on the other hand, am quite looking forward to the second half of the show in winter 2012. Hell yeah.
You wouldn't hit a girl with glasses, would you?
I almost dropped Ben-to after episode two because I assumed a show based on a fairly thin gimmick would wear out its welcome very quickly. Nevertheless, I kept watching because I was determined to at least learn what Panty was doing in this show. Surprisingly, the characters remained likeable and the premise remained entertaining. The unapologetic Sega pimping helped, too. It was also good to have Horie Yui and Tamura Yukari playing off each other. They make a good duo, and the dynamic is even better in Ben-to than it was in B Gata H Kei.
They'll all be dead in a couple days anyway, de geso.
Shinryaku!? Ika Musume is not as good as the first season, mostly because it felt like it was playing off the same jokes over and over. The first season benefited from numerous examples of one-upmanship as Ika Musume learned or did something more improbable than the last. There were a few such moments this season, but Shinryaku!? Ika Musume paled in comparison to its brilliant first season.
I wonder what Conan saw in the mirror, Ran?
This was a good year for Detective Conan, particularly with regard to the summer's London arc, but the autumn portion was mostly about par for the course. It was also a good year for Ran, the 2011 Girl of the Year. The many Detective Conan OPs and EDs are notoriously cruel to Ran + Shinichi 'shippers, but the ED closing out the autumn 2011 season offers hints as to the shows eventual conclusion. (Detective Conan can't really run forever, right? Right?) Avert your eyes if you fear my psychic powers lend credence to what is admittedly merely a wild guess on my part: Shinichi will not return to his normal age. Ran will suffer the same fate as Shinichi and Haibara and become a small child again herself. Ran will finally learn Conan's secret and the series will end. I'm counting on anime's penchant for packing OPs and EDs with spoilers to ultimately prove me right. Besides, there's a legitimate way out: The numerous Kaito Kid specials this year have been good enough that I think an outright spinoff is a solid possibility. I sure hope Sawashiro Miyuki is prepared to play a scandalously clad high school ojou-sama witch for the next 10 years.
Saber and Irisviel both need hats.
Fate/zero is beautifully animated and basically better in every way possible than its horribly flawed predecessor Fate/stay night (except for lacking a Tohsaka Rin old enough to properly boast her trademark sweater + zettai ryouiki flawless combination). Even Saber manages to seem, well, not smart, but at least cool. And I like Irisviel far more than I expected, probably boosted by her fine taste in vintage automobiles. Still, the Fate/zero dialog dumps are so sonorous, and there's so much of it. I'm sure its second half will do better during
winter spring 2012 when everyone starts killing each other.
Probably shouldn't have stood around being useless
while Cure Melody was getting her ass kicked, eh.
Suite Precure♪ surpassed Fresh Pretty Cure somewhere around the Cure Muse arc as the most underachieving iteration of the Pretty Cure franchise, and since then it has done nothing but continue to fall in my estimation. Suite is not quite in freefall, but Lord, it ain't falling up. For over a thousand generations the Pretty Cure were the guardians of peace and justice in the Old Republic. Before the dark times. Before they started letting cats and small children into their order. Also, I really hope impressionable young Suite Precure♪ viewers do not grow up thinking Cure Melody's solution is in any way an appropriate solution to resolving a hostage situation. I hope Smile Precure! does better, but its large starting cast and rumors of additional non-human Cures fill me with dread. (Yeah, I guess I'm racist. Speciesist?) At some point, Kaoru and Michiru have got to get tired of getting snubbed by their inexplicable exclusion from the Sacred Order of the Pretty Cure and crash the show to trash the joint and bust some heads the old fashioned way. Got to.
Go on, Shana. Curse the bitch out.
Shakugan no Shana Final is not that bad. Honest! It's way better than the second season of Shakugan no Shana, okay? Then again, I still rate it below Suite Precure♪, which ought to tell you something. On the plus side, this whole season has been about war, albeit not a very competently executed war. It also doesn't help that J.C. Staff still has trouble with fight scenes. In other news, two of the main characters engaged in sexual intercourse so vigorously one of them required magical augmentation beforehand to prevent permanent injury or possible death from the encounter. True story. [P.S. Spoilers.]
I dropped Boku wa Tomodachi ga Sukunai after three episodes, but I accidentally acquired a copy of episode nine in a game of chance, so I watched that too. The show is all right—bettter than Shana III at least, but I don't have any interest in it. This is unsurprising because I have no interest in the manga either, having dropped it at least three times since it first came on the scene. I also don't like the anime character designs at all.
Hibiki has large headphones.
Senki Zesshou Symphogear is badical. If you can't enjoy teenage girls fighting with the power of song, you can't enjoy anime. I am a little perplexed by the numerous (coincidental?) similarities with Suite Precure♪, though. Both shows are music-themed and feature superpowered teenage girls named Kanade and Hibiki who fight inhuman adversaries known as Noise by using either their magic or a science sufficiently advanced as to be indistinguishable from magic. Senki Zesshou Symphogear is much better than Suite Precure♪ so far, though, even if it does have comically large swords.
I guess Rihoko is kinda fat for an anime character, but
not really fat enough to be the Fat Love Interest.
Amagami SS+ is a worthy sequel to Amagami SS. It follows the same format, although the girls are sequenced in a different order this time. From the looks of it, Amagami SS+ will be 12 episodes offering two-episode arcs for each of the six lead girls, continuing from where the original four-episode arcs in the first season left off, not including timeskip epilogues. Probably the only real problem with Amagami SS+ is that Potato-kun continues to be a bit of a tool with very little to offer in the way of explaining why any of these girls give him the time of day (let alone explaining why some even deigned to sleep with him). Such are harem comedies, I suppose. Even serially monogamous ones.
Damn it, Athrun, who did you let die now?
I'm not sure if I should lump the Mobile Suit Gundam SEED "HD" rebroadcast in with the rest of the winter 2012 shows, or group it with my "Also Watching" cluster. Technically, there is new material, where Sunrise was unable able to crop the original 4:3 broadcast without terrible framing problems. Aside from the shortscreen upscale with sporadic new shots, there's not much to this rebroadcast aside from a new ED arrangement I don't like as much as the original. Still, Gundam SEED is pretty good if you aren't carrying too much U.C. baggage. Let's not confuse it with the dreadful Gundam SEED Destiny sequel, at least. In other news, re-watching SEED makes me wish Hummy would have worked in a "Cosmic Era 70" intro to at least one episode of Suite Precure♪. I like seiyuu jokes.
Ayase decides it's time to tear shit up.
Guilty Crown is not nearly as bad as people claim—it's just juvenile. Some degree of tolerance for tropes intended to appeal to children and teenage boys is required to fully appreciate Guilty Crown. That said, there are elements of the show that don't make any damn sense. Still, I enjoy it for the nice production values and the sufficiently tolerable male lead. Nevertheless, it is a little hard to stomach a successful terrorist organization run entirely by teenagers.
The kids in Detective Conan are drawn comically short.
Detective Conan is Detective Conan. This season appears poised to be as good as it ever was. Detective Conan also remains the best source for regular Hayashibara Megumi and periodic Kansai-ben Miyamura Yuko (Neon Genesis Evangelion's Rei and Osaka-type Asuka) content.
Kokoro's I.Q. dropped this season, but so did everyone else's.
Tantei Opera Milky Holmes II isn't quite as good as the first season yet, but it's nothing more Kokoro and Arsène couldn't fix.
Shana should leave her hair on fire at all times.
I'm not going to call the plot of Shakugan no Shana III complicated, but it seems a bit more convoluted than it needs to be. There's a lot of stuff going on at the same time now, and not all of it makes good sense. It's mostly interesting, or at least amusing, which is a huge step up from Shakugan no Shana II which I'm trying my best to forget even though it's only been a few months since I watched it.
You know, Carmel doesn't really appear to Manipulate
Objects any more than anyone else does.
It turns out J.C. Staff is not only bad when it comes to fight scenes. It's also bad at war. At least with that arc over, Shakugan no Shana Final can finally answer the important questions: Whatever happened to horny dude after his afternoon of life-threatening copulation with horny chick? Obviously she fucked him into next year, and they were still airborne last we saw them, but what's going to happen when they hit the ground?
I guess Rebecca looks sober here, even with her trousers unbuttoned.
Speaking of which, if Margery is the Shakugan no Shana drunken office lady, then Rebecca is the Shana drunken sorority girl, even though I think she's been sober the whole time. The girl just don't look sober. Ever. I like Rebecca.
Piracy goes in here.
Moretsu Pirates seems fine so far, but it's kinda boring, even if it does have schoolgirls wearing skirts in zero-G. For being "bodacious space pirates," they don't seem very bodacious, spacey, or piratey.
Potato-kun is a pretty half-assed vampire.
I am watching Nisemonogatari. It's pretty good if you like that sort of thing, but it's painful to watch if you have a low tolerance for SHAFTisms. Nisemonogatari is a pretty ambitious harem comedy, but I guess that's still a lot better than typical low-brow ones.
Cure Melody dies.
Suite Precure♪ is a disaster at this point. Worst Pretty Cure series ever. I hope Smile Precure! is a big improvement. With a starting cast of at least five Cures, I hope Smile tries to tap the focus on interpersonal relationships that made Yes! Precure 5 so successful. I will also accept wall-to-wall mahou shoujo beatdowns a la the first generation, Futari wa Pretty Cure.
It kinda freaks me out that Bel Peol only closes two of her three eyes.
All these Bel Peol shots in episode 23 make me think she's either going to die or steal Shana's boyfriend before Kazumi can do it. I suppose novel-readers would know.
When in doubt, hug Chris.
Senki Zesshou Symphogear was awesome because it was preposterous. Symphogear went above and beyond to remain entertaining. From the first BADICAL episode to its ridiculous climax, Symphogear always remained fun to watch. I can't claim with a straight face that it's actually good, but I never claimed a show had to be good to be the best show of the season. More of this sort of thing, please.
It's all about the timing.
The best show of Winter 2012 if you want to use boring metrics such as "funny" or "consistent" is Daily Lives of High School Boys (Danshi Kōkōsei no Nichijō or "Nichibros" affectionately, among fans). Shockingly, this was a very amusing comedy and nothing at all like what I thought it would be about based on the title. Daily Lives of High School Boys also accomplished the rare No Bad Episodes achievement. Hell, I'd even go so far as to recommend it. That's something I can't do for Symphogear.
Black Rock Shooter needed more DARK MAMIKO.
I liked Black Rock Shooter for its almost confrontational use of allegory and metaphor to illustrate the trauma of suffering teenage feelings. I don't believe I have an especially high tolerance or patience for teen angst in general, so I consider my positive overall opinion of Black Rock Shooter to be a testament to its solid, stylish execution and depiction of envy, despair, humiliation, friendship, and courage. I can see how other viewers might wildly disagree, though.
Kazuha aikidos the shit out of some deadbeat.
Detective Conan remains as good as ever. It's somewhat amazing that after more than 650 episodes it still has compelling stories about its key characters. It's also just as satisfying as ever to watch Ran and Kazuha whip the Hell out of some goob. If you're new to these wrap-ups, Detective Conan is sort of my control group of quality since it's pretty consistent and appears ready to run as long as it has to.
Guilty Crown needed more Butt OS.
Guilty Crown was all over the place this season. It's quite a mess, but was pretty entertaining in an absurd sort of way when it was about [spoilers] and [spoilers] and [spoilers!], but then it just started getting stupid. Shu as a protagonist was its biggest flaw, and things would have been so much better if Guilty Crown had killed him unexpectedly and replaced him with Ayase. For a show that I ranked number one for a large part of the season, Guilty Crown fell a long way in its inability to pull off a satisfying conclusion. It also didn't make a damn lot of sense, but a show doesn't need to make sense to be the best of the season. (See Symphogear.)
Poor Flay is just misunderstood.
The "HD" rebroadcast of Mobile Suit Gundam SEED is not much different from the original. It's mostly just cropped and upscaled. I still like it, though, even if Flay's breasts are now flying out-of-control all over the OP.
That is some pretty good ramen.
I finished Thermae Romae months ago. It's a good thing it was so short, though. I can't imagine watching a full cour of it.
Flag of England and lance corporal rank.
It's a bit of a relief that Smile Precure! is charming. These girls can't fight worth a damn. That's kind of the trend for Pretty Cure over the last few years, though. There's not nearly enough ass kicking. I remain hopeful that Cure March will get her act together later, even if she does end up carrying the rest of the team. Notably, Nao wears combat boots and her favorite shirt appears to have lance corporal rank insignia on its sleeve and the flag of England on the breast. SHOW ME YOUR WAR FACE, CURE MARCH!
Ai is pretty awesome even though she tastes like ramen.
Amagami SS+ was a huge letdown because it retconned nearly all of the progress Potato-kun made in the first season. It would be almost inexplicable, except that I should have predicted the craven devotion to upholding the Otaku Virtues. In nearly every respect, the second season of Amagami SS is wasted potential, and a waste of time. At least Tsukasa remains the Amagami Best Girl by showing she's smart enough not to fall for stupid tricks.
Potato-kun comes for Asia's box.
High School DxD is both a disappointment and a pleasant surprise. On the one hand, it's a lot better than a trashy show like that has any right to be. On the other hand, it didn't turn out as good as it appeared it would be from the early episodes following the cookie-cutter first episode.
The best Milky Holmes II had to offer.
Tantei Opera Milky Holmes II was not nearly as good as the first season. Then again, the first season was a lot better than anyone expected it to be, so I guess it works out. Too much lard, not enough Arsène, and the only new gag I liked was Hercule turning out to be a huge pervert in secret.
Hair down > twin-tails.
Another was another letdown for me. It started off boring, got interesting, got stupid, and ended up being completely retarded. I think it tried recapture the elements that made Shiki so good, but instead of B-movie fun Another was just poorly written dreck. So many problems. There's only so much handwaving I'm willing to accept. And another thing: [SPOILERS] If everyone forgets about the dead extra person after he's killed, how do they know it's over? Wouldn't the class continue looking for the extra person until everyone was dead? In any case, it seems a lot of people who were very critical of Guilty Crown for being puerile were much more forgiving of Another despite the two shows sharing similar flaws. I took the opposite view. I dunno, maybe I liked Butt OS and wheelchair-fu more than I thought. A classroom of students too stupid to live? Not so much.
Dere-Dere Mode, activate!
Shakugan no Shana III was a lot better than Shakugan no Shana II but was still terrible. I blame J.C. Staff's persistent problems with producing compelling fight scenes. They're bad enough at it that sequences only a few seconds long routinely come out horrid. Thus, when J.C. Staff tries to drag out fight scenes over multiple episodes, the end result is disastrous.
Whatever happened to Shinobu's helmet and goggles?
Nisemonogatari is awesome if you like that SHAFTXSHINBO jive. It'll irritate the crap out of you if you have little to no patience for it, though. And let's be clear on this: Koyomi is a harem comedy protagonist. A shitty one. Also, the obsession with little sisters has got to stop. I suppose I don't "get" Japanese fetishes, but I am really tired of the imouto thing. It's basically only okay when it's like Harima + Yakumo from School Rumble (platonic friendship with the kid sister of his unrequited love). I suspect many viewers will further disagree with me here, but as much as I like Sakamoto Maaya, I believe Hirano Aya, the original voice of Shinobu (back when she didn't talk) would have been a better match. I assume Hirano Aya was replaced for reasons related to her relatively recent personal and professional problems.
I already described my problems with Suite Precure♪. I still want to know whether or not Cure Rhythm's battle costume smells like cake, though.
I dropped Moretsu Pirates because it was boring. I heard later that the show is actually about privateering, anyway.