This is a picture of Mujina that doesn't show her thighs.

First off, SSSS.DYNAZENON is excellent. After this show and SSSS.GRIDMAN, I feel like Studio Trigger has finally figured out how to convey the sort of interpersonal tension and emotional baggage that they were trying to get right in Kiznaiver. As you may have surmised, the kaiju monster v. robot battles in SSSS.DYNAZENON are sort of incidental to the show's success. I mean, they're entertaining, but the series really is about the characters.

Both of them get their shit together. P.S. Spoilers.

If there's a weak spot, it's that I never cared that much about Yomogi. He's fine, but Koyomi (the NEET) had a much more interesting character arc. The bait & switch SSSS.GRIDMAN pulled with its leads was critical to its success, and I was sort of hoping SSSS.DYNAZENON would do something similar, but it worked out anyway. I don't know what this next thing is going to be, but I am looking forward to more.

I like it when they show the hidden eye of hidden-eye characters.

As I said recently, Back Arrow is bullshit. Appropriately, its ending is also bullshit, and none of that matters because I wouldn't have it any other way. Do the end-of-series reveals make any sense? Enough so, I guess. Do I wish they seemed more sensible? Not at all. How much you enjoy this show very much depends on your expectations for it. Ideally, you should expect scenery to get chewed. And how.

I came here to sing songs and kick ass, and I'm all out of songs. (Well, except one.)

Based on reactions I saw on the Twitter and elsewhere, reactions to the ending of Vivy -Fluorite Eye’s Song- are generally negative. I think most of the dissatisfaction has to do with logical inconsistencies, lazy storytelling, and not making any damn sense. Basically every criticism I've seen has been valid, although I'm considerably more positive about the show overall than its detractors. Potentially, this has to do with expectations and me setting a pretty low narrative hurdle for Vivy to clear. Possibly, I just have a soft spot for singing robots the way Jenny Nicholson has a soft spot for animatronics.

Extremely loose birth control glasses is somebody's fetish.

Godzilla Singular Point also recently ended. Y'know, there was a lot less Godzilla in a show about Godzilla than I was expecting. Unfortunately, what the show was mostly about was barely comprehensible technobabble. It had some neat ideas, but I'm not really sure a Godzilla anime was the right vehicle for it. Really, they could have just done that story on its own, separately, without involving Godzilla at all. (And they almost sort of did.) The other part of Singular Point, though, with the dudes and their extremely Kugimiya Rie robot, was a lot more fun, even if none of those characters wore birth control glasses.

Lucky for Mei, her extremely loose birth control glasses stay on when she runs.

I still enjoyed Godzilla Singular Point overall, but I don't know that I would recommend it to anyone who isn't obsessed with grad students who always dress like it's laundry day. For that matter, SSSS.DYNAZENON is probably the only one of these four that I would recommend without qualification. Back Arrow, I can recommend to people who enjoy bullshit and fucked-up bangs. Vivy -Fluorite Eye’s Song-, I can recommend to people with fond memories of Chuck E. Cheese. Also, robosexuals.

<&Seem> Oof. My overburdened media shelf decided to finally collapse and it took with it all the remaining Macross/Gundam models I'd kept intact and displayed since the early 2000s
<&Seem> Just look at these shattered things and thinking all I can do is toss them in the garbage ( ._.)

Learning of Seem's misfortune reminds me that recovering my own anime merchandise from the inevitable future SoCal earthquake is going to be troublesome. Viewed from the perspective that the things you own end up owning you, there is something perversely attractive about the prospect of going through life with fewer material possessions. I do know people who favor that lifestyle, but fewer still who both favor it and actually embrace it. I, on the other hand, like having things, even though each acquisition incrementally increases the burden and complexity of storing it all and finding new spaces for additional hoarding.

Meanwhile, I imported more Japanese BDs.

I'm not prepared to take the position that losing everything in a catastrophe should be viewed as liberating, but hearing about events such as the above does remind me that I don't really have any sort of plan for the Blu-rays I buy and never watch, nor do I have any idea what I'm going to do with my growing collection of anime tchotchkes. I do occasionally see people selling off their stuff on the Twitter, but it sort of seems as if those efforts are intended to ensure the items at least go to people who will appreciate them, rather than to recoup financial value. Probably that's the best case scenario, long term.

I guess you need to watch The Second Raid
to know who the person on the right is.

There has been a running gag for years about Full Metal Panic! fans in anguish about Kyoto Animation working on other projects instead of animating another sequel to follow Full Metal Panic! The Second Raid. To some extent, I fit that category of disgruntled fans in the sense that I did want another FMP season, although it's not accurate to claim I harbored Kyoani any ill will, if only because I had long ago concluded no such sequel would ever be forthcoming. Surprisingly, there is going to be a fourth season after all: Full Metal Panic! Invisible Victory. (Get it? Full Metal Panic! IV. Anyway....) Xebec is making this one, and it starts on 13 April. Do you need to watch the first three seasons before watching FMP IV? I dunno. Probably?

It's your own fault for only bringing a gun to a sword fight.

Innocent Venus is "pretty good," but it sort of feels as if viewers forgot about it somewhat quickly. When was the last time you even thought about this 2006 series? I liked it quite a bit when it first aired, but even I haven't thought about it much after it ended. I want to say it was at least popular enough to get licensed, but basically everything was getting licensed back then just before the crash. I see it sure didn't take long for the DVDs to go out of print, so good luck finding it now if you haven't secured a copy already.

All things considered, Angelise is taking this rather well.

I should probably be blogging about Cross Ange: Tenshi to Ryuu no Rondo (Cross Ange: Rondo of Angels and Dragons) on a regular basis because I think it has the potential to provide as much mileage as Gundam SEED Destiny did. Let's be clear. I am not watching Cross Ange "ironically," okay. This show is shit, but it is great shit. It's never boring and you'll stare in disbelief at some of the idiocy that transpires, but I still enjoy it a great deal. It's got Banana Mizuki stabbing dragons in the face, for crying out loud!

Yes, it's true. This man has no dick.

If you've been paying attention to the OP and ED, you should have figured out the cast doesn't comprise entirely of lesbian rapists and their Stockholm Syndrome-afflicted victims. There's also at least one young man who appears positioned to be Ange's love interest despite appearing to lack genitals. Well, he's here now, and seemingly not some alpha male rebel soldier who will help Ange bring righteousness to an unjust world, but rather a well-meaning doofus with Yuuki Rito's vulnerability to anime gravity. He's not Potato-kun, because he doesn't adhere to the Otaku Virtues, but he's still more of a schmuck than I expected.

Stop complaining and eat your gruel, princess.

I assume Sunrise was sort of trying to set up the Meet Cute that transpires in My-Otome 0~S.ifr~ between Lena Sayers and Not Kira Yamato, but it doesn't go quite so smooth. For example, Tusk (forget it, Jake, it's Sunrise) tries to praise and flatter Ange at one point, but the only compliments he can think of are all about her looks. "You're completely mental, but I've seen you naked, and you're really hot, plus I've been alone on this God damn island alone with nothing but poisonous snakes to keep me company for a long time, okay. Let's make out." To be fair, I don't think I'd be able to come up with anything better given the circumstances.

Stab it again for me, sweetie.

I appreciate that anime is capable of mature romances and poinant scenes of meaningful character development, but it's also capable of ignoring all that in favor of showing how a squadron of lesbian rapists, hapless well-meaning rookies, total cunts, and spoiled princesses can join together to promote vague objectives by fighting a convenient menace. It's important to remember that nothing in this show is realistic to begin with, so trying to preserve any sense of logic or reason while watching Cross Ange is counterproductive. There are dragons and people using magic, you know. This is a world where a frilly bra and panty set crammed into an air intake can render a war machine completely FUBAR.

Hilda? Also a snake.

Try not to wonder why a venomous snake might leap up out of nowhere simply to bite Ange deep in her inner thigh. Moreover, don't object that sucking on a snake bike doesn't actually remove the venom, particularly if enough time has passed for the poison to circulate through her body and completely incapacitate our uppity little princess. Sometimes crotch sucking makes the heart grow fonder. I heard absence can do that too. Maybe being reunited after spending all that time on the island will help Ange get along better with the annoying girl she bitched out for no reason, the broads that banded together to mutually despise her, and the Yukarin psycho who tried to kill her.

Does this count as a Meet Cute?

Technically, Barakamon is not a show about calligraphy, but rather a show about a calligrapher. It's pretty refreshing because it's one of those increasingly rare anime that's about (1) an adult who is (2) good at something because (3) he works hard at it rather than by virtue of being Anime Jesus. In fact, one of the characters in the show postulates that having the discipline to work hard is a talent itself.

Shiny Chariot's Magical Festa is a tough act to follow.

Overall, the spring 2013 season was a little bit of a letdown considering it started fairly strong. (I can sort of prove it too.) From a subjective standpoint, it probably felt worse because the start of the season coincided with the release of Little Witch Academia and Death Billiards which are both excellent short films, although not part of the spring 2013 anime season itself. As you can probably predict, both the best show and the worst show I watched were pretty consistent episode to episode.

Rin, Saki, and Natsumi realize by now that Yuka
with an idea can be a dangerous thing.

I've already explained why Natsuiro Kiseki is my favorite show from spring 2012. However, I didn't mention how shabby the animation looks at times. I'm really surprised to see such lapses from Sunrise, but the show is otherwise so good I'm willing to ignore those faults.